Graham Baker Movies

The epic eighth-century poem of Saxon lore gets moved into the Scandinavian future in this science fiction adaptation of Beowulf. Here, Beowulf (Christopher Lambert) rescues a damsel in distress, Pendra (Patricia Velasquez), who is being menaced by two men with large swords and bad tempers. Beowulf hears tell of Grendel, a force of evil that feasts on the flesh of warriors of Hrothgar (Oliver Cotton), who are holding their ground in the Outpost. Before long, Beowulf finds himself doing battle with Hrothgar's daughter Kyra (Rhona Mitra), Hrothgar's master of arms, Roland (Goetz Otto) and even Grendel's mother (Layla Roberts). Patricia Velasquez appeared in Beowulf shortly before she filmed her showy turn in The Mummy, while Layla Roberts's resume includes an October 1997 appearance as Playboy's Playmate of the Month. Beowulf was completed and released in Europe before another version of the same story hit the screens, Disney's The 13th Warrior (aka Eaters Of The Dead). ~ Mark Deming, All Movie Guide

In this vaguely allegorical science fiction-crime film, a Los Angeles cop tries to solve the murder of his best friend with the help of his new partner -- a member of a star-faring alien race. In the near-future world of Alien Nation, the "Newcomers" are a race of formerly enslaved humanoids seeking refuge and integration into Earth society. These unusual immigrants face anger and resentment from some humans, including Matthew Sykes (James Caan), a cop whose partner, Tug (Roger Aaron Brown), was killed in a shoot-out with several Newcomers. In order to get some insight into Newcomer society and track down the "slags" who killed Tug, Sykes volunteers to take on a new partner,Sam "George" Francisco (Mandy Patinkin), the first alien ever promoted to the rank of detective. As Sykes tries to overcome his bigotry against George and his kind, who eat raw beaver and get drunk on spoiled milk, the friendly, helpful George soon learns the identity of Tug's killer: William Harcort (Terrence Stamp), a pillar of Newcomer society who is secretly manufacturing the same powerful narcotic that was used to enslave his race. It's up to Sykes and George to stop Harcort before he turns his fellow Newcomers into drooling addicts and pulls the skeletons out of his race's closet for all of humankind to see. Omen 3 director Graham Baker made his screenwriting debut with Alien Nation, as did co-writer Rockne S. O'Bannon. Kenneth Johnson, creator of the miniseries V, would adapt Alien Nation into a weekly television show in 1989 and several made-for-TV movies in the mid-'90s. ~ Brian J. Dillard, All Movie Guide

The second sequel to the 1976 horror hit The Omen finds Damien Thorn assuming the full mantle of the Antichrist and preparing for a final, all-out battle with "the Nazarene." Now in his thirties, Damien (Sam Neill) has elevated the family business, Thorn Industries, into the world's biggest multinational corporation. A little bit of black magic paves the way for Damien to become ambassador to England and the head of an international youth council. He soon uses this platform to amass an army of followers to do his bidding. But when Damien notices the confluence of three stars in the sky on March 24, he gets worried about the second coming of Christ. So he orders his minions to kill all the babies born on that day, warning them: "Fail, and you will be condemned to a numbing eternity in the flaccid bosom of Christ." Damien even orders his faithful private secretary, Harvey Dean (Don Gordon), to commit infanticide on his own kid, just because the guy's wife gave birth on the wrong day; a nasty incident involving laundry-room implements soon follows. Meanwhile, Damien romances Kate Reynolds (Lisa Harrow), a beautiful television anchorwoman who feels like a moth drawn to Damien's charismatic flame -- even after he brutally sodomizes her to show her how the world looks through his eyes. Things come to a head when Brother DeCarlo (Rossano Brazzi), one of a secret cabal of monks who have assembled the seven Daggers of Meggido in hopes of assassinating Damien, reveals to Kate that the Antichrist has taken her son (Barnaby Holm) under his wing. Although The Final Conflict was the final theatrical installment of the Omen series, the made-for-TV Omen IV: The Awakening appeared a decade later. ~ Brian J. Dillard, All Movie Guide

In this drama, based on a popular radio program, the leader of a ring of burglars suffers a blow to the head and loses his memory. Unable to remember anything about his past, he starts anew and becomes a psychiatrist. He never does stop trying to remember his past life, even while his present life continues to advance. He is soon made the head of the state parole board. There he gets entangled with former gang members, one of whom hits him in the head, again. Suddenly, he remembers. He gives himself up, but then receives a suspended sentence. ~ Sandra Brennan, All Movie Guide

Little Men, Louisa May Alcott's followup to her successful novel Little Women, has never truly adapted well to the screen, though this 1940 version is better than most. Kay Francis stars as the all-grown-up Jo March, now in charge of a private school for young boys. Her most contentious charge is rebellious Dan (Jimmy Conlin), who finally learns the rudiments of gentlemanly behavior from the firm-but-gentle Jo. Despite its huge and talented cast, the film is handily (and appropriately) stolen by Jack Oakie as an affable con artist named Willie the Thief. Also on hand is the original Elsie the Cow (but where's Elmer and his glue?) A loser at the box office, Little Men is currently in wider circulation than ever before thanks to its Public Domain status (also available in the P.D. market is the 1933 version of Little Men, produced by Monogram). ~ Hal Erickson, All Movie Guide

History is Made at Night has been described as a romantic tragedy, which it indeed is, up to a point. The film begins deceptively in screwball-comedy fashion with socialite Jean Arthur and handsome head waiter Charles Boyer "meeting cute." But there's nothing cute about Arthur's estranged husband, shipbuilder Colin Clive. Insanely jealous, Clive arranges for the ship on which his wife and her lover are travelling to hit an iceberg--then, aghast at what he has done, Clive commits suicide. As the ship lists dangerously close to sinking beneath the waves, the terrified passengers--Boyer and Arthur included--huddle on the deck. The fog-enshrouded scene in which Charles and Jean affirm their love in the face of death is among the most heartrending sequences ever filmed (the director was Frank Borzage, a past master at transforming potential maudlin material into high-gloss art). Even the happy ending of History is Made at Night does not diminish the power and poignancy of that shipboard scene. ~ Hal Erickson, All Movie Guide

Alice Faye, Frances Langford, and Patsy Kelly play three humble factory workers (with a Hollywoodized wardrobe beyond the budget of any genuine factory girl) who occasionally sing together for the fun of it. They harbor dreams of becoming famous, but the prospect isn't likely until bandleader George Raft hears the girls harmonizing. He promotes the girls into top radio stars, while each of the girls entertains romantic thoughts about Raft. (And yes, he does win one of them romantically, at the end of the picture). The likable but unimportant Every Night at Eight sparked a minor controversy in the rarefied world of 1960s film criticism. "Auteur" theorist Andrew Sarris pointed out a brief scene in which star George Raft awakens from a nightmare, cited other such scenes in the work of director Raoul Walsh, and used this "evidence" to support his theory that Walsh was a true auteur who left his "signature" on each of his films. Anti-auterist Pauline Kael spoke for many when she advised Sarris to go fly a kite. ~ Hal Erickson, All Movie Guide

When he's shipped off to prison on a tax-evasion charge, millionaire Van Dyke (Walter Connolly) breathes a sigh of relief: at least he'll be free of his dizzy, spendthrift wife (Billie Burke) and spoiled-rotten daughter Carol (Joan Bennett). Once behind bars, Van Dyke strikes up a friendship with amiable reformed bootlegger Ricardi (George Raft). Since Ricardi is to be sprung first, Van Dyke suggests that the ex-crook take on the task of "taming" the incorrigible Carol. Unwilling to be stifled by a former jailbird (even a good-looking one), Carol decides to get even by persuading one of Ricardi's former cohorts, a shady character named Tex (Lloyd Nolan) to stage a fake kidnapping. Trouble is, Tex kidnaps the girl for real, obliging Ricardi to race to her rescue -- but only after deliberately breaking every traffic law known to man, so that he'll be pursued by a veritable battalion of motorcycle cops (this hilarious finale was later re-used in the 1941 Buster Keaton two-reeler So You Won't Squawk). A heady blend of screwball comedy and crime melodrama, She Couldn't Take It is one of the fastest and funniest films of 1935. ~ Hal Erickson, All Movie Guide

Insurance investigator Tom Fletcher (Edmund Lowe) is hot on the trail of an arsonist (please excuse the pun). He is helped along by his dedicated assistant John Grayson (Onslow Stevens), and to a lesser extent by Fire Chief Mulligan (Robert Middlemass). Because Fletcher always demands a huge fee for his services, he finds himself one of the suspects in this latest rash of deliberate fires. A surprise plot-twist puts Fletcher and heroine Adrienne Martin (Ann Sothern) on the scent of the real firebug. This modest Columbia production was distinguished by several spectacular conflagrations, all of which quickly found their way into the studio's stock-footage files. ~ Hal Erickson, All Movie Guide

Ann Sothern and Jack Haley star in this inconsequential little musical. Haley is a struggling playwright of minimal talent, whose latest play is miraculously selected for a Broadway berth by producer Roger Pryor. The problem: Pryor isn't a producer at all, but an out-of-work actor anxious to get into anyone's play, even Haley's. After several ups and downs, the play actually makes it to Broadway, where it is regarded as the ultimate in ridiculous comedy and becomes a success! It would be stretching things to suggest that this was the inspiration for Mel Brooks' similarly plotted The Producers, since the backstage legend of a flop play becoming an accidental hit is as old as the Theatre itself. ~ Hal Erickson, All Movie Guide

This drama chronicles the devoted love of a woman who tries to reform her lover, a black marketeer with a compulsive gambling problem. Unfortunately, he is killed by two crooks whom he bilked. Just before he dies, he marries his loyal girl. ~ Sandra Brennan, All Movie Guide

This drama opens with a most disturbing scene as a jilted lover places a gun to his head and pulls the trigger. Fortunately, he is but an actor in a play and the gun is but a prop. His co-star is a beautiful young woman. A young man is utterly in love with the actress and after the show visits her and presents her with an arm-load of fragrant blossoms. He then invites her to meet his wealthy family in Philadelphia. The family, who lives in an ancient mansion, prove to be a very strange lot. The father is a stern and dour fellow. Grandpa is a lascivious old coot. She also meets an assortment of snobs and perverts. Upon meeting her, they immediately assume that she is a gold digger. Soon the family lawyer offers her a large amount of money for the love letters the young man had written her. She accepts the money and then gives it to the boy to keep him on the straight and narrow. Her good deeds are finally made apparent to the dour patriarch who begins courting her and eventually marries her. ~ Sandra Brennan, All Movie Guide