Charles Barton Movies

Wings, the first feature film to win an Academy Award, tends to disappoint a little when seen today. Too much time is afforded the wheezy old plotline about two World War I aviators (Buddy Rogers, Richard Arlen) in love with the same woman (Jobyna Ralston), while the comedy relief of El Brendel is decidedly not to everyone's taste. But during the aerial "dogfight" sequences, the film is something else again: a grand-scale spectacular, the likes of which has never been duplicated, not even by more expensive efforts like Hell's Angels (1930) and The Blue Max (1965). Twenty-eight-year-old director William Wellman, himself a wartime aviator, was fortunate enough to have the full cooperation of the US War department at his disposal (even though his legendary temper nearly lost him that cooperation on more than one occasion!) Brilliantly handled though the aerial scenes may be, they are matched by the Earthbound combat sequences, including the now-famous shot of a long trench caving in on hundreds of unfortunate doughboys. The storyline is as follows: Jack Powell (Rogers) and David Armstrong ($owell) hate each other during basic training, grow to like each other, and fall out again while competing for the affections of Sylvia Lewis (Ralston). Mary Preston (Clara Bow) sacrifices her own nursing career to save a drunken Powell from disgrace, Powell goes on a rampage when he believes his pal Armstrong has been killed, inadvertently shoots down Armstrong while decimating the German air corps, and is finally reunited with the nurse. Wrapped up in nurse's garb throughout most of the film, the ebullient Clara Bow is permitted a sequence in which, disguised as a Parisian floozie while trying to rescue a revelling Rogers, she displays a great deal of epidermis. One of the film's chief claims to fame is its "introduction" of Gary Cooper (who'd actually been in films since the early 1920s), in a brief but crucial role as veteran flyer with a cheerily fatalistic attitude. When originally released, Wings included a sequence lensed in the wide-screen "Magnascope" process; even when seen "flat", however, the film contains some of the best flying sequences ever captured on celluloid. ~ Hal Erickson, All Movie Guide

Advertised by Paramount as "Another Lives of the Bengal Lancers," The Last Outpost actually has more in common with two RKO releases, Friends and Lovers and The Lost Patrol. The story takes place during the Kurdistan campaign in WW I. Left to die in the desert, British officer Michael Andrews (Cary Grant) is rescued by intelligence agent John Stevenson (Claude Rains). While recuperating in the base hospital, Andrews falls in love with his nurse Rosemary (Gertrude Michael) -- who happens to be Stevenson's wife! This romantic entanglement is taken care of only after a climatic battle at a remote outpost in the Sudan, with Andrews and a skeleton crew desperately fending off hostile Kurdish tribesmen while awaiting reinforcements. ~ Hal Erickson, All Movie Guide

Randolph Scott stars in this adequate Zane Grey adaptation. Lawman Larry Sutton (Scott) is assigned to solve a series of murders occurring at a radium mine. Among the suspects is mine owner Mrs. Borg, played by legendary Broadway star Leslie Carter in a rare film appearance. The key to the mystery would seem to be a sinister Chinese gent named Ling Yat (Willie Fung), but he proves to be one of many red herrings. Hoping to beat Sutton to the solution is local sheriff Tex Murdock, played by veteran vaudevillian Chic Sale. With so much high-powered talent, it's small wonder that many reviewers failed to mention the ingenue, a young actress named Anne Sheridan. A remake of the 1922 film Golden Dreams (the original title of the Zane Grey novel), Rocky Mountain Mystery was reissued as Vanishing Pioneer. ~ Hal Erickson, All Movie Guide

Previously filmed in 1927 with Gary Cooper and Thelma Todd, the Zane Grey story Nevada was remade in 1936 with Buster Crabbe and Kathleen Burke. Crabbe plays Nevada, a cattle-drive trail boss, while Burke is cast as Hettie Ide, who is brought into the story when Nevada rescues her from a runaway horse team. Unpopular with his fellow cattlemen because of his criminal past, Nevada is accused of aiding and abetting a gang of rustlers. The actual miscreant turns out to be another cattle rancher, played by an actor who always seemed to be cast as "mystery" villains in Paramount's Zane Grey series. A third version of Nevada would be filmed in 1944, with Robert Mitchum and Nancy Gates. ~ Hal Erickson, All Movie Guide

Actual footage of the 1936 Rose Bowl game is cleverly (if not seamlessly) integrated into the action of this sports-oriented comedy. Longtime chums Paddy O'Reilly (Tom Brown) and Dutch Schultz (Benny Baker) may be heroes of the high-school gridiron, but they're persona non grata with the girls, thanks to campus lothario Ossie Merrill (Larry "Buster" Crabbe). Managing to get on the college football team in time for the Rose Bowl competition, Paddy and Dutch finally win out over Ossie by scoring the winning touchdown. Of interest in the cast as one of the campus cuties is curvaceous Priscilla Lawson, who'd previously starred as Princess Aura opposite Buster Crabbe in the Universal serial Flash Gordon. Also on hand is William Frawley, as-what else? -- a college football coach. ~ Hal Erickson, All Movie Guide

And Sudden Death was inspired by a Reader's Digest article by Theodore Reeves, which later became one of the magazine's most oft-reprinted essays. The original was a Grand Guignol affair, cataloguing in grisly detail the consequences of reckless driving. The film version avoids this approach, opting instead for a plotline closely resembling Cecil B. DeMille's Manslaughter. Randolph Scott heads the cast as dedicated motor policeman James Knox, who sees to it that Betty Winslow (Frances Drake) is sent to jail for vehicular homicide. But there's something about the case that's not quite right, so Knox conducts an investigation of his own. Sure enough, he finally discovers that Betty was actually taking the rap for her alcoholic younger brother Jackie (Tom Brown). Only by making the supreme sacrifice is Jackie able to absolve himself of his sins. ~ Hal Erickson, All Movie Guide

Paramount's "Zane Grey" series continued rolling onward with 1937's Forlorn River. Larry "Buster" Crabbe, a regular in the Grey films, stars as Nevada, who in the company of his sidekick Weary Pierce (Sid Saylor) searches high and low for the outlaw gang run by Les Setter (Harvey Stephens). It's quite a chore, since Setter is heaps smarter than most of the "good guys," especially ineffectual sheriff Grundy (Chester Conklin). But Nevada has an added incentive: if he brings in the villain, he's certain to win the affections of heroine Ina Blaine (June Martel). Too loosely constructed to be totally successful, Forlorn River is held together by the consistently excellent cinematography of Harry Hallenberger. ~ Hal Erickson, All Movie Guide

In this comical murder mystery, three playwrights use $500 in advance money to get an apartment in which to write a mystery. A drunken neighbor staggers in and interrupts their brainstorming before passing out on the floor. The three playwrights then pretend that he is really dead and begin trying to figure out how it might have happened. Unfortunately, somewhere along the way, the drunk ends up dead for real and now the writers have some real work to do. ~ Sandra Brennan, All Movie Guide

In this, the first entry in four-part series, children's movie, Polly Pepper takes care of her siblings while her mother toils at a factory. Polly's newest friend is Jasper, a rich kid who likes to play with the Pepper kids. Trouble ensues when the littlest Pepper comes down with the measles and infects Jasper and his grandfather, Mr. King. They all wind up stuck together in a quarantined house. After the devoted Polly collapses from working too hard, Mr. King moves the Pepper clan into his mansion. The plucky family finally garners a fortune when it is discovered that Polly has inherited the controlling shares in a mine that the grandfather wants to purchase. ~ Sandra Brennan, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

Having struck pay dirt with its Blondie films, Columbia Pictures launched another "domestic" film series, based on Margaret Sidney's "Five Little Peppers" stories. The third and last entry in the series was The Five Little Peppers in Trouble, neither the best nor worst of this negligible project. Once more, Dorothy Peterson plays the widowed Mrs. Pepper, while her five precocious and resourceful offspring are portrayed by Edith Fellows, Dorothy Ann Seese, Charles Beck, Tommy Bond (best remembered as "Butch" in the Our Gang comedies) and Bobby Larson (replacing Jimmy Leake, who appeared in the first Pepper outing in 1939). Unable to watch over her kids and go to work at the same time, Mrs. Pepper bundles the little Peppers off to boarding school. The Five Little Peppers in Trouble is describable only as "cute"; you take it from there. ~ Hal Erickson, All Movie Guide

Edith Fellows and Billy Lee, two of Hollywood's most talented second-echelon child stars, are teamed in the Columbia tearjerker Nobody's Children. The film was inspired by Walter White Jr.'s popular human-interest radio series, which ran from 1939 to 1941. The radio version of Nobody's Children was dedicated to finding loving homes for the orphaned and abandoned kids under the care of the Children's Home Society of Los Angeles. White himself appears in the film in the "framing" scenes, ostensibly taking place during one of his broadcasts. The story proper deals with the plight of orphaned siblings Pat (Fellows) and Tommy (Lee), whose efforts at finding adoptive parents have been thwarted by the fact that Pat is crippled. Many adults have offered to adopt Tommy alone, but he loyally refuses to be separated from his sister?and the plot wends its sentimental way from there. ~ Hal Erickson, All Movie Guide

Following in the footsteps of Boris Karloff and Charles Laughton, Peter Lorre turns sadist in this routinely made but efficient little potboiler from Columbia Pictures. Lording over Dead Man's Island where he uses paroled convicts as slaves, Stephen Danel frames G-Man Mark Sheldon (Robert Wilcox) for murdering a colleague and then arranges for the convict's transfer to the island. Mark immediately becomes attracted to Danel's glamorous wife, Lorraine (Rochelle Hudson), beautifully gowned and bejeweled but like the slaves, a caged bird susceptible to her husband's rages. With the assistance of Cort (Charles B. Middleton), the two attempt to escape, but are eventually caught by Danel's spy, Brand (Don Beddoe). Happily, when all seems lost, the sadistic Stephen is killed by one of his own men, the disgruntled Siggie (George E. Stone). Although most of Island of Doomed Men was produced on sound stages, some scenes were filmed at famous Bronson Canyon in Los Angeles' Griffith Park. ~ Hans J. Wollstein, All Movie Guide