Pierre Barouh Movies

It is possible to enjoy Claude Lelouch's Man and a Woman: 20 Years Later on its own merits, though we advise that to fully appreciate the film, it's best to catch Lelouch's 1966 blockbuster A Man and a Woman first. True to its word, the 1986 film brings us up to date with the protagonists of the earlier picture. One-time movie script girl Anouk Aimee is now a producer, suffering a slump due to a string of box-office bombs. Former race car driver Jean-Louis Trintigant now books races for younger drivers. His love affair with Aimee long in the past, Tritignant is startled to receive an out-of-the-blue phone call from his former amour. She wants his permission to film a musical version of their romance, but with more "suitable" younger leads. Alas, Aimee has been part of the Studio System too long, and can't help but include a pointless subplot involving an escaped lunatic. Aimee must give up her show-biz excesses, and Tritignant must forsake his much-younger mistress Marie-Sophie Pochat, in order to clear the decks for a happy ending. ~ Hal Erickson, Rovi

Reno Davis (George Peppard) is an American writer who has retired from the gentle art of boxing. Now wandering through France, he takes a job as a tutor for the son of a wealthy widow. Anne de Villemont (Inger Stevens) employs Reno to help in the education of her son Paul (Barnaby Shaw). Reno is led to believe Anne's husband was a French general killed in the Algerian conflict. He is puzzled over Anne's fears that her eight-year-old son will be kidnapped. Reno discovers the family has ties to a fascist organization that plans to takeover France, Algeria and finally, all of Europe. He contends with the shady psychiatrist Morillon (Keith Michell) and mysterious family friend Leschenhaut (Orson Welles), both of whom scare Anne whenever they are around. Reno is framed for his best friend's murder as he and Anne become the targets of the ambitious and maniacal schemers who wish to rule the entire European continent. Reno and Anne escape by car and plane, dodging bullets and kidnap attempts as they try to protect Paul from being abducted. The chase ends at the Coliseum in Rome, where Reno and the villains engage in a showdown in this gripping, mysterious crime thriller. ~ Dan Pavlides, Rovi

The ultimate "date" movie of the mid-1960s, director Claude Lelouch's A Man and a Woman (Un Homme et Une Femme) stars Jean-Louis Trintignant and Anouk Aimee in the title roles. The twosome meet at the boarding school where their children are enrolled. Aimee, an actress, misses her train home, and Trintignant, a professional race car driver, offers her a ride. It is the first of several friendly encounters which eventually blossom into love. Both want to commit to each other, but neither can shake the Past. The now-famous climactic scene in a train station was not scripted at the time of shooting, thus Aimee was unaware that director Lelouch had decided upon a tearful reunion between her and Trintignant. This explains the look of utter surprise on the actress' face. Much has been written about the possible motivation behind Lelouch's decision to film some scenes in color, others in black-and-white. None of the more ardent auterists truly want to hear the director's explanation: he'd run short of money halfway through production, and black-and-white film stock was infinitely cheaper. The winner of two Oscars (one for Best Foreign Film), A Man and A Woman also scored on the "top ten" with its memorable theme music by Francis Lai. A sequel, A Man and a Woman: 20 Years Later appeared....twenty years later. ~ Hal Erickson, Rovi

A small fishing community sweeps up a young sailor with its desires and regrets. ~ Rovi

In this low-budget crime drama, French teen idol Johnny Halliday sings one song before the feature begins. He is then chased by a bunch of notorious gangsters because he destroyed their drugs. ~ Dan Pavlides, Rovi