Rick Baker Movies
Notorious for his eager willingness to don a gorilla suit at the drop of a hat, special makeup effects wizard Rick Baker is as likely to create jaw-dropping, realistic creature effects as he is to ham it up under simian prosthetics as he did in, among others, director John Landis' directorial debut Schlock (1971) and The Kentucky Fried Movie (1977). The creator of some of the most memorable makeup effects effort captured on celluloid, Baker began experimenting with movie makeup after being inspired by horror films as a child. Constantly seeking new approaches to creating realistic effects and designs, Baker became assistant to legendary effects designer Dick Smith (The Exorcist) while in his teens. Later becoming an independent makeup effects artist, one of Baker's earliest breakthrough works was the 1974 TV movie The Autobiography of Miss Jane Pittman, in which he convincingly transformed actress Cicely Tyson into a 110-year-old woman. Following Autobiography, his work in films ranged from King Kong (1976) to Star Wars (1977), to creating a malicious mutant toddler terror for the It's Alive films. Baker got a taste for werewolf makeup while working as a makeup effects consultant on The Howling (1980), which experience undoubtedly paid off the next year, with his work on An American Werewolf in London (1981), for which he was awarded the first ever Best Makeup Oscar at the 1981 Academy Awards. The werewolf theme would again carry over to Baker's work on the groundbreaking Michael Jackson video "Thriller." Working constantly in both television and film, Baker became one of the most respected and requested makeup effects artists working in film, consistently nominated for, and often winning, a slew of Oscars and other awards for his unique and strikingly imaginative creations, which spanned all genres. Throughout the '80s Baker faced the constant challenge of topping his previous works, again going ape with Greystoke: The Legend of Tarzan, Lord of the Apes (1984), and moving into Sasquatch territory with his Oscar winning design for Harry in the 1987 family comedy Harry and the Hendersons. In 1988, Baker helped to create a number of personas for Eddie Murphy in the film Coming to America, a collaboration that would resurface in one of his most successful works of the late '90s. Beginning the '90s as an effects supervisor on Gremlins 2: The New Batch (1990), the decade offered a unique challenge to the artist in the form of attempting to combine his tangible creations with their increasingly popular digital counterparts, that some speculated would render makeup effects obsolete. Though he continued in creating incredible and convincing prosthetic effects, Baker embraced digital technology, considering it a natural progression and added resource for his remarkable creations. Murphy and Baker's re-teaming for 1996's The Nutty Professor earned Baker another Oscar to add to his increasing collection, and his work on the wildly popular sci-fi comedy Men in Black (1997) earned him yet another. In 2000, Baker teamed with director Ron Howard in creating a live-action telling of Dr. Seuss' How the Grinch Stole Christmas, this time with the ever-unpredictable Jim Carrey buried under the usual mounds of makeup. He once again teamed with Murphy on The Klumps: Nutty Professor 2 (2000), again winning Baker the Best Makeup Oscar at the 73rd Annual Academy Awards, before setting his sites on Tim Burton's ambitious remake of Planet of the Apes in 2001. ~ Jason Buchanan, All Movie Guide
Universal Studios resurrects the classic lycanthrope with this tale of an American who experiences an unsettling transformation after returning to his ancestral home in Victorian-era Great Britain and being attacked by a rampaging werewolf. His brother having recently vanished without a trace, haunted nobleman Lawrence Talbot (Benicio Del Toro) returns to his family estate to investigate. What he discovers upon reuniting with his estranged father (Anthony Hopkins), however, is a destiny far darker than his blackest nightmares. As a young boy, the untimely death of his mother caused Talbot to grow up before his time. Though Talbot would attempt to bury his pain in the past by leaving the quiet Victorian hamlet of Blackmoor behind, the past returns with a vengeance when his brother's fiancée, Gwen Conliffe (Emily Blunt), convinces him to return home and aid the search for his missing brother. But something monstrous has been stalking the residents of Blackmoor from the nighttime shadows, something not quite human. Not even recently arrived Scotland Yard inspector Aberline (Hugo Weaving) can dream up a rational explanation for the gruesome spell that has been cast over Blackmoor, yet rumors of an ancient curse persist to this very day. According to legend, the afflicted will experience a horrific transformation by the light of the full moon, their animal rage becoming far too powerful for their human bodies to contain. Now, the woman Talbot loves is in mortal danger, and in order to protect her he must venture into the moonlit woods and destroy the beast before it destroys her. But this isn't your typical hunt, because before the beast can be slain, a simple man will uncover a primal side of himself that he never knew existed. Screenwriter Andrew Kevin Walker pens a film directed by Joe Johnston and featuring creature effects by special-effects makeup legend Rick Baker. ~ Jason Buchanan, All Movie Guide
- Starring:
- Benicio Del Toro, Emily Blunt, (more)
- 1986
Sponsored by the publishers of Fangoria magazine, this documentary explores the world of horror-film conventions. Interviewed are such celebrities as make-up expert Tom Savini and directors Tobe Hooper and Wes Craven. ~ Brian Gusse, All Movie Guide
After being struck in the head by a small meteor, a normally amiable mineralogist becomes a foul tempered giant lizard god called the Moonbeast. ~ Sandra Brennan, All Movie Guide
Two thugs move from drug dealing to more serious crime in a low-budget thriller shot on location in Arizona. Alex (Bill Osco) and Ray (Jason Williams) are two scruffy small-time hoods who are hoping to make a big score on a cocaine deal. However, not long after scoring the drugs in a desert airplane drop, Alex and Ray are ambushed by the police while making their way into town. The crooks kill the cops and steal an ice-cream truck to make their getaway, tossing the driver out the door as they head west. Alex and Ray find they're short on gas and money as they make their way to the dealer eager to buy their dope, and during a stop at a gas station they empty the cash register, kill the attendants and kidnap Karen (Diane Keller) while stealing her boyfriend's car. Both Ray and Alex enjoy tormenting naive Karen, but Ray has sadistic sexual designs on her, which Alex cannot tolerate. Cop Killers was shot under the title Sweet, Mean and Deadly, and featured producer Bill Osco in his first acting role. ~ Mark Deming, All Movie Guide
Cult director Larry Cohen (It's Alive) directed this violent blaxploitation film. Nasty racist John McKinney cripples a black shoeshine boy, who grows up to be Tommy Gibbs (Fred Williamson), the Godfather of Harlem. The crimelord now has his tormentor McKinney (Art Lund) in his pocket, based on the cop's mob ties. Tommy's traitorous girlfriend Helen (Gloria Hendry) hands over the evidence, and McKinney moves in for the kill. But he may have underestimated the violent Tommy, who makes him shine his shoes in blackface while singing "Mammy." Rick Baker provided makeup effects, and James Brown did the music for this bloody oddity, followed the same year by Hell Up in Harlem. Cohen and Williamson got together 23 years later for an interesting (if unsuccessful) attempt at reviving the genre, Original Gangstas. ~ Robert Firsching, All Movie Guide
- 1971
A scientific expedition to a remote Mexican fishing community discovers unhealthy amounts of radiation in the local waters. They also find a small mutant octopus with nearly-human eyes that can crawl on land and make mewling sounds like a baby. In order to receive further funding for their project, Dr. Rick Torres travels back to the States to make a deal with circus owner Johnny Caruso, who is interested in the bizarre mutation as a carny act. They return to the camp to discover that their crew has been slaughtered by someone (or something) and the octopus specimen is missing. A young man from the village says that a local legend about a creature said to be half man and half sea serpent is true, and offers to take the scientists to the lake where it is purported to live. What they find is a seven foot tall walking octopus with amazing strength and a lust for killing, and soon the expedition realizes that the monster is now hunting them. ~ Fred Beldin, All Movie Guide
- 2008
- R
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A long-dormant Hollywood mystery returns with ferocious intensity when an avid movie fan wins a walk-on role in an upcoming horror film and finds himself thrust into the center of a blood-soaked, behind-the-scenes killing spree. Adam Waltz (Edward Furlong) was beginning to think his life was going nowhere until the day he won a role in the latest shocker from high-powered studio chief Connor Pritchett (Lance Henrikson). But just as Adam meets scream queen Cassie Blue (Tiffany Shepis) and all his wildest fantasies start coming true, a serial killer begins stalking the set and slaughtering all of the actors. Scheming to cash in on the publicity while the bodies are still warm, Pritchett attempts to turn the low-budget thriller into a Hollywood hit. The first step is to expand Adam's role - not a difficult goal considering the actors are dropping like flies - though the future of the film comes into question when Detective Shields (Tony Todd) takes up the case. Shields is determined to get his man, even if it means shutting down the production altogether. Now everyone is a suspect, including Adam, and the only hope for getting the film made is to wrap up production before the entire crew gets sent home in body bags. ~ Jason Buchanan, All Movie Guide
- Starring:
- Edward Furlong, Lance Henriksen, (more)
Comedians Eddie Murphy and Martin Lawrence team up for a story that wouldn't appear to have many immediate humorous possibilities -- two men serving life sentences in prison for a crime they did not commit. Life opens in Harlem in 1932, where Ray Gibson (Eddie Murphy) is a small-time con man in debt to Spanky, a gangster (Rick James). Ray spots would-be bank teller Claude Banks (Martin Lawrence) at a gambling spot and, figuring him for an easy mark, lifts his wallet -- only to discover Claude is broke. Ray and Claude's mutual need to raise some cash brings them together when Spanky offers them a job bringing back a load of moonshine from bootleggers in the deep south. However, things don't go well for Ray and Claude, and they're arrested by a sheriff in Mississippi who recently killed a man and needs someone on whom he can hang the charge. Since Ray and Claude are black, from out of town and have been caught red-handed with a load of illegal liquor, the sheriff figures they're easy pickings and frames them for the murder. Soon the two men are inmates in a Southern work camp, where they spend the next 55 years learning to get along with the other inmates, avoiding the wrath of the guards, seeing younger prisoners come and go and never losing hope that someday, somehow, their innocence will be proven and they'll be released. Life is the second screen pairing for Murphy and Lawrence, who also shared screen time in 1992's Boomerang, and was scripted by Robert Ramsey and Matthew Stone from an original idea by Murphy. The supporting cast includes Ned Beatty, Clarence Williams III, Bernie Mac, Nick Cassavetes and R. Lee Ermey. ~ Mark Deming, All Movie Guide
- Starring:
- Eddie Murphy, Martin Lawrence, (more)
Charlatan Frank Bannister (Michael J. Fox) has genuine psychic powers, but he doesn't use them to help people. Rather, he generates cases for his supernatural private-eye firm by harassing a group of hapless ghosts (including a dearly departed Wild West outlaw and an undead judge played by John Astin) into staging hauntings and poltergeists in the homes of likely marks. Bannister's world turns on its head when he starts noticing real hauntings around town -- ghostly assassinations that seem to be tied to the execution 20 years earlier of a brutal serial killer. Lucy Lunskey (Trini Alvarado), the wife of one unlucky victim, teams up with Bannister to get to the bottom of the killings and find out what shut-in Patricia Bradley (Dee Wallace Stone) and her witchy mother (Julia McCarthy) have to do with the sinister spree. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Michael J. Fox, Trini Alvarado, (more)
Jack Nicholson becomes a werewolf in this bizarre comedy-horror film directed by Mike Nichols. Nicholson plays Will Randall, a book editor with a testosterone deficit who has just been sacked at his publishing firm by a new boss, Raymond Alden (Christopher Plummer). A colleague, Stewart Swinton (James Spader), whom Randall thought was his friend, betrays him. Randall's personality changes after he hits a wolf with his car and gets bitten by the creature. He immediately feels more powerful, has heightened hearing and vision, and sets about to right the wrongs in his life. He visits Alden at the publisher's mansion to protest his dismissal, and he is asked to leave -- but Alden's daughter Laura (Michelle Pfeiffer) asks him to stay for lunch. Laura loves to defy her father. Will tells her about the wolf bite, and she becomes attracted to him. But because werewolves usually kill the ones they love, Laura is in danger. Will reasserts his place in the publishing world, supported by his loyal secretary Mary (Eileen Atkins), and his relationship with Laura deepens. ~ Michael Betzold, All Movie Guide
- Starring:
- Jack Nicholson, Michelle Pfeiffer, (more)
Coming to America casts comedian Eddie Murphy as pampered African prince Akeem, who rebels against an arranged marriage and heads to America to find a new bride. Murphy's regal father (James Earl Jones) agrees to allow the prince 40 days to roam the U.S., sending the prince's faithful retainer Semmi (Arsenio Hall) along to make sure nothing untoward happens. To avoid fortune hunters, Prince Akeem conceals his true identity and gets a "Joe job" at a fast-food restaurant. Murphy and Hall play multiple roles, and there are innumerable celebrity cameos peppered throughout the proceedings -- including the Duke Brothers (Don Ameche and Ralph Bellamy) from Trading Places. Coming to America made further headlines when humorist Art Buchwald sued the film's producers for plagiarizing one of his works. Buchwald carried the case to trial, where he won a sizeable judgement against the film's producers. ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Murphy, Arsenio Hall, (more)
- 1987
- R
Better known as It's Alive III, Island of the Alive details the further exploits of the murderous mutant infants introduced in director Larry Cohen's It's Alive! (1974). Said infants are shipped off to a desert island, where they are completely cut off from civilization. The government intends to eliminate the penned-up infants, but Michael Moriarty, the father of one of the babies, organizes a protest against this wholesale slaughter. It is clear to anyone who can read that director Cohen is drawing parallels between the quarantined children and society's treatment of AIDS victims. The strength of Cohen's direction and storytelling prowess is slightly weakened by some inadequate special effects in the closing scenes, wherein the babies reproduce and wreak havoc on the Mainland. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Moriarty, Karen Black, (more)
Filled with enough cameos to keep film buffs entertained, this otherwise routine action-comedy by John Landis boasts Michelle Pfeiffer as one of its major attractions. She plays Diana, a woman prone to having affairs with some very dangerous men, and Jeff Goldblum is Ed Okin, an aerospace engineer whose lot is thrown in with Diana's when the woman is caught in a bind at the airport. The beautiful Diana is an airhead on the scale of the Hindenberg, her only concerns are clothes and men -- which she either most attractively wears or wears out, depending. While Ed is at the airport one day trying to sort out his life, Diana arrives with six smuggled emeralds in tow and is immediately welcomed by several hired assassins. Fear and expediency propel her into Ed's car, and the two are off on a series of narrow escapes that has them pursued by everyone from Iranians to baddies played by well-known international directors (Roger Vadim) or singers (David Bowie) or comedians (Dan Aykroyd). ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Jeff Goldblum, Michelle Pfeiffer, (more)
Hardcore pornography, sadomasochism, mind control, and living televisions all play crucial roles in Videodrome, one of director David Cronenberg's explorations of dangerous sexuality and technological obsession. The morally questionable hero of the tale is one Max Renn (James Woods), a television executive searching for an intense new program for his sex-oriented network. He ultimately discovers an underground program called "Videodrome," which appears to broadcast pornographic snuff films of actual murders. Horrified but perversely intrigued, Renn sets out to find the truth behind the program. During his search, he meets alluring femme fatale Nicki (Blondie lead singer Debbie Harry), technology cult leader Bianca O'Blivion, and other mysterious figures. Things become even more disturbing for Renn as his addiction grows, and the program begins to infect the outside world -- or perhaps merely destroy own his sanity. Cronenberg mingles his cerebral concerns about the nature of reality in the video age with enough visceral gore (courtesy of Rick Baker) to satisfy the film's intended horror audience. ~ Judd Blaise, All Movie Guide
- Starring:
- James Woods, Sonja Smits, (more)
- 1981
- R
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While wandering the English moors on vacation, college yanks David (David Naughton) and Jack (Griffin Dunne) happen upon a quaint pub with a mysterious patronage who warn them not to leave the road when walking after dark. Irreverent of such advice as characters in horror films always are, the two decide to find a short cut....David wakes up in the hospital with a nasty bite wound to his shoulder; the freshly deceased, and rapidly decomposing, Jack arrives soon after to deliver the grim news that, unless he commits suicide, David will become a werewolf when the moon is full. David dismisses the encounter as a hallucination, but all indicators point to lycanthrope; evenings of barking and bloodletting follow closely behind. While the story is thin and much of the tongue-in-cheek humor is overdone, there are plenty of genuine jolts thanks to makeup guru Rick Baker's eye-popping special effects. The werewolf, resembling a cross between a bear and a wolverine, appears frighteningly real, and, given the fantastic premise, the gore is most convincing (although surprisingly and refreshingly scant). The hospital dream sequences are creative, and the scenes in which the werewolf runs rampant through downtown London are particularly good. In all, An American Werewolf in London is an original, atmospheric film that manages both to scare and amuse. While dismissed by most American critics upon its release, the film managed to secure a place in the annals of American cinema when Baker won an Academy Award for his amazing effects and creature designs. ~ Jeremy Beday, All Movie Guide
- Starring:
- David Naughton, Jenny Agutter, (more)
This low-budget horror film about teenagers trapped in a carnival funhouse with a freakish monster is pretty standard stuff. Director Tobe Hooper manages a few shocks and includes some typically peculiar supporting characters, but this film is less entertaining than either of his previous excursions into such territory. Not as scary as The Texas Chainsaw Massacre (1974) nor as bizarre as Eaten Alive (1976), The Funhouse may as well have been directed by an anonymous hack as one of the foremost names in the genre. The movie tie-in novel, penned by Dean R. Koontz under the pseudonym "Owen West," is actually far more frightening than the film on which it was based. ~ Robert Firsching, All Movie Guide
- Starring:
- Elizabeth Berridge, Cooper Huckabee, (more)
Tanya (D.D. Winters), a drop-dead-gorgeous model, lives with violently mercurial artist Lobo (Richard Sargent -- not to be confused with Dick Sargent from Bewitched). Subjected to Lobo's constant abuse, Tanya dreams of escaping to a desert island. Her imagination seemingly knows no bound; once she's reached her fantasy island, Tanya is befriended by a blue-eyed ape. It gets better -- Lobo, making a guest appearance in Tanya's dream, locks the poor girl in a cage, then begins behaving like an ape himself. How could you have missed this one? ~ Hal Erickson, All Movie Guide
- Starring:
- D.D. Winters, Richard Sargent, (more)
Brian De Palma returns to the mind-blowing potential of telekinesis in the follow-up to his 1976 horror hit Carrie. While vacationing with his psychic son, Robin (Andrew Stevens), and close associate Childress (John Cassavetes), government agent Peter Sandza (Kirk Douglas) survives a terrorist attack, only to discover that it was staged by Childress so he could kidnap Robin for his own nefarious purposes. With the assistance of another psychic (William Finley) and Hester (Carrie Snodgress), an employee at the Paragon Institute for Psychic Research, Peter discovers a telekinetic Chicago high-school girl named Gillian (Amy Irving), who may be able to help him find Robin. Even though they have never met, Gillian can see Robin's memories and experiences telepathically, and she knows that he is in trouble. But Childress knows all about Gillian, too, and he is not about to let Peter's paternal quest get in the way of his plans for harnessing their psychic power. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Kirk Douglas, John Cassavetes, (more)
- 1977
- R
Essentially a seedy '70s version of The Quatermass Experiment, this painfully cheap production from writer/director William Sachs involves the horrific plight of returning astronaut Steve West (Alex Rebar), the sole survivor of a disastrous expedition to the rings of Saturn. The fatal outcome of the mission apparently involved the discovery of a space-borne virus, or radiation, or something (it's never made quite clear) that killed the rest of the crew and is causing West's flesh to melt and slough off his body. For reasons unexplained, the only relief from the pain of his condition can be found by consuming live human cells. After munching on a few bystanders, West escapes into the surrounding woods, pursued by NASA researcher Dr. Nelson (Burr DeBenning) and a disorganized posse of military monster-hunters. Unable to stop his rapid dissolution or resist his cannibalistic urges, West agonizes over his dilemma (as indicated by laughable scenes of Rebar trying to register emotional anguish through layers of goop), but he still finds time to terrorize a few locals, including the topless Rainbeaux Smith and a pair of comic-relief oldsters trying to score some lemons. The film's notorious ad campaign rallied the makeup FX work of Rick Baker, but his talents are largely wasted thanks to AIP's frantic cost-cutting and a truncated shooting schedule that forewent many of Baker's elaborate prosthetics in favor of a cheap latex mask covered with gallons of syrup. Future Silence of the Lambs director Jonathan Demme contributes a brief cameo. ~ Cavett Binion, All Movie Guide
- Starring:
- Alex Rebar, Burr de Benning, (more)
The success of Willard, in which a young man trained his pet rats to kill at his command, inspired a rash of horror films featuring animals run amok, including snakes (Stanley), frogs (Frogs) and even rabbits (Night Of The Lepus). Squirm was one of the more interesting films spun off this subgenre, in which a town is terrorized by bloodthirsty worms who've been angered by a downed power line during a rainstorm. Better than it sounds, and packs a few good scares (especially if worms make you squeamish). ~ Mark Deming, All Movie Guide
- Starring:
- Don Scardino, Patricia Pearcy, (more)
Horror journeyman Larry Cohen, writer and director of numerous quirky horror projects, made his first foray into the genre with this low-budget cult favorite about a murderous mutant baby on a suburban rampage. The story opens with a delivery-room massacre as the newborn child of Frank and Lenore Davies (John P. Ryan and Sharon Farrell) answers the doctor's slap by tearing him to pieces -- along with a few other medical personnel -- before fleeing the hospital for whereabouts unknown. The subsequent hunt for the killer baby creates a rift between Frank, who wants the child destroyed, and Lenore, whose maternal instincts convince her that her child is not deliberately homicidal but merely frightened and defending itself. The baby's bloody rampage continues with several murders (including the creepy scene in which the terrible tyke savages the neighborhood milkman), until it is cornered by Frank and a police task-force. At the crucial moment, Frank has a sudden change of heart and tries to defend the infant from the police. Despite painfully low production values that render the monster scenes a bit silly (Rick Baker's creepy-looking but inarticulate baby model was simply pulled along on a string), Cohen's concept shines through, presenting a skewed but sincere interpretation of family values that could only be pulled off in the horror genre (see also Wes Craven's The Hills Have Eyes for another example). The script makes passing suggestions that the mutation was a result of an inadequately tested fertility drug, a concept explored more fully in the sequel It Lives Again and quite extensively in the third installment, Island of the Alive. ~ Cavett Binion, All Movie Guide
- Starring:
- John Ryan, Sharon Farrell, (more)
Novelist William Peter Blatty based his best-seller on the last known Catholic-sanctioned exorcism in the United States. Blatty transformed the little boy in the 1949 incident into a little girl named Regan, played by 14-year-old Linda Blair. Suddenly prone to fits and bizarre behavior, Regan proves quite a handful for her actress-mother, Chris MacNeil (played by Ellen Burstyn, although Blatty reportedly based the character on his next-door neighbor Shirley MacLaine). When Regan gets completely out of hand, Chris calls in young priest Father Karras (Jason Miller), who becomes convinced that the girl is possessed by the Devil and that they must call in an exorcist: namely, Father Merrin (Max von Sydow). His foe proves to be no run-of-the-mill demon, and both the priest and the girl suffer numerous horrors during their struggles. The Exorcist received a theatrical rerelease in 2000, in a special edition that added 11 minutes of footage trimmed from the film's original release and digitally enhanced Chris Newman's Oscar-winning sound work. ~ Hal Erickson, All Movie Guide
- Starring:
- Linda Blair, Ellen Burstyn, (more)
When their lavish home is invaded by a violent and unstable black criminal, a high-living white Beverly Hills couple is forced to confront their worst nightmares in filmmaker Larry Cohen's satirical black comedy. Famous car dealer Bill (Andrew Duggan) and his wife, Bernadette (Joyce Van Patten), go through the motions of their mundane day-to-day existence while coasting on a fragile web of lies and tentative affection. When Bill discovers a rat in the filter of his pool, he is frozen with fear until Bone (Yaphet Kotto) mysteriously appears and removes the threatening vermin. Their gratitude is short-lived when Bone forces his way into their posh home with the intention of raping Bernadette and making off with a tidy sum. However, when he discovers some questionable discrepancies with their financial records, Bill is forced to make a trip to the bank to make a withdrawal while Bone and Bernadette await his return -- but Bone warns that he will not hesitate to kill Bernadette if Bill doesn't return in due time. Their transparent façade forever shattered, captor and captive form an unusual bond while Bone's meal ticket opts for an ominous change of plan that he believes will rid him of excess baggage while also drawing a substantial profit. ~ Jason Buchanan, All Movie Guide
A meek and lovable milquetoast married to an overbearing, overweight tyrant finds his life turned upside down when he meets the woman of his dreams in this romantic comedy starring Eddie Murphy, Thandie Newton, Cuba Gooding Jr., and Eddie Griffin. His entire life, Norbit (Murphy) has been picked on and put down, and after being bullied into marrying the most obnoxious woman in town (also Murphy) it appears as if that's the way things will remain until the day he dies. Upon meeting the one woman who seems to accept him for who he is, Norbit is instilled with a newfound sense of hope for the future. In order to find true happiness, however, Norbit will first have to gather the courage to stand up to his monstrous spouse once and for all. ~ Jason Buchanan, All Movie Guide
- Starring:
- Eddie Murphy
A workaholic architect, frustrated in his job but determined to make a better life for his family, is bestowed with a powerful universal remote that allows him more control over his life than he ever knew possible in director Frank Coraci's high-concept fantasy comedy. On the surface, Michael Newman (Adam Sandler) seems to have it all, yet with all the demands forced upon him by his ungrateful boss (David Hasselhoff), Michael finds that setting aside time to spend with his loving wife, Donna (Kate Beckinsale), and two picture-perfect children, Ben (Joseph Castanon) and Samantha (Tatum McCann), has grown increasingly difficult. When a frustrating bout with the television remote leads the overworked husband and father to a nearby Bed, Bath & Beyond in search of a universal remote with the power to control all of his electronic devices, a curious peek into the back room leads Michael into the company of eccentric employee and talented inventor Morty (Christopher Walken). It seems that Morty has created a device that will not only allow Michael complete control over his television and stereo, but his entire life as well. As Michael discovers that the remarkable device has the power to muffle the barks of the family dog, zoom himself past an irritating quarrel with his wife, and even allow him to travel back and forth through time to different points in his life, the rush of being able to skip straight to the good parts in life soon leaves him feeling as if he's missing out on the total experience. Only when Michael begins to realize that the he has lost control of his life and the remote is now programming him does he finally learn that life is as much about the moments he'd rather forget as it is the moments he will always remember. ~ Jason Buchanan, All Movie Guide
- Starring:
- Adam Sandler, Kate Beckinsale, (more)
