Richard H. Bartlett Movies

The Pennsylvania Amish are profiled in this drama that follows the life of a young Amish woman who, desiring to experience the world, leaves the sect to be with her lover, a hippie religious fanatic. After she finds herself impregnated, the woman goes horseback riding and deliberately falls in order to have a miscarriage. She does and she then returns to her people where she finds true peace and fulfillment. ~ Sandra Brennan, All Movie Guide

As a reward for saving Ben Cartwright's life, an Indian named Matsou (Ricardo Montalban) is given a small parcel of Ponderosa land. Ben's Indian-hating neighbor Ike Daggett (Karl Swenson) violently objects to Matsou's presence. When his wife is killed in a raid, Daggett, holding Matsou responsible, and kills the Indian's wife (Madlyn Rhue) in retaliation. Written by R. Hamer Norris and Leonard Heideman, "Day of Reckoning" first aired October 22, 1960. ~ Hal Erickson, All Movie Guide

A tall horseman (Jock Mahoney) rides into the small town of Arborville, deserted except for redheaded Jody (Luana Patten), who's uncomfortable about it. Outside town, the rider finds all the townspeople working on an oil rig on a small ranch. They're led by Cal Moore (Charles McGraw), and include brothers Aaron (Claude Akins) and Adam Grant (Lee Van Cleef). The stranger asks a few questions, rousing the ire of the hot-tempered brothers, who toss him into a pool of oil. Glossy black but unconcerned, the stranger ambles out and rides back to town. Jody helps him clean up, so he tells her he has come to meet an old Indian who lived on the property where the oil well now is; he's clearly surprised when she refers to the old man, now missing, as Joe Dakota. Meanwhile, the townspeople gather, and we learn that Cal is a newcomer to town, an oil expert who decided to cast his lot with Arborville. We also learn that something happened to the old Indian, and that the townspeople were involved. The townspeople later are horrified when the stranger announces that he owns the land where the oil well is, and that his name is Joe Dakota.

Later, Jody comes to see Joe at the ranch, and reveals that the old man was her friend; she often came out to visit him. Joe tells her that the old man, whom he'd known well some years before, had simply borrowed his name. Jody says that the last time she'd visited the old Indian, he'd been drunk and had attacked (but not raped) her. Egged on by Cal, the townspeople had lynched him. The next day, Joe hangs a noose on the Arborville town sign, and puts a cross on the old man's grave. He explains that he was a captain in the infantry, and the old man was the finest scout he'd ever known. Everyone gathers at the oil well, where Joe explains that it was Cal who had attacked Jody, framing the old man for the crime to get the town to lynch him. He and Cal have a fight, but the townspeople, ashamed of what they've done, side with Joe.

Universal-International turned out quite a number of well-down, medium-budget westerns in the late 1950s, often starring Audie Murphy. This time, however, the lead is former stuntman Jock Mahoney, whom the studio was trying to groom as a star; his easy-going but very masculine personality made him ideal for roles such as this. The movie, co-written by Perry Mason's "Hamilton Burger," (William Talman), seems to owe something to Bad Day at Black Rock, but the plot works well in this context, too. There are good small details, like a wine store instead of a saloon, the town's beloved water trough, and the stranger's midnight shave. Richard H. Bartlett's direction is as low-key as the movie -- scarcely a shot is fired, and few wear guns -- and as likable. Joe Dakota is "just another movie," but it's a very good example of its long-gone kind. ~ Bill Warren, All Movie Guide

The "Bridey Murphy" craze of the 1950s was the catalyst for I've Lived Before. Jock Mahoney plays a contemporary pilot who survives a plane crash. Upon awakening, he is under the delusion that he is another airman, who died during the first World War. The authorities pass this insistence off as delirium, until Mahoney starts recounting events and intimacies that only the long-dead pilot would know. Ann Harding portrays the ageing former lover of the soul trapped within Mahoney's body. ~ Hal Erickson, All Movie Guide

A must-see for students of 1950s pop culture, Rock, Pretty Baby was Universal-International's earliest acknowledgement of the rock 'n' roll craze. John Saxon plays 18-year-old high schooler Jimmy Daley, who intends to pursue a musical career despite the objections of his physician father (Edward C. Platt). Daley organizes a student band, then tries his best to obtain bookings. One of Jimmy's musical cohorts is none other than Rod McKuen, cast as one "Ox Bentley". Inevitably, the film comes to a noissome conclusion during a televised "bandstand" show, hosted by LA deejay Johnny Grant. The supporting cast of Rock, Pretty Baby runs the age gamut from teenaged Sal Mineo to veteran film favorite Fay Wray. ~ Hal Erickson, All Movie Guide

In this western, the goodguys use bow and arrows instead of guns to foil the schemes of evil landgrabbers attempting to take their ranch. ~ Sandra Brennan, All Movie Guide

When Vincent Edwards attained TV stardom as "Ben Casey" in 1961, his detractors took great delight in citing Edwards' earlier starring appearance in Monogram's Hiawatha. A great deal of fun was had by all when it was revealed that Edwards had to have his chest shaved on a daily basis while playing the hero of Henry Wadsworth Longfellow's narrative poem. This aside, Edwards is fairly credible as Hiawatha, while the film itself is easy to take (perhaps too easy; action fans may be disappointed). The nucleus of the story is Hiawatha's love for Minnehaha (Yvette Dugay), the daughter of his tribe's mortal enemy, Chief Igaoo (Morris Ankrum). As war clouds gather, Hiawatha struggles manfully to prevent bloodshed between the Ojibway and Dacotah tribes. The ending of Hiawatha is slightly at odds with the Longfellow original, but works within the context of the film. ~ Hal Erickson, All Movie Guide

The title Street Bandits refers to the crooked slot machines peddled by racketeer Monk Walter (Roy Barcroft). Struggling attorney Fred Palmer (Robert Clarke), in need of ready money, aligns himself with Walter. This sits not at all well with Palmer's partner Tom Reagan (Ross Ford), nor with his wife Mildred (Penny Edwards). Eventually, Palmer's conscience gets the better of him, and he turns on the disreputable Walter. This cookie-cutter crime melodrama has the advantage of brevity, running a mere 54 minutes; it is also exceptionally well-photographed by veteran Republic Pictures megger R. G. Springsteen. ~ Hal Erickson, All Movie Guide

I Was an American Spy is a true story, based on a series of autobiographical Reader's Digest articles written by Claire Phillips. Ann Dvorak stars as Ms. Phillips, an American nightclub singer trapped in Singapore when the Japanese march in. Having lost her husband to the Bataan death march, Phillips agrees to join an American secret agent (Gene Evans) in undermining the Japanese occupation troops. She is captured by the enemy, tortured, and sentenced to be shot, but is rescued at the last minute by her American contact. I Was an American Spy handles its more brutal scenes with a marked degree of tastefulness, thanks to the careful direction of Lesley Selander. Just as in their wartime movie appearances, Chinese actor Richard Loo and Korean actor Philip Ahn are eminently hissable as the Japanese villains. ~ Hal Erickson, All Movie Guide