Jean-Paul Belmondo

Craving a change in lifestyle, jewel thief and eight times-divorced Edouard (Jean-Paul Belmondo) leaves Paris for the Patagonian jungle. One day, while out gathering grubs, he makes the acquaintance of an extraterrestrial little girl (Thylda Bares) who materializes out of nowhere and proceeds to speak to him in perfect French. In short order, ambitious astronomer Dr. Margaux (Arielle Dombasle) -- who has long looked for evidence of extraterrestrial life -- arrives on the scene as part of a top-secret mission, complete with her nasty secret service operative (Patrick Bouchitey). Margaux and Edouard gradually learn that the little girl, called Lulu, is from a small planet populated by child-sized beings who take special pills to ensure eternal life. Lulu, who came to Earth to experience human emotions, left her pills at home and is aging at a rate of ten years every hour. ~ Rebecca Flint Marx, All Movie Guide

This French comedy-thriller is directed by Patrice Leconte, who was Oscar-nominated for Ridicule (1996). The film reunites Jean-Paul Belmondo and Alain Delon, almost three decades after they appeared together in Borsalino (1970). Unaware of her father's identity, car thief Alice Tomaso (Vanessa Paradis) is released from prison one month after her mother's death. She plays an audiocassette in which her mother tells her that 20 years earlier she loved two men and thus never knew which was Alice's father. In true Belmondo fashion, Alice steals a sports car and drives toward the south of France to seek out both possible papas, now semi-retired businessmen. Auto dealer Leo Brassac (Belmondo) and successful Julien Vignal (Delon), who flies his own helicopter, dislike each other, but they team up after Alice steals a car with $50 million of Russian Mafia money in the trunk. The Russian syndicate wants Alice to turn over the money, but she can't; it was taken by undercover cop Carella (Eric Defosse), tracking each illegal Russkie move. Fortunately, former Foreign Legionnaire Leo and jewel-thief Julien have both the weapon power and smarts to help Alice thwart all mob machinations. The French equivalent of Heat -- in which Al Pacino and Robert De Niro are seen noshing during a quiet coffeeshop encounter -- contains a scene where famed French icons Delon and Belmondo order burgers at McDonalds. But then the two gear up for action, and composer Alexandre Desplat heightens the nostalgic mood with Claude Bolling's familiar Borsalino refrain. ~ Bhob Stewart, All Movie Guide

This homage to the cinema by venerated movie-maker Agnes Varda, often dubbed the "grandmother" of the French New Wave, features an all-star international cast. The story is based upon the memories and insights of the 100-year old Mr. Simon Cinema. He lives in a magnificent house filled with movie memorabilia. To help him remember the important details of his career he hires Camille, a film student to write down his remembrances and experiences which have involved all areas of movie-making. Camille comes once a day for 101 days. Film clips, photographs and actual visitors highlight his stories. As he continues to spin his yarns, the imagery in the film smoothly morph into other images. Camille, when not recording, is involved in other exploits including a romance with a production assistant, Mica who aspires to becoming a director. She also begins plotting a way to get to Mr. Cinema's fortune by having a friend pose as his long lost heir. Many other characters are peripherally involved including Death, an Italian seeking the rights to his film catalogue, and a memory specialist. ~ Sandra Brennan, All Movie Guide

Loursat (Jean-Paul Belmondo) is a lawyer who has spent the last decade drinking himself into insensibility with a huge cache of gourmet wine in response to his grief at the death of his beloved wife. In the process, he has managed to alienate his now-grown daughter and is barely on speaking terms with his housekeeper. However, finding the corpse of a murdered young man in a room in his house snaps him out of his protracted reverie. He sobers up, investigates the murder, and takes his place in the courtoom to straighten out this mess. In the process, he wins back the respect and affection of his family. This courtroom drama and mystery is based on one of Georges Simenon's many novels. ~ Clarke Fountain, All Movie Guide

Commissioner Stan Jalard (Jean-Paul Belmondo) takes in his godson after the boy's father, who is also Stan's police partner, is murdered in this routine action thriller. Stan chases the heavy until he catches up with him. He levies his gun on the killer as he decides whether to shoot him or let him spend life in prison. ~ Dan Pavlides, All Movie Guide

Considered more as a vehicle to display Jean-Paul Belmondo than as an independent, wartime action story, Les Morfalous rides the crest of the French actor's popularity and delivers a tale that highlights his persona. Belmondo is a member of the French Foreign Legion sent with others to Tunisia in 1943 to recover a fortune in gold from a certain French bank before the Germans get to it. Then the Legionnaires are ambushed by German troops and the few left alive manage to get hold of the treasure but they cannot agree on what to do with their booty. Between their disagreements and the surrounding German army, the action heats up. Belmondo fans will be disappointed that he does not perform any of his famous stunts in this film -- always a drawing card -- and some viewers may find the humor too crude. ~ Eleanor Mannikka, All Movie Guide

In another typical Jean-Paul Belmondo vehicle, the French action hero plays a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord (Henry Silva) who is essentially inaccessible -- but not immortal. Stunts (performed by Belmondo) and chase scenes on land and water enliven the story, but the scenes with Belmondo's love interest are rather marginal themselves. ~ Eleanor Mannikka, All Movie Guide

Joss Beaumont (Jean-Paul Belmondo) is a French spy given the assignment of killing an African dictator, and when he arrives in Africa to do so, he is captured and put in prison. The political winds had changed - the dictator is now an ally - and the best way to handle the agent is to keep him in jail. Naturally at odds now with his former bosses and with an ax to grind for his own incarceration, the agent escapes after two years in prison and heads back to Paris where he announces that he is going to finish his assassination job during the coming diplomatic visit of the African leader. Once aware of his intent, the French government sets up one trap after another, but to no avail - the agent remains free and there is no doubt that he has the full capacity to do exactly what he says. ~ Eleanor Mannikka, All Movie Guide

When the local police inspector was found dead in a prostitute's house, police division commissioner Stan Borowitz (Jean-Paul Belmondo) is sent to investigate the situation. Posing as the prostitute's long-lost brother "Antonio Cerruti," he discovers a mare's nest of police corruption. In fact, in this comedy thriller the whole town is corrupt. If they were closely examined, Stan's methods for pursuing this investigation might embarrass the police. For instance, he drives into a criminal's house in a fancy, expensive race car. In another incident, he callously blows up a casino owned by Musard (Georges Geret), one of the town's crime bosses. On that occasion, he first forces Musard to remove his clothes, and the poor criminal watches his casino explode from across the square while standing naked in a phone booth. Meanwhile, Stan seduces the lovely Edmonde (Marie Laforet). This box-office smash was the first of four wildly successful collaborations between Belmondo and director Georges Lautner. ~ Clarke Fountain, All Movie Guide

In France, the slang-word for "bounty hunter" is "alpagueur." When the police are working on cases where they do not want their presence officially known, they arrange for private individuals who specialize in this work to perform certain services, such as setting up major arrests. In this film, L'Alpageur is Jean-Paul Belmondo, who does his work with a considerable sense of humor, great charm, and in as "clean" a way as possible. First, he busts a drug-trafficking ring operating out of Rotterdam by observing that a certain "pregnant" woman moves in an unusual fashion. Her "baby" turns out to be a large, specially shaped package of heroin. The drug kingpins stung by his operation seek to find the man who thwarted them, but because L'Alpageur is known only to a few in the police department, the drug barons' corrupt police friends cannot determine who he is. Later, he busts the leaders of a prostitution ring. While they were all gathered in one room, he fed nitrous oxide into that space, and they all fell unconscious following a few giddy, laugh-filled moments. This made it possible for him to arrest them without their ever seeing him. His most important case, however, is his search for "The Hawk," a bank-robber who uses local juvenile delinquents in each town to help him set up his thefts. After each robbery, he kills his helpers. One of them, however, has survived and has been put in jail. L'Alpageur is given a false identity and is put into jail alongside the youth. His job is to help the lad escape, and find the elusive, murderous bank robber. ~ Clarke Fountain, All Movie Guide

Right after his release from prison, Victor (Jean-Paul Belmondo) resumes his con-man activities. He rents apartments he doesn't own, sells nonexistent fighter planes to African countries, and by turns pretends to be a gardener, lawyer, private detective, governmental official, and even a transvestite in order to fool his unsuspecting victims. He does it all under the nose of his charming but naive parole officer Marie-Charlotte (Genevieve Bujold). When Victor finds out that Marie-Charlotte's father curates the museum that has an extremely valuable painting, he and his friends decide to steal it. ~ Yuri German, All Movie Guide

This film by French director Alain Resnais (Last Year in Marienbad) is loosely based on a true story from the 1930s about financier, con-man and swindler Stavisky who was arrested in 1934 for selling phony stock but was never brought to trial. While in jail, he continued to engage in doubtful monetary transactions. As the rumors that he was being protected by high-ranking members of the government of the French Third Republic were undoubtedly true, the scandal had a profoundly unsettling effect on the French nation, already suffering from poor government handling of the Depression, and this incident nearly brought down both the government and the Republic. Stavisky's death in prison (an apparent suicide) triggered widespread unrest and rioting. In the movie, when Stavisky (Jean-Paul Belmondo) goes to jail as a young con-man, his embarrassed father commits suicide. Ruining countless lives in his stellar career as a big-money swindler, including that of his nobleman friend Raoul (Charles Boyer), Stavisky is shown to be a pawn in a still bigger swindle, one which will destroy the Left and open the way to fascism. ~ Clarke Fountain, All Movie Guide