John Beal Movies

Actor John Beal was playing boyish, sensitive Jimmy Stewart types long before there was a Jimmy Stewart (in Hollywood, at least). After stage work, Beal was brought to Hollywood to appear in the screen version of Rose Franken's stage play Another Language (1933). The best of his early film assignments was in the title role of The Little Minister (1934), in which his easily outraged Scottish piety didn't stand a chance opposite hoydenish Katharine Hepburn. Beal continued appearing in films during the war years while serving in Special Services as actor and director of Army Air Force camp shows and training films. After the war, Beal concentrated on theatrical work, though he kept showing up in films as late as 1983's Amityville 3-D. John Beal was also a regular on the TV soap operas The Nurses (1962-67) and Another World (1964). Beal passed away at age 87 in his Santa Cruz, California two years after suffering a debilatating stroke. ~ Hal Erickson, All Movie Guide
1933  
 
Given the usual pedestal upon which mothers were placed by MGM head Louis Mayer, it's all the more amazing that Mayer gave the go-ahead for Another Language. Louise Closser Hale plays a domineering matriarch who controls the lives of her grown, married sons, using a fabricated heart condition to keep them in line. Helen Hayes marries youngest son Robert Montgomery, only to sit by in mute horror as Mother exerts her authority over her timorous offspring at a weekly family get-together. At the end, only Hayes and Montgomery's nephew John Beal have the courage to break the apron strings, but not without the formidable opposition of Monster Mom. Based on the Broadway play by Rose Franken, Another Language represented the screen debut of Margaret Hamilton, recreating the supporting role she'd played on stage. ~ Hal Erickson, All Movie Guide

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Starring:
Helen HayesRobert Montgomery, (more)
1934  
 
John Barrymore wisely turned down this contrived courtroom melodrama that instead trapped poor Ricardo Cortez. He plays Robert Mitchell, an attorney who runs into his estranged wife Dorothea (Barbara Robbins) and her lover, artist Jerry Hutchins (John Beal), in a department store, the three of them purchasing, respectively, a hat, a coat, and a pair of gloves. All these accoutrements later turn up at Jerry's murder trial, the struggling artist having been accused of killing a former girlfriend (Dorothy Burgess). Dorothea persuades Robert to represent her former lover and the ace attorney not only wins an acquittal but also the love of his no longer estranged wife. Hat, Coat and Glove marked the screen debut of Broadway ingénue Barbara Robbins, whose only feature film it would prove to be. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Ricardo CortezJohn Beal, (more)
1934  
 
Based on the novel and play by James M. Barrie, The Little Minister turned out to be Katharine Hepburn's best vehicle since Little Women. John Beal plays the Reverend Gavin, the sobersided new cleric of a tiny Scottish village. Almost against his better judgment, Beal falls in love with Babbie (Hepburn), a feisty gypsy girl whom the villagers regard as a pariah. Thanks to this "unholy" alliance, the little minister is nearly run out of town, but when he is accidentally stabbed in a fracas, the townsfolk come to their senses. Previously filmed in 1921, The Little Minister was afforded sumptuous production values by RKO Radio (its elaborate Scottish-village set would later pop up in innumerable films, notably Laurel & Hardy's Bonnie Scotland), and benefits immeasurably from the spirited performances of all concerned. Alas, the film was too expensive to post a profit, and despite respectable business it ended up $9000 in the red. ~ Hal Erickson, All Movie Guide

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Starring:
Katharine HepburnJohn Beal, (more)
1935  
 
Director George Stevens' fourth feature-film effort was a 1935 adaptation of the oft-filmed Gene Stratton Porter yarn Laddie. Set in rural Indiana, the story revolves around the romance between a local farm boy (John Beal) and English-born girl (Gloria Stuart). The lovers are separated during most of the proceedings by their warring families, headed respectively by the young man's remonstrative parents (Willard Robertson and Dorothy Peterson) and the girl's domineering father (Donald Crisp). Ironically, despite the parents' prattling about decency and propriety, it is a family scandal that ultimately provides a happy ending. Good though the "adult" actors are, the film is stolen by little Virginia Weidler, cast as Beal's wise-beyond-her-years kid sister. Previously filmed in 1926, Laddie was remade in 1940, with Tim Holt and Virginia Gilmore in the leading roles. ~ Hal Erickson, All Movie Guide

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Starring:
John BealGloria Stuart, (more)
1935  
 
Richard Boleslawski directed this lavish adaptation of Victor Hugo's oft-filmed epic novel. Fredric March stars as Jean Valjean, who is hauled into prison for stealing a loaf of bread. After ten years at hard labor, he escapes from the merciless prison but the years have taken their toll and Valjean is now a hard and embittered man. Valjean regains his compassion after the kindly Bishop Bienveenu (Cedric Harwicke) refuses to prosecute him for the theft of his candlesticks. Under an assumed name, Valjean becomes a widely liked and respected mayor. He devotes his life to helping others and adopts a young girl as his own. But the town's chief of police, Javert (Charles Laughton) is suspicious about the mayor and one day, after Valjean lifts a wagon off of a man, Javert remembers Valjean from his days on the prison galley. Javert sets out to uncover the mayor's true identity, but Valjean beats him to it -- when a man who claims to be Valjean is put on trial, Valjean appears at the court and reveals his secret. But before he is arrested, he escapes with his adopted daughter Eponine (Frances Drake) to Paris. In Paris, he assumes yet another identity. Eponine falls in love with student radical Marius (John Beal) and Javert, assigned to Paris to keep an eye on the revolutionaries, latches onto Valjean's trail once again. As Paris simmers in revolution, Valjean and Javert reveal themselves to each other for a final confrontation. ~ Paul Brenner, All Movie Guide

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Starring:
Fredric MarchCharles Laughton, (more)
1935  
 
Katharine Hepburn suffers nobly while her philandering conductor husband Charles Boyer dallies with the likes of Helene Millard in this overheated melodrama directed by Philip Moeller of the renowned Theater Guild. Although receiving plenty of warning, prim lady composer Constance Roberti (Hepburn) is still devastated when her new husband, Franz (Boyer), is spotted dining with glamorous Sylvia (Millard) and promptly leaves him. A dipsomaniac, Roberti finds solace in a bottle and is soon reduced to playing in a seedy dive. Constance finds him there and after playing “their song” on the honky-tonk, Roberti resolves to go straight and return to the world of classical music. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Katharine HepburnCharles Boyer, (more)
1936  
 
Loosely based on a story by frontier writer Bret Harte, this romantic western drama tells the story of an innocent, carefree mountain-raised girl who causes quite a stir every time she comes to town to bring her boozy father home from the bar. One day, the flirtatious gal is kissed by the town schoolmaster. Utterly confused as to the gesture's significance, she goes to the town brothel for professional advice. The film was made twice before in 1918 and 1922. ~ Sandra Brennan, All Movie Guide

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Starring:
Anne ShirleyJohn Beal, (more)
1937  
 
Richard Thorpe's comedy Double Wedding (1937) marked the seventh screen pairing of William Powell and Myrna Loy, known for their popular appearances together in the Thin Man series. Powell is Charlie Lodge, a bohemian artist who lives in a trailer, camped in an auto parking space in a busy city. Lodge believes that work is meaningless - that life should be full of entertainment and relaxation and nothing else. Loy is Margit Agnew, a stylish dress-shop proprietor who constantly works herself into the ground. Margit has picked a suitable husband for her younger sister Irene (Florence Rice), a rather dull and ineffectual young man named Waldo Beaver (John Beal). While together, Irene and Waldo happen upon the improvident Lodge. Charlie subsequently encourages the girl to break free of the oppressive constraints of her fiance and sister, and to pursue her dreams of heading out to Hollywood and becoming an actress; Irene immediately fancies herself in love with Charlie. Loy intervenes by confronting Powell --and anyone who can't guess who's going to fall in love at this point should be drummed out of the theater. This amusing and affable by-the-numbers MGM comedy was based on a play by Ferenc Molnar. ~ Hal Erickson, All Movie Guide

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Starring:
William PowellMyrna Loy, (more)
1937  
 
In this entertaining comedy, an American expatriate lives in Paris and fancies himself a clever con artist. Getting cocky, he invites his wife and daughter to join him. The daughter is about to marry and he promises her an exquisite French chalet. Now he must quickly find one before she arrives lest he end up with egg upon his face. ~ Sandra Brennan, All Movie Guide

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Starring:
Frank MorganFlorence Rice, (more)
1937  
 
Its title notwithstanding, We Who Are About to Die has nothing to do with Roman Gladiators. Rather, the film is based on the true story of San Quentin inmate David Lamson, who spent 13 agonizing months on Death Row before the Supreme Court reversed his conviction. Renamed John (and played by John Beal), the Lamson character knows he's innocent but also knows that the date of his execution is drawing ever nearer. Meanwhile, his sweetheart Connie (Ann Dvorak), in collaboration with private eye Matthews (Preston S. Foster), races against time to unearth new evidence and expose the guilty party. Rather pokey for the most part, We Who Are About to Die turns into a real nail-biter during the final 15 minutes. ~ Hal Erickson, All Movie Guide

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Starring:
Preston S. FosterAnn Dvorak, (more)
1937  
 
The cattle rustlers in Border Cafe, a modern-day western from the RKO B-unit, are Eastern gangsters headed by none other than that old reprobate J. Carrol Naish. After having landed in jail for drunken driving for the umpteenth time, young Bostonian Keith Whitney (John Beal callously leaves his fiancé (Marjorie Lord) behind and takes off on a whim for Verde, Texas, where he inhales huge amounts of scotch and plays the honky tonk. In the mistaken belief that his son is operating a cattle ranch, Senator Whitney (George Irving) announces his arrival in Verde but Keith is rescued in the nick of time by Tex Stevens (Harry Carey), a leathery cattle baron who has taken a liking to the youngster. Things get dicey when New York gangster Rocky Alton (Naish) arrives to extract protection fees but Keith, who has taken to the wide open spaces like the proverbial fish to water, saves the day for all and sundry. Dumped on the B-Movie market with little fanfare in June of 1937, Border Café marked the screen debut of Marjorie Lord, mother of screen actress Anne Archer. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Harry CareyJohn Beal, (more)
1937  
 
Sam Wood directed this fourth version of the Alexandre Bisson weeper, buffed to a high gloss by shimmering M.G.M. production values. Gladys George plays Jacqueline Fleuriot this time around, the wife of a diplomat who has an affair and is compelled to leave her husband and son. After abandoning her family, she sinks into a sea of debauchery, becoming involved in prostitution, blackmail, and eventually murder. After the murder, her son Raymond (John Beal), now a grown man and a famous lawyer, is called upon to defend her. Unaware that the woman he is defending is his long lost mother, Jacqueline tries to hide her past from her successful son. ~ Paul Brenner, All Movie Guide

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Starring:
Gladys GeorgeJohn Beal, (more)
1937  
 
A doctor (John Beal) who loses faith in his skills renounces his profession and hides himself in a variety of jobs. He takes a minor job at an airfield, where he meets nurse Joan Fontaine, who works on a "flying hospital". On board the aircraft, Beal finds he is the only person who can perform a delicate operation; worse luck, the plane is about to crash! Beal finds himself, per the title, but nearly loses his life in the process. Watch for Dwight Frye, the immortal "Renfield" in Bela Lugosi's Dracula, as an hysterical patient--and seven-year-old Dwight Frye Jr. as a child rescued from a train wreck. ~ Hal Erickson, All Movie Guide

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Starring:
John BealJoan Fontaine, (more)
1937  
 
Set amidst the tense and suspenseful world of men who transport large amounts of nitroglycerin, used to put out fires in oil fields, this drama centers on the conflict between a young med student, who has become a nitro handler to help pay his way through school, and the old trucker who hauls the deadly chemical on site. The trucker resents the young man's attentions toward his daughter because he feels that there can be no security with a man who could accidentally blow himself up at any moment. ~ Sandra Brennan, All Movie Guide

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Starring:
Sally EilersJohn Beal, (more)
1938  
 
James Whale directed this screen adaptation of Marcel Pagnol's French classic Fanny. Madelon (Maureen O'Hara) is a lovely young woman who lives in a seaside community, where she has fallen in love with Marius (John Beal), a sailor. Marius is called to duty and sets sail, shortly before Madelon makes the discovery that she'd pregnant with his child. Not sure what to do, Madelon confesses her predicament to Panisse (Frank Morgan), a longtime friend who is pals with Cesar (Wallace Beery), Marius's father. To spare Madelon the shame of a child born out of wedlock, Panisse offers to marry Madelon, and she agrees, though both realize this will be a union of convenience rather than love. When Marius returns after his hitch is up, he declares his love to Madelon, but time has forced her to realize that the older but loving Panisse would be a better father for her child than Marius, who she loves but rarely ever gets to see. Port of Seven Seas was written for the screen by Preston Sturges, who came aboard for the project when William Wyler was originally slated to direct. ~ Mark Deming, All Movie Guide

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Starring:
Frank MorganMaureen O'Sullivan, (more)
1938  
 
In its never-ending efforts to find a "rustic" screen personality to replace the late Will Rogers, Hollywood turned to popular radio humorist Bob Burns. In Paramount's The Arkansas Traveller, Burns plays the nameless title character, who wanders in out of the nowhere to settle down in a dusty Arkansas farming community. It turns out that he's arrived just in time: newspaper editor Martha Allen (Fay Bainter), widow of The Traveller's best friend, is in danger of losing her publication to crooked politico Matt Collins (Lyle Talbot). While helping Martha foil the villain, our hero also stage-manages the romance between Martha's daughter Judy (Jean Parker) and local boy Johnnie Daniels (John Beal). Irvin S. Cobb, no mean humorist himself, provides a bit of homespun philosophy as the town constable. ~ Hal Erickson, All Movie Guide

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Starring:
Fay BainterJohn Beal, (more)
1938  
 
I Am the Law is arguably the best of the late-1930s films inspired by the racket-busting career of New York district attorney Thomas E. Dewey. Edward G. Robinson switches to the right side of the law as the Dewey counterpart, here named John Lindsay (!) A feisty, no-nonsense law professor, Lindsay is approached by a group of concerned citizens to act as special prosecutor to rid up their (unnamed) state of big-time lawbreakers. He wastes no time taking charge, storming into the prosecutor's office and firing anyone whom he suspects of being "on the take." With the help of his dedicated law students, who work alongside him for free, Lindsay purges the local government of such corrupt influences as Eugene Ferguson (Otto Kruger), the outwardly respectable "brains" behind the rackets. Among the minor pleasures in I Am the Law is watching Robinson dancing the Big Apple with gun moll Wendy Barrie in an early scene, and his firing of suspicious-looking Charles Halton with a brusque "Don't like your face! Never have! You've got shifty eyes and a weak chin!" (which, indeed, were Halton's screen trademarks). Barbara O'Neil, who the following year played Scarlet O'Hara's mother in Gone with the Wind, is quietly effective as Robinson's supportive wife. ~ Hal Erickson, All Movie Guide

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Starring:
Edward G. RobinsonBarbara O'Neil, (more)
1939  
 
The classic "old dark house" motif is given sterling treatment in this second filmed version of the hit play. Bob Hope's status as a star was assured with his role as Wallie Campbell, the cowardly protector of Joyce Norman (Paulette Goddard), who must spend one night in the eerie mansion of her late, eccentric, millionaire uncle. If she can make it through the night without losing her mind, Joyce stands to inherit her uncle's entire fortune. Of course, all the other potential heirs now have a motive to drive her insane. The frights are nonstop as hands reach out from nowhere, people disappear between trap doors, the halls echo with terrifying sounds, and secret doorways lead to hidden passageways. Three people are murdered before Wallie solves the mystery and sees Goddard through the night. Hope integrates his wiseacre comedic style into a essentially straight role, with the humor well-placed in the otherwise moody material. Creepy lighting and music also aid director Elliott Nugent in crafting an effective and fun version of one the genre's archetypal stories. ~ Don Kaye, All Movie Guide

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Starring:
Bob HopePaulette Goddard, (more)
1941  
 
Ralph Bellamy makes the third of four appearances as "master detective" Ellery Queen in Columbia's Ellery Queen and the Perfect Crime. The principal villain is crooked stockbroker John Mathews (Douglass Dumbrille), whose Wall Street manipulations render Ray Jarden (H. B. Warner) penniless. Mathews' chicanery seems particularly coldblooded, inasmuch as his daughter Marian (Linda Hayes) is engaged to Jarden's son Walter (John Beal). When the latter disappears, Mathews asks Ellery Queen to locate the young man. Shortly thereafter, one of the principal characters is murdered, forcing Ellery to get his deductive skills into high gear-no small task, since he's depicted in this film as a complete dunderhead. ~ Hal Erickson, All Movie Guide

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Starring:
Ralph BellamyMargaret Lindsay, (more)
1941  
 
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Filmed independently in 1939, The Great Commandment finally attained released in 1942 via 20th Century-Fox. Set in 30 AD, the story concerns the burgeoning Christian movement, and its effects on young Judean scholar named Joel (John Beal). A hotheaded reactionary, Joel spearheads an uprising against the Romans, but his warlike impulses melt away under the influence of Jesus of Nazareth. Joel even "turns the other cheek" when dealing with the warrior who murdered his brother. Director Irving Pichel later helmed such inspirational church-basement fare as 1952's Martin Luther and 1954's Day of Triumph. ~ Hal Erickson, All Movie Guide

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Starring:
John BealMaurice Moscovich, (more)
1941  
 
In this medical melodrama, a young MD finds himself in love with a woman who doesn't love him. She is interested in an older, more sophisticated doctor. After she discovers that the older medic has a sleazy side, she decides to go for the younger doctor. ~ Sandra Brennan, All Movie Guide

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1942  
 
Among the few wartime comedies that are still genuinely funny today, Monogram's One Thrilling Night (aka Horace Takes Over). stars John Beal and Wanda McKay as a somewhat dimwitted newlywed couple honeymooning in New York. Beal hopes to spend some "quality time" with Wanda before he's to report for Army induction the next morning, but this hardly seems likely. The couple's tiny hotel room is constantly invaded by pesky strangers, the more contentious of which is criminal Tom Neal, who's looking for a cache of loot hidden by Pierce Lynden. Despite the well-meaning efforts of house detective Warren Hymer, poor Beal is kidnapped twice before the night is over. Engaging in its silliness, One Thrilling Night is a special favorite of B-picture enthusiasts: When one such movie buff asked John Beal why his character continually hangs a "Do Not Disturb" inside his hotel suite, the actor replied, "Because he's stupid." ~ Hal Erickson, All Movie Guide

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Starring:
John BealWanda McKay, (more)
1942  
 
Released shortly after the similar Columbia wartime mellers Submarine Raider and Parachute Nurse, Atlantic Convoy is set on the coast of Iceland. Civilian weatherman Carl Hansen (John Beal) is suspected of being a Nazi spy after an unexpected enemy attack on an Allied convoy. With the help of nurse Lida Adams (Virginia Field), Beal not only proves his innocence but also rounds up a gang of Fifth Columnists. Bruce Bennett costars as a fearless fighter pilot, while Victor Kilian is the rather obvious "secret" villain. Cheaply and hastily assembled, Atlantic Convoy benefits from the believable performances by its main characters. ~ Hal Erickson, All Movie Guide

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Starring:
Bruce BennettVirginia Field, (more)
1943  
 
A musical star leaves the show and convinces the financial backer to leave also when she finds out that her leading man is married. ~ All Movie Guide

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