Pierre Balmain Movies

In this romance, a composer and a French film star, both of whom are married to others, meet and fall in love while shooting a film in the United States. The two illicit lovers begin touring the country together and enjoying the sights with particular emphasis on Monument Valley and Las Vegas. The actress begins to feel guilty and confesses all to her husband on the phone. She and the composer then decide to end the affair. Later they reunite and decide that they will rendezvous in Nice. She goes there, but her lover never arrives. ~ Sandra Brennan, Rovi

The lives and loves of a trio of airline hostesses is the whole story in this piece of fluff from MGM. Each of these perky women have cute and cuddly romances from an assortment of wealthy men as they offer coffee or tea on a flight from New York to Paris. Dolores Hart is searching for a rich sugar-daddy and thinks she's found one in a well-to-do baron (Karl Boehm). Lois Nettleton, on the other hand, opts for hooking a multi-millionaire Texan (Karl Malden). Pamela Tiffin, unluckier than the other two, finally flies starry-eyed for handsome pilot Hugh O'Brien. ~ Paul Brenner, Rovi

One of Hollywood's great directors, Vincente Minnelli, turns a jaundiced eye towards the film industry in this drama about the inner workings of the movie business. Jack Andrus (Kirk Douglas) is an actor whose career has gone into a tailspin along with his personal life; after a severe bout with alcoholism, a messy break-up with his wife, a life-threatening auto accident, and a nervous breakdown, Andrus has spent three years in a private mental hospital in Connecticut. Andrus is approached by Maurice Kruger (Edward G. Robinson), a noted filmmaker who worked many times with Andrus in the past, offering him a small role in his next picture, and with the blessings of his doctors, the actor flies to Rome to return to work. However, once he arrives, Andrus finds the project is in chaos -- his role has been recast, Kruger is constantly battling with producer Tucino (Mino Doro), leading man Davie Drew (George Hamilton) is squabbling with both %Kruger and his girlfriend Veronica (Daliah Lavi), and the female lead (Rosanna Schiaffino) can't recite her dialogue in English. With the shooting in shambles, Kruger asks Andrus to take over the dubbing work in hopes of bringing the film in on schedule, and against his better judgement Andrus agrees. As Andrus tries to rise to this new challenge -- made all the more trying by the arrival of his ex-wife Carlotta (Cyd Charisse) -- the production receives its biggest setback when Kruger suffers a heart attack after a bitter argument with his wife (Claire Trevor). Andrus takes over the direction of the picture, and proves a capable hand for the job, bringing in the project on time and on budget. However, Kruger expresses resentment rather than gratitude, claiming that Andrus is trying to put an end to his career. Two Weeks In Another Town was adapted from a novel by Irwin Shaw. ~ Mark Deming, Rovi

Vivien Leigh plays Karen Stone, a middle-aged actress whose career is in a tailspin. To assuage her hurt feelings, Karen goes on a vacation to Rome with her husband, who dies en route. Her best friend (Coral Browne) compassionately arranges for a young Italian escort (read: gigolo) to keep Karen from wallowing in her grief in Rome. The man hired for the task is sneering, contemptuous Pablo di Leo, played by Warren Beatty. Despite Pablo's rude behavior, the lonely Karen throws herself at him, showering him with expensive gifts and demanding his undivided attention. This being an adaptation of a Tennessee Williams novel, Blanche Dubois --er, Karen Stone must pay the piper for her eleventh-hour surfeit of passion; she is dispensed with by an "Angel of Death" in the form of psycho Jeremy Spencer. More operatic than dramatic, The Roman Spring of Mrs. Stone represents the only feature-film directorial effort of experimental-theatre maven Jose Quintero; his assistant was future Bullitt helmer Peter Yates. ~ Hal Erickson, Rovi

David O. Selznick had intended to film an adaptation of F. Scott Fitzgerald's Tender is the Night as a vehicle for his wife Jennifer Jones. But financial difficulties compelled Selznick to sell the property (including Ms. Jones' services) to 20th Century-Fox. Jones stars as a wealthy but disturbed woman of the 1920s who marries her psychiatrist (Jason Robards Jr.). They live together at her Riviera estate, where the doctor's analytical skills atrophy. As Jones grows stronger, the doctor becomes totally dependent upon her emotionally and financially. The film's supporting characters are equally self-destructive, notably an alcoholic composer (Tom Ewell) and Jones' avaricious sister (Joan Fontaine). Perhaps if Selznick had produced Tender is the Night, the film wouldn't have wallowed in misery for its own sake; on the other hand, we still would have been stuck with Jennifer Jones, who is woefully miscast. ~ Hal Erickson, Rovi

In this drama, a freighter captain's family suffers financial difficulties. To help them, he involves himself in a plot to destroy his ship so they can collect the insurance money. They plan to destroy the vessel by loading it with a time bomb and then sailing it into an active mine field. En route, a crewman becomes trapped in a boiler and burns to death. This forces the captain to dismantle the bomb. He feels better for having done so and returns to Hamburg, where he learns that not all of his family approved of the plan either. ~ Sandra Brennan, Rovi

Jack Lemmon and Robert Mitchum star as Tony and Felix, co-owners of a tramp-steamer service in the West Indies. Threatening their friendship is itinerant trollop Irena (Rita Hayworth). Tony seethes with jealousy as Irena gravitates towards Felix, leading to a heated confrontation. Felix retaliates by blowing the whistle on Tony's under-the-counter smuggling activities. Tony in turns plots to kill his former partner, but changes his mind when Felix saves his life during a shipwreck. The supporting cast includes Herbert Lom, Bernard Lee, and Anthony Newley. ~ Hal Erickson, Rovi

Foreign Intrigue was one of the first major Hollywood films to be based on a popular TV series. Robert Mitchum stars as an American press agent who travels the length and breadth of Europe to learn the past of a recently deceased multimillionaire. After stopovers at the Riviera, Stockholm and Vienna, Mitchum learns that the dead man accumulated his wealth by blackmailing war criminals and Nazi collaborators--all of whom would be happy if Mitchum would disappear, or die, or both. In her first English-language film, Ingrid Thulin (billed as Tulean) plays one of the hero's several amours, as does the toothsome Genevieve Page, likewise making her first American film appearance. After a brief but profitable theatrical release, Foreign Intrigue returned to its roots when producer Sheldon Reynolds sold the picture to TV in 1958. ~ Hal Erickson, Rovi

Clark Gable's final effort for his longtime home studio MGM, Betrayed is an exciting espionage thriller set during World War II. Intelligence agent Gable is ordered to keep tabs on suspected Nazi collaborator Lana Turner (a brunette for the occasion). Both Gable and Turner join the Dutch underground, making contact with a flamboyant resistance leader known as "The Scarf" (Victor Mature). Turner poses as a sexy chanteuse, the better to gain the confidence of the lascivious Nazi officers. Within the next few weeks, several underground operatives are captured and shot, and it begins to look as though Gable's suspicions concerning Turner are correct. The real collaborator is revealed some twenty minutes before the finale, but the suspense level is expertly maintained throughout. The location-filmed Betrayed would later be mercilessly lampooned in the 1984 spy spoof Top Secret! ~ Hal Erickson, Rovi