Robert Ball Movies

Based on a novel by Iris Rainer Dart, Beaches traces the 30-year oil-and-water friendship between free-spirited Bronx Jew CC Bloom (Bette Midler) and uptight San Francisco WASP Hillary Essex (Barbara Hershey). The two meet as children in Atlantic City (played by Mayim Bialik and Marcie Leeds) and are reunited in the 1960s, when CC is a struggling singer and Hillary is trying to break free from her staid upbringing by becoming an activist. The two ladies room together, then fall out when both are attracted to off-Broadway producer John Pierce (John Heard). CC wins John, but she quickly outgrows him as she matriculates into a bawdy performer. The recently patched-up friendship between CC and Hillary is torn asunder again when Hillary and her new husband express distaste for CC's performing style. Comes the 1970s, and CC and Hillary are reunited after shedding their respective spouses. Broke again, they once more become Manhattan roommates. Their bond strengthens, but there is tragedy in store for the duo. ~ Hal Erickson, All Movie Guide

Maxwell Smart, the infamous Agent 86 from the '60s television sitcom Get Smart makes his feature-film debut in this goofy espionage spoof. This time, Smart and his cohorts must stop enemy spies from detonating a bomb that would destroy all the world's clothing. On television, the film was renamed The Return of Maxwell Smart. ~ Sandra Brennan, All Movie Guide

After writing, directing, and starring in The Adventure of Sherlock Holmes' Smarter Brother, Gene Wilder added the producer's hat to his three-headed beast in The World's Greatest Lover. Wilder plays Rudy Valentine, a Milwaukee baker who enters a talent search in the Hollywood of the 1920s, initiated by movie studio mogul Zitz (Dom DeLuise), to find a new Rudolph Valentino. He travels to Hollywood with his wife Annie (Carol Kane) in hopes of taking a screen test, but Annie falls in love with the real Valentino. Jealous of the Latin Lover, Rudy disguises himself as a sheik in an attempt to look like Valentino. Rudy then invites Annie to a rendezvous at the studio, where he tries to seduce his own wife. ~ Paul Brenner, All Movie Guide

Peter Bogdanovich's early career as a film writer stood him in good stead for this comedy drama about the early days of the motion-picture industry, based in part on his interviews with pioneering directors Raoul Walsh and Allan Dwan. Leo Harrigan (Ryan O'Neal) is a lawyer and Buck Greenway (Burt Reynolds) is a cowboy and gunman. Both are sent to California to shut down a renegade group of silent-movie makers -- financed by blustery H.H. Cobb (Brian Keith) -- who are in violation of the Motion Picture Patents Co. Trust. Harrigan and Greenway somehow find themselves working with the movie crew instead of shutting them down; they join forces with cameraman Franklin Frank (John Ritter), leading lady Kathleen Cooke (Jane Hitchcock), and precocious prop girl Alice Forsyte (Tatum O'Neal). Greenway becomes a star and Harrigan a respected director, but both battle over the affections of Cooke. Incidentally, Cobb's big speech near the end is taken almost verbatim from a quote given to Bogdanovich in an interview with actor James Stewart. ~ Mark Deming, All Movie Guide

John Considine does a cut-rate Vincent Price impersonation as the flamboyant Dr. Death, a thousand-year-old magician who has mastered he art of transferring souls from one body to another and thereby manages to perpetuate himself by jumping from one body to the next (which actually makes him more of a "Seeker of Bodies"). Apparently the Doc is a kindred spirit to the Alien, since his blood is a highly-corrosive acid that can strip flesh from bone, thus ensuring his personal safety. This is "Z"-grade fare that plays somewhat like a Herschell Gordon Lewis film, but without enough silliness to keep things amusing. The only point of interest keeping this film in circulation (mainly via late-night-cable) is the presence of sad-looking former Stooge Moe Howard in his last role as a perverted old man. ~ Cavett Binion, All Movie Guide

Inheriting a fortune from an Indian benefactor, Candy fulfills his long-standing ambition to quit the Ponderosa. Before long, Candy has accepted an executive position with a prosperous-looking land promoter (Walter Brooke). But when he discovers that his boss is a crook, Candy enlists the aid of the Cartwrights to turn the tables on the duplicitious promoter. Written by John Hawkins, "The Big Jackpot" has seldom been aired since its original network playdate of January 18, 1970. ~ Hal Erickson, All Movie Guide

Tossing wristwatches away, two bikers hit the road to find America in Dennis Hopper's anti-establishment classic. After a major cocaine sale to an L.A. connection (Phil Spector), free-wheeling potheads Billy (Hopper) and Wyatt, aka Captain America (Peter Fonda, who also produced), motor eastward to party at Mardi Gras before "retiring" to Florida with the riches concealed in Wyatt's stars-and-stripes gas tank. As they ride through the Southwest, they take a hitchhiker (Luke Askew) to a struggling hippie commune before they get thrown in a small-town jail for "parading without a permit." Their cellmate, drunken ACLU lawyer George Hanson (Jack Nicholson, replacing Rip Torn), does them a "groovy" favor by getting them out of jail and then decides to join them. Babbling about Venusians, George discovers the joys of smoking grass, but an encounter with Southern rednecks soon proves how right he is about the danger posed by Billy's and Wyatt's unfettered life in a country that has lost its ideals. With the straight world closing in, Wyatt and Billy try to revel in New Orleans with some LSD and hookers (Karen Black and Toni Basil), but the acid trip is shot through with morbidity. Once they reach Florida, Billy raves about attaining the American dream; Wyatt, however, knows the truth: "We blew it."

Produced and directed by two Hollywood iconoclasts with under a half-million non-studio dollars, Easy Rider shook up the languishing movie industry when it grossed over 19 million dollars in 1969; it captured the spirit of the times as it woke Hollywood up to the power of young audiences and socially relevant movies, along with such other landmarks of the late '60s as Bonnie and Clyde, The Graduate, and 2001. Shot on location by Laszlo Kovacs, Easy Rider eschewed old-fashioned Hollywood polish for documentary-style immediacy, and it enhanced its casual feel with improvised dialogue and realistically "stoned" acting. With a soundtrack of contemporary rock songs by Jimi Hendrix, the Band, and Steppenwolf to complete the atmosphere, Easy Rider was hailed for capturing the increasingly violent Vietnam-era split between the counterculture and the repressive Establishment. Experiencing the "shock of recognition," youth audiences embraced Easy Rider's vision of both the attractions and the limits of dropping out, proving that audience's box-office power and turning Nicholson into a movie star. The momentarily hip Academy nominated Nicholson for the Best Supporting Actor Oscar, and Fonda, Hopper, and Terry Southern for their screenplay. Though none of its imitators would match its impact, Easy Rider remains one of the seminal works of late '60s Hollywood both for its trailblazing legacy and its sharply perceptive portrait of its chaotic times. ~ Lucia Bozzola, All Movie Guide

Unbeknownst to Hoss Cartwright, the horse he has just purchased previously belonged to a murdered millionaire. As a result, Hoss is railroaded into jail on a murder-theft charge. Threatened with lynching by a band of townsfolk eager to get their hands on the dead man's missing money, Hoss breaks out of jail with the help of black cowboy Child Barnett (Yaphet Kotto), a man who has spent virtually his entire adult life on the run. Others in the cast are John Marley as Sheriff Millet, Harry Hickox as Mayor Bingham, Henry Beckman as Charlie, Bruce Kirby as Chad, and bandleader Frank DeVol as Brother Stoner. ~ Hal Erickson, All Movie Guide

Harry Lucas (Jim Hutton) is a U.S. Mint employee who scrambles to recover $50,000 he accidentally destroyed in this underrated comedy of errors. After he mistakenly throws the money down the garbage disposal, a frantic Harry recruits retired mint employee Pop Gillis (Walter Brennan) to cook up a hot new batch of cold cash. The two have to hire a bunch of colorful crooks to pull off the caper. Soon the money paid out far exceeds the total of the original loss. ~ Dan Pavlides, All Movie Guide

Newlywed life is anything but bliss for a woman (Anne Helm), when her husband (Tom Kirk) is plagued by fainting spells every time he contemplates consummating his marriage. ~ Iotis Erlewine, All Movie Guide

Rob (Dick Van Dyke) is startled to hear a new song named "Bupkis" being played on the radio. It seems that, back in his Army days, Rob and his pal Buzzy Potter (Robert Ball) had written the song. When he picks up a record of "Bupkis," Rob discovers that he has not been given co-writer credit -- and he intends to do something about this oversight, not to mention claiming his piece of the royalties. Future Mission: Impossible regular Greg Morris is seen as a funky musician. ~ Hal Erickson, All Movie Guide

This slapstick, silly sci-fi feature centers on two bumbling soldiers who get separated from their group and end up encountering terrifying leotard-clad, vegetable-headed space creatures. Curious, the dim-bulbed duo follow the aliens into a cave and find out that they are controlled by beautiful women from outer space who have come to take over Earth. Fortunately, the soldiers discover that what the she-creatures really need is a little good-lovin', and therefore save the day. ~ Sandra Brennan, All Movie Guide