Scott Brady Movies

Producer A.C. Lyles managed to do quite well for himself in the 1960s by making low-budget westerns crammed full of familiar faces whose stock in the film industry had slipped a bit. Starring in Arizona Bushwackers were such celebrities of yesteryear as Howard Keel, Yvonne De Carlo, John Ireland, Marilyn Maxwell, Scott Brady, Brian Donlevy, Barton MacLane and James Craig. Keel is cast as a Confederate POW who is pardoned when he agrees to patrol the West on behalf of the Union. Assigned to a wide-open Arizona town, he stands up to such disreputable types as a crooked sheriff (MacLane) and saloon-owner Ireland. When legal means fail, the ex-POW resorts to six-guns and fists to keep the peace. Yvonne De Carlo's part was to have been played by Betty Hutton, but the latter actress could not adapt to A.C. Lyles' "get it right on the first take" approach. Arizona Bushwackers may be cheaply made, but it is consummately acted by its strong ensemble cast and sturdily directed by Leslie Selander. ~ Hal Erickson, All Movie Guide

A bunch of hopeful heirs arrives on an isolated island to hear the will of a horribly scarred, mad scientist. They must not only find the person who is responsible for his disfigurement, but also survive the rampages of a vicious robot the scientist has made in his own image. ~ Kristie Hassen, All Movie Guide

In this western, a world-weary bounty hunter begins working for an avaricious crook who wants to destroy the good name of a little town so that the railroad will be built across his land. To enact his plan he brings a notorious gambler to town. He also establishes a brothel in the saloon. The sheriff and the good townspeople protest, but the villain takes care of him. This angers the bounty hunter, who has come to like the lawman and he turns against his boss. ~ Sandra Brennan, All Movie Guide

Politics and sports clash in this occasionally funny spoof centered around a downed U2 pilot and an extravagant oil sheik. John Goldfarb (Richard Crenna), a former football player, now pilot, sent on a reconnaissance mission over the Soviet Union, is lost and crash-lands in the Middle Eastern kingdom of Fawzia. King Fawz (Peter Ustinov) is constructing a football team to defeat Notre Dame and demands that Goldfarb coach his team or be handed over as a spy. In the interests of international relations, the U.S. State Department not only complies with King Fawz's request to bring the Notre Dame team to his country but in true diplomatic form insists that they throw the game. The romantic interest appears in the form of Jenny Ericson (Shirley MacLaine), an American reporter on an undercover assignment in the king's harem. A pleasant view in scanty harem garb, she lends mild amusement to the story with attempts to avoid the king's amourous advances. Although the humor falls short of its potential, the film was fortuitously saved from obscurity due to publicity generated by an unsuccessful lawsuit brought agianst the studio by the University of Notre Dame, which objected to a scene involving Notre Dame players fraternizing with harem girls. The screenplay for John Goldfarb, Please Come Home was written by William Peter Blatty who was later known for his award winning novel and screenplay The Exorcist. ~ Lucinda Ramsey, All Movie Guide

This conventional wartime drama is comprised of an inexplicable mix of moods and genres as a U.S. submarine in World War II heads out to the island of Bikini in the South Pacific to destroy the remains of a sunken sister ship. The ruined ship has some delicate radar equipment on board that cannot fall into enemy hands. Meanwhile, the Japanese naval command is sending out its ships as control over the Pacific is at issue. This builds up into a major sea-going confrontation as the forces on each side are strengthened and expanded. Incongruously mixed in with the growing tension is a love story between Lt. Morgan Hayes (Tab Hunter) and the voluptuous Reiko (Eva Six). Frankie Avalon, as one of the seamen, sings a few songs, and others contributing to the action are Jim Backus as a chief bosun's mate, and Gary Crosby as another seaman. ~ Eleanor Mannikka, All Movie Guide

This routine and somewhat trite war movie develops slowly until a group of five nurses are captured by North Korean troops and quite clearly need to be rescued. At the head of the rescue task force is Lt. Frank Davis (Scott Brady). Frank has a special interest in freeing the women because one of them, Mary (Elaine Edwards) is more than just a pretty face in a uniform. Even though she is engaged to a Navy surgeon she is falling in love with the young lieutenant, and vice-versa. In the meantime, there is the little matter of the rescue itself. ~ Eleanor Mannikka, All Movie Guide

Despite the glut of TV westerns in 1958, 20th Century-Fox's Regal Films subsidiary continued grinding out profitable sagebrushers. In Ambush at Cimarron Pass, cavalry sergeant Scott Brady is ordered to escort a prisoner through treacherous Indian territory. A diehard Union sympathizer, Brady is forced to rely upon a group of ex-Confederates to successfully complete his mission. This may be difficult, however: the Apaches drive off the troop's horses, forcing them to complete the arduous journey on foot. Billed third in Ambush at Cimarron Pass is Clint Eastwood, no longer a bit player but not yet a star. ~ Hal Erickson, All Movie Guide

Another of director Allan Dwan's underrated but well-crafted westerns of the 1950s, The Restless Breed stars Scott Brady as a young gunslinger who lives for revenge. When Brady's father is killed by gun runners, he pursues the villains across the Mexican border. Gang leader Jim Davis, beyond the reach of American law, is confident that his henchman can get rid of Brady in short order, but he's wrong. As his hired guns drop like flies, Davis is forced to accept Brady's challenge to a showdown. Anne Bancroft is intriguingly if incongruously cast as an Indian girl who falls in love with Brady. ~ Hal Erickson, All Movie Guide

Though released by 20th Century-Fox, Mohawk was produced independently by Edward L. Alperson, who also doubled as the film's musical composer. Scott Brady stars as an 18th century Boston artist, sent to Mohawk Valley to paint landscapes and portraits of Native Americans. Brady is forced to pack up his easel when he becomes embroiled in a war between the Indians and avaricious land baron John Hoyt. The villain intends to play both ends against the middle, then claim what's left when the Mohawks and settlers wipe each other out. Brady not only defies Hoyt, but also battles near-psychotic Mohawk warrior Neville Brand. ~ Hal Erickson, All Movie Guide

The oft-filmed Zane Grey yarn The Vanishing American is given respectful treatment in this Republic "A" production. Eliminating Grey's premise that the American Indian's downfall was all part of Nature's scheme of things, the film begins in the late 19th century, with Scott Brady starring as Navajo protagonist Blandy. Embittered not only by deceitful whites but also by renegade Apaches, Blandy hopes to prevent further decimation of his people by stemming the activities of crooked Indian agent Blucher (Gene Lockhart) and duplicitious trader Morgan (Forrest Tucker). Blandy's allies include white landowner Marian Warner (Audrey Totter), whose open rangeland is dearly coveted by the nefarious Blucher and Morgan. Among the genuine Native Americans making cameo appearances are Jay "Tonto" Silverheels and Charles Stevens. ~ Hal Erickson, All Movie Guide

One of the strangest westerns on record, Johnny Guitar has less in common with Zane Grey than it does with Sigmund Freud and Krafft-Ebbing. The title character, played by Sterling Hayden, is a guitar-strumming drifter who was once the lover of Arizona saloon-owner Vienna (Joan Crawford). Though her establishment doesn't make a dime, Vienna doesn't care because the railroad is going to come in soon, bringing a whole slew of thirsty new customers. This puts her at odds with bulldyke rancher Emma Small (Mercedes McCambridge), who doesn't want any new settlers on her land. Hating Vienna with a purple passion, Emma will do anything to drive her out of the territory...and even worse, Emma's got the law and the other ranchers on her side. Hoping to keep Emma at bay, Vienna hires Johnny Guitar, who unbeknownst to everyone else in town is a notorious gunslinger. But Johnny prefers to bide his time, waiting for Emma to strike before he makes his move. As a result, Vienna endures several life-threatening experiences, culminating with a feverish chase through the Arizona wilds with lynch-happy Emma and her minions in hot pursuit. According to most sources, the animosity between Joan Crawford and Mercedes McCambridge was quite real, added several extra dimensions to their scenes together. Director Nicholas Ray and screenwriter Philip Yordan stuff the film with so much sexual symbolism that one wonders why they left out a train going into a tunnel. Ms. Crawford's vivid red-and-blue wardrobe scheme was later appropriated by Ray for James Dean in Rebel Without a Cause--with equally stunning results. In addition to the stars, Johnny Guitar is well stocked with reliable supporting players, including Ernest Borgnine, Ben Cooper, Royal Dano (superb as a consumptive, book-reading hired gun) and Paul Fix. ~ Hal Erickson, All Movie Guide