Henry Bean Movies

 

Tim Robbins, Bridget Moynahan, and William Hurt star in writer/director Henry Bean's topical urban comedy following one man's quest for a little peace and quiet in the big city. The noise was bothersome when David Owen (Robbins) first moved to New York City, but back in those early days it was almost endearing in an odd sort of way; a forgivable manifestation of urban vitality, or so he had led himself to believe. These days the incessant barking of car alarms, traffic, and frustrated commuters seems to be driving David insane, never allowing him the opportunity to concentrate or focus on the task at hand. While this distraction is at first only bothersome on a superficial level, however, the thing that really riles David is that he is completely powerless to remedy the problem. As the days go on and the noise on the street seems to amplify in David's ears, he makes the decision to take up arms against the unseen intruder. Initially, David is content to simply let the air out of tires or leave notes on windshields when the owners of cars fail to turn off their alarms. When this approach fails to yield acceptable results, David's subversive urban sabotage techniques quickly evolve into full-blown acts of vandalism. Eventually, David is caught in the act and arrested by the police. After spending a night in jail, David confesses to his wife that he is in fact the urban folk hero who has come to be known by the public as "The Rectifier" for his repeated attempts to hold those responsible for urban noise pollution accountable for their auditory transgressions. When his wife voices concern about such extreme and irrational behavior, David dutifully agrees to give up his career as a noise-fighting vigilante. But try as he might, David simply cannot repress his lingering urge to strike back against such a formidable enemy. ~ Jason Buchanan, Rovi

Co-created by actor George Clooney and director Steve Soderbergh, the ten-part HBO series K Street was a docudrama about a political consulting firm in Washington. Each episode was based on a late-breaking political story, and each was edited just before telecast for the sake of topicality. It was often difficult to discern the line between fiction and reality, notably in an early episode wherein presidential candidate Howard Dean was provided with a witty retort by real-life political advisors James Carville and Paul Begala just before an important debate -- and indeed, this was the joke that turned out to be the highlight of the actual debate. Carville, his wife, Mary Matalin, and Michael Deaver, genuine professional D.C. consultants all, were among the executive producers of the series, appearing as "themselves" along with the fictional consulting crew, played by John Slattery, Mary McCormack, and Roger G. Smith. Filmed on location in the nation's capital (a fact that caused some controversy when the producers -- and their cameras -- were summarily booted out of the Senate building), K Street debuted September 14, 2003. ~ Hal Erickson, Rovi

This is a romantic comedy with an analytical edge from noted Belgian director Chantal Akerman. Set in New York, the fun begins when freewheeling French dancer Beatrice and stodgy psychoanalyst Henry Harriston agree to exchange apartments. He will live in her bohemian Paris flat and she in his upscale, neat-as-a-pin Manhattan abode. The two have never met when they change places. Poor frazzled Henry is hoping that some quiet time in Paris will provide him with some badly needed cultural enrichment and relaxation from the demands of his wealthy clients. Unfortunately there is no rest, as he is constantly assailed by Beatrice's numerous suitors. Beatrice also deals with an onslaught of Henry's needy patients. Poor Henry can no longer stand being away and so quietly returns home. He notices a stream of patients coming from his home and they look unusually happy and well-adjusted. Even his dog looks happier. Wanting to learn her secret, Henry masquerades as a one of his own patients. It is not long before romantic sparks begin to fly. ~ Sandra Brennan, Rovi

Innocent Victim is a psychological thriller based on the Ruth Rendell novel Tree of Hands. London based, best-selling author, Benet (Helen Shaver), who has just written a controversial novel, lives alone with her young son. Benet's mother, Marsha (Lauren Becall), visiting from the United States, is a manic-depressive who has psychotic episodes. When Benet's young son dies, Marsha kidnaps a local child to serve as a substitute. Benet believes she should return the child but upon investigation she finds out that the child has been severely abused by his parents. After the child's disappearance, the parents are charged with the murder. A more skillful filmmaker might have dealt, as the novel does, with the moral issues of guilt and responsibility and the terrible moral dilemma faced by Benet. Instead, director Giles Foster presents the film in a rather straightforward, nonjudgmental fashion which allows for little character growth and diminishes the impact of what should be an ironic and disturbing ending. Innocent Victim, while at times compelling, and based on an interesting premise, would have been a memorable film if Foster had taken more chances and pushed his actors to give the performances that they are capable of but here are only hinted at. ~ Linda Rasmussen, Rovi

Fannie Cottencon stars as Lilli, beauty salon owner and uncrowned queen of the shopping mall where the film, in its entirety, takes place. Delphine Seyrig costars as a mall boutique owner, suddenly confronted with her wartime lover. Before we're quite aware of it, the film has become a New Age Romeo and Juliet, complete with out-of-nowhere songs. Through plotlines as twisted as a tributy of the Colorado river, Cottencon's salon and Seyrig's boutique symbolically merge. Golden Eighties is known in the US as Window Shopping; its title was changed to avoid confusion with an earlier Chantal Akerman effort Les Annees 80s, also known as The Golden Eighties. ~ Hal Erickson, Rovi

Despite the promise of his early career, the life of former world-class runner Michael Andropolis has been a crashing failure. The icing on his life's bitter cake was his divorce from the woman he still loves. Wanting to win back both his wife and his self-respect, Andropolis decides to start running again in hopes of making it to the Olympic marathon team. This sports-melodrama chronicles the 34-year old's heroic struggle. ~ Sandra Brennan, Rovi