Hall Bartlett Movies

When producer/star Michael Landon took on this project, it was geared for theatrical release under the title Comeback. Innumerable production difficulties later (due in great part to Landon's tiltings with the writer and director), the film was retooled as a TV movie titled Love is Forever. TV turned out to be the ideal medium for this film, which despite its "epic" aspirations is at base a Prime Time soap opera. Landon plays real-life journalist John Everingham, who while stationed in Laos in 1977 is accused of being a spy, tortured, and expelled from the country. One year later, Everingham attempts to return to the Communist-controlled country in order to rescue the Laotian woman (Moira Chen) that he loves. The plan is to swim across the Mekong river without attracting attention. Much of the film's potential for suspense is minimized by its flashback structure. Too, much of the credibility is lessened by supporting actor Jurgen Prochnow's "Boris Badenov" portrayal of a Communist espionage agent. Edward Woodward costars as Landon's scuba instructor, while Priscilla Presley makes her TV-movie debut as a friend of Woodward's. Though Landon tried to quell the fact in the publicity packets, leading lady Moira Chen is also known as porn actress Laura Gemser. Originally running 150 minutes, Love Is Forever was cut to 127 minutes for its first telecast on April 3, 1983, then was further snipped to 100 minutes for syndication. ~ Hal Erickson, All Movie Guide

Hal Bartlett co-wrote and directed this film curiosity, based on Richard Bach's best-selling fable, featuring an overbearing music score by Neil Diamond. The story begins as a flock of seagulls are pecking at the garbage left by a boat that has dumped a bunch of fish heads in the surf. One of the seagulls, Jonathan (voice of James Franciscus), would rather leave his life of garbage-picking and fly high in the sky to see other parts of the earth. Jonathan leaves the flock and flies around the world. He travels so far that he reaches an aviary heaven, where he meets Maureen Seagull (voice of Juliet Mills). Maureen introduces Jonathan to new experiences, and Jonathan returns to the flock to tell them the news. The other seagulls scorn him, but then they take notice when he heals a seagull that has died. Then the entire flock greets him as "the Son of the Great Gull." ~ Paul Brenner, All Movie Guide

Kent (Kent Lane) is a college-dropout-turned-drifter who travels South from Big Sur down the California coastline. His worried father (Jack Albertson) tries to bridge the ever-widening generation gap with his son, but Kent is born to wander through his life with no apparent sense of direction, searching for something elusive and unknown. One woman commits suicide after Kent declines her invitation to stay. Michele Carey is Julie, the woman working for a carnival who almost gets our anti-hero to settle down. Soundtrack music is provided by Tim Buckley, Kim Weston (who has a bit part in the film), Judy Collins, Mickey Stevenson and Neil Young. ~ Dan Pavlides, All Movie Guide

A "bad movie" with a fervent fan following, The Caretakers is set in a bleak mental institution. Joan Crawford plays the hard-bitten head nurse (we first see her taking a karate lesson!) who is dead set against the progressive theories of new doctor Robert Stack. After a few minutes' exposure to the inmates, half the audience has sided with Crawford. The most disturbed individual in the place is Polly Bergen, who never speaks when screaming will do. But thanks to the compassionate treatment of Dr. Stack, it is Bergen who saves the day by preventing fellow inmate Barbara Barrie from burning the institution to the ground. Virtually every scene in The Caretakers is a gem of glorious excess, including the obligatory shock-treatment vignette. The film strives to avoid subtlety, but its fans wouldn't have it any other way. ~ Hal Erickson, All Movie Guide

Set right near the 38th Parallel, the dividing line between North and South Korea, this conventional wartime tale focuses on the relationships of some GI's caught without reinforcements in an old farmhouse. Although the house offers some protection, the men are outnumbered and little by little, casualties mount. After the lieutenant dies, black Sergeant Towler (Sidney Poitier) automatically assumes command, and that causes friction among the white soldiers underneath him. Knowing that racial tension can do much more damage than normal under these siege conditions, Sergeant Towler finally defuses the situation when his nemesis, Kincaid (Alan Ladd) is wounded. Kincaid gets a life-saving transfusion from the Sergeant which also shows up the stupidity of racial hatred -- but meanwhile, the enemy is still attacking and reinforcements are still needed. ~ Eleanor Mannikka, All Movie Guide

This suspenseful air-borne adventure can rightfully lay claim to being the Mother of All subsequent in-flight disaster films of the '70s. The trouble begins when the pilot and crew of a Canadian passenger plane suddenly find themselves doubled over from accidental ptomaine poisoning and unable to continue flying the plane. The only other person on board who can save the terrified crew is a former WW II flying ace who is petrified of flying again. Fortunately, a courageous steel-nerved ground controller is there to offer full-radio support. Later the film became the basis of a TV movie Terror in the Sky and the hilarious parody Airplane (1980). Arthur Hailey, who wrote the teleplay on which this was based, went on to write the novel and the screenplay for 1970's Airport. ~ Sandra Brennan, All Movie Guide

All-American football star Elroy "Crazylegs" Hirsch plays himself in this rousing filmed biography. Beginning with his years in a mid-Wisconsin high school, the film traces Hirsch's multi-lettered career at the University of Wisconsin. After military service, Hirsch turns pro, eventually joining the LA Rams. Sidelined by an injury that threatens his athletic future, "Crazylegs" makes a spectacular comeback. Lloyd Nolan co-stars as coach Win Brockmeier, while Joan Vohs plays Hirsch's high-school sweetheart (and later wife); real-life sports personages in the cast include Bob Waterfield, Bob Kelley, and Bill Brundage. The film was released in most markets under the streamlined title Crazylegs. ~ Hal Erickson, All Movie Guide

Navajo was one of a group of intelligent "chamber" westerns turned out by Lippert productions in the 1950s. Technically, it's not a western at all, but what would later be termed a "docudrama." Shot on location at a Navajo Indian Reservation, the film features nonprofessional Native Americans in the major roles. Francis Kee Teller plays Son of the Hunter, a young Navajo boy who is separated from his family so that he may be given his government-dictated mandatory education. Disdaining the "white" world, Teller runs from his instructors. The two tenderfeet find themselves in a perilous situation, from which the savvy Teller must rescue them. One of the teachers is played by Hall Bartlett, the producer of Navajo (and, parenthetically, the then-husband of actress Rhonda Fleming). ~ Hal Erickson, All Movie Guide

Bob Hope's Technicolor western spoof The Paleface was one of the comedian's biggest box-office hits. Hope plays Painless Potter, a hopelessly inept dentist who heads west to seek his fortune. Meanwhile, buxom female outlaw Calamity Jane (Jane Russell) is engaged in undercover work on behalf of the government, in the hopes of earning a pardon for her past crimes. Jane is on the lookout for notorious gun-runner Robert Armstrong. To put up an innocent front, Jane marries the befuddled Potter, then keeps the criminals at bay by convincing everyone that Potter is a rootin'-tootin' gunslinger (actually, it's Jane who's been doing all the shooting). Armstrong, who has been selling guns to the Indians, arranges for Jane to be captured by the scalp-hungry tribesmen, but Potter comes to the rescue. Somewhere along the way, Bob Hope and Jane Russell get to sing the Oscar-winning Jay Livingston/Ray Evans tune "Buttons and Bows". There are many hilarious moments in The Paleface, but screenwriter Frank Tashlin felt that director Norman Z. McLeod failed to get the full comic value out of his material. To prove his point, Tashlin directed the side-splitting sequel, Son of Paleface (1952), which once more teamed Hope and Russell. ~ Hal Erickson, All Movie Guide