Bobby Bass Movies

Most people have trouble deciding what to say when they're asked what they've been doing with their lives at a High School reunion, but Martin Blank (as played by John Cusack) has a different problem than most -- he has to make his career sound less interesting than it actually is. Martin is a former CIA operative who is now a freelance hit man, making good money for killing people he doesn't know. However, Martin's game has been a bit off lately; he's no longer happy in his work, and both his secretary Marcella (Joan Cusack) and his psychiatrist, Dr. Oatman (Alan Arkin), who is more than a bit nervous about having a hired assassin as a patient, think that Martin should accept an offered assignment in Grosse Pointe, Michigan, his old home town, which would conveniently coincide with his ten year high school reunion. While in Grosse Pointe, Martin discovers that his high school sweetheart, Debi Newberry (Minnie Driver), is still living in town, and still holds a grudge against him for standing her up on prom night. While Martin tries to sort out his past and tie up loose ends with Debi (whom he still loves), he discovers someone in Grosse Pointe is out to kill him; he's also confronted by the highly unstable Mr. Grocer (Dan Aykroyd), a fellow hit man who wants Martin to join forces with him and form a union and isn't keen on taking no for an answer. Grosse Pointe Blank was a pet project for star John Cusack, who co-wrote the screenplay and also served as co-producer. ~ Mark Deming, Rovi

Borrowing liberally from the French film La Totale, this is an action picture, domestic comedy, and political thriller rolled into a crowd-pleasing ball of entertainment. Producer James Cameron wrote and directed the film. Henry Tasker (Arnold Schwarzenegger) is a workaholic computer salesman neglecting his mousy wife Helen (Jamie Lee Curtis), a legal secretary. Simon (Bill Paxton) seduces Helen with the lie that he is a secret agent; he's really a used car salesman. Harry suspects that Helen is cheating on him, and he sends a few colleagues to kidnap them. Helen then discovers that Harry is a secret agent by night, working for a shadowy group called the Omega Sector. Harry and his partner Gib (Tom Arnold) are trying to find four nuclear warheads that have disappeared from a former Soviet republic. ~ Michael Betzold, All Movie Guide

Martial arts hero Thomas Ian Griffith wrote, produced, and starred in this action thriller. Terry McCain (Griffith) is a Chicago police officer who is bent on revenge after his partners are killed by Mafia gunmen. McCain knows that he won't be able to get the justice he demands within the system, so he persuades his boss, Devlin (Lance Henriksen), to keep him off the list of suspects after he kills mob kingpin Sal DiMarco (Burt Young). McCain changes his mind about killing the crime boss, but someone else with a grudge guns down DiMarco instead; however, when he tries to meet with Devlin to explain what's happened, he's met by a squad of killers. McCain learns that his partner Frankie (Tony Todd) is actually still alive and was in cahoots with Devlin to steal $3 million in drug money away from DiMarco, a deal scotched by McCain's desire for revenge. The supporting cast includes James Earl Jones and Charlotte Lewis. ~ Mark Deming, Rovi

Geena Davis and Susan Sarandon play Thelma and Louise, two working-class friends who together have planned a weekend getaway from the men in their lives. Thelma's husband, Darryl (Chris McDonald), is an overbearing oaf, and Louise's boyfriend, Jimmy (Michael Madsen), simply will not commit. Though the road trip starts out as a good time, the pair eventually wind up at a bar. A tipsy Thelma ends up in the parking lot of the bar with a would-be rapist. Louise shoots the man dead. The two decide that they have no choice but to go on the run. They eventually meet up with a young criminal named J.D. (Brad Pitt), whose cowboy spirit rubs off on the timid Thelma. The pair is pursued by a police officer (Harvey Keitel) sympathetic toward their plight. He chases them to the Grand Canyon, where the women make a fateful decision about their lives. Directed by Ridley Scott, Thelma & Louise brought first-time screenwriter Callie Khouri many accolades including the Oscar for Best Original Screenplay. ~ Perry Seibert, Rovi

Jack Moony (Bob Hoskins) is a vice detective, but he is also an intense and crazed, racist lout. Jack has had a brief fling with a hooker named Crystal (Chloe Webb), but Crystal left him for Napoleon Stone (Denzel Washington), a suave, handsome, cosmopolitan lawyer, who becomes the object of Jack's rage, not simply because he has stolen his girl but also because he is black. Jack, who lives on cheeseburgers, beer, and whiskey, has a heart attack. This occurs the same night that Stone is killed in an un-accidental car crash. Thanks to a quick organ transplant, Jake ends up with Stone's heart. But to Jack's horror, he discovers the ghost of the lawyer has returned to earth to follow Jack around -- offering Jack nutritional advise, giving him tips on solving his murder, and suggestions on how to get back together with Crystal. ~ Paul Brenner, Rovi

L.A. cop Martin Riggs (Mel Gibson), whose wife has recently died, is a loose cannon with a seeming death wish. This makes him indispensable in collaring dangerous criminals, but a liability to any potential partners. Roger Murtaugh (Danny Glover), a conservative family man who wants to stay alive for his upcoming 50th birthday, is partnered with Riggs. As Riggs gets to know Murtaugh and his family, he begins to mellow, though his insistence on using guerilla tactics to catch criminals is still (put mildly) above and beyond the call of duty. The main villain is The General (Mitchell Ryan), a drug dealer responsible for the death of the daughter of one of Murtaugh's oldest friends. The General is also in charge of a deadly, militia-like gang of smugglers. Adding fuel to the fire is The General's chief henchman, played with all stops out by Gary Busey. Moviegoers familiar only with the relatively tongue-in-cheek Lethal Weapon sequels may be amazed to find out how dangerous and unpredictable Riggs is in the first Lethal Weapon -- and how likely it seems that Murtaugh might not survive until fade-out time. ~ Hal Erickson, Rovi

In Mannequin, a lame attempt to revive the style and panache of fantasy-tinged romantic comedies of the '30s and '40s, Andrew McCarthy stars as a department store window-dresser who discovers that one of his mannequins (Kim Cattrall) is actually a woman from ancient Egypt when she becomes animated one evening. She then inspires him to become the most expressive window-dresser the business has ever seen. Of course, there is intrigue involving a rival department store's attempt to drive the good guys out of business, and together the two store-crossed lovers must combat the forces of evil to save the day. There is no real mystery about what will happen in the course of the film; it all seems color-by-numbers. The only thing unique about Mannequin is its uniquely bad and illogical script, which has holes larger than the Grand Canyon. Mannequin was a surprise box-office hit, earning nearly 25 million dollars in just under a month of its release -- no small feat considering its miniscule budget and seeming lack of appeal to any particular demographic. It spawned an inferior sequel, Mannequin Two: On the Move, reaffirming the belief that anything is possible. In spite of being panned by critics across the board, it did manage to receive one accolade -- its theme, "Nothing's Gonna Stop Us Now," was nominated by the Academy for Best Song. ~ Jeremy Beday, Rovi

Gas-station owner Zack (Noble Willingham) is being pressured to sell out by a gang of crooks. Coming to Zack's aid, the members of the A-Team are surprised to learn that the man behind the skullduggery is infamous mob boss Sam Marlini (Marc Lawrence)--who was supposed to have been killed years earlier! Episode highlights include a flashback of sorts to Murdock's (Dwight Schultz) triumph on Wheel of Fortune, Hannibal's (George Peppard) female drag as a cleaning lady, and the climactic chase, involving an antique car that has been "borrowed" from the elusive Marlini. ~ Hal Erickson, Rovi

With their father dead and their mother busy trying to land a steady beau, pretty teen Billy Jean Davy (Helen Slater) and her younger brother, Binx (Christian Slater), spend their time riding Binx's moped and dreaming of life in Vermont -- several climate zones away from the humid, omnipresent heat of their Texas town. One day, on their way from their trailer park home to a swimming hole, the Davy kids run afoul of rich boy Hubie Pyatt (Barry Tubb) and his cronies, who steal -- and later trash -- the scooter Binx bought with his father's paltry life insurance benefits. Demanding payment from Hubie and his merchant dad (Richard Bradford) for the damage that's been inflicted on both the bike and her brother's face, Billie Jean narrowly escapes being raped by the elder Pyatt. In the ensuing scuffle, Binx accidentally shoots Mr. Pyatt, sending himself, Billie Jean, and their friends, Ophelia (Martha Gehman) and Putter (Yeardley Smith), on the lam. When the "Billie Jean Gang" becomes a media sensation, Pyatt capitalizes on their notoriety by selling T-shirts and bric-a-brac, while policeman Ringwald (Peter Coyote), who feels guilty for having refused to help Billie Jean, tries to bring the kids in without anyone getting hurt. However, when the gang mock-kidnaps rich amateur filmmaker Lloyd (Keith Gordon), unaware that he's the district attorney's son, the situation spins out of control. Soon, Lloyd's videotape of the suddenly crop-topped, Joan of Arc-emulating, eminently telegenic Billie Jean elevates a local headline into a national sensation, and even Lloyd's attraction to Billie Jean can't protect her from the media lightning rod she's become. The Legend of Billie Jean marks the screen debut of Christian Slater, who is no relation to co-star Helen Slater. Actor Gordon, who made his debut as a screenwriter with Mark Romanek's Static the year Billie Jean came out, would go on to direct a number of critically acclaimed films. ~ Brian J. Dillard, Rovi

Director Bob Fosse's fact-based tale of Playboy centerfold Dorothy Stratten's short life and gruesome death focuses less on Stratten (played by Mariel Hemingway) than on her husband/manager, sleazoid pornographer and all-around failure Paul Snider (Eric Roberts, ideally cast). He sees the young beauty as his meal ticket and sets out to pimp her in the adult entertainment business. He marries her and appoints himself her career manager; soon after, she attracts the attention of Playboy executives and wins a spot in the magazine. As her success increases however, so does Snider's alienation as he finds himself left out in the cold. His jealousy begins to consume him; she spurns him on the advice of her new friends; he goes berserk and confronts her. The same murder-suicide inspired the made-for-television Death of a Centerfold. This was choreographer/filmmaker Bob Fosse's final film. ~ Jeremy Beday, Rovi

Sun-worshiping Californians are disappearing by the droves at a popular beach hangout, and a pair of extremely gruff detectives (John Saxon and Burt Young) grumble their way through the case until the real culprit is discovered... it seems a giant burrowing sand-monster with a taste for well-tanned human flesh has set up house beneath the surface and has been partaking of beach bums and bunnies, sucking them down to a nasty (but mostly unseen) death. The creature is kept completely concealed until the final minutes, but its triumphant arrival reveals the real reason the filmmakers kept it hidden so long: the dreaded beast looks like a giant artichoke! The potential for campy fun in this premise is defeated by a completely straight, plodding detective story, but at least Saxon and Young turned in enjoyably cranky performances before picking up their checks. ~ Cavett Binion, Rovi

Steve McQueen's last film concerns a modern day bounty hunter who searches for bail jumpers. Based on real life bounty hunter Ralph "Papa" Thorson, the film details his exciting life, traveling from one city to another, trying to track down fugitives and continually risking his life in the process. Buzz Kulik directed the confusing mish-mash that, nevertheless, features stunt work that anticipates the Lethal Weapon series. ~ Paul Brenner, Rovi

William Peter Blatty, author of The Exorcist, proved a workmanlike producer/director for 1979's The Ninth Configuration. Army psychiatrist Col. Kane (Stacy Keach) (teetering on the sanity brink himself) tries to minister to the patients in a military mental hospital. The fact that the hospital is located in a brooding old castle is hardly conducive to speedy recoveries. Nor does the mid-film barroom brawl indicate that Kane's approach to mental health is all that workable. Blatty adapted the screenplay for The Ninth Configuration from his own novel Twinkle, Twinkle, "Killer" Kane (which also served as the film's title during one of its many releases). It is hard to tell if what you're going to see is the "director's cut," since there are several versions of this film, running anywhere from 99 to 140 minutes. ~ Hal Erickson, Rovi