Lucien Ballard Movies

In this, Joan Rivers' first attempt at film direction, a young virgin male (Billy Crystal) is engaged to be married when he finds out he is pregnant! Using the film as a vehicle for her acerbic humor, director Rivers may as well be on stage, for interspersed throughout this questionable plot is an unending onslaught of sarcastic slams pointed at just about every sector of society. Ms. Rivers even makes a cameo appearance. Other big names in this film are Tom Poston (as a minister), Roddy McDowall (in several roles), and George Gobel as the U.S. President. ~ All Movie Guide

Nickey (John Cassavetes) is a small-time Jewish gangster in trouble with the mob. He calls on his lifelong friend Mikey (Peter Falk) for help. During the night the two spend together, the power of their friendship is undermined by their mutual nastiness and pressing financial concerns. Elaine May's script was allegedly taken from an episode in the life of her uncle. ~ Brian Whitener, All Movie Guide

Ex-crime reporter turned novelist Raymond St. Ives (Charles Bronson) is drawn back into the world of his former profession by wealthy Abner Procane (John Houseman). St. Ives is hired to locate a stolen set of ledgers that, if made public, could trigger an all-out mob war. Amazingly, St. Ives fails to recognize who his real friends and enemies are in the course of his investigation, and it takes all his mental and physical resources to keep from being exterminated. One of the characters who isn't all that she seems is sexy Janet Whistler (Jacqueline Bisset). While the "main" cast is serviceable, the lineup of future stars in minor roles (Daniel J. Travanti, Jeff Goldblum, Robert Englund, Michael Lerner) is fascinating. Based on The Procane Chronicle, a novel by Oliver Bleeck. ~ Hal Erickson, All Movie Guide

The star-director team of Charles Bronson and Tom Gries (Breakheart Pass) combine their efforts again on Breakout. Bronson plays Nick Colton, a reckless pilot who heads to an unnamed South American country, in hopes of rescuing imprisoned Jay Wagner (Robert Duvall). Villain Harris Wagner (John Huston), who has framed Jay, has an unlimited supply of henchmen at his disposal, but they're no match for the dauntless Colton. Jill Ireland, Bronson's real-life wife, costars as Duvall's missus. ~ Hal Erickson, All Movie Guide

The "three" alluded to in the title are played by Jim Brown, Fred Williamson and Jim Kelly. Letting their fists do all the talking, the hard-nosed trio takes on a neofascist organization. It is the avowed purpose of this all-white hate group to "cleanse" Los Angeles, Detroit and Washington DC of all blacks. To do this, they plan to poison the drinking water with a secret formula that affects only African Americans. ~ Hal Erickson, All Movie Guide

In Sam Peckinpah's version of Walter Hill's script, from Jim Thompson's novel, an ex-con and his wife go on the lam after a Texas bank heist. Denied parole after four well-behaved years, Doc McCoy (Steve McQueen) sends his wife Carol (Ali MacGraw) to dirty politician Jack Benyon (Ben Johnson) to get him out of prison. Carol secures Doc's freedom, on the condition that he does one more bank job for Benyon. Doc and his accomplices Rudy (Al Lettieri) and Jackson (Bo Hopkins) get the cash, but Doc soon discovers how Rudy intends to keep it all for himself and how Carol convinced Benyon to get him sprung. While Rudy hijacks a veterinarian and his wife (Sally Struthers) to take him to get Doc in El Paso, Doc and Carol make their own embattled way south with the money, threatening to desert each other before reaching a trash dump rapprochement after a harrowing garbage truck episode. All sides converge in El Paso for a shootout, but trust a happily married old-timer (Slim Pickens) to help Doc and Carol have a future. With violence shot in his trademark balletic style, Peckinpah does not hide the damage that Doc can do, whether to a cop car or an enemy. Still, as in such other morally relative outlaw movies as Bonnie and Clyde (1967) and Peckinpah's western The Wild Bunch (1969), Doc may be a criminal and killer when necessary, but his and Carol's loyalty to each other elevates them above their crooked milieu. With its non-traditional traditional couple played by the then hot (and notoriously adulterous) stars McQueen and MacGraw, The Getaway was a substantial hit. It was lackadaisically remade with Alec Baldwin and Kim Basinger in 1994. ~ Lucia Bozzola, All Movie Guide

This unique western centers on an innocent farm boy with a talent for handling guns who decides to make it big. He begins as a bounty hunter. Later he encounters a crazed gunslinger and ends up fatally shot. Before the fateful encounter, the young man is visited by a number of mythical western heroes including Judge Roy Bean, seen as a sentimental drunk, and Jesse James who gives the boy some good advice. ~ Sandra Brennan, All Movie Guide

The lives of bullfighters, whether in Mexico or in Spain or elsewhere in Latin America, carry a weight of romance and tragedy not found in other lives, even when they die of old age in their beds. All too often, they are maimed or killed in the ring. As dealers with death, matadors offer the bullfight-aficionado a raw, powerful ritual of death. For those who despise bullfighting, all the art and ritual involved are some sort of revolting noise. This film is a documentary for aficionados, and concerns the life of the great Mexican matador, Arruza. He fought in the ring with great flair until 1953, retired to raise the very same breed of bulls he killed in the ring, and died in 1966. The film, narrated by his countryman Anthony Quinn, shows many breathtaking moments from the "corrida", the bullring, including numerous shots of Arruza himself in action. Great bullfighters are often known by only one name; this is a tribute usually given only to kings, movie stars and notorious criminals. That Arruza is known this way is an indication of his importance in the bullfighting world. Indeed, a large statue of him is now outside Mexico City's premier bullring, the Plaza Mexico. ~ Clarke Fountain, All Movie Guide

After the intense bloodshed of The Wild Bunch (1969), this comic western fable took the opposite approach to director Sam Peckinpah's continuing examination of the end of the West. Left for dead by a couple of lizard-slaughtering desperados in the middle of the desert, prospector Cable Hogue (Jason Robards) is saved by his unexpected discovery of water "where there wasn't any." Hogue turns the water hole, felicitously located near a stagecoach route, into a thriving business, creating a rest stop for a never-ending series of parched travelers. On his occasional trips to the closest town, he meets chipper prostitute Hildy (Stella Stevens), who joins him in his oasis, completing Hogue's little paradise. But even though Hogue may be able to succeed and avenge himself against his original attackers, there is one thing that he cannot stop: progress. Completed before The Wild Bunch was released, and replete with comical and even musical interludes, Peckinpah's gently picaresque telling of Hogue's rise and fall stands in distinct contrast to the visual violence of its predecessor. The underlying message about the cost of modernity, however, equals The Wild Bunch in seriousness. The callous randomness of Hogue's fate is as shocking as the Bunch's final blaze of glory; as in Robert Altman's McCabe and Mrs. Miller from the same period, a tool of "civilization" provokes a most uncivilized end for an Old West dreamer. Although the film was as light-hearted in approach as the 1969 smash hit revisionist western Butch Cassidy and the Sundance Kid, Warner Bros. mishandled the release and it did barely any business; Peckinpah returned to his trademark gore in his next film, the controversial Straw Dogs (1971). Still, The Ballad of Cable Hogue is less an anomaly for a master of violence than an ironically charming chapter in Peckinpah's career-long elegy to the western. ~ Lucia Bozzola, All Movie Guide

In fine Hollywood tradition, John Wayne had to play a "one-eyed fat man" before the Motion Picture Academy considered him worthy of an Oscar. In True Grit, Wayne plays grumpy, pot-bellied U.S. marshal "Rooster" Cogburn, hired by 14-year-old Mattie Ross (Kim Darby) to find Tom Chaney (Jeff Corey), who killed her father. The headstrong Mattie could have had her pick of lawmen, but selects the aging Cogburn because she believes he has "true grit" (she talks this way all through the picture, so be prepared). Also heading into Indian territory in search of Chaney is Texas Ranger La Boeuf (Glen Campbell), who wants to collect the reward placed on the fugitive's head for his earlier crimes. Complicating matters are Chaney's scurrilous cronies Ned Pepper (Robert Duvall), Quincy (Jeremy Slate), and Moon (Dennis Hopper), who have no qualms about killing a troublesome teenaged girl like Mattie. While the plot of True Grit, adapted (and streamlined) by Marguerite Roberts from the novel by Charles Portis, maintains audience interest throughout, the glue that truly holds this Western together is John Wayne, delivering one of his finest performances (though some believe he was better in She Wore a Yellow Ribbon). Wayne's casual charisma is infinitely more effective than the mannered method acting of Kim Darby and the floundering non-acting of poor Glen Campbell. And who could not love the climatic face-off between Duvall and company and John Wayne, whose "Fill your hand, you son of a bitch!" is not only a classic bit of dialogue, but the apotheosis of the Wayne mystique. In 1975, Wayne repeated his True Grit characterization opposite Katharine Hepburn in Rooster Cogburn, but the film failed to match its predecessor and the overall effect was blunted. ~ Hal Erickson, All Movie Guide

Peter Sellers plays a bumbling foreigner once again (but this time he's not from France) in this cult-favorite comedy. Hrundi V. Bakshi (Peter Sellers) is an accident-prone actor from India who has come to California, hoping to make a name for himself in Hollywood movies. However, Bakshi quickly makes the wrong impression on producer C.S. Divot (Gavin MacLeod) and studio chief Fred Clutterbuck (J. Edward McKinley) when he accidentally blows up the set for his first film. Clutterbuck jots down Bakshi's name to remind himself to have the actor blacklisted, but he doesn't realize that he's put the name on the guest list for an upcoming party at his home. Bakshi sees the social event as an opportunity to get back in Clutterbuck's good graces, but from the moment he arrives, one thing after another goes wrong, with increasing effect; it doesn't help that he finds himself infatuated with Michele Monet (Claudine Longet), Divot's latest starlet discovery. Director Blake Edwards shot The Party with a minimal script to allow Peter Sellers and the other comic actors greater room for slapstick improvisation, which helps explain why many of the film's most memorable scenes feature little or no dialogue. ~ Mark Deming, All Movie Guide

Rambling along at its own measured pace, Will Penny is a vivid western character study, completely dominated by the rapport between stars (Charlton Heston) and (Joan Hackett). Heston plays Will Penny, an aging and impoverished cowboy. With his cohorts Blue (Lee Majors) and Dutchy (Anthony Zerbe), the trio sets out to find employment before winter sets in. Their job search is interrupted by the sudden appearance of Preacher Quint, a vicious Bible-thumping bandit (Donald Pleasance) and his moronic, sadistic sons. Dutchy gets wounded in the fight and Blue stays with him in a small town nearby to nurse him back to health. Will gets a job on a ranch, and though he is supposed to keep squatters off the land, he can't kick out Catherine (Joan Hackett) and her little son (Jon Gries). She herself is en route to join her husband, an Oregon farmer. Despite her wedding vows, Catherine finds herself drawn to Penny -- who makes no unwarranted move towards the woman, but is equally attracted to her. Then the murderous Quint and his sons reappear to exact their revenge. ~ Hal Erickson, All Movie Guide

Talion is the alternate title for the blood-splattered western An Eye for an Eye. You know that the filmmakers aren't kidding around when, in the very first scene, outlaw Slim Pickens puts a bullet into a squalling baby! Robert Lansing plays Talion, a homesteader who, after his ranch is burned to the ground and his wife and child are murdered, hires bounty hunter Pat Wayne to track down the killers. The men are forced to rely upon each other when Lansing's gun hand is shattered in a shoot out and Wayne is blinded during a confrontation with the outlaws. Lansing and Wayne combine into one single, unstoppable killing machine. Talion was co-scripted by Bing Russell, father of film star Kurt Russell. ~ Hal Erickson, All Movie Guide