Giacomo Battiato Movies

While the major American TV networks were jockeying to be the first to present a filmed biography of the late Pope John Paul II, cable's humble Hallmark Channel managed to beat everyone to the punch with the four-hour Karol: A Man Who Became Pope. Actually, this made-for-TV film was a Polish-Italian co-production, debuting on Italian television as Karol, un Uomo Diventato Papa on April 8, 2005, and subsequently released theatrically in Poland. Curiously, it had been filmed in English, so no dubbing was necessary -- thus enabling Hallmark to rush the production onto American screens as early as August 15, 2005. Piotr Adamczyk stars as Karol Wojtyla, whose tireless fight for humanity and basic fundamental rights begins with the German invasion of his native Poland in 1939. Appalled at the brutal treatment afforded his Jewish friends, Karol turns to religion as a means of making a difference in the world, and with the help of several other like-minded individuals mounts a nonviolent, but extremely effective, anti-Nazi resistance. Ordained as a priest at war's end, Karol finds himself fighting another form of godless totalitarianism, this one from the Communists who have overtaken his country. Ultimately, Father Karol Wojtyla's noble mission culminates in his being elected as Pope John Paul II in 1978 -- and it was surely no coincidence that Poland's liberation was now but a matter of time. Although A Man Who Became Pope looks lavish and expensive, it was very economically produced, and had made back its cost many times over before its acquisition by Hallmark. The film is also a "winner" in terms of its straight-on portrayal of the pontiff, and the commendably sincere, unadorned performances of virtually every actor in the cast. ~ Hal Erickson, Rovi

This Italian film takes a chilling, nonexploitative look into the mind of a nice young man who compulsively rapes beautiful women. The rapes are graphically presented and may be disturbing to some viewers. Outwardly Luca seems to be a normal, quiet 20-year old. His mother is frequently gone. Trouble begins when Luca becomes obsessed with Valeria, the beauty who works in the next building. He begins spying on her, and then secretly filming her with his camcorder. He tries to get to know her, but she ignores him. Unable to stand her constant refusal, the frustrated young man accosts her on dark street and rapes her. The first rape was almost accidental; he encountered her on the street and he hurt her. Unfortunately, he liked the violence and begins raping every attractive woman he sees. He is particularly violent with Lorena, a jewelry saleswoman whom he beats up in a park before violating her. Much of the film focuses upon Luca's twisted thought processes. He is upset by the constant rejection he feels; especially when women say no. The film's climax is predictable, and few will feel remorse for Luca's passing. ~ Sandra Brennan, Rovi

Anthony Quinn stars in this historical biography about the life and times of Antonio Stradivari, the man who raised the construction of violins to an art form. The supporting cast includes Valerie Kaprisky, Fanny Bastien, and Francesco Quinn (Anthony's son). ~ Mark Deming, Rovi

Set in an early medieval period, this swashbuckling costume drama pits Christian knights against infidels in an imaginary holy war, and what is more astounding and a tribute to the Italian love of amore, is that the commanders from each side fall in love with "enemy" women and decide to call it a day, pack in their arms, and go off to do better things. Ruggero (Ronn Moss) leads the infidels in some of the best-looking armor this side of Armani, and Rolando (Rick Edwards) is at the forefront of the Christian knights. One of the knights is a misnomer -- he is actually a she, Bradamante (Barbara De Rossi), and when she sees the well-clad Ruggero, she agrees to hand over his sister Isabella (Tanya Roberts) just to get in his good graces. These four protagonists go through a series of adventures and misadventures in a gorgeous setting of Byzantine castles, mountain canyons, and dark forests, all complemented by aesthetic, inventive sets and creative costuming. ~ Eleanor Mannikka, Rovi