Carol Baum Movies

A terminally-ill con man and his estranged son endeavor to live on $5 a day during a cross country drive in this road trip comedy from director Nigel Cole (Saving Grace, Calendar Girls). Nat (Christopher Walken) may be a great con man, but as a father to Flynn (Alessandro Nivola) he always came up short. Informed by his doctor that he's suffering from a terminal illness, Nat learns of an experimental treatment that could offer him a second chance at life. But that's all the way on the other side of the country, and in order to make the drive he'll need a wheelman. Enter Flynn: the son Nat never really knew. Despite the bitterness Flynn feels toward his ailing father, he eventually agrees to take the trip. Unfortunately money is tight these days, and if Nat and Flynn hope to reach their destination without coming up short, they'll have to meet the sizable challenge of living on just $5 a day. ~ Jason Buchanan, Rovi

John Dahl's mob comedy You Kill Me stars Ben Kingsley as Frank Falenczyk, an alcoholic mob hitman who is ordered into AA by his boss (Philip Baker Hall). In order to clean up, he goes to San Francisco and successfully starts 12-stepping with the help of his sponsor (Luke Wilson). Eventually Frank gets a job at a mortuary, where he falls in love with Laurel (Téa Leoni). Soon his new existence is threatened when people from his old life start showing up. ~ Perry Seibert, Rovi

Director Miguel Arteta and writer Mike White, who had previously collaborated on Chuck and Buck, turn an eye toward suburban boredom with the quirky comedy The Good Girl. Jennifer Aniston stars as Justine, a woman who is feeling constrained by her life. Her husband, Phil (John C. Reilly), is a house painter who spends the majority of his time smoking marijuana with his friend Bubba (Tim Blake Nelson). Longing for something more in her life, Justine becomes involved with a younger co-worker named Tom (Jake Gyllenhall), but because of his fascination with The Catcher in the Rye, he likes to be called Holden. Her new sense of freedom and release are threatened when a co-worker dies, and when Bubba learns of her infidelity. This film was screened at the 2002 Sundance Film Festival. ~ Perry Seibert, Rovi

Nine years after the bombing of Pearl Harbor, a small town in the Pacific Northwest still struggles with the troubling legacy of U.S. policies against Asian-Americans. In December 1950, just off the shores of San Piedro Island in Washington, a Japanese-American man named Kazuo Miyamoto (Rick Yune) stands accused of murder after his close friend Carl Heine (Eric Thal) is found drowned in icy waters. As the trial gets under way, with Alvin Hooks (James Rebhorn) prosecuting Kazuo and Nels Gudmundsson (Max Von Sydow) defending him, reporter Ishmael Chambers (Ethan Hawke) covers the proceedings for the local newspaper. It's difficult for Ishmael to view the trial objectively, as his first love was a Japanese-American girl named Hatsue (Youki Kudoh), who later married Kazuo. Now, Ishmael has discovered that, when the Japanese-American residents of San Piedro Island were sent to internment camps during World War II, Carl's mother used their incarceration to scuttle a land purchase by Kazuo's family. This could suggest a motive for murder, but Ishmael is reluctant to step forward with the story. Snow Falling on Cedars was based on the best-selling novel by David Guterson, adapted for the screen by Ron Bass and writer/director Scott Hicks. ~ Mark Deming, Rovi

Inspired by the advent of Seattle's grunge music sound and popular films such as Slacker (1991) and Singles (1992), the Generation X comedy-drama was born. Typified by characters in their early twenties sharing an abundance of education, a lack of career direction, stunted romantic aspirations and an obsession with popular culture, one of the better examples of the genre was Kicking and Screaming. Josh Hamilton stars as Grover, a recent college graduate and aspiring writer depressed over the departure of his girlfriend Jane (Olivia d'Abo) for a fellowship in Prague. Josh's best friends are in a similar predicament. Skippy (Jason Wiles) is a classic slacker couch potato still attending classes despite having graduated, while the philosophical Max (Chris Eigeman) and Otis (Carlos Jacott), a mechanical engineer, both remain unemployed. Tenth-year student Chet (Eric Stoltz), who works at a local bar and has still not finished his education, serves as a cautionary tale for the four unmotivated pals. Kicking and Screaming was the debut of writer and director Noah Baumbach and the first of several cinematic collaborations between him and actors Eigeman and Stoltz. ~ Karl Williams, Rovi

Legendary scientist Albert Einstein (played here by Walter Matthau) takes a break from theoretical physics to try to set up his intellectual niece with a handsome auto mechanic in this romantic comedy. The movie's central conceit is that Einstein's brilliance extends to matters of the heart, allowing him to immediately sense that Ed Walters (Tim Robbins), a bright, lower-class mechanic obsessed with Popular Science Magazine, would be perfect for his niece Catherine (Meg Ryan). Unfortunately, Catherine is already engaged to a stiff Princeton man. In order to defeat Catherine's resistance, Uncle Albert decides to help Ed pretend to be a revolutionary scientist, a charade that inevitably leads to much farcical confusion. Einstein's scientist pals are portrayed as a Greek chorus of Catskills-style kibitzers, featuring such notable perfomers as Lou Jacobi as Kurt Godel and director Gene Saks as Boris Podolsky. ~ Judd Blaise, Rovi

Kewpie-doll voiced Melanie Griffith does a sexed-up Nancy Drew turn in David Seltzer's adaptation of Susan Issacs' novel Shining Through. Set during World war II, Griffith plays Linda Voss, a spunky New York girl who applies for a job with international lawyer Ed Leland (Michael Douglas). Ed hires her immediately when he finds out that she speaks German fluently. The reason Ed is so interested in Linda's language skills is because Ed is an undercover OSS officer who needs a German translator. Their business relationship translates into love, but when America enters the war, Ed abandons his law practice to become a full-time spy. Utilizing Linda's charms, she travels to Berlin and infiltrates the Nazis as a domestic to try to discover information about "a bomb that can fly by itself." But Linda has personal as well as patriotic motives for agreeing to go undercover, since she has Jewish relatives in Berlin and wants to find out their whereabouts. ~ Paul Brenner, Rovi

Dolly Parton and James Woods as the screen's hottest new romantic team? That's only one of several casting surprises in this romantic comedy. Shirlee Kenyon (Dolly Parton) has had enough of life in her small Arkansas town, not to mention her small-minded Arkansas boyfriend Steve (Michael Madsen). So she decides to head for the big city of Chicago, where she applies for a job as a receptionist at a talk radio station. However, she arrives at the studios just as the staff are frantically searching for the psychiatrist hired to host a call-in show for people seeking advice with their personal problems. Shirlee is put on the air by mistake, and, while she lacks a degree in psychology, she has common sense to spare, and her no-nonsense advice makes the show a hit. Soon "Doctor Shirlee" is the talk of the town, but reporter Jack Russell (James Woods) senses that she might not be all she's supposed to be. Jack does some investigating and finds out the truth about Shirlee, but by this time the two have met and he's fallen in love with her. Will Jack obey his responsibilities as a journalist, or follow his heart? Straight Talk's supporting cast includes filmmaker John Sayles, monologist Spalding Gray, actor and producer Griffin Dunne, and future Lois Lane Teri Hatcher. ~ Mark Deming, Rovi

Steve Martin stars in this remake of the 1950 Vincente Minnelli classic as shoe executive George Banks, whose happily married existence hits a bump when he greets his daughter Annie (Kimberly Williams), home from a semester studying in Europe. She tells her father that she is engaged to be married. When the shocked George asks to whom, she says his name is Bryan (George Newbern) and that he is an "independent communications consultant." George is even more shocked when he finds out what the wedding will cost (when George goes through the card file for invited wedding guests and is told someone is deceased, George chirps, "He died? That's great!"). As George is ignored during the mad preparations for the wedding, he wistfully looks back to all the good times he has had with Annie and sadly looks forward to the time when he loses his little girl. ~ Paul Brenner, Rovi

This little-known Robert DeNiro film is set several years after the war in Vietnam. DeNiro plays an unpredictably explosive war veteran, while Ed Harris co-stars as his army buddy, who's trying his best to forget his Vietnamese experiences by crawling into a bottle. While visiting Harris and Harris' sister Kathy Baker, DeNiro frightens both with his neurotic ramblings. Still, Baker is grateful that DeNiro's presence seems to be lifting Harris out of his deep funk. She encourages DeNiro to stay on for a while, thereby setting the stage for a blossoming romance. Baker has no way of knowing that Harris' depression has been brought about by the death of a wartime pal--a death he blames on DeNiro. Violence threatens to erupt at every turn in Jacknife, but the film refuses to play down to its audience by wallowing in the obvious. ~ Hal Erickson, Rovi

Two twin brothers, both renowned gynecologists, descend into madness after becoming romantically involved with the same woman in this disturbing, horrific drama. Jeremy Irons delivers a bravura performance as both Beverly and Elliot Mantle, Toronto-based surgeons who operate an exclusive gynecological clinic and share a reputation as brilliant innovators. They also share lovers, as the more aggressive, confident Elliott seduces women and later secretly allows the shier, more intellectual Beverly to reap the benefits. This arrangement is disturbed when Beverly falls in love with their newest conquest, Claire Niveau (Genevieve Bujold), a famous actress with an unusual gynecological deformity. Beverly's relationship with the hard-living Claire leads to him to turn away from Elliot and begin a dangerous involvement with drugs and alcohol. Elliot senses his brother's rapid decline into addiction and paranoia and attempts to save him, only to start falling victim to the same urges. Director David Cronenberg adapted the loosely fact-based tale to his own creepy purposes, tapping into primal fears regarding the uncanniness of twins and male sexual panic. His notorious gore was used sparingly here, however, with the film's most disturbing moments coming through suggestion, as in the display of a group of terrifying surgical instruments created by Beverly in his madness. Cronenberg's expertise with special effects proves crucial, however, as he and his regular cinematographer Peter Suschitzsky seamlessly combine Irons' two performances in a manner unrivalled by any previous depiction of twins. This visual achievement is more than matched by Irons, who delivers what may be his career performance, delineating the twins' differences and similarities and embodying their collapse in frighteningly believable fashion. The subject matter and chilly tone may be too intense for some viewers, but the brilliant central performance and intellectually provocative approach will prove thoroughly absorbing for others. ~ Judd Blaise, Rovi