Max Baer Movies

Having gained a measure of TV fame by 1958, the nightclub comedy duo of Dan Rowan and Dick Martin decided to give movies a try with Once Upon a Horse. Dan and Dick play Dan Casey and Doc Logan, a pair of nitwitted cowboys who turn to outlawry because they can't make a go at any honest profession. Stealing a valuable herd of cattle, the boys' dreams of financial security are dashed when they're forced to raise money to feed their stolen bovines. Martha Hyer costars as Miss Amity Babb, a resourceful saloon hall owner who applies 20th century business methods to her 19th century operation. For nostalgia buffs, several western-movie favorites (billed as "Our Old Pals") make cameo appearances, including Tom Keene, Bob Livingston, Kermit Maynard and Bob Steele. Hal Kanter's screenplay is full of clever, satirical touches, most of which proved to be too smart for the room in 1958. A financial disappointment, Once Upon a Horse (aka Hot Horse) would be Rowan and Martin's last joint film effort until 1969's The Maltese Bippy. ~ Hal Erickson, Rovi

An obviously ailing Humphrey Bogart made his final screen appearance in The Harder They Fall. Adapted from a novel by Budd Schulberg, the film is a thinly disguised a clef account of the Primo Carnera boxing scandal. Bogart is cast as unemployed newspaperman Eddie Willis, who sells his soul down the river when he signs on as press agent for slimy fight manager Nick Benko (Rod Steiger). It is Willis' job to stir up publicity for Benko's newest protégé, Argentinian boxer Toro Moreno (Mike Lane). Benko's boy quickly rises to the top of his profession, though everybody but Toro knows that all the fights have been fixed. Upon learning that Benko intends to bilk Toro of his earnings, Willis regains his integrity, tells the wide-eyed young pugilist the truth, then sits down to write a searing expose of the fight racket. Jan Sterling costars as Willis' estranged wife, while real-life boxers Jersey Joe Walcott and Max Baer are suitably cast as Toro's trainer and ring opponent, respectively. There is also a heartbreaking cameo appearance by ex-fighter Joe Greb, cast as a punchdrunk skid row bum. The Harder They Fall originally went out with two different endings: in one, Eddie Willis demanded that boxing be banned altogether, while in the other, Willis merely insisted that there be a federal investigation of the prizefighting business. The videotape version contains the "harder" denouement, while most TV prints end with the "softer" message. ~ Hal Erickson, Rovi

Anxious to remain active in the 1950s, director Frank Capra wanted to prove to Paramount Pictures that he could deliver an "A" picture on a modest budget. To that end, Capra bought the rights of his 1934 film Broadway Bill from Columbia, and remade it under the title Riding High. He then hired many of the supporting actors who'd appeared in Broadway Bill -- including Clarence Muse, Douglass Dumbrille, Ward Bond, Charles Lane and Frankie Darro -- so he could match up his newly shot scenes with stock footage from the earlier film. Capra even kept the musical costs down by having star Bing Crosby sing such public-domain favorites as "Camptown Races" (though there is one delightful original song, "We Ought to Bake a Sunshine Camera" performed without dubbing by Crosby, Muse, and leading-lady Colleen Gray). Crosby steps into the old Warner Baxter role as Dan Brooks, scion of a wealthy family who prefers hanging around racetracks to the responsibilities of his family business. Scheduled for a "proper" marriage to Margaret Higgins (Frances Gifford), the snooty daughter of millionaire J. L. Higgins (Charles Bickford), Dan infinitely prefers the company of Margaret's younger sister Alice (Coleen Gray), who loves horses as much as he. Hoping to declare his financial independence, he pins his future on a racehorse named Broadway Bill. Though not in the same league as Capra's earlier classics, Riding High is lots of fun. It is especially enjoyable for film buffs, thanks to Capra's decision to fill the picture with uncredited celebrity cameo appearances -- including Oliver Hardy, minus Stan Laurel, as an apoplectic horse player. ~ Hal Erickson, Rovi

Bud Abbott and Lou Costello temporarily leave their usual Universal stamping grounds to star in the Huntington Hartford production Africa Screams. Costello plays the colorfully inept Stanley Livingstone, a meek book salesman who poses as a big-game hunter at the behest of his shifty pal Buzz Johnson (Abbott). It's all part of a scheme to extract some money from adventuress Diana Emerson (Hillary Brooke), who intends to search for a lost diamond mine in the heart of Africa. It seems that Stanley has committed to memory a long out-of-print book which contained a map to the mine. Despite his mortal fear of wild animals, Stanley accompanies Buzz, Diana, and Diana's henchmen on the African expedition. The subsequent comic complications involve a legendary giant gorilla, a cannibal tribe, and a friendly orangutan who falls in love with Stanley. Animal trainer Clyde Beatty and big-game tracker Frank Buck make cameo appearances while character comics Shemp Howard and Joe Besser provide laughs as, respectively, a nearsighted gunman and a sissified flunky. Also on hand are boxer brothers Max Baer and Buddy Baer, who engage in an amusingly unconvincing display of fisticuffs. But the film belongs to Abbott & Costello, who are in fine form. ~ Hal Erickson, Rovi

Lupe Velez is "The Mexican Spitfire" in everything but name in the frantic baseball farce Ladies Day. Eddie Albert plays Wacky Waters, star pitcher of the Sox, a league-leading contender for the World Series. Alas, whenever Wacky falls in love, his game suffers-and so do the wives of his teammates, who are counting on that Series bonus money. When Wacky marries vivacious movie star Pepita Zorita (Velez), the wives, led by Hazel Jones (Patsy Kelly), take drastic action, kidnapping Pepita and hiding her out in a hotel room. But Pepita manages to wriggle out of the hotel towels that bind and gag, disguise herself as a bellboy, and head to the ballpark during the Big Game. Fortunately, Pepita turns out to be Wacky's prime motivation for winning the Series, and there's a happy ending for one and all. Pretty lame as far as baseball films go, Ladies Day will be best appreciated by fans of Lupe Velez and Patsy Kelly, who never speak when shouting will do. ~ Hal Erickson, Rovi

Stanley Lupino, a member in good standing of the ancient British performing family which also produced comedian Lupino Lane and actress Ida Lupino (Stanley's daughter), is the author and one of the stars of Over She Goes. John Wood portrays an ex-musical hall performer who becomes a British lord. He finds it difficult to properly enter society, especially when threatened with blackmail by a woman from his past. Wood calls upon his old vaudeville cronies to get him out of his jam. Over She Goes is enlivened by comic turns from such veteran British stage clowns as Laddie Cliff, Syd Walker and (of course) Stanley Lupino. ~ Hal Erickson, Rovi