Harry C. Bradley Movies

No relation to the later Clifton Webb vehicle of the same name, Sitting Pretty is a dated but likable film about the songwriting racket. Jack Oakie and Jack Haley play a pair of would-be tunesmiths who team up with aspiring dancer Ginger Rogers. Through the kindness of a tippling director (Lew Cody), the trio is given a bid for stardom in a movie musical directed by an excitable Russian (Gregory Ratoff). The characters played by Oakie and Haley were loosely based on Paramount's real-life songwriting team Mack Gordon and Harry Revel, who show up in bit parts. Sitting Pretty is the film that introduced the sprightly tune "Did You Ever See a Dream Walking?" ~ Hal Erickson, All Movie Guide

One of the earliest girls-in-prison yarns, Ladies They Talk About has everything but Ida Lupino as the warden--and had she been in Hollywood at the time, she would probably be here as well. Gun moll Barbara Stanwyck is thrown into San Quentin (which looks more like a summer resort than a house of detention), thanks to her involvement in a bank robbery and the machinations of D.A./preacher David Slade (Preston Foster). It isn't political ambition that motivates Slade: he's in love with Stanwyck, and hopes that her incarceration will rehabilitate her. Instead, Stanwyck becomes a hard-bitten prison-block leader, spearheading a jailbreak. When things go awry, she holds Slade responsible. Upon her release, she goes gunning for Slade, and doesn't realize that she's really in love with him until she nearly puts him six feet under. ~ Hal Erickson, All Movie Guide

Cecil B. DeMille's This Day and Age was perhaps the most Draconian entry in Hollywood's early-1930s "vigilante" film cycle. Richard Cromwell heads a group of civic-minded teenagers in a small midwestern town. When a lovable old tailor (Harry Green) is murdered by a notorious gangster (Charles Bickford), Cromwell and his pals demand justice. But the local government is terrified by the influential gangster; in fact, many of the city fathers are on the take. Enraged, the kids take matters in their own hands. In the near-fascist climax, a mob of teenagers kidnap Bickford, spirit him away to the city dump, and suspend him over a pit of rats until he confesses to the murder! This Day and Age was the sort of Depression-engendered film of desperation that all but vanished once Franklin Roosevelt was elected. ~ Hal Erickson, All Movie Guide

Warren William plays a high-powered ambitious executive who unflinchingly steamrolled his way to the top without regard for the havoc he left in his wake. As the manager of a Macy-like department store, he constantly browbeats his flunkies into submission, and ends-up driving at least one to suicide. Loretta Young plays the wife of one of William's minor employees (Wallace Ford), with whom the Big Boss has a brief affair during an office party. Eventually William gets his comeuppance, and Loretta is vindicated in the eyes of her hubby. A terrific example of pre-Motion Picture Production Code raciness, Employees' Entrance still causes audiences to gasp at its audaciousness when seen today--and also invokes loud laughter when William rebukes one of his errant vice presidents, asking him "What am I paying you so much for? Fifteen thousand a year!" ~ Hal Erickson, All Movie Guide

Although claiming to be based on actual cases, this mild crime drama appears to have been derived more from a screenwriter's manual than a police blotter. Newly transferred from robbery to missing persons, glib Butch Saunders (Pat O'Brien) is like the proverbial bull in a china shop at first, but quickly gets the hang of things. In walks pretty Norma Roberts (Bette Davis), claiming to be missing her new husband, whom she accuses of shipping out. Despite being married to nagging Belle (Glenda Farrell), Butch falls in love with the dame, until, that is, he learns the truth. Norma's last name isn't Roberts at all, but Williams, and she is wanted in Chicago for the murder of her boss, Therme Roberts. Begging Butch to cover for her -- "just for a little while. I'll explain everything later" -- Norma does a disappearing act herself and makes it look like suicide. But Butch refuses to buy the act and with the help of his boss, Captain Webb (Lewis Stone), the fast-talking cop arranges for a corpse to be lying in state at a local funeral parlor under the name of Norma Williams, hoping to flush out the real Norma. Norma walks right into the trap with another cockamamie story at the ready. But this time, it may just be the truth and Butch becomes determined to clear the lady of murder. ~ Hans J. Wollstein, All Movie Guide

In director Leo McCarey's film The Kid From Spain, actor Eddie Cantor plays mischievious college boy Eddie Williams, who, with his buddy Ricardo (Robert Young), is kicked out of college for sneaking into the women's dormitory. Ricardo (Young), on his way back to Mexico, suggests Eddie (Cantor) come along. First, however, Ricardo must stop at the local bank for some cash. Unfortunately, the bank is robbed as the two boys are leaving, and the fleeing thieves mistake Eddie for their getaway driver. In a panic, Eddie races off towards the Mexican border in hopes of getting way from them. Realizing that the bank robbers will go after him--Eddie, after all, is the only one who saw their faces--he convinces a skeptical border guard that he, too, is a Mexican. Once in Mexico, he's mistaken for a renowed bullfighter, and plays along with his newly assigned identity in order to avoid the American detective on his trail. Mayhem ensues, and Eddie eventually falls in love with Rosalie (yda Roberti), a young Mexican woman with an over-protective father. The musical numbers in The Kid From Spain were staged by a young Busby Berkeley and feature the oldwyn Girls, whose ranks in this film include Betty Grable, Paulette Goddard, and Jane Wyman. ~ Tracie Cooper, All Movie Guide

Based on a story by Robert Andrews, If I Had a Million is a multipart comedy-drama employing Paramount's top directorial and acting talents. Refusing to leave his fortune to his grasping relatives, dying millionaire Richard Bennett selects several people at random from the phone book and bestows upon each of them a check for one million dollars. The first recipient is henpecked husband Charlie Ruggles, who cheerily enters his former place of employment, a china shop, and smashes every bit of crockery in the place. Prostitute Wynne Gibson uses her money to escape from her sordid lifestyle and finally sleep in a bed all by herself. Forger George Raft finds that he can't convince anyone that his check is genuine, and ends up handing the check to a flophouse manager--who promptly burns it. Husband and wife W.C. Fields and Alison Skipworth, dismayed that their new car has been destroyed by a "road hog," utilize part of their million dollars to purchase a fleet of cars and then smash up every road hog in sight! Convicted murderer Gene Raymond hopes that his million will help finance a new trial, but the execution is carried out on schedule. Newly rich clerk Charles Laughton calmly makes his way through a series of offices, reaches his boss' desk, and delivers a loud Bronx cheer. Gary Cooper, Roscoe Karns and Jack Oakie play three brawling marines who think the check's a joke and sign it over to an illiterate lunch-counter owner. The last million-dollar recipient is May Robson, an elderly woman confined to a dismal nursing home. She spends her money to turn the home into a joyful resort for old people, forcing the formerly repressive nursing-home staffers to earn their paychecks by sitting all day in rocking chairs. The millionaire who started the plot rolling is given a new lease on life by May Robson's example, and he recovers from his "fatal" illness. ~ Hal Erickson, All Movie Guide