Ben Barzman Movies

Normande (Carole Laure) is a young woman who supports her family by working in a drugstore. Her mother is in an asylum, and her younger sister is a drug-addict. When she picks up a deranged youth and brings him home, he somehow manages to get her mother out of the asylum. ~ Clarke Fountain, All Movie Guide

Based on a novel by Jack D. Hunter, The Blue Max is a World War I aviation drama, told from the German point of view. Low-born infantryman George Peppard becomes a pilot, almost deliberately stepping on the sensibilities of his aristocratic comrades in the process. A national hero, Peppard wins the Blue Max, the highest award that can be bestowed upon an aviator. His fame is exploited by general James Mason, who tolerates Peppard's affair with Mason's wife Ursula Andress. The canny Mason knows that, eventually, Peppard will be expendable, and a "heroic" death can be arranged. ~ Hal Erickson, All Movie Guide

Though Fall of the Roman Empire is now infamous as the epic which destroyed the cinematic "empire" of producer Samuel Bronston, the film is actually an above-average historical drama, attempting to make sense of the political intrigues which resulted in the dissolution of the Glory That Was Rome. The film begins with wise, diplomatic emperor Marcus Aurelius (Alec Guinness) calling together the various representatives of the many nations within the Empire as a means of securing peace and prosperity for all involved. When Marcus intimates that he intends to turn over his crown to adopted son Livius (Stephen Boyd) rather than the logical successor Commodus (Christopher Plummer), he is poisoned by one of Commodus' cronies. Marcus' daughter Lucilla (Sophia Loren) tries to get Livius to claim the throne, but he wants no part of it; thus, the fate of the empire is in the incompetent hands of the preening Commodus. Despite efforts by cooler heads to save Rome from ruin, Commodus vainly declares himself a god and kills anyone who poses a threat to him. When he learns that Lucilla actually has a stronger claim to the throne than he does, Commodus condemns her to be burned at the stake. Only then does Livius intervene, slaying Commodus and promising to try to pick up the pieces of the disintegrating empire. Attempting to find a common ground between history buffs and action fans, Fall of the Roman Empire has come to be regarded as a classic. Alas, audiences in 1964 had grown weary of epics (especially after the highly touted but disappointing Cleopatra), and failed to turn out in sufficient enough numbers to justify Fall's exorbitant cost. Virtually wiped out, Samuel Bronston would not be able to return to filmmaking until 1971, and then only on a much smaller and more pinchpenny scale. ~ Hal Erickson, All Movie Guide

Actor Lawrence Harvey made his debut as a writer and director with this downbeat drama. Sean McKenna (Harvey) is awaiting execution in a prison in Tangiers after being convicted of murder. McKenna was trying to prevent the crime in question but was instead made the scapegoat. With his life hanging in the balance, McKenna's girlfriend Catherine (Sarah Miles) and his brother Dominic (Robert Walker Jr.) engineer an escape plan, and McKenna is able to beat his date with the hangman. However, McKenna's reunion with Dominic and Catherine proves not to be as joyous as he had expected when he discovers that they have been having an affair. Harvey was to direct only two more films, the second of which, Welcome to Arrow Beach, would prove to be his final work. ~ Mark Deming, All Movie Guide

Eddie Constantine is "Lemmy Caution" in everything but name in Incognito. Constantine plays an American G-man named Stanley, who heads to a fictional South American dictatorship in search of a counterfeiting gang. Despite the urgency of his mission, Stanley has plenty of time to romance the local senoritas. Handled in a tongue-in-cheek fashion, Incognito often elicits as many laughs as gasps during the fight scenes. As a bonus, leading ladies Danik Patisson, Tilda Thamar and Gaby Andre (brunette, blonde and redhead, respectively) are very easy on the eyes. ~ Hal Erickson, All Movie Guide

Filmed on the island of Crete and set in the early 1920's, when Greece was occupied by the Turks, Jules Dassin's Celu Qui Doit Mourir (He Who Must Die) tells the story of a small village's efforts to stage their Passion Play, an event that occurs once every seven years. The leading citizens, including the wealthy Patriarcheos (Gert Frobe) and the priest Grigoris (Fernand Ledoux), have managed to keep the local Turkish military ruler (Carl Mohner) satisfied with their quiet subservience, each protecting his status and authority within the community in the process. But when Grigoris makes his selections for the roles in the Passion Play, there are unintended consequences, particularly for Manolios (Pierre Vaneck), a tongue-tied, stammering young shepherd who is chosen to play Jesus. On the eve of the celebration and the play, a large group of refugees, survivors of a town burned by the Turks, led by the priest Photis (Jean Servais), arrives seeking help. Grigoris and the other town leaders turn them away, at first spreading the lie that the refugees carry cholera to make the townspeople fearful of them. But Manolios and two others are troubled by the seeming contradiction between the priest's behavior and the teachings of Jesus -- which Manolios is starting to take very seriously. Confronted by the starvation deaths of children and old men among the refugees, Manolios soon finds himself facing an array of unpleasant truths about the failings of the men he has always respected. The village is soon divided, friend against friend and father against son, as Manolios appeals to the better nature of his neighbors -- his closest allies include Patriarcheos's son and Katerina (Melina Mercouri), the village prostitute. These events further enflame Grigoris's anger over what he perceives a open rebellion and the threat of disorder, which the Church will not condone -- and he soon must appeal to the Turkish occupiers, to stop Manolios and all that he represents. ~ Bruce Eder, All Movie Guide

The official credits for the Italian-made Stranger on the Prowl read: "written and directed by Andrea Forzano." In truth, Andrea Forzano was two people: screenwriter Ben Barzman and director Joseph Losey, both of whom had been blacklisted by Hollywood and were forced to work under pseudonyms. Essentially a two-person character study, the film stars Paul Muni as a down-and-out crook on the lam. Muni befriends a young street urchin (Vittorio Mazzunchelli, billed as "Manunta" in many prints) in an Italian port city. At first amused that the boy is a sneak thief, Muni tries to deflects the kid from a life of crime. Tipped off by a woman anxious to collect the reward for Muni (who is wanted for murder), the police pursue the two lost souls. Muni sees to it that the boy manages to escape, but is himself gunned down. A weak-tea imitation of the Italian neorealist movement, Stranger on the Prowl was cut by 18 minutes for its English-language release (in Britain it was titled Encounter). The full, original 100-minute Italian version, released in 1951, was known as Imbarco a Mezzanote. ~ Hal Erickson, All Movie Guide

On the outs in Hollywood due to the blacklist, director Edward Dmytryk briefly operated in England in the late 1940s. Though filmed in its entirety in London, Dmytryk's Give Us This Day is set in New York during the depression. Fellow blacklistee Sam Wanamaker is starred as the head of an Italian immigrant family struggling to survive the economic crisis. Perhaps had it been made in Hollywood as intended, Give Us This Day would not have been allowed to run on for 120 minutes, nor would the actors have been permitted to indulge in terminal sanctimony. Based on Pietro di Donato's novel Christ in Concrete, Give Us This Day was released in the US under the intriguing title Salt to the Devil. ~ Hal Erickson, All Movie Guide

Romantic comedy was never Errol Flynn's forte, but he occasionally gave it the old college try in such films as Never Say Goodbye. Flynn plays Phil Gayley, a Petty-like magazine illustrator, whose close proximity with gorgeous female models ruins his marriage to the lovely Ellen (Eleanor Parker). When the Gayleys divorce, their precocious 7-year-old daughter Flip (Patti Brady) contrives to bring them back together. She does, of course, but not before several by-the-number comic complications, not least of which finds Phil and his romantic rival Rex DeVallon (Donald Woods) dressed in lookalike Santa Claus suits. The film's biggest laughs are garnered whenever Errol Flynn lampoons his established "swashbuckler" image, which he does with apparent relish. At one point, Flynn even imitates Humphrey Bogart-an effect accomplished by dubbing in the voice of the real Bogart! ~ Hal Erickson, All Movie Guide

MGM's musical extravaganza Meet the People top-bills two future powerful TV executives: Dick Powell and Lucille Ball. Ball plays a popular but stuck-up Broadway star who leaves the bright lights to become a welder in a shipyard. Here she meets and falls in love with coworker Powell. This being a wartime musical, the plotline is periodically abandoned for the guest-star turns of the likes of Virginia O'Brien, Bert Lahr, Spike Jones and His City Slickers, Vaughn Monroe, and Mata and Hari. Buried beneath this cornucopia of corn is a stage play by Louis Lantz, upon which Meet the People was supposedly based. (Note: some sources mistakenly list Edward Dmytrk as the director of this film). ~ Hal Erickson, All Movie Guide

True to Life stars Dick Powell as a radio writer in search of saleable material. He comes up with a weekly sitcom about a typical American family. To soak up inspiration, he hangs around the household of waitress Mary Martin and her parents (Ernest Truex, Mabel Paige), transcribing their conversations for use on the air. When Mary listens to the radio and discovers that Powell's attentions towards her are strictly professional, she runs to the arms of Franchot Tone. But Powell convinces her that his ardor is genuine--while musical fans are disappointed that only one song has been sung in the whole of True to Life. Devotees of two-reel comedies will note the presence of veteran second bananas Billy Bletcher and Bud Jamison as two of the "family members" in Dick Powell's radio series. ~ Hal Erickson, All Movie Guide