Lawrence Bender Movies

Eva (Amy Werba) is a young student in New York who has traveled a little and is more worldly-wise as a consequence. One day her boyfriend mentions having children and when she flatly refuses to become a mother -- with his participation, at least -- he leaves her. Eva, in the meantime, befriends a young, pregnant woman who has been dumped by her boyfriend and is on the verge of getting an abortion. The two new friends talk together, go out, and generally bond as companions -- and Eva, determined that her friend should have the baby, works hard to talk her out of an abortion. Amy Werba's mother, Nadia Werba, directed this movie which was filmed in eight days. An earlier film, My Mother, My Daughter, starred the director's younger daughter, Alicia Werba and was a prize-winner in Italy. ~ Eleanor Mannikka, Rovi

After his brother is badly beaten by a street gang, Jean-Claude Van Damme deserts the foreign legion in order to avenge his honor in this action film also known as A.W.O.L. and Wrong Bet. ~ Jason Ankeny, Rovi

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic. ~ Leo Charney, Rovi

A bright young African-American boy attempts to survive life in the city by acting as an errand boy for a drug dealer in this thoughtful, sharply plotted drama. Known as Fresh, the young man must use his delivery jobs to support himself and his troubled sister, receiving nothing from his distant, alcoholic father but the occasional chess lesson. His intelligence and quiet determination serve him well, as he wins the trust of his employer and settles into an unpleasant but survivable routine. Even this small comfort disappears, however, when Fresh accidentally witnesses the killing of a classmate and becomes a potential target himself. Forced into an impossible situation, he puts his experience and strategic ability to good use, developing a tricky plan to protect his own life and defeat the killers. First-time director Boaz Yakin emphasizes restraint and realism, presenting potentially sensationalistic material with a minimum of violence and flash. Instead, attention is placed on the strong, layered performances, particularly Sean Nelson as Fresh and Samuel L. Jackson as his embittered father. While some have questioned the film's treatment of inner city life, the film was generally acclaimed, thanks to its seriousness and complexity. ~ Judd Blaise, Rovi

Four of the most celebrated directors in the independent film community pooled their talents for this episodic comedy. Ted (Tim Roth) is the new bellboy at a beautiful but decaying luxury hotel; he is not having a good time of it on New Year's Eve, his first night on the job. In one room, a coven of witches are trying to summon the spirit of the goddess Diana; each of the witches must bring a different bodily fluid for their spell to work, but Eva (Ione Skye), who was supposed to bring semen, managed to lose her supplies, and needs Ted's help for a last-minute replacement. Another room, where Ted was supposed to deliver some ice, turns out to house an angry husband (David Proval), who is holding his bound-and-gagged wife (Jennifer Beals) at gunpoint. A third room is taken by a tough-talking gangster (Antonio Banderas), his doormat wife (Tamlyn Tomita), and their two children; the gangster demands that Ted watch over the kids, who turn out to be mischievous terrors beyond Ted's wildest imagination. And room number four is where an arrogant film actor (Quentin Tarantino) is holding a party. One of his guests makes a bet that he can get a Zippo lighter to light ten times in a row, with his finger at stake if he loses. Allison Anders directed the first segment, which also featured Madonna, Valeria Golino, and Lili Taylor. The second segment was directed by Alexandre Rockwell, husband of his frequent leading lady Jennifer Beals. Robert Rodriguez directed the third story, while the finale was directed by its star, Quentin Tarantino; the final segment also features Bruce Willis, who appeared unbilled. ~ Mark Deming, Rovi

Matt Damon and Ben Affleck co-scripted and star in this drama, set in Boston and Cambridge, about rebellious 20-year-old MIT janitor Will Hunting (Damon), gifted with a photographic memory, who hangs out with his South Boston bar buddies, his best friend Chuckie (Affleck), and his affluent British girlfriend Skylar (Minnie Driver). After MIT professor Lambeau (Stellan Skarsgard) stumps students with a challenging math formula on a hallway blackboard, Will anonymously leaves the correct solution, prompting Lambeau to track the elusive young genius. As Will's problems with the police escalate, Lambeau offers an out, but with two conditions -- visits to a therapist and weekly math sessions. Will agrees to the latter but refuses to cooperate with a succession of therapists. Lambeau then contacts his former classmate, therapist Sean McGuire (Robin Williams), an instructor at Bunker Hill Community College. Both are equally stubborn, but Will is finally forced to deal with both his past and his future. ~ Bhob Stewart, Rovi

This sequel attempts to ape the inventive blend of horror, comedy, and crime melodrama of its predecessor, with some creative direction by actor Sam Spiegel, a protégé of Sam Raimi. Buck (Robert Patrick) is a former bank robber who's being watched closely by Sheriff Lawson (Bo Hopkins). Lawson's suspicions are well-founded, because Buck is indeed planning a multimillion-dollar bank heist in Mexico, to be aided by prison escapee Luther (Duane Whitaker), rodeo star C.W. (Muse Watson), dog trainer Jesus (Raymond Cruz) and security guard Ray Bob (Brett Harrelson). While on his way to meet up with the gang, Luther encounters bat-related car trouble near the Titty Twister, a dive bar featured in the first film. Offered a lift by Razor Eddie (Danny Trejo), Luther ends up with a pair of fangs in his neck. When he finally meets up with his cronies, Luther turns Jesus into a fellow vampire, unbeknownst to the rest of the gang, who proceed with their caper plans accompanied by two cohorts now more interested in blood than cash. The film was followed by a prequel, From Dusk Till Dawn 3: The Hangman's Daughter (2000). ~ Karl Williams, Rovi

An outlaw who recently defied death by escaping his noose is on the run with his gang and the daughter of his intended executioner in this prequel to the 1996 series original, From Dusk Til Dawn. ~ Rovi

A clumsy criminal is put in a position where he not only has to save his own skin, but that of his girlfriend in this comedy with strong undercurrents of romance. Jerry Welbach (Brad Pitt) is a low-level Mafia "mechanic" whose ineptitude is countered by frequent (but unpredictable) bursts of dumb luck. Jerry's girlfriend Samantha (Julia Roberts) wants him to get out of the business, and after his latest blunder lands capo Arnold Margolese (Gene Hackman) in jail, so does mid-level crime kingpin Bernie Nayman (Bob Balaban). But Bernie insists that Jerry do one last errand for the mob before they let him find employment elsewhere -- he has to go to Mexico and recover a rare and very valuable pistol, which is said to be cursed. While Samantha objects to Jerry taking the assignment, he isn't in much of a position to argue; Jerry heads south of the border, while Samantha, in a huff, sets out for Las Vegas. Once in Mexico, Jerry finds the pistol easily enough, but making his way back to the States proves to be an unexpected challenge. Meanwhile, Jerry's superiors want insurance that he'll return with the goods, so they hire Leroy (James Gandolfini), a hitman, to kidnap Samantha and hold her hostage until Jerry comes back. However, Samantha and Leroy quickly strike up a friendship, and she soon learns the gunman has a sensitive side he doesn't show to the world -- along with a few other secrets. The Mexican marked the first screen pairing for mega-stars Julia Roberts and Brad Pitt -- though, given the film's narrative arc, they play only a handful of scenes together. The film was directed by Gore Verbinski, who won awards for his work in commercials before breaking through with the quirky family comedy Mouse Hunt. ~ Mark Deming, Rovi

A big score goes wrong in a big way for a bunch of aspiring gangsters in this crime comedy. Matty Demaret (Barry Pepper) is the son of a mid-level Brooklyn mob boss, Benny "Chains" Demaret (Dennis Hopper). When Matty was 12 years old, Benny and Uncle Teddy (John Malkovich) decided to see if Matty had what it took to be in the mob; they gave the boy a gun and ordered him to shoot a longtime enemy of the family. Matty lacked the nerve to do it, and ever since, Benny has been convinced his son is a coward. As an adult, Matty is stuck between a rock and a hard place; he'd like to work as a sports agent, but his family's criminal ties make that all but impossible, and his dad won't give him a chance in the family's operations. Uncle Teddy decides to give Matty a chance to make good by asking him to pick up a payment of $500,000 in Spokane, WA. Matty puts together a crew of three friends, all sons of mob guys, to help him out: muscle bound Taylor (Vin Diesel), ladies' man Chris (Andrew Davoli), and cocaine-addled would-be pilot Johnny (Seth Green). Getting the money goes just fine, but during a refueling stop in Montana, Johnny has to hide the money to keep it from being discovered. It's then promptly stolen by a pair of burnouts. When Matty and his crew discover the money is missing, they head back to Montana, but before long, they find out that the sheriff (Tom Noonan) is onto them, and that he has his own plans for the cash; they also learn that Uncle Teddy has some plans he didn't tell them about. Knockaround Guys marked the directorial debut for the screenwriting team of Brian Koppelman and David Levien. ~ Mark Deming, Rovi

Previously portrayed in films and on TV by the likes of Bonita Granville, Janet Julian, Pamela Sue Martin, and Tracy Ryan, author Carolyn Keene's intrepid, teenaged sleuth Nancy Drew is again brought to life in the person of Maggie Lawson. Now enrolled at River Heights University with her longtime friends and fellow "detectives" Bess (Jill Ritchie) and George (Lauren Birkell), the level-headed, no-nonsense Nancy hopes to achieve academic nirvana by being accepted to the prestigious Tri Pi fraternity. Things take a sinister turn when Tri Pi's reigning "queen" Allison Price (Sabine Singh) is accused of causing the drug overdose that has put her football-hero boyfriend in a coma. As usual, Nancy suspects that the case isn't quite as cut-and-dried as it seems, and with the assistance of her aforementioned girl friends -- not to mention her erstwhile beau Ned Nickerson (Nick Stabile) -- our heroine snoops around long enough to uncover a sinister campus-wide conspiracy. Adult authority is represented in the form of Nancy's long-suffering attorney dad Carson Drew (Brett Cullen) and her overbearing, condescending journalism teacher Professor Shifflin (James Avery). First broadcast as an episode of the ABC anthology The Wonderful World of Disney on December 15, 2002, Nancy Drew was rather blatantly designed as the pilot for a potential weekly series. ~ Hal Erickson, Rovi

Douglas Brinkley's best-selling novel Tour of Duty follows 2004 presidential hopeful John Kerry's years in Vietnam and goes on to illustrate his contribution to peace advocacy groups after being honorably discharged from the Navy. Both of these events, according to George Butler, Tour of Duty director and long-time friend of Senator Kerry, had a profound impact on the politician's personal ideologies, and provided the foundation for Kerry's career. Kerry, who hired Butler as his press secretary during his 1969 congressional campaign, agreed to be interviewed for the film. Tour of Duty, in addition to a series of interviews, features an array of archival footage of Kerry dating from the 1960s to his presidential run. ~ Tracie Cooper, Rovi