Charles Beaumont Movies

A scam artist is forced to pose as a miracle worker in this adventure tale with comic touches. Joe Moses (Robert Mitchum) is a confidence man and jewel smuggler from America who somehow finds himself in Africa, attempting to pull a fast one on some natives who quickly prove to be sharper than he expected. Tossed into the river for his troubles, Joe floats downstream, where he's eventually rescued by Julie Anderson (Carroll Baker), the daughter of Rev. Anderson (Alexander Knox), a missionary doing the Lord's work in a small village. The village is to be flooded when a new dam becomes operational in a few days, but while government functionary Robert (Ian Bannen) attempts to relocate the villagers, most of them refuse to budge. Robert has told them that they cannot bring their animals with them, and since they consider their animals members of the family, they would prefer to stay and face the inevitable. Hoping to amuse the people who helped save his life, Joe performs a few sleight-of-hand tricks for the natives and sets a bush on fire. Soon they believe that Joe is the Moses that they've heard about from the Holy Bible, and that he's come to lead the people of the village to safety. Joe's not so sure that he's the right man for the job, but when Julie hears of Joe's criminal past, she gives him the option of helping to save the villages, or being turned in to the police. However, Ubi (Raymond St. Jacques), a native who was educated in the U.S., has the feeling that Joe is up to no good, and doesn't appreciate the way he's been preying on the naiveté of his people, even if it is supposedly for their own good. This was Carroll Baker's last film before her massively-hyped title role in the biopic Harlow, whose box office failure proved disastrous to her career. ~ Mark Deming, All Movie Guide

Clearly inspired by the then-current publicity blitz surrounding the Elizabeth Taylor film version of Cleopatra, this Twilight Zone episode was credited to scriptwriter Charles Beaumont, even though Jerry Sohl did the actual writing. Ann Blyth stars as Pamela Morris, a seemingly ageless movie queen. Determined to find out why Pamela is as beautiful as she was during the silent-film era, journalist Jordan Herrick (Lee Herrick) shows up at the actress' home for an interview. He ends up getting the story of his life -- which turns out to be a significant shorter life than that enjoyed by Pamela Morris. "Queen of the Nile" first aired March 6, 1964. ~ Hal Erickson, All Movie Guide

Though based on two Edgar Allen Poe stories, Masque of the Red Death relies more upon its mood and atmosphere than its story values for its success. During a devastating 12th-century plague called "The Red Death," the decadent, devil-worshipping Prince Prospero (Vincent Price) holds court over a bizarre masked ball. Already established as a sadistic torturer, Prospero insists that his "guests" indulge in numerous depraved games, most of them ending with someone's death. Only two innocents are permitted to escape intact, but they go through the torments of the Damned to do so. Hazel Court is on hand as a Satanist who brands her breast for Price's bored amusement, while Patrick Magee is horribly burned to death by "Hop Frog" (Skip Martin), Price's demonic flunkey. The literally diabolical performance of Vincent Price is superbly complemented throughout by the crimson-dominated cinematography of Nicholas Roeg. Unlike many of Roger Corman's economical Price/Poe projects, The Masque of the Red Death boasts a generous budget, which the canny filmmaker exploits to the utmost. ~ Hal Erickson, All Movie Guide

The Haunted Palace is a witches' brew of stories written by Edgar Allan Poe and H. P. Lovecraft--with the fine hand of sinister scenarist Charles Beaumont stirring the pot. Vincent Price plays two roles this time: A New England doctor burned as a sorcerer in 1745, and the dead man's great-grandson of 1855. Arriving in the village where his grandfather was killed, Price and his bride Debra Paget are shunned by the community. They are told that the mutant progeny of the "sorcerer"'s evil experiments are still roaming the countryside--with hulking manservant Lon Chaney Jr. a good example of these monstrosities. The longer he stays in the family mansion, the more Price is taken over by the spirit of his ancestor. The result: The possessed Price, together with Chaney and a warlock assistant, set about to create a mutant race to overtake the world. Concluding with the near-sacrifice of bride Debra Paget and the torching of the mansion, The Haunted Palace is a marvelous--and economically produced--exercise in Grand Guignol. ~ Hal Erickson, All Movie Guide

Tony Randall has the showcase of a lifetime in the marvelous George Pal production The Seven Faces of Dr. Lao. We first see Randall as Dr. Lao, an enigmatic Chinese medicine-show impresario. The doctor brings his travelling show into the frontier town of Abalone, which is chafing under the oppression of land-hungry Clint Stark (Arthur O'Connell). Newspaper editor Ed Cunningham (John Ericson) is conducting a campaign of words against Stark, but he is no match for the land baron's money, power, and hulking henchmen. Nonetheless, Cunningham continues his crusade, all the while attempting to romance icy young widow Angela Benedict (Barbara Eden). All of this is observed with bemusement by Dr. Lao, who has already established himself as a man of many talents by alternating between pidgin-English and eloquent articulation, depending on the circumstances. Each of the townspeople--including the three already mentioned--learn a great many truths about themselves when they attend Dr. Lao's unusual circus. In the course of straightening out everyone's problems, Lao metamorphoses into (1) Merlin the Magician, (2) Pan, (3) Medusa, (4) The Abominable Snowman, (5) Apollonius of Tyana and (6) a Talking Serpent. The combined talents of Randall, puppeteer Pal and make-up wizard William J. Tuttle (who won two Special Oscars) resulted in this captivatingly unique entertainment experience. Curiously, Tony Randall is not fond of Seven Faces of Dr.Lao, and refuses to be interviewed on the subject. Perhaps he was unhappy that much of the philosophy dispensed in the original Charles G. Finney novel The Circus of Dr. Lao was weeded out of Charles Beaumont's script....or perhaps he just didn't like having his head shaved for the part. ~ Hal Erickson, All Movie Guide

In his last Twilight Zone appearance, Burgess Meredith stars as Mr. Smith, a slightly demonic fellow who offers his services as a reporter and typesetter to small-town newspaper editor Doug Winter (Robert Serling). Knowing full well that Winter's Danzburg Courier is on the verge of folding, Smith promises to save the publication from ruin. This he does by reporting tragic incidents that haven't happened yet -- and then making certain that they do happen. Adapted by Charles Beaumont from his own short story "The Devil, You Say?", "Printer's Devil" first aired February 28, 1963. ~ Hal Erickson, All Movie Guide

First telecast April 4, 1963, this grim 60-minute Twilight Zone installment would seem to be more suited to Alfred Hitchcock Presents or Thriller. Martin Balsam stars as Martin Senescu, curator of a "chamber of horrors" wax museum. Upon learning that the museum is to be demolished, Martin takes his favorite wax statues -- those of Jack the Ripper, Henri "Bluebeard" Landru, and ax murderer Albert W. Hicks -- to his home, much to the dismay of his wife Emma (Maggie Mahoney). Not long afterward, two brutal murders take place -- and the evidence leads Martin to conclude that the culprits were his beloved wax figures. Though credited to Charles Beaumont, "The New Exhibit" was actually scripted by longtime Beaumont collaborator Jerry Sohl. ~ Hal Erickson, All Movie Guide

Though credited to Charles Beaumont, this Twilight Zone episode was actually written by Beaumont's associate Jerry Sohl. Telly Savalas heads the cast as Erich Streator, whose life becomes Hell on Earth when his stepdaughter Christie (Tracy Stratford) is presented with an expensive "Talky Tina" doll. It seems that the doll doesn't like Erich, and it has expressed this dislike by making such chirrupy pronouncements as "My name is Talky Tina. . .and I'm going to kill you." June Foray provides the voice for the doll, as she had previously supplied the voice for the once-popular doll Chatty Cathy. "Living Doll" first aired November 1, 1963. ~ Hal Erickson, All Movie Guide

One of Charles Beaumont's most charming Twilight Zone scripts, this episode stars the ubiqitious J. Pat O'Malley as Old Ben, the only ray of sunshine in the life of crippled eight-year-old Jenny (Susan Gordon). Out of earshot of Jenny's harridan guardian Mrs. Gann (Nancy Kulp), Old Ben confesses that he is a fugitive from a distant planet, an assertion that seems to be verified when he miraculously heals Jenny's leg. The arrival of two mysterious strangers leads to an even more startling revelation -- albeit one with happy results. Keep an eye on that photograph in the final scene. "The Fugitive" first aired March 9, 1962. ~ Hal Erickson, All Movie Guide

Night of the Eagle was the second film version of Fritz Leiber Jr.'s Conjure Wife (the first was Weird Woman, perhaps the best of Universal's low-budget "Inner Sanctum" series of the 1940s). The film's title was possibly meant to invoke memories of the earlier Night of the Demon (58); both films involve a rational scientist (in the case of Night of the Eagle, Peter Wyngarde) forced to accept the existence of the supernatural. All evidence points to the conclusion that the scientist's American wife Janet Blair is the reincarnation of a witch, and a practitioner of voodoo. The actual villain is supposed to be a mystery, though the identity was made clear in the Leiber original and in both other film versions of Conjure Wife (there was a 1980 parody version titled Witches Brew). The supernatural aspect of Night of the Eagle is convincingly handled, including a knockout sequence with a wild eagle rampaging through the scientist's tranquil study. Adapted by Twilight Zone stalwarts Richard Matheson and Charles Beaumont, the British-made Night of the Eagle was released in the US as Burn, Witch, Burn. ~ Hal Erickson, All Movie Guide

This long, 135-minute feature is divided into four different segments, three highlighting fairy tales and the first introducing the two Brothers Grimm. Wilhelm (Laurence Harvey) is the dreamer, and Jacob (Karl Boehm) is the practical one, and between them, some marvelous fairy tales develop. Seguing into the first tale about the "Dancing Princess," co-directors Henry Levin and George Pal -- also the producer -- allow their special-effects artists full rein. In-between dancing, the princess (Yvette Mimieux) falls in love with a charming woodsman (Russ Tamblyn). In the second story about the "Cobbler and the Elves," a Christmas miracle of dedicated labor helps the cobbler out when he most needs it. In the last story, a fire-breathing dragon threatens the kingdom until a lowly servant (Buddy Hackett) saves the day. One of the highlights of this production are the Puppetoons, and another is Cinerama -- three projectors working to create a three-paneled (sometimes visibly so), wide-screen panorama. ~ Eleanor Mannikka, All Movie Guide

One of the best of the "existential" Twilight Zone episodes, Charles Beaumont's "Shadow Play" begins in a courtroom, where Adam Grant (Dennis Weaver) is convicted of first degree murder and sentenced to the electric chair. Shouting "It's happening all over again!", Grant insists that his trial, conviction, and execution are all part of a recurring nightmare -- and that when he dies, the world around him and all its occupants will likewise cease to exist. Originally telecast May 5, 1961, "Shadow Play" was one of the few "vintage" episodes that would be remade for the revived Twilight Zone TV series of the late 1980s. ~ Hal Erickson, All Movie Guide