Alice Brady Movies

American actress Alice Brady first came to prominence in the silent films produced by World Studios, which was owned and operated by Brady's father, the influential theatrical producer William H. Brady. A star from her first film, As Ye Sow (1914), onward, she was applauded for her acting skills, though critics at the time noted that her somewhat offbeat facial features would be better suited to character roles than to ingenues. Brady devoted the 1920s to motherly and matronly portrayals on stage - which, as it turned out, were far more rewarding professionally than the heroines she'd played at World. Making her talking-picture debut in 1933's When Ladies Meet, Brady rapidly became one of Hollywood's most prolific portrayers of addlebrained society matrons and world-weary matriarchs. Her comic skills won her roles in such classics as My Man Godfrey (1936) and Three Smart Girls, but it was for her dramatic portrayal of the resilient, much-maligned Mrs. O'Leary in In Old Chicago (1938) that she won an Academy Award. Shortly after completing her work on John Ford's Young Mr. Lincoln (1939), Brady passed away at the age of 46. ~ Hal Erickson, All Movie Guide
1933  
 
The beauty-parlor craze of the early 1930s was given a good going-over in MGM's Beauty for Sale. Madge Evans, Florine McKinney and Una Merkel star as Letty, Jane and Carol, three employees of a swank Manhattan beauty salon. While Carol wisecracks her way through life, Letty takes things more seriously -- too seriously, in fact, when it comes to matters of the heart. She falls in love with wealthy Mr. Sherwood (Otto Kruger), who unfortunately is already married to Mrs. Sherwood (Alice Brady). Surprisingly, Letty is permitted a happy ending, which is more than can be said for the equally romantically reckless Jane. Based on a novel by Faith Baldwin, the film boasts some exceptional "glamour" photography by James Wong Howe. In a reversal of the usual chronology, Beauty for Sale hit the screens after a "B"-movie variation of the same basic material, 1932's Beauty Parlor. ~ Hal Erickson, All Movie Guide

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Starring:
Madge EvansOtto Kruger, (more)
1923  
 
The credibility of this northwoods melodrama strains at the seams and even the usually excellent Alice Brady in the starring role can't do much to give it life. Annette Leroux (Brady) is the daughter of fur trader Gaston Leroux (Mario Majeroni). Annette and the sheriff, Andre Porel (Maurice B. "Lefty" Flynn), are in love, but their romance is interrupted by a murder. Indian Charlie (Nick Thompson), an unscrupulous fur trader, gets into a fight with Leroux and is killed. Paul Gerard (Jack Baston), a slimy alcoholic who has witnessed the murder, tells Annette that unless she marries him he will tell all. Annette agrees to the marriage, but plans to take poison before the wedding. Gerard accidentally gets his hands on the potion and drinks it instead. When he dies, Annette is accused of his murder and sentenced to the gallows. As she is led to the scaffold by Porel, Leroux confesses to Charlie's murder and claims he is responsible for Gerard's death. An avalanche conveniently destroys the gallows, and the townsfolk decide this is God's way of saying that Annette is innocent. ~ Janiss Garza, All Movie Guide

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Starring:
Alice BradyMaurice B. Flynn, (more)
1923  
 
What was Paramount thinking when it cast ladylike Alice Brady as a white girl raised amongst South Sea savages? This ludicrous romance was also a clinker for Montagu Love, one of silent cinema's most reliable villains. Scott Quigg (Love) claims he can tame any living thing and finds his biggest challenge while sailing on his yacht through the South Seas. He finds Tiara (Brady), the daughter of a bootlegger who has grown up with the natives. He offers Angus McKenzie, the girl's drunken father (Charles Kent) a case of whisky for her, and he agrees, provided there is a marriage ceremony. So Quigg marries Tiara, but on the voyage back to New York, he treats her so cruelly that his skipper, Captain Croft (Edward Langford), comes to her defense. For this infraction, Quigg tosses him in the ocean. Back at his home on the Hudson, he shows off his bride as if she were a possession, not unlike his pet leopardess. Croft shows up at Quigg's home, and when Quigg realizes that he can never make Tiara love him, he releases the leopardess from her cage, expecting the beast to kill both his bride and the intruder. But instead the leopardess kills Quigg, and Tiara and Croft are left together. ~ Janiss Garza, All Movie Guide

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Starring:
Alice BradyEdward Langford, (more)
1922  
 
Victor Fleming was still a relatively new director when he helmed this melodrama, an adaptation of the stage play by Harry Chapman Ford. Alice Brady starred on Broadway, and she stars here, too, as Anna Ayyob, a Syrian immigrant living in New York and working at a coffee house owned by Siad Coury (Edouard Durand). The place is really a front for a group of smugglers. This information filters down to Howard Fisk (Robert Ellis), the reporter son of a newspaper publisher. He earns Anna's trust, but just when she is about to tell Fisk what she knows, she is attacked by a member of the gang known as the Baron (David Powell). They struggle and Anna thinks she has killed him. She goes into hiding and three years later reemerges as the anonymous author of a best seller called Anna Ascends. Howard's father (Frederick Burton) assigns him the duty of tracking down the writer and interviewing her. So he and Anna are reunited once again. It turns out that the Baron didn't actually die, and the smugglers are eventually rounded up. ~ Janiss Garza, All Movie Guide

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Starring:
Alice BradyRobert Ellis, (more)
1922  
 
Missing Millions was inspired by "A Problem in Grand Larceny", one of the many "Boston Blackie" stories by Jack Boyle. David Powell plays Boston Blackie, a reformed criminal. Blackie is hired by society thief Alice Brady (who receives top billing) to square accounts with the man (Frank Losee) who sent her innocent father to prison. The two team up to ruin the scoundrel financially. In true pre-production code fashion, the miscreant avoids scandal by taking his own life. None of the Boston Blackie B-pictures of the 1940s were quite this coldblooded. ~ Hal Erickson, All Movie Guide

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Starring:
Alice Brady
1921  
 
This drama was the first story author Samuel Merwin wrote directly for the screen. Millionaire Alexander Murray (George Fawcett) thinks that because of his wealth he is above the law, so when his daughter, Evelyn (Alice Brady), accidentally hits and injures a newsboy in a car accident, he tries to have the incident hushed up. Evelyn, however, firmly believes in taking responsibility for her actions and shows up at the hospital where the boy has been taken. Her involvement in the matter horrifies both her father and her fiancé, Bert Van Vliet (Laurence Wheat). Their disapproval of her actions causes her to leave home. Murray and Van Vliet make panicked attempts to locate Evelyn, who has gone into hiding. With the help of Bishop Deems (Harry Benham), Evelyn convinces her father that being wealthy does not absolve one from responsibility. Murray and Van Vliet learn their lessons, and Evelyn finally reconciles with them both. ~ Janiss Garza, All Movie Guide

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Starring:
Alice BradyGeorge Fawcett, (more)
1921  
 
Chorus girl Flo Maddie (Alice Brady) turns down the attentions of the womanizing Ned Ormsby (Charles Gerard) in favor of Ross Von Beekman (Vernon Steele), the only son of an ambitious, nouveau riche couple (Bigelow Cooper and Emily Fitzroy). Flo and Ross wed and his disapproving parents are determined to cause a rift between them. Fola, another chorus girl (Edith Stockton), convinces Mrs. Van Beekman to introduce Flo into society, since her lower-class manners will be revealed. Mrs. Van Beekman takes her advice, but instead of being ostracized, Flo makes such a hit that Ross' mother tells him he has married a flirt. Next, this wicked mother-in-law brings Ormsby back into Flo's life. His pursuit of her comes to a head when he follows her up to her room and locks himself in a closet. Ross comes home and, finding the closet door locked, becomes suspicious and shoots through the door. Flo convinces him to come downstairs and Ormsby, who is wounded, escapes. When he makes it home, an enemy of his is there to kill him. Ross believes he is the one who murdered Ormsby and is put on trial. Before he can be convicted, the real murderer confesses. Ross finally realizes the depth of Flo's devotion and the couple are firmly united. ~ Janiss Garza, All Movie Guide

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1921  
 
Marya Nisko (Alice Brady) and Sascha Rabinoff (Jason Robards Sr.) meet and fall in love on a ship bound for America. Marya is detained at Ellis Island and to while away the time, she dances. Serge Kosmanski, a Russian dancer (Schuyler Ladd), sees her and gives her his card. When Marya finally reaches her sister and her sister's husband, she sees that they are poor, and he is a brute. She tries to go to work as a ladies' maid, but does not have much success. Sascha, meanwhile, is not having any better luck at obtaining an education. Finally, in spite of Sascha's protests, Marya decides to become a dancer. Stephen Ross, an associate of Komanski's (Larry Wheat), arranges for her training. Sascha is forced to hit the bread lines, but he meets up with a philanthropist, Josef Marinoff (Fuller Mellish), who listens to his idea for an immigrant home. Marinoff is responsible for bringing Sascha and Marya back together. ~ Janiss Garza, All Movie Guide

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1921  
 
This little human interest drama was not set in New York's Little Italy district, but at a settlement of Italian truck farmers near Stamford, CT. Alice Brady, at the time a spirited young star, plays the lead role of Rosa Mascani. The Mascani clan has had an ongoing feud with the Tumullos and Rosa's father, Marco (George Fawcett), has passed his hatred onto his daughter. After serving five years on the Italian front during the World War, Antonio Tumullo (Norman Kerry) returns to the settlement and falls in love with Rosa. Although Rosa repulses his advances, she can't help noticing that he's very attractive. She toys with all her suitors, much to the annoyance of her father. He picks out a mate for her -- the wealthiest man in the settlement -- but she turns him down. Finally she vows to wed the first man she meets -- who happens to be Antonio. Once the ceremony is over, however, she insists that she still hates him. In spite of their frequent arguments, Rosa manages to get pregnant. Not wanting to raise her child under her husband's roof, she runs away, but once she becomes a mother, she has a change of heart and the couple are reunited. ~ Janiss Garza, All Movie Guide

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Starring:
Alice BradyNorman Kerry, (more)
1921  
 
The stolid direction of Edward H. Griffith does little damage to the entertainment value of Dawn of the East. Alice Brady, best known to movie fans for her dithery society-lady roles in the 1930s, stars as a glamorous refugee from the Bolshevik revolution. Supporting herself and her ailing sister by dancing in a Shanghai dive, Alice is talked into a marriage with a wealthy Chinese gentleman. She has been led to believe that this marriage of convenience is not binding, thus she sees no reason not to marry American diplomat Kenneth Harlan once she's arrived in the States. But villainous Michio Itow soons shows up threatening to expose Brady's marital past. The price for Itow's silence is a packet of military secrets about the Chinese republic. But Itow has not counted on the essential decency of Brady's Chinese husband. ~ Hal Erickson, All Movie Guide

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Starring:
Alice BradyKenneth Harlan, (more)
1920  
 
Like all small town girls in the movies, Mary Horton (Alice Brady), has to make a go of it in the big city. She can't find work, but she does find a good friend in a young woman of questionable morality. Mary makes a life with her friend and her compatriots until the straightlaced Horace Worth (W.P. Carleton) comes around to tell her that her mother (Agnes Everett) is very ill. So Mary goes home, but she is followed by all her "sinning" friends because one of them, Bob Merrick (James L. Crane), has fallen in love with her. There are the typical conflicts between the prim country folk and the brazen city dwellers, but Mary points out that her city friends were the ones who offered her help when she needed it. This film was based on a play of the same name by Owen Davis. ~ Janiss Garza, All Movie Guide

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1920  
 
Former ingenue Alice Brady took her first step towards the dizzy society matrons she'd play in the talkie era in the 1920 silent The New York Idea. The film concerns the rock-solid marriage of upper-crust couple Alice and Lowell Sherman. Despite the most alluring of temptations, the couple insists upon keeping their union intact. Contrasting this fidelity are the extramarital hijinks of such socialites as Hedda Hopper (the same) and George Howell. The New York Idea was based on the play by Langdon Mitchell. ~ Hal Erickson, All Movie Guide

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1920  
 
Although Jim Carson (Fred Burton) supposedly runs Society Chatter, a scandal sheet, it is Maxwell Stone (Frank Losee) who is the publisher and real power behind the paper. There is talk of a juicy scandal going on at a posh Italian resort, and Stone goes to check it out, combining the trip with a visit to his daughter, Sylvia (Alice Brady). At the resort, Sylvia has become friends with Laura Hill (Edith Stockton), the flighty Milly Sayres (Nora Reed), and Milly's brother, Oliver Ellis (Richard Hatteras), who owns a New York morning newspaper. Sylvia also has become infatuated with Ettare Forni, a lusty tenor (Harry Mortimer). They plan to run off together, but Sylvia changes her mind when she discovers he does not plan to marry her. Stone unearths a scandalous tidbit surrounding Laura, and runs it in the paper. Laura is devastated by this and commits suicide. Sylvia returns to New York with Milly and Ellis, intent on avenging Laura's death. Carson tries to stop them by looking for dirt on Ellis. An attempt to link Milly with Forni is unsuccessful, and Carson is revealed as a blackmailer. Sylvia is shocked to discover that her father is the owner of Society Chatter, but he promises to close down the paper and reform, so she forgives him. She and Ellis wind up together. ~ Janiss Garza, All Movie Guide

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1920  
 
Katherine Dereham (Alice Brady) believes herself to be in love with Prince Anton from the mythical kingdom of Argovinia (Reginald Denny). Because politics demand that he wed Princess Margratha (Roni Purcell), the prince offers Katherine a morganatic marriage. This isn't acceptable to her, and when Dr. Garth Vincent (James L. Crane) comes around to cure the drug addiction of her father (Brandon Hurst), she falls for him instead. Dr. Vincent, however, has decided that women are all hypochondriacs and won't give her the time of day. After a lot of effort, though, Katherine finally wins him over. This was not a great Alice Brady picture, although it's worth noting that James Crane, who plays the hero, was her real-life husband. ~ Janiss Garza, All Movie Guide

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1919  
 
Stage and screen luminary Alice Brady stars in this unusual take on the story of The Taming of the Shrew. Charlotte Ordway (Brady) has boundless energy, and her new husband, Jim (Saxon Kling), can't even begin to keep up with her. On their honeymoon, she is "three cities ahead of him" the whole time. Back home, she hikes 20 miles in the morning, goes for a bike ride before lunch, swims and golfs in the afternoon, and dances all night. Jim asks his friends for help in wearing her out, but they are all unsuccessful. Then Brandon (Roy Adams), a "physical culture instructor," tries to win Charlotte away from her husband with his machismo. When Jim discovers this, he spirits his wife to an island cabin and plays rough with her. As generally happens in silent films, his "cave man" tactics win her over and she becomes suitably tamed. ~ Janiss Garza, All Movie Guide

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Starring:
Alice BradySaxon Kling, (more)
1919  
 
When Drina Hilliard (Alice Brady) finishes college, she heads home to New York, where her mother Marie (Mrs. Gertrude Hillman) runs a millinery shop. On the way, she meets the handsome Blair Carson (Leslie Austen), but the budding love affair gets sidetracked as Drina begins working for her mother. Marie has been running a petty scam -- when a man buys a hat for his wife or sweetheart, she overcharges him and splits the difference with the woman. Drina objects to this, but is powerless to change it. The biggest customer at Marie, Ltd. is Colonel Lambert (Frank Losse), who buys hats for a bevy of chorus girls. Lambert has his eye on Drina, and her mother encourages the match, but Drina makes it clear she is not at all interested in him. Blair, meanwhile, is in the clutches of a chorus girl, Zelie (Gladys Valeris), who is afraid she'll lose the Colonel, her meal ticket, to Drina. Finally, the Colonel threatens to expose Marie's slimy practices unless Drina marries him, but Blair comes through and saves the Hilliards from ruin, and returns his full attention to Drina. ~ Janiss Garza, All Movie Guide

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1919  
 
This fluffy picture was probably not too taxing on the talents of its formidable star, Alice Brady. By the time it was released, Brady was off performing in Forever After on Broadway. Dazie Mellows, otherwise known as "Redhead" (Brady), works as a dancer in a cabaret. Matt Thurlow, a wealthy but not particularly ambitious young man (Conrad Nagel), is at the cabaret with a group of his friends. They are all getting drunk and they invite Dazie to sit down with them. One of the crowd, Roland Gard (Robert Schable), is a justice of the peace, and he marries Thurlow and Dazie. They wake up to the reality of what they've done the next morning. She wants to make it work, while he insists he doesn't love her. He goes to work to support her, but shows no real enthusiasm towards the marriage, even after her parents (Charles Eldridge and May Brettone) pay the couple a pleasant visit. Dazie does everything she can to prove her worth to Thurlow but he only learns to appreciate her when she inadvertently makes him jealous. ~ Janiss Garza, All Movie Guide

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1919  
 
This farce comedy was based on the play by Lawrence Irving Rising. Moving Picture World, expressing the delicate mores of the era's movie audience, asserted, "it is not, after all, the sort of picture to flaunt in the face of an innocent debutante," in part because one of the characters reveals an identifying mole -- on her ankle! Alice Brady has a dual role, as the mischievous Vi Playfair (the one with the mole), and her tamer twin sister Tiny. Vi is about to marry Joe Damorel (Edward Earle), but first she wants to have a secret meeting with a former suitor, Lent Trevett (James L. Crane). Tiny -- who's more than a little in love with Trevett herself -- is shocked at her sister's plan, and goes to meet him herself. After receiving the kisses and affection meant for her sister, Tiny sends him on his way, but the next day, after the wedding, Trevett shows up in an attempt to convince Vi to run off with him. Tiny is furious when Vi agrees, and since there is a second dress identical to the wedding gown, she puts it on and goes off with Damorel. Now it's Vi's turn to become incensed, but after a lot of confusion, husband and wife get back together, while Tiny and Trevett decide they're happy with each other. ~ Janiss Garza, All Movie Guide

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1919  
 
Alice Brady manages to make this predictable drama more interesting than it otherwise might have been. Although Rita Charles (Brady) works as a secretary, her real career is as a "tinpanner" -- a young lady who spends her time in search of excitement and the high life. She is involved with the wealthy Harrison Chalvey (Earl Metcalfe), a man-about-town who isn't wholly convinced he wants to spend his life with her. She isn't all that sure about him, either, so when she meets up with her boss' son, T.J. Olverson Jr. (Robert Schable), and settlement worker Doctor Varian (W.P. Carleton Jr.), she pursues romances with both of them. When Chalvey finally does propose marriage, she turns him down. Olverson, it turns out, is already married and Rita just barely avoids being named in the couple's subsequent divorce trial. That leaves Varian and, as was easily guessed from the start, he marries Rita. ~ Janiss Garza, All Movie Guide

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1918  
 
Alice Brady stars in this screen adaptation of Fannie Hurst's novel, Golden Fleece. Shopgirl Lola Gray (Brady) is having a romance with Charlie Cox (David Powell), the son of a wealthy man. While Charlie sincerely loves Lola, he doesn't have much sense. He refuses to work as long as his father (Hardy Kirkland) supports him, and he spends his nights whooping it up at road houses. When he asks Lola to marry him, she turns him down. But when Lola's sister Ida (Gloria Goodwin), who is secretary to Charlie's father, finds out that Charlie is being cut out of his dad's will, she lords this over Lola, and this information inspires her to accept Charlie's proposal. They quickly get married, and the next day, they get word that Cox, Sr. has died. Charlie is already starting to count his fortune when Lola reveals that he has been cut out of the will, and that was one of reasons she agreed to marry him -- that way no one could accuse her of wanting his money. So the couple goes to the Midwest and they start life anew on a farm. This was Charles Maigne's first jump from screenwriting to directing. ~ Janiss Garza, All Movie Guide

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1918  
 
This drama was based on the Miriam Michelson novel Michael Thwaite's Wife, and it gave Alice Brady the chance to play a dual role (something that was practically de rigueur for nearly every star in the 1910s). Although Louise and Trixie (both Brady) are identical twins, their temperaments couldn't be more different -- Trixie is flighty and frivolous while Louise is a dutiful homebody. Both of them love the same man, Michael Thwaite (David Powell). Thwaite is dazzled by Trixie's sparkle and marries her, but soon she grows bored with him and starts up a flirtation with Hendrick Thurston (Crauford Kent). While Trixie runs off with Thurston, Thwaite is beaten by thugs and blinded. To save him from suffering the shock of his wife's loss, Louise steps in and takes his wife's place. She happily takes care of Thwaite, but then Trixie shows up once again. Louise's place by Thwaite's side is threatened, but in pictures of the 1910s, the bad girl never came out on top, so by the last frames of the final reel, Trixie is out of the picture and Louise becomes Mrs. Michael Thwaite. ~ Janiss Garza, All Movie Guide

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1918  
 
Even though her father, William Brady was head of World Film, actress Alice Brady occasionally got stuck with a few clinkers; this picture is one of them. Sybil Drew (Alice Brady) is told by her aunt that before she inherits her fortune, she must work for a year -- in other words, "earn her spurs." So she goes to New York, where she encounters a handsome doctor, Ross Alger (handsome John Bowers). Ross, however, suspects she's a crook. After much difficulty she lands a job as a companion to the eccentric and elderly Miss Berwick (Eugenie Woodward). But she loses her position when Miss Berwick's ne'er-do-well nephew Paul (John Davidson) flirts with her. Sybil then proceeds to get herself in all kinds of trouble, from getting in an auto accident to being held hostage in a gambling den. Ross comes to her rescue with the police and finally discovers to his relief that she is not a crook. ~ Janiss Garza, All Movie Guide

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1918  
 
The Whirlpool was based on the novel of the same name by Victoria Morton. Alice Brady stars as Belle Cavello, the mercenary sweetheart of moonstruck Arthur Hallam (William B. Davidson). In order to keep Belle in the manner to which she is accustomed, Arthur resorts to robbery and as a result is accused of a murder he didn't commit. Sobered by this turn of events, the covetous Belle decides to henceforth live a virtuous life, and to that end she marries the highly respectable Judge Reverton (H.E. Herbert). Inevitably, however, Belle's past catches up with her, and her bad traits resurface. The heroine's multitude of personal problems are straightened out -- if such a thing is possible -- by a prominent "brain specialist" (W.E. Williams), who tries to purge the heroine of her inbred wickedness. ~ Hal Erickson, All Movie Guide

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1918  
 
Inspired by the recent Russian Revolution, At the Mercy of Men casts Alice Brady as Vera Souroff, a Petrograd music teacher. While heading to work, Vera is suddenly seized by three officers of the Czar's Imperial Guard and dragged off to a darkened restaurant, where one of the men rapes her. When the police arrive, Vera is unable to determine which of the three men was responsible for the outrage. The shock of the girl's humiliation has a startling effect on her fiance Boris, who immediately swears vengeance on the Czarist regime and joins the revolutionists. Likewise, Vera's father, a retired Army officer, is galvanized into forming "The Forces of the People." The suggestion that the Revolution was inspired solely by a sexual assault on a single woman may have been a bit hard to swallow, but audiences unfamiliar with the actual political turmoil in Russia were willing to suspend disbelief. ~ Hal Erickson, All Movie Guide

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