Harbert Baker Movies
Pop singer Neil Diamond stars in this ill-begotten second remake of Al Jolson's seminal 1927 musical The Jazz Singer. The moth-eaten story concerns a cantor's son who desires success as a pop singer, despite the wishes of his imperious father. The film takes place in the present day with Yussel Rabinowitz (Neil Diamond) playing a young (though middle-aged looking) cantor performing at the synagogue of his father (Laurence Olivier). Yussel is married and has settled down to a life of religious devotion to the teaching of his fath. But on the side, he writes songs for a black singing group, and when a member of the quartet takes ill, Yussel covers for him at one of their gigs by wearing blackface! The nightclub engagement is such a success that Yussel abandons his family -- and his father's synagogue -- and leaves his New York home for Los Angeles, hoping to break into the music business. Almost immediately he is spotted by spunky agent Molly Bell (Lucie Arnaz), who books him as an opening act for a touring comic. Yussel hits it big, but his father resents Yussel's forsaking their traditional Jewish ways. His father disowns him, rending his garments and bellowing, "I hef no son!" ~ Paul Brenner, All Movie Guide
- Starring:
- Neil Diamond, Laurence Olivier, (more)
Mae West (1892-1980) was perhaps the original comic sex goddess of American cinema. Originally a vaudeville performer, she became a national sensation following her 1926 Broadway show Sex, which she wrote, produced, directed and starred in. She continued to outrage the sensibilities of her time on Broadway before coming to Hollywood and doing the same there throughout the 1930s. She perfected her double entendre humor onscreen and gradually fell out of favor with an increasingly prudish film-going public, though her career underwent several brief revivals. Even as an extremely old woman, she affected the manners and dress of a reigning sex queen. The 1978 release of Sextette, based on her own original scenario, marked her final screen appearance. It was not well received by critics nor the public, and was an undignified note on which to end her sensational career. In this farcical and star-studded film, West plays the fading movie star Marlo Manners, whose attempts to consummate her marriage to Sir Michael Barrington (Timothy Dalton), her sixth husband, are humorously interrupted by the preceding five. Marlo is also dictating the unexpurgated story of her life, and when one of the tapes goes missing, it threatens to cause an international incident, as well as ruining a number of reputations (including her own). ~ Clarke Fountain, All Movie Guide
- Starring:
- Mae West, Timothy Dalton, (more)
- 1968
This uneven spy saga finds secret agent Charles Hood (Vince Edwards) on the trail of the criminal master spy Hammerhead (Peter Vaughan). He tries to discover some NATO secrets in between his hobby of collecting antique erotica from around the world. Hood must stop the evil Hammerhead before he uses the secret information to spark an incident of international terrorism. In order to stop Hammerhead's sordid plan, he poses as a courier delivering erotica to the spy. Distaff interests are provided by Diana Dors and Judy Geeson in this feature that fails to take advantage of some beautiful scenes of Portugal. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vince Edwards, Judy Geeson, (more)
- 1967
A domineering mother and her sheltered son fly face first into love, murder, and the meaning of family in this black comedy based on Arthur Kopit's Broadway play. Wealthy Madame Rosepettle (Rosalind Russell) and 25-year-old Jonathan (Robert Morse) arrive at the Port Royal Hotel on a tiny Caribbean island with the man of the family in tow, literally; he's been dead for many years and his stuffed corpse travels with them in a coffin. Madame is the kind of woman who keeps piranhas and Venus Flytrap plants as pets, and controls her son's life down to deciding what meal he'll have for breakfast, lunch, and dinner (a hamburger and a maraschino cherry). Jonathan is kept indoors at all times and isn't allowed to mix with the outside world, though the hotel "babysitter," Rosalie (Barbara Harris), slips in through the window and flirts with the easily rattled young man. Madame is being courted by drunken millionaire Commodore Roseabove (Hugh Griffith), and while she welcomes his advances, her attention is diverted by trying to make sure that her son stays "pure." Rosalie isn't one to be put off by the meddling matriarch, so she doubles her efforts to get at Jonathan, who wants Rosalie too but might be pushed over the edge by the attention. ~ Fred Beldin, All Movie Guide
- Starring:
- Rosalind Russell, Robert Morse, (more)
- 1967
In this, the third in the Matt Helm special-agent series, Dean Martin plays Helm who's called to save those aboard a hijacked U.S. spacecraft. Ambushers is generally regarded as the weakest of the Helm films, lacking inspiration at most levels. ~ All Movie Guide
- Starring:
- Dean Martin, Senta Berger, (more)
- 1966
Dean Martin reprises his role as Matt Helm, famed secret agent who is part James Bond and part Rat Packer, in Murderer's Row. The film concerns the nefarious plan of arch-villain Julian Wall (Karl Malden) to take over the world by kidnapping Dr. Norman Solaris (Richard Eastham), who has invented a "helio-beam" -- a device that can harness the rays of the sun to destroy the earth. To insure his plans go smoothly, Wall has eliminated most of the ICE (Intelligence and Counter-Espionage) agents. But luckily for the world, super-agent Matt Helm, having escaped from being boiled to death in his own swimming pool, is hot on Wall's trail. Traveling to the Riviera, Helm meets Solaris's mod daughter Suzie (Ann-Margret) and they team up to rescue her father. Helm poses as a gunman on the run and Wall hires him. Wall becomes suspicious when Helm saves Suzie's life after she is threatened by one of Wall's goons, but Matt and Suzie escape from Wall and make their way to his island fortress, where they must find Solaris and disarm the "helio-beam" before Wall destroys Washington, D.C. ~ Paul Brenner, All Movie Guide
- Starring:
- Dean Martin, Ann-Margret, (more)
- 1959
Don't Give Up the Ship stars Jerry Lewis as a navy officer who is whisked away from his honeymoon by a senate investigating committee. The committee would like to know what happened to the U.S.S. Kornblatt, the battleship Lewis had commandeered during the War; the crew arrived home safely, but the battleship completely disappeared! Jerry suffers from a mental block concerning the Kornblatt, so the navy assigns a beautiful psychiatrist (Dina Merrill) to probe his subconscious. With the help of an ex-sailor from the Kornblatt (Mickey Shaughnessy), Jerry locates the wreckage of the ship, tracing the responsibility of its disappearance to the investigating committee chairman (Gale Gordon). Based on a true incident (!), Don't Give Up the Ship stands up today as one of Jerry Lewis' best films. ~ Hal Erickson, All Movie Guide
- Starring:
- Jerry Lewis, Dina Merrill, (more)
Elvis Presley delivers one of his finest early performances in King Creole. Elvis plays a teenager named Danny Fisher, who is forced to drop out of school to help support his ineffective father (Dean Jagger). Drawn to trouble like a magnet, Danny is saved from a jail term by New Orleans salloonkeeper Charlie Le Grand (Paul Stewart), who gives the boy a job as a singer. It isn't long, however, before local gang boss Maxie Fields (Walter Matthau), a shadowy figure from Danny's criminal past, puts the muscle on the boy, insisting that Danny sing at his establishment. To lure Danny to his side of the fence, Maxie relies upon the seductive charms of his gun moll Ronnie (Carolyn Jones), while Danny's true love Nellie (Dolores Hart) suffers on the sidelines. In addition to the expected musical numbers (which are cleverly integrated into the storyline), the film's highlight is a brief exchange of fisticuffs between Elvis and Walter Matthau. Together with Jailhouse Rock, King Creole is one of the best filmed examples of the untamed, pre-army Elvis Presley. The picture was adapted from Harold Robbins' novel A Stone for Danny Fisher. ~ Hal Erickson, All Movie Guide
- Starring:
- Elvis Presley, Carolyn Jones, (more)
- 1957
Loving You was the most autobiographical of all Elvis Presley's movies, and, not coincidentally, features the most naturalistic, easygoing performance of his early career. He plays Deke Rivers, a truck driver with a penchant for singing and a raw animal magnetism where women are concerned. He attracts the business interest of publicity agent Glenda Markle (Lizabeth Scott), who sees a potential gold mine in Deke. She hires him to appear with a band that she handles, fronted by aging country & western singer Tex Warner (Wendell Corey), who used to be romantically involved with Glenda and is now a client. Pretty soon he's pulling in bigger crowds and generating more excitement than Tex did during his best days (which drives the older singer to start drinking again), but also a lot more controversy, too. Deke is so provocatively sexual a presence on-stage that some citizens in the southern and border states where the band is working think that what he does is immoral. Girls can't keep away from him, their boyfriends despise what he symbolizes, and their parents are aghast, even as concert promoter Carl Meade (James Gleason) smells a fortune to be made from this boy. Glenda parlays these disputes and a ban on one of Deke's performances into a national television event. Amid all of this, Deke reveals the private, vulnerable side that no one ever knew -- that he's not even Deke Rivers (it was a name he took off a gravestone), but an orphan named Jimmy Tompkins, and that he's never had a home. He also reveals that he's attracted to Glenda, mistaking (with her encouragement) her interest in his talent with a personal involvement, but he's also drawn the the band's female singer, Susan Jessup (Dolores Hart), who could genuinely love him, and offers him a caring family of her own that would accept him. Deke and Glenda's conflicts are eventually straightened out, and Deke gets to say his piece and sing his music on network television. ~ Bruce Eder, All Movie Guide
- Starring:
- Elvis Presley, Lizabeth Scott, (more)
- 1956
The inimitable writer-director Frank Tashlin once more aims his satiric barbs at modern culture (modern 1950s culture, that is) in The Girl Can't Help It. Much of the film is dominated by Edmond O'Brien as mob boss Murdock, who while serving a term in federal prison becomes a singing sensation with his hit tune "Rock Around the Rock Pile." Once he's sprung, Murdock hires impoverished agent Tom Miller (Tom Ewell), not to promote his own career, but to turn his curvaceous lady friend Jerri Jordan (Jayne Mansfield) into a star. Alas, Jerri has no singing or acting talent whatsoever, a fact that she's eager and willing to admit. A domestic type at heart, all Jerri really wants out of life is to marry Murdock, so that she can clean his house, cook his meals and raise his children. When Murdock refuses to grant her wishes, Jerri falls in love with Tom instead.
Every so often, director Tashlin takes time out from the plot to poke fun at such technical marvels as CinemaScope and Technicolor, and to lampoon the American male's fixation on female bosoms and bottoms (at one point, Jayne Mansfield leans towards the camera, her cleavage exposed as far as the censors will allow, and plaintively asks Tom Ewell if he believes that she's equipped for motherhood). While much of the humor in the film is dated, The Girl Can't Help It is an invaluable record of the pop-music scene of the 1950s, featuring such guest artists as Julie London (playing Tom Ewell's dream girl), Ray Anthony, Fats Domino, The Platters, Little Richard and his Band, Gene Vincent and his Blue Caps, the Treniers, Eddie Fontaine, Abbey Lincoln and Eddie Cochran. ~ Hal Erickson, All Movie Guide
Every so often, director Tashlin takes time out from the plot to poke fun at such technical marvels as CinemaScope and Technicolor, and to lampoon the American male's fixation on female bosoms and bottoms (at one point, Jayne Mansfield leans towards the camera, her cleavage exposed as far as the censors will allow, and plaintively asks Tom Ewell if he believes that she's equipped for motherhood). While much of the humor in the film is dated, The Girl Can't Help It is an invaluable record of the pop-music scene of the 1950s, featuring such guest artists as Julie London (playing Tom Ewell's dream girl), Ray Anthony, Fats Domino, The Platters, Little Richard and his Band, Gene Vincent and his Blue Caps, the Treniers, Eddie Fontaine, Abbey Lincoln and Eddie Cochran. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Ewell, Jayne Mansfield, (more)
- 1955
Bearing very little relation to the 1937 Paramount musical of the same name, Artists and Models is a lavish, girl-filled vehicle for the popular team of Dean Martin and Jerry Lewis. Martin plays Rick Todd, a comic-book artist who is under fire from his publisher (Eddie Mayehoff), who complains that Rick's work isn't gory enough. Lewis plays Eugene Fullstack, Rick's roommate, who while asleep dreams up elaborate comic-book plots and garishly costumed superheroes. Eugene's nightmares help Rick become a success; meanwhile, our two heroes romance their luscious neighbors, artist Dorothy Malone and rambunctious model Shirley MacLaine (who during one song wrestles Eugene to the floor and sits on his chest!) Eugene's overworked imagination somehow attracts the attention of a group of Russian spies, who attempt to abduct Eugene during the annual Artists and Models Ball. Director Frank Tashlin uses Artists and Models as an excuse for some of the wildest sight-gags seen in a mid-1950s film. At one point, the director contrives to stuff a gag in Shirley MacLaine's mouth. Tashlin also exhibits his ongoing fascination with female breasts and legs by giving ample screen time to the natural attributes of co-stars Anita Ekberg and Eva Gabor. One of the best of the Martin/Lewis efforts, Artists and Models suffers only from being about 20 minutes too long. ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1954
Francis Joins the WACS was the fifth in Universal's comedy series about a talking Army mule and his hapless human companion. Thanks to a bureaucratic snafu, ex-GI Peter Sterling (Donald O'Connor) is called into acitive duty and assigned to a WAC unit, headed by Major Simpson (Lynn Bari). It is Sterling's task to train the women to be camouflage experts, but the ladies resent his presence, assuming that Peter has been sent to discredit their unit. But with the help of Francis, the WACs manage to win the annual War Games, and to flummox misogynistic General Kaye (Chill Wills, who also provides Francis' voice). Julie Adams, then billed as Julia, provides the love interest. ZaSu Pitts also appears in Francois Joins the WACs, recreating the role she'd played in the first Francis installment back in 1949, while other uniformed females include Mamie Van Doren and Allison (Attack of the 50-Foot Woman) Hayes. ~ Hal Erickson, All Movie Guide
- Starring:
- Donald O'Connor, Julie Adams, (more)
- 1953
Big Leaguer was the inauspicious feature-film debut for director Robert Aldrich. Edward G. Robinson stars as the real-life Hans Lobert, the baseball scout in charge of the New York Giants' Florida training camp. Each year, a new crop of would-be ballplayers are given a two-week tryout under Lobert's supervision. The aspirants this time out include, Adam Polachuk (Jeff Richards), the son of a Polish immigrant who wants Adam to become a lawyer; Julie Davis (William Campbell), a tough guy from the streets of New York; Bobby Bronson (Richard Jaeckel), a cocky Ohio lad; and Chuy Aguilar (Lalo Rios), a Mexican youth whose skill on the ballfield compensates for his tenuous grasp of the English language. Gradually, Adam emerges as the film's central character, as he simultaneously tries to make good for Lobert, romance Lobert's niece Christy (Vera-Ellen), and keep his dad from finding out that he's not attending law school. Though Big Leaguer was held in such low esteem by distributor MGM that it became the first Edward G. Robinson picture not to be given a regular playdate in Manhattan, the film is worth seeing today, if only for the presence of such genuine big leaguers as Al Campanis, Carl Hubbell, Bob Trocolor and Tony Ravish. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Vera-Ellen, (more)
- 1953
- NR
Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide
- Starring:
- Cary Grant, Deborah Kerr, (more)
- 1953
Scared Stiff is the 1953 remake of the 1940 Bob Hope-Paulette Goddard vehicle The Ghost Breakers, reupholstered for the talents of Dean Martin and Jerry Lewis. While Martin handles the straight plot scenes, just as Hope did in the earlier film, the Hope-like wisecracks are fairly evenly divided between Martin and Lewis. Lewis is for the most part relegated to the secondary role played by black comedian Willie Best in Ghost Breakers, with a few opportunities for his manic specialties: his personal highlight is an imitation of Carmen Miranda (who also appears in the flesh). The plot is the same as before: an American heiress (Lizabeth Scott) is warned to stay away from the forbidding Cuban mansion that she's inherited. Disregarding these threats, the girl heads to Cuba, along with Martin and Lewis, who are on the lam from various antagonists (Dean has been falsely accused of murder, while Lewis has run afoul of gangsters). Once they've reached Scott's mansion, Martin and Lewis are confronted by all manner of terrors: a ghost, a zombie, a mysterious assailant (who turns out to be the least likely suspect). It turns out that the mansion is built over a huge cache of hidden gold, which is why the bad guy is so anxious to make Scott and the boys skedaddle. Bob Hope and Bing Crosby make gag appearances toward the end of Scared Stiff; returning the favor, Martin and Lewis would show up unbilled in the Hope-Crosby opus Road to Bali (1953). ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1952
Although The Stooge had been filmed right after Martin and Lewis' Sailor Beware, the film was temporarily shelved so that the team could continue their winning streak of military comedies with Jumping Jacks. This time, Dean Martin plays Chick Allen, a paratrooper-in-training whose commanding officer intends to do away with all camp variety shows. In desperation, Chick sends for his old nightclub partner Hap Smith (Jerry Lewis) to change the CO's mind. In order to gain entry to the military base, Hap is forced to pose as a GI, and thus the plot proper gets under way. Most of the "awkward squad" gags are straight out of Abbott and Costello, with Lewis messing up at each and every turn while Martin lags behind for damage control. The film concludes with a routine from Abbot and Costello's Keep 'Em Flying, wherein Martin and Lewis bail out from a plane in flight, with one parachute between them. Robert Strauss repeats his Sailor Beware duties as Lewis' irascible topkick, while nominal leading lady Mona Freeman does practically nothing magnificently. Dean's songs include the deathless "Do the Parachute Jump". ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1948
Radio humorist Henry Morgan made his film debut in So This is New York. Based on The Big Town, a collection of stories by Ring Lardner, the film traces country bumpkin Morgan's progress as he uses an inheritance to take a trip with his wife (Virginia Grey) and sister-in-law (Dona Drake) to the New York of the 1910s. He encounters numerous oddball characters, the most colorful of which is a drunken jockey (Leo Gorcey). The boxer and at least four other Broadwayites (Hugh Herbert, Rudy Vallee, Bill Goodwin and Jerome Cowan) complicate Morgan's life when they court his wife's sister--most of them hoping for a slice of that inheritance. The movies were not the ideal medium for the satiric barbs of Henry Morgan, though he plays his role well and carries the film with assurance. In addition to being Morgan's first picture, So This is New York was also the maiden voyage for producer Stanley Kramer. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Morgan, Rudy Vallee, (more)
