James Basevi Movies
British born art director and special effects expert James Basevi began his film industry career in 1924 at MGM. Prior to that he had served in the British army. At MGM, he designed sets for silent films, often working with Cedric Gibbons. With the advent of sound films, he became head of the MGM special effects department where he did spectacular special effects like the earthquake scene in San Francisco (1936). In 1937 he began working for Fox. There he did the storm sequence in John Ford's The Hurricane. Two years later he returned to art direction and began working on some of Fox's most distinguished films. In 1943, he shared an Oscar with William Darling for their art direction of The Song of Bernadette. ~ Sandra Brennan, All Movie Guide
If John Ford is the greatest Western director, The Searchers is arguably his greatest film, at once a grand outdoor spectacle like such Ford classics as She Wore a Yellow Ribbon (1949) and Rio Grande (1950) and a film about one man's troubling moral codes, a big-screen adventure of the 1950s that anticipated the complex themes and characters that would dominate the 1970s. John Wayne plays Ethan Edwards, a former Confederate soldier who returns to his brother Aaron's frontier cabin three years after the end of the Civil War. Ethan still has his rebel uniform and weapons, a large stash of Yankee gold, and no explanations as to where he's been since Lee's surrender. A loner not comfortable in the bosom of his family, Ethan also harbors a bitter hatred of Indians (though he knows their lore and language well) and trusts no one but himself. Ethan and Martin Pawley (Jeffrey Hunter), Aaron's adopted son, join a makeshift band of Texas Rangers fending off an assault by renegade Comanches. Before they can run off the Indians, several homes are attacked, and Ethan returns to discover his brother and sister-in-law dead and their two daughters kidnapped. While they soon learn that one of the girls is dead, the other, Debbie, is still alive, and with obsessive determination, Ethan and Martin spend the next five years in a relentless search for Debbie -- and for Scar (Henry Brandon), the fearsome Comanche chief who abducted her. But while Martin wants to save his sister and bring her home, Ethan seems primarily motivated by his hatred of the Comanches; it's hard to say if he wants to rescue Debbie or murder the girl who has lived with Indians too long to be considered "white." John Wayne gives perhaps his finest performance in a role that predated screen antiheroes of the 1970s; by the film's conclusion, his single-minded obsession seems less like heroism and more like madness. Wayne bravely refuses to soft-pedal Ethan's ugly side, and the result is a remarkable portrait of a man incapable of answering to anyone but himself, who ultimately has more in common with his despised Indians than with his more "civilized" brethren. Natalie Wood is striking in her brief role as the 16-year-old Debbie, lost between two worlds, and Winton C. Hoch's Technicolor photography captures Monument Valley's savage beauty with subtle grace. The Searchers paved the way for such revisionist Westerns as The Wild Bunch (1969) and McCabe & Mrs. Miller (1971), and its influence on movies from Taxi Driver (1976) to Close Encounters of the Third Kind (1977) and Star Wars (1977) testifies to its lasting importance. ~ Mark Deming, All Movie Guide
- Starring:
- John Wayne, Jeffrey Hunter, (more)
This truncated screen version of John Steinbeck's best-seller was the first starring vehicle for explosive 1950s screen personality James Dean, who plays Cal Trask, the "bad" son of taciturn Salinas valley lettuce farmer Adam Trask (Raymond Massey). Although he means well, Cal can't stay out of trouble, nor is he able to match the esteem in which his father holds his "good" brother Aron (Richard Davalos). Only Aron's girlfriend Abra (Julie Harris) and kindly old sheriff Sam Burl Ives) can see the essential goodness in the troublesome Cal.
When Adam invests in a chancy and wholly unsuccessful method of shipping his crops east, his wealth plummets. In an effort to save the business, Cal obtains money from his estranged mother (the proprietor of a whorehouse) and invests it in a risky new bean crop. The gamble pays off (thanks in no small part to the war), but Adam refuses to take the money from Cal, and the resultant quarrel causes Adam to have a stroke. Released the same year as Rebel Without a Cause, East of Eden provided Dean with his first Oscar nomination, for Best Actor. ~ Hal Erickson, All Movie Guide
When Adam invests in a chancy and wholly unsuccessful method of shipping his crops east, his wealth plummets. In an effort to save the business, Cal obtains money from his estranged mother (the proprietor of a whorehouse) and invests it in a risky new bean crop. The gamble pays off (thanks in no small part to the war), but Adam refuses to take the money from Cal, and the resultant quarrel causes Adam to have a stroke. Released the same year as Rebel Without a Cause, East of Eden provided Dean with his first Oscar nomination, for Best Actor. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, James Dean, (more)
- 1953
- NR
In his only MGM film, Humphrey Bogart plays the commanding officer of a M*A*S*H unit during the Korean War. Bogart runs his operation by the book, though he can take time out now and again for compassion. When nurse June Allyson shows up, Bogie is irritated by her foolhardiness and misplaced idealism. Need we tell you that the two "opposites" eventually fall in love? Keenan Wynn steals the show as the camp's wheeler-dealer, a sort of ancestor for such future insouciant M*A*S*H characters as Hawkeye, Trapper John and B.J. Hunnicutt. According to Hollywood scuttlebutt, Humphrey Bogart liked writer/director Richard Brooks because he could walk all over him. Brooks doesn't appear too servile in his disciplined handling of the film, though one can detect a slight lack of enthusiasm on his part. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, June Allyson, (more)
During World War II, a Military Air Transport Command DC-3 piloted by a civilian crew is forced down in northern Labrador. The five men, led by Dooley (John Wayne), have barely any food and almost no way to keep warm, and their power supply is fading fast, but they have to find a way of staying alive until search planes find them. At first, even Dooley is overwhelmed by the responsibility for his crew's safety, and he is too lax in handling them -- but after one man dies, frozen to death just steps from help, he takes over and pushes his men and himself to the limits of their endurance; he even seems ready to crack himself at one moment. Meanwhile, the men who fly with Dooley push themselves and their machines past their endurance limits searching the arctic wastes for the downed plane. Island in the Sky -- based on the book by Ernest K. Gann (perhaps the best aviation novel ever written), which was, in turn, based on a true incident that happened during the war -- is one of the most startling movies in Wayne's output. He doesn't even look like the "star" John Wayne, but like a real pilot, and the cast, made up of familiar faces, all look like the real article; indeed, this movie should have been in the running for Academy Awards for costuming and makeup, just for making these familiar performers, such as Lloyd Nolan (in maybe his best performance) and Andy Devine (ditto), look like real pilots and ordinary men, rather than familiar actors. You end up feeling like you're watching a documentary, and the effect is bracing and unsettling, and dramatically unparalleled in Wayne's entire output. ~ Bruce Eder, All Movie Guide
- Starring:
- John Wayne, Lloyd Nolan, (more)
- 1952
Peter Lawford goes through his standard "rich, spoiled young playboy" paces in the MGM comedy Just This Once. In danger of squandering his entire fortune, the wastrelly Mark MacLene (Peter Lawford) is put on a strict allowance by an old family friend, Judge Samuel Coulter (Lewis Stone). To make certain that Mark stays within his weekly budget, Coulter hires pretty lawyer Lucy Duncan (Janet Leigh) to monitor the boy's spending. One of the provisions of Coulter's ruling dictates that Mark and Lucy live under the same roof--platonically, of course. Lucy agrees to this set-up; after all, she couldn't possibly fall in love with anyone as irresponsible as Mark, especially since she's already engaged to the scrupulously frugal Tom Winters (Richard Anderson). Anyone who can't figure out how this winds up should be drummed out of the theater in disgrace. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Leigh, Peter Lawford, (more)
- 1952
While Shelley Winters is top-billed, Ricardo Montalban is the real star of My Man and I. Montalban plays Mexican transient farmer Chu-Chu Ramirez, determined to make something of himself and improve his lot in life. He falls in love with disillusioned alcoholic Nancy (Winters), intending to help her overcome her illness. Meanwhile, Ramirez' nasty boss Ansel Ames (Wendell Corey) is shot in an accident. Jealous over the fact that his wife (Claire Trevor) has designs on Ramirez, Ames accuses the Mexican of attempted murder. The manner in which Ames and his wife are forced to tell the truth is one of the oddest (and most compelling) sequences in all of William Wellman's work. ~ Hal Erickson, All Movie Guide
- Starring:
- Shelley Winters, Ricardo Montalban, (more)
- 1951
Fish-market worker Johnny O'Hara (James Arness) is named as a suspect when his boss -- with whom he had a dispute the previous day -- is shot to death in an apparent robbery. When he's arrested, his family appeals to their old friend James Curtayne (Spencer Tracy), who was once a renowned criminal attorney but is now in civil practice. He resists their entreaties until he realizes that no decent attorney will handle the case properly; his daughter (Diana Lynn) watches with alarm, however, for we soon learn that Curtayne is an alcoholic, and that the major factor in his life that pushed him over the edge was the stress of having someone's life in his hands. He discovers soon enough just how much Johnny's life is in his hands when his client refuses to level with him about his real whereabouts on the night of the murder. He also realizes as the trial starts precisely how rusty he is in the courtroom, and the old stresses return -- and with them, his drinking. Curtayne not only manages to lose the case but destroys his career when he tries to buy off a larcenous prosecution witness. His client facing a death sentence and his own life and career in ruins, he's seemingly hit bottom, but then new evidence surfaces, of a nature that not even the ambitious prosecutor (John Hodiak) can ignore. Recognizing that his client was actually innocent and also acting in his silence -- however stupidly -- from the noblest of motives, Curtayne is willing to redeem himself by putting his own life on the line, confronting a killer who has taken more than one life without any compunction whatsoever, and who has no reason to spill anything.
The People Against O'Hara was a well-made, largely location-shot crime drama set in New York City, but it wouldn't have been nearly so prestigious a movie were it not for the presence of Spencer Tracy in the role of Curtayne. Ironically enough, he only agreed to do the film on the condition that his friend Pat O'Brien, who hadn't been in a major studio release in a couple of years, be given a large role, which he got as the lead detective on the case, and O'Brien and Tracy get a couple of really good scenes together. The film also includes an unbilled appearance by Charles Bronson, who was still working as Charles Buchinski in 1951, and is highlighted by a superb prominent supporting performance by William Campbell, who seems to quietly relish every nuance of his portrayal of a totally slimy character. ~ Bruce Eder, All Movie Guide
The People Against O'Hara was a well-made, largely location-shot crime drama set in New York City, but it wouldn't have been nearly so prestigious a movie were it not for the presence of Spencer Tracy in the role of Curtayne. Ironically enough, he only agreed to do the film on the condition that his friend Pat O'Brien, who hadn't been in a major studio release in a couple of years, be given a large role, which he got as the lead detective on the case, and O'Brien and Tracy get a couple of really good scenes together. The film also includes an unbilled appearance by Charles Bronson, who was still working as Charles Buchinski in 1951, and is highlighted by a superb prominent supporting performance by William Campbell, who seems to quietly relish every nuance of his portrayal of a totally slimy character. ~ Bruce Eder, All Movie Guide
- Starring:
- Spencer Tracy, Pat O'Brien, (more)
- 1951
Clark Gable is the largely nonheroic hero of the sprawling western Across the Wide Missouri. A cunning trapper who lives purely by his wits, Gable avoids being scalped by the Blackfoot Indians by marrying Maria Elena Marques, the chief's daughter. This marriage of convenience also allows Gable to trap to his heart's content in Blackfoot territory. After bearing a child, Marques is killed by a warring tribe; the opportunistic Gable at first considers abandoning the child, but at long last does right by the boy. Adolphe Menjou steals the show as an eternally inebriated French trapper, while Ricardo Montalban and J. Carroll Naish are convincing (and noncondescending) in their Native American characterizations. Evidently, Across the Wide Missouri tested poorly when it was first previewed: the final release version runs a surprisingly brief 78 minutes, with narrator Howard Keel (who otherwise does not appear) filling in the continuity gaps. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Ricardo Montalban, (more)
- 1951
Ray Milland plays a happily married college professor whose wife and child perish in a fire. Despondent, Milland loses himself in drink, despite the efforts of his friends and fellow faculty members. He is on the verge of suicide before he is salvaged the love of Nancy Davis (who off-screen was busy becoming Nancy Reagan). Virtually plotless, Night into Morning is held together by the performance of Ray Milland and by the incisive direction of radio veteran Fletcher Markle. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Milland, John Hodiak, (more)
Wagon Master, splendidly directed by John Ford, is a superlative western. The film is the outwardly simple tale of a Mormon wagon train headed for Utah. Along the way, the group, led by Elder Wiggs (Ward Bond) hook up with two horse traders Travis Blue (Ben Johnson) and Sandy Owens (Harry Carey Jr), the members of a traveling medicine show and a tribe of Navajo Indians. The group is threatened by a gang, known as the Clegg family, who have robbed an express office and murdered the clerk. This wonderful film emphasizes the virtues of solidarity, sacrifice and tolerance, and shows John Ford at his most masterful, in total control of the production from the casting to the bit players to the grandeur and scope of the visual compositions. The film, with its breathtaking scenery, brilliant performances by a cast of character actors, and an engaging sense of humor, is a superlative example of the American western. Wagonmaster inspired the television series Wagon Train and was also shown in a computer-colorized version ~ Linda Rasmussen, All Movie Guide
- Starring:
- Ben Johnson, Harry Carey, Jr., (more)
- 1950
Arrogant Mike Brannan (Clark Gable) is a famous driver of midget race cars and is the type of man crowds love to hate. He earned his bad-boy image after he is blamed for causing a fatal crash during a race. Wanting to see if all the hoopla is true, tough columnist Regina Forbes (Barbara Stanwyck) tries to interview her, but Mike refuses. Later she watches as he is involved in another deadly crash. Believing he deliberately caused the accident, she rakes him over the coals in her column and this leads to his disbarment from the racing circuit. In order to make ends meet, the disgraced Mike begins driving in a stunt show. Eventually, he earns enough money to allow him to buy a full-sized race car. The film's exciting finale was shot at the Indianapolis Speedway. ~ Sandra Brennan, All Movie Guide
- Starring:
- Clark Gable, Barbara Stanwyck, (more)
The second of John Ford's "Cavalry Trilogy", She Wore a Yellow Ribbon is the only one of the three to be lensed in Technicolor. In an Oscar-calibre performance, 42-year old John Wayne plays sixtyish Cavalry Captain Nathan Brittles. In his last days before his compulsory retirement, Brittles must face the possibility of a full-scale attack from the Arapahos, fomented by the recent defeat of Custer and by double-dealing Indian agents. After a series of minor victories and major frustrations, Brittles decides to ride into the Arapaho camp, there to smoke a pipe of peace with his old friend, Chief Pony That Walks (Chief John Big Tree). Before he leaves, he is presented with his retirement present by his troops: a pocket watch, with the inscription "Lest We Forget"(Wayne's playing of this scene, barely holding back tears as he adjusts his spectacles to read the inscription, is one of his finest moments on film). Brittles is able to forestall an Indian attack, just in time for his official retirement. The film really ends here, but there are two more potential climaxes before the words THE END dissolve into view. The patchiness of the Frank Nugent/Lawrence Stallings screenplay (attributal to the fact that it is adapted from two different short stories) prevents She Wore a Yellow Ribbon from reaching the same lofty heights as the Ford/Wayne collaborations Fort Apache (1947) and Rio Grande (1949). The gratuitous offscreen narration of Irving Pichel is also rather distracting. Even so, Wayne's flawless performance, coupled with the supporting contributions of Ford's stock company (John Agar, Harry Carey Jr., Victor McLaglen et al) and the Academy Award-winning photography by Winston C. Hoch, automatically elevates She Wore a Yellow Ribbon to classic status. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Joanne Dru, (more)
The first of John Ford's "Cavalry Trilogy", Fort Apache stars John Wayne as captain Kirby York and Henry Fonda as Custer clone Lt. Col. Owen Thursday. Resentful of his loss in rank and transfer to the West after serving gallantly in the Civil War, the vainglorious Thursday insists upon imposing rigid authority on rough-and-tumble Fort Apache. He is particularly anxious to do battle with the local Indians, despite York's admonitions that the trouble around the fort is being fomented not by the so-called savages but by corrupt white Indian agents. Thursday nonetheless ends up in a climactic set-to with Indian chief Cochise. He and his men are needlessly slaughtered, but the Eastern press builds "Thursday's Charge" into an incident of conspicuous valor--and York, ever loyal to the cavalry, is not about to tell the whole truth. The bare bones of Fort Apache's plotline are fleshed out with several subplots, including the romance between Thursday's daughter Philadelphia (Shirley Temple) and Lt. Mickey O'Rourke (John Agar), the son of Fort Apache veteran Sgt. Michael O'Rourke (Ward Bond). There's also plenty of time for the expected drunken-brawl humor of Victor McLaglen. Not in the least politically correct, Fort Apache is a classic of its kind, and together with Rio Grande (1950) the best of the John Ford/John Wayne Cavalry films. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Henry Fonda, (more)
John Ford had already directed one of the three previous film versions of Peter Kyne's novel under the title Marked Men (1919) with his mentor Harry Carey, a great cowboy star of the silent era who had recently died. It's not difficult to see how the story's sentimentality and Christian symbolism might have appealed to the director's sensibility. John Wayne stars as Bob Hightower, the leader of a trio of thieves who rob a bank in Arizona and take off with the posse of Sheriff Buck Sweet (Ward Bond) in close pursuit. Although they need to stop to water their horses and care for the wounds of Abilene (Harry Carey Jr.), their accurate suspicion that the sheriff is laying an ambush for them at the Mohave water tank leads the gang toward the more distant Terrapin tanks. However, en route, they're waylaid by a terrible sandstorm which scatters their horses. Forced to go on foot, they come upon a lone woman (Mildred Natwick) in a covered wagon who is about to give birth. She dies in childbirth, but not before extracting a promise from the three to take care of her child. Under a blistering sun, they head for New Jerusalem. ~ Michael Costello, All Movie Guide
- Starring:
- John Wayne, Harry Carey, Jr., (more)
In this big-budget historical adventure, Tyrone Power stars as Pedro De Vargas, a young and impetuous nobleman in 16th Century Spain. Pedro helps to free a slave who belongs to Diego De Silva (John Sutton), but this proves to be a mistake, as Diego is one of the leaders of the Inquisition. Diego soon brands Pedro a heretic, puts his family behind bars, and subjects his 12-year-old sister to torture so horrible it kills her. An outraged Pedro plots his escape, with the help of his friend Juan Garcia (Lee J. Cobb) and hot-blooded peasant girl, Catana Perez (Jean Peters). Pedro and his friends help his parents make their way out of Spain, and he soon joins forces with Hernando Cortez (Cesar Romero), who has an ambitious plan to sail to the new world in search of gold. However, a vengeful Diego uses his powers to foil Cortez, and when Diego is murdered, Pedro becomes the key suspect in the crime. Captain From Castile was shot on location in Morelos, Mexico, where the active volcano Paricutin slowed production, causing delays that expanded the film's budget to a then-extravagant $4.5 million. ~ Mark Deming, All Movie Guide
- Starring:
- Tyrone Power, Jean Peters, (more)
- 1947
Based on John P. Marquand's Pulitzer Prize-winning satirical novel of the same title, this film stars Ronald Colman as George Apley, a Beantown blueblood passionately in love with his hometown. In his mind, Boston is the world's center of modern civilization and gentility and he has made it very clear that his son and daughter are to remain there for their entire lives and only associate with native Bostonians. Imagine poor Apley's horror, then, when his Harvard-student son falls in love with a Worcester girl and his daughter falls in love with a Yale student. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ronald Colman, Edna Best, (more)
- 1947
Raymond Chandler's famed detective Philip Marlowe (George Montgomery) is hired by a rich, eccentric widow, Mrs. Murdock (Florence Bates) to find and return a stolen gold coin. Marlowe quickly finds himself involved an a case which includes robbery, blackmail and murder. Just as Marlowe begins to solve the mystery, he is savagely beaten by Vannier (Fritz Kortner). Marlowe finally puts all the pieces of the puzzle together when he discovers a blackmail scheme involving Murdock's mentally-ill secretary, Merle Davis (Nancy Guild) which leads him to suspect his employer. The Brasher Doubloon, adapted from Chandler's novel, The High Window, and beautifully photographed by Lloyd Ahern captures a proper film noir sensibility with its moody, low-key images and dense, dark background shots, while failing to capture the complexity of the novel. Director John Brahm, who also directed the excellent films The Lodger and Hangover Square, is disappointing, failing to create the depth of characterization and plot which he showed in these films. The Brasher Doubloon remains bland, with undistinguished acting by the entire cast. The only exception is Fritz Kortner, a veteran character actor molded in the expressionist cinema of pre-war Berlin, who creates the grotesque character of Vannier, bringing a sense of evil vitality to an otherwise bland production. ~ Linda Rasmussen, All Movie Guide
- Starring:
- George Montgomery, Nancy Guild, (more)
- 1947
In this musical set in late 19th-century Boston, a suffragette secretary finds that her political beliefs are standing in the way of her romantic bliss with her beloved boss. Back then the notion of women's rights was considered scandalous and her lover will not stand for such nonsense in his office. Mayhem and music ensue until he is eventually convinced. Some of the tunes were composed by the late George Gershwin to which lyricists Kay Swift and Ira Gershwin added new words. These songs include: "For You, for Me, for Evermore," "Aren't You Glad We Did?," "Stand up and Fight," and "Waltz Me No Waltzes." Other songs include: "Changing My Tune," "Back Bay Polka," "One, Two, Three," "But Not in Boston," "Sweet Packard," "Waltzing Is Better Sitting Down," and "Demon Rum." ~ Sandra Brennan, All Movie Guide
- Starring:
- Betty Grable, Dick Haymes, (more)
- 1947
In this drama, a Bostonian socialite marries the owner of a racehorse and begins a life of globe-trotting from international track to track until her hubby runs out of money. In desperation, he borrows money from an ex-girlfriend who decides that she will not let him leave her again. Meanwhile, the wife is beginning to wonder why she married him and begins contemplating divorce. Things change when her philandering spouse dumps the other, decides to rebuild his stables, and bets every last nickel on his one remaining horse's Kentucky Derby run. His horse barely loses to his wife's horse. Fortunately, the couple makes up and they live a long, happy life together. ~ Sandra Brennan, All Movie Guide
- Starring:
- Cornel Wilde, Maureen O'Hara, (more)
One of the greatest movie Westerns, John Ford's My Darling Clementine is hardly the most accurate film version of the Wyatt Earp legend, but it is still one of the most entertaining. Henry Fonda stars as former lawman Wyatt Earp, who, after cleaning up Dodge City, arrives in the outskirts of Tombstone with his brothers Morgan (Ward Bond), Virgil (Tim Holt), and James (Don Garner), planning to sell their cattle and settle down as gentlemen farmers. Yet Wyatt, disgusted by crime and cattle rustling, eventually agrees to take the marshalling job until he can gather enough evidence to bring to justice the scurrilous Clanton clan, headed by smooth-talking but shifty-eyed Old Man Clanton (Walter Brennan). Almost immediately, Wyatt runs afoul of consumptive, self-hating gambling boss Doc Holliday (Victor Mature, in perhaps his best performance). When Doc's erstwhile sweetheart, Clementine (Cathy Downs) comes to town, Earp is immediately smitten. However, Doc himself is now involved with saloon gal Chihauhua (Linda Darnell). The tensions among Wyatt, Doc, Clementine, and Chihauhua wax and wane throughout most of the film, leading to the legendary gunfight at the OK Corral, with Wyatt and Doc fighting side-by-side against the despicable Clantons. Its powerful storyline and full-blooded characterizations aside, My Darling Clementine is most entertaining during those little "humanizing" moments common to Ford's films, notably Wyatt's impromptu "balancing act" while seated on the porch of the Tombstone hotel, and Wyatt's and Clementine's dance on the occasion of the town's church-raising. Based on Stuart N. Lake's novel Wyatt Earp, Frontier Marshall (previously filmed twice by Fox), the screenplay is full of wonderful dialogue, the best of which is the brief, philosophical exchange about women between Earp and Mac the bartender (J. Farrell MacDonald). The movie also features crisp, evocative black-and-white photography by Joseph MacDonald. Producer (Daryl F. Zanuck) was displeased with Ford's original cut and the film went through several re-shoots and re-edits before its general release in November of 1946. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Linda Darnell, (more)
George Taylor (John Hodiak) is a war veteran suffering from amnesia with only two clues to his past: the bitter letter from a woman who hates him and another mysterious letter signed "Larry Cravat." Taylor goes to Los Angeles to meet Cravat. It turns out that Cravat is wanted for murder and the robbery of $2 million. George becomes involved with a singer, Christy (Nancy Guild) and is chased by mobsters while on a search for the stolen money. There ensue a series of chases, an interesting plot twist and a surprise ending as John learns the true identity of Cravat.Somewhere in the Night is the quintessential "amnesia victim" as protagonist film, somewhat slow, but nevertheless, engrossing and suspenseful. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Charles Arnt, Richard Benedict, (more)
- 1946
In this drama, a seductive woman uses her wiles upon both a traveling bank examiner and a manager to whom she is married. This woman has expensive taste and ends up spending all of her husband's money. She then begins trying to seduce the bank examiner, who doesn't know she is married to the manager. Mayhem, and eventually murder, ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Signe Hasso, Preston S. Foster, (more)
- 1946
Nostalgic and sweet, this tuneful comedy centers on a mother's reminiscence of her wild time as a 1920s teenage flapper. Margie is first seen fully grown telling her stories to her own teenage daughter. Back then, Margie was a typical adolescent, crazy about boys (especially those in raccoon coats) and an expert on the day's fashions. Margie was quite the cat's meow back then and found herself pursued by a handsome young man. Unfortuantely for him, Margie and the other girls only have eyes for the dashing new French teacher. Though busy vying for the teacher's affections, the teens still have time to perform many of the 1920's most popular songs. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lynn Bari, Vanessa Brown, (more)
- 1946
In this drama, three veteran pilots from WW II decide to start their own air freight business. In order to earn enough money, one of them takes a dangerous job as a test pilot. His very pregnant wife objects, but this does not stop him. Fortunately, another partner scams him and ends up doing the testing himself despite that fact that he was grounded during the war for a strange nerve ailment. ~ Sandra Brennan, All Movie Guide
- Starring:
- Richard Crane, Faye Marlowe, (more)
This film is not only a revealing glimpse into the workings of the O.S.S. (Office of Strategic Services) during WW II, but it is also a full-fledged spy thriller. An excellent cast includes James Cagney, Karl Malden, E.G. Marshall, and Red Buttons. Cagney stars as an O.S.S. training officer, bent upon discovering a German traitor within his ranks while at the same time completing highly dangerous espionage assignments. The risks increase when one of his men is murdered from within, and Cagney, convinced he knows who the murdering infiltrator is, vows revenge. Authentic O.S.S. film footage make this film historically significant as well as entertaining. ~ All Movie Guide
- Starring:
- James Cagney, Annabella, (more)
