Earl Barton Movies

A teacher and several students are kidnapped by a group of bikers, only to be held hostage. ~ John Bush, All Movie Guide

Narrative takes a back seat to music in this loose remake of Girl Crazy, as Harve Presnell plays a footloose young millionaire who meets perky Connie Francis and hatches a scheme to save her father's failing Nevada ranch by turning it into a resort for people waiting out their quickie Las Vegas divorces. This was an early musical vehicle for then-Broadway star Presnell, who would gain notoriety with film fans years later as a character actor in Fargo, Patch Adams, and Saving Private Ryan. Besides, how often do you get to see a musical that features Louis Armstrong, Liberace, Herman's Hermits, and Sam the Sham and the Pharoahs? ~ Mark Deming, All Movie Guide

Elvis Presley plays singer/actor Johnny Tyronne in this formulated quickie directed by Gene Nelson. While on a promotional tour of Pakistan, Johnny is drugged, kidnapped, and whisked away to a mythical Middle East country. Jay Novello plays the scheming Zacha who vows (for a price) to help Johnny in a world that is 2,000 years behind the times and sealed off from the outside world. With the help of Baba (Billy Barty), they hope to get Johnny back to the comforts of the modern world. Elvis shows off some neat karate moves, but he looks bored and resigned to the fact no one in Hollywood (or Colonel Tom Parker) will give him a serious screen role. Filmed on sets that were originally used for Kismet (1944) and Cecile B. DeMille's silent classic The Ten Commandments. As for the songs, only Mirage and Hey Little Girl are memorable. The generous Presley, perhaps feeling nostalgic, donated $50,000 to the motion picture relief fund after completing the film. On hand at the celebrity press conference were such luminaries as Frank Sinatra, Bud Abbott, and silent-screen veteran Chester Conklin. ~ Dan Pavlides, All Movie Guide

Unlike some of the "twist" movies that hit the theaters in the early '60s when the dance craze flourished, Twist around the Clock has something resembling a plot. Mitch Mason is an out-of-work promoter who sees people doing the "twist" in a regional backwater -- and immediately understands that the dance could be a real hit. His problem lies in getting anyone to believe him, and making money in the process. It turns out that the daughter of the head of a major agency could be his ticket to fame and fortune but he ignores her interest in him, at least for awhile. In the end, this teen-oriented tale is best remembered for two of Dion's hit songs, Runaround Sue and The Wanderer. Other vocals are supplied by Chubby Checker, The Marcels, and Vicki Spencer. ~ Eleanor Mannikka, All Movie Guide

Coming off of a hit New York gig, successful rock & roll crooner Arnie Haines (Alan Dale) realizes he and his bandmates are weary from the grind of two years of steady gigs. They tell their manager (DJ Alan Freed, playing himself) they're taking a break and return to the small town where they started, Mellonville (state unspecified, but it looks like central Pennsylvania). Upon arriving, however, Haines finds himself denounced by the mayor (Pierre Watkin) as a bad influence on the teenagers and banned from any public performances. That would suit him fine -- he and the boys wanted the summer off -- but their local teenage fans can't abide the repressive atmosphere, and then nationally syndicated columnist Arlene MacLaine (Fay Baker), visiting Mellonville, attacks Haines and rock & roll in her column, threatening the whole music business. Arlene's comely daughter, Francine (Patricia Hardy), urges Arnie to fight back and convince her mother that rock & roll is harmless fun. Toward that end, with help from the sympathetic mayor (George Cisar) of the next town, Arnie and Freed organize an all-star show that includes Little Richard, the Treniers, and Bill Haley & His Comets. Everything goes according to plan until one petty, jealous girl (Jana Lund) nearly starts a riot when Arnie rejects her advances. Then it's up to Francine and her acting troupe friends to help Arnie and Alan Freed make one last pitch for rock & roll. Though Don't Knock the Rock has more plot and characters than most movies of this type, and it did reflect an actual serious controversy that was growing at the time (and not just in the South), it is really just lighthearted fun. Its real appeal lay in the singing and dancing, not only by some top rock & roll talent of the day (Bill Haley is great, Little Richard and his band are amazing, and the Treniers are dazzling), but also by the dancers portraying ordinary teenagers having fun. Photographer Ben Kline gets all of his camera angles spot on, so that the movie, though no classic, is a visual and musical delight a half century later. And just to show where the film's heart really lies, producer Sam Katzman and director Fred Sears (who were old enough to be "squares") replace "The End" at the final frame with a more nonchalant (and topical) "Dig You Later." ~ Bruce Eder, All Movie Guide

The ineluctable Sam Katzman pounced upon the "cha-cha" craze with the musical quickie Cha-Cha-Cha-Boom! Recording stars Perez Prado, Helen Grayco, Luis Arcaraz, Manny Lopez and the Mary Kaye Trio play themselves in this hurriedly assembled melange. The wafer-thin plot concerns the efforts of talent scout Bill Haven (Steve Dunne) to scare up some genuine Latino talent for his own recording company. To make a long story short, he coerces bandleader Perez Prado out of his native Cuba, whereupon Prado rallies his cha-cha'ing cohorts to assemble en masse in Haven's studio. The film is stolen by lissome dancer Sylvia Lewis, who later appeared on such TVers as The Dick Van Dyke Show. ~ Hal Erickson, All Movie Guide