Lawrence Bender Movies

This sequel attempts to ape the inventive blend of horror, comedy, and crime melodrama of its predecessor, with some creative direction by actor Sam Spiegel, a protégé of Sam Raimi. Buck (Robert Patrick) is a former bank robber who's being watched closely by Sheriff Lawson (Bo Hopkins). Lawson's suspicions are well-founded, because Buck is indeed planning a multimillion-dollar bank heist in Mexico, to be aided by prison escapee Luther (Duane Whitaker), rodeo star C.W. (Muse Watson), dog trainer Jesus (Raymond Cruz) and security guard Ray Bob (Brett Harrelson). While on his way to meet up with the gang, Luther encounters bat-related car trouble near the Titty Twister, a dive bar featured in the first film. Offered a lift by Razor Eddie (Danny Trejo), Luther ends up with a pair of fangs in his neck. When he finally meets up with his cronies, Luther turns Jesus into a fellow vampire, unbeknownst to the rest of the gang, who proceed with their caper plans accompanied by two cohorts now more interested in blood than cash. The film was followed by a prequel, From Dusk Till Dawn 3: The Hangman's Daughter (2000). ~ Karl Williams, Rovi

Matt Damon and Ben Affleck co-scripted and star in this drama, set in Boston and Cambridge, about rebellious 20-year-old MIT janitor Will Hunting (Damon), gifted with a photographic memory, who hangs out with his South Boston bar buddies, his best friend Chuckie (Affleck), and his affluent British girlfriend Skylar (Minnie Driver). After MIT professor Lambeau (Stellan Skarsgard) stumps students with a challenging math formula on a hallway blackboard, Will anonymously leaves the correct solution, prompting Lambeau to track the elusive young genius. As Will's problems with the police escalate, Lambeau offers an out, but with two conditions -- visits to a therapist and weekly math sessions. Will agrees to the latter but refuses to cooperate with a succession of therapists. Lambeau then contacts his former classmate, therapist Sean McGuire (Robin Williams), an instructor at Bunker Hill Community College. Both are equally stubborn, but Will is finally forced to deal with both his past and his future. ~ Bhob Stewart, Rovi

In this action-horror flick from director Robert Rodriguez and screenwriter Quentin Tarantino, Tarantino stars with George Clooney as a pair of bad-to-the-bone brothers named Seth and Richie Gecko. After a string of robberies that left a river of blood in the Geckos' wake, the sadistic siblings head to Mexico to live the good life. To get over the border, they kidnap Jacob Fuller, a widowed preacher played by Harvey Keitel, and his two children, Kate (Juliette Lewis) and Scott (Ernest Liu). Once south of the border, the quintet park their RV at a rough-and-tumble trucker bar called The Titty Twister, where Seth and Richie are supposed to meet a local thug. After a couple of drinks, they realize that they're not in a typical bar, as the entire place begins to teem with vicious, blood-sucking vampires. With the odds stacked greatly against them, the Fullers and Geckos team together in hopes of defeating the creatures of the night. Makeup artist Tom Savini and blaxploitation star Fred Williamson appear as allies against the vampires, and Cheech Marin fills three different roles. ~ Matthew Tobey, Rovi

Four of the most celebrated directors in the independent film community pooled their talents for this episodic comedy. Ted (Tim Roth) is the new bellboy at a beautiful but decaying luxury hotel; he is not having a good time of it on New Year's Eve, his first night on the job. In one room, a coven of witches are trying to summon the spirit of the goddess Diana; each of the witches must bring a different bodily fluid for their spell to work, but Eva (Ione Skye), who was supposed to bring semen, managed to lose her supplies, and needs Ted's help for a last-minute replacement. Another room, where Ted was supposed to deliver some ice, turns out to house an angry husband (David Proval), who is holding his bound-and-gagged wife (Jennifer Beals) at gunpoint. A third room is taken by a tough-talking gangster (Antonio Banderas), his doormat wife (Tamlyn Tomita), and their two children; the gangster demands that Ted watch over the kids, who turn out to be mischievous terrors beyond Ted's wildest imagination. And room number four is where an arrogant film actor (Quentin Tarantino) is holding a party. One of his guests makes a bet that he can get a Zippo lighter to light ten times in a row, with his finger at stake if he loses. Allison Anders directed the first segment, which also featured Madonna, Valeria Golino, and Lili Taylor. The second segment was directed by Alexandre Rockwell, husband of his frequent leading lady Jennifer Beals. Robert Rodriguez directed the third story, while the finale was directed by its star, Quentin Tarantino; the final segment also features Bruce Willis, who appeared unbilled. ~ Mark Deming, Rovi

An American ex-con gets caught up in a Parisian bank heist that goes wrong in this ultra-violent thriller. Zed (Eric Stoltz), a safe-cracking expert fresh out of prison, travels to France to participate in a robbery planned by his friend Eric (Jean-Hughes Anglade). But first, Zed decides to indulge in some relaxation with a gorgeous, kind-hearted prostitute by the name of Zoe (Julie Delpy). This idyll, however, is interrupted by Eric, who leads Zed and the other criminals on a long night of drinking, drugging, and debauchery. The next day, the thieves find themselves hung over and exhausted, and the plan soon goes disastrously wrong, turning into a hostage situation. Even worse for Zed, he discovers that the lovely Zoe also works as a teller at the bank, forcing him into a tricky moral dilemma. Writer and director Roger Avary, best known as the co-screenwriter of Pulp Fiction, creates a similar combination of black comedy, extreme violence, and hip attitude. Critics of Quentin Tarantino's films raised similar objections to Avary's reliance on bloody violence and a detached sensibility, while the film's fans acclaimed its fast-paced action. ~ Judd Blaise, Rovi

In 1992, Reservoir Dogs transformed Quentin Tarantino practically overnight from an obscure, unproduced screenwriter and part-time actor to the most influential new filmmaker of the 1990s. The story looks at what happens before and after (but not during) a botched jewelry store robbery organized by Joe Cabot (Lawrence Tierney). Mr. White (Harvey Keitel) is a career criminal who takes a liking to newcomer Mr. Orange (Tim Roth) and enjoys showing him the ropes. Mr. Pink (Steve Buscemi) is a weaselly loner obsessed with professionalism. Mr. Blonde (Michael Madsen) has just gotten out of jail after taking the rap on a job for Cabot; he's grateful for the work but isn't the same person he used to be. While Mr. Blonde goes nuts during the heist, the thieves are surprised by the sudden arrival of the police, and Mr. Pink is convinced one of their team is a cop. So who's the rat? What do they do about Mr. Blonde? And what do they do with Mr. Orange, who took a bullet in the gut and is slowly bleeding to death? Reservoir Dogs jumps back and forth between pre- and post-robbery events, occasionally putting the narrative on pause to let the characters discuss such topics as the relative importance of tipping, who starred in Get Christie Love!, and what to do when you enter a men's room full of cops carrying a briefcase full of marijuana. ~ Mark Deming, Rovi

Gory slasher mayhem from Evil Dead co-writer Scott Spiegel, this claustrophobic thriller is set entirely in a small supermarket, whose owner is preparing to go out of business. This doesn't sit too well with the film's resident maniac, who busily butchers the night crew using the tools of the trade (hooks, axes, knives, power tools and so on). The victims include Spiegel's pal and Evil Dead director Sam Raimi as the butcher-shop buffoon who meets a nasty end on a meathook; even Raimi's favorite lantern-jawed star Bruce Campbell puts in an eyeblink cameo as a brutish cop. Though the film sports some clever, audacious gore effects from KNB FX Group, most of this footage is absent from Paramount's home video print. ~ Cavett Binion, Rovi