Harold Becker Movies

John Travolta stars in this thriller as divorced husband and father Frank Morrison, a boat builder concerned about his son Danny (Matthew O'Leary), a troubled 11-year-old who has shown a tendency to lie since his parents broke up. When his ex-wife Susan (Teri Polo) announces that she's getting remarried to Rick Barnes (Vince Vaughn), a recent arrival in town and a popular, wealthy philanthropist, Frank struggles with jealousy but feels that Rick might be a stabilizing influence for his son. When Danny begins relating unsettling stories about Rick, Frank at first chalks it up to youthful rebellion, but when Danny stridently claims to have witnessed his new stepfather committing murder, Frank's instincts tell him the story is true. As he investigates the new man in his family's life, Frank uncovers alarming facts about Rick, who's not the man he appears to be. Domestic Disturbance (2001) made headlines six months before its release when co-star Steve Buscemi, accompanied by Vaughn and screenwriter Scott Rosenberg, was stabbed and seriously injured in an after-hours bar brawl with locals near the film's North Carolina set. ~ Karl Williams, Rovi

Three A-list screenwriters -- (Nicholas Pileggi, Bo Goldman, and Paul Schrader) -- contributed to the script of this idealistic political drama. John Pappas (Al Pacino) is the popular, ethical Mayor of New York; Kevin Calhoun (John Cusack) is his even more idealistic and principled deputy. When a detective and mobster kill each other and an innocent six-year-old black child in a shootout, questions arise about what the cop was doing meeting with the gangster in the first place. The Mayor and his staff handle the situation ably, but Calhoun digs deeper and finds troubling evidence that even his seemingly incorruptible boss has not escaped the shadier aspects of political life. The Mafia boss (Tony Franciosa) whose nephew was the dead gangster, along with a Brooklyn political boss (Danny Aiello) with his own agenda, come into the story, becoming part of a series of larger links, secret relationships, and bonds of "honor" between men who, on the surface, would have no reason to be in business with each other. ~ Don Kaye, Rovi

Sea of Love is a sexy, atmospheric thriller, very much in the style of Alfred Hitchcock, with involving characters, steamy love scenes, and surprising plot twists. Frank Keller (Al Pacino), is a lonely, tired, disillusioned, police detective, who has a problem with alcohol. Frank is investigating a serial killer, whom he believes finds victims by using personal ads in magazines, killing them while playing the old record "Sea of Love." In a scene both amusing and touching, Frank and his partner, Sherman (John Goodman) --aided by Frank's father (William Hickey in a lovely cameo) place a personal ad, hoping to lure the killer. Helen Cruger (Ellen Barkin), a tough, sexy single mother answers the ad and begins an affair with Frank, despite the fact that she is one of the prime suspects in the case. The suspense builds as Frank, though deeply drawn to Helen, becomes more and more suspicious of her. In a splendidly crafted script from Richard Price, the plot is compelling, with plenty of action, terrific authentic dialogue and superb characterization. Ellen Barkin gives a marvelous performance as an independent, sensual and intriguing femme fatale; John Goodman is excellent as Sherman, giving a likable, shrewd, and subtly comic performance; and Pacino, in perhaps his best performance since Dog Day Afternoon, plays Frank as a man on the edge, reckless and self-destructive, lost and alone. Frank falls in love with Helen, in spite of himself, because of his loneliness and need. Pacino's skill in showing the vulnerability and neediness of Frank explains the somewhat implausible actions of his character in continuing their affair despite the mounting evidence against Helen. Harold Becker directs with great flair, bringing the story believability, without lapsing into false sentimentality. ~ Linda Rasmussen, Rovi

According to high school wrestler Matthew Modine, a spiritual "Vision Quest" is necessary for him to decide his future. Thus, Modine starts behaving in a manner that amazes even himself. The crowning achievement of Modine's new outlook on life is his romance with 21-year-old artist Linda Fiorentino. Somehow, all of this boils down to the standard "underdog makes good at crucial sports event" finale. Essentially Rocky and Breaking Away redux, Vision Quest is saved by the spirited performances of its young protagonists. Of historical value is the brief appearance by Madonna, whose voice is heard throughout on the film's music track. ~ Hal Erickson, Rovi

Joseph Wambaugh's The Onion Field is based on an actual 1963 case. L.A. plainclothesmen Karl Hattinger (John Savage) and Ian Campbell (Ted Danson) routinely investigate a pair of suspicious types, Greg Powell (James Woods) and Jimmy Smith (Franklin Seales). Unexpectedly, Powell pulls a gun on the cops, then forces them into a deserted onion field, where he kills Campbell in cold blood. Hattinger manages to escape, and through his eyewitness account, Powell and Smith are arrested. But that is not that. Thanks to their knowledge and manipulation of the quicksilver legal system, Powell and Smith manage to evade prosecution for years. Meanwhile, Hattinger goes through hell on earth, tortured with guilt over the fact that he lived while Campbell died so ignominiously. ~ Hal Erickson, Rovi

The debut film of director Harold Becker was this low-budget romance that won acclaim for its script by Alan Sillitoe. Simon Rouse stars as Tony Bradmore, a skilled thief who falls for Doris Randall (Victoria Tennant), the stunningly beautiful daughter of a wealthy rag dealer (Leslie Sands). Given Tony's choice of profession, their relationship does get an enthusiastic endorsement from all concerned. Although The Ragman's Daughter (1972) was given a cursory North American release two years after its completion, Becker's subsequent efforts such as The Onion Field (1979) and Taps (1981) would fare considerably better at the box office. ~ Karl Williams, Rovi