William Badalato Movies

Hong Kong director John Woo's second U.S. film (his first was Hard Target) delivers a number of exciting action sequences but is let down by a credibility-straining plot. John Travolta plays Vic Deakins, an Air Force pilot on what is supposed to be a routine night flight mission with his co-pilot, the younger Riley Hale (Christian Slater), whom Deakins constantly kids for lacking the "will to win." Deakins is actually a traitor who crashlands their Stealth Bomber in Death Valley so that he can steal two nuclear warheads onboard and sell them to terrorists who plan to blackmail the government. Deakins meets up with his cohorts, who have been waiting in the park, while Hale survives and teams up with a young, attractive park ranger (Samantha Mathis) to foil Deakins's plans. Plenty of action ensues, with car chases, collapsing mine shafts, fights on burning trains, and even the underground detonation of a nuclear device. Despite the script's implausibilities and inconsistencies, Woo amply displays the expertise with action sequences and man-to-man conflict that has made his Hong Kong films cult favorites. ~ Don Kaye, Rovi

This ambitious Disney movie uses a remarkable screenplay from Steven L. Bloom and Robert Rodat to tell a rollicking tale of America's transition from a close-to-the-land culture of mythic heroes to a corporate world of real estate tycoons. The strong theme about the decline of folk culture is expressed through a series of high octane adventures experienced by 12-year-old Daniel Hackett (Nick Stahl) at the dawn of the 20th century. Daniel's father, Jonas Hackett (Stephen Lang), runs a farm in a place called Paradise Valley, but his land is coveted by a greedy developer, J.P. Stiles (Scott Glenn). Daniel looks longingly at postcards of New York City while growing increasingly skeptical of his father's tales of legendary folk heroes. Then, through a series of incredible adventures, Daniel meets up with the legends that his father has spoken about -- cowboy Pecos Bill (Patrick Swayze), lumberjack Paul Bunyan (Oliver Platt), and finally, ex-slave and strongman John Henry (Roger Aaron Brown). Each of these heroes hooks up with Daniel and becomes involved in an increasingly bitter and boisterous fight against Stiles, whose plans to buy up land threaten the very strength of the folk heroes and the well-being of the common people. Pecos Bill has a horse named Widowmaker and can lasso a tornado. The giant Bunyan is accompanied by his famous blue ox, Babe. At one point, another legend, the cowgirl Calamity Jane (Catherine O'Hara), joins in the adventures. ~ Michael Betzold, Rovi

Movie references, sight gags, silly puns, and double entendres abound in Hot Shots! Part Deux, Jim Abrahams' sequel to Hot Shots -- only now the object of the skewering is the Stallone Rambo movies instead of Top Gun. Charlie Sheen returns as the lunk-headed Topper Harley, who has retreated to a Buddhist monastery after being dumped by Ramada Rodham Hayman (Valerie Golino). In this far-off retreat, the monks have "taken a vow of celibacy, just like their fathers and their fathers before them." But Topper bulks up and goes back into action when his superior officer, Colonel Denton Walters (Richard Crenna) is captured by a Saddam Hussein look-alike, missing somewhere between "Iraq and a Hard Place." Topper charges into Iraq (after barreling through a Beverly Hills barbecue) along with sexy CIA operative Michelle Rodham Huddleston (Brenda Bakke) in tow, his guns ablazing. ~ Paul Brenner, Rovi

Nicolas Cage stars in the below-par action film Firebirds -- a dying ember from Reagan-era nationalistic jingoism. In this Top Gun retread, Cage plays Jake Preston, a hotshot Army helicopter pilot who is being trained to use the U.S. Army's Apache aircraft to destroy the drug fields of a South American drug cartel. It up to his taskmaster instructor Brad Little (Tommy Lee Jones) to teach Jake humble lessons before he can be trusted to launch into the skies against the drug dealers. While Jake is trying to tame his egoism, he engages in a torrid love affair with flying ace Billie Lee Guthrie (Sean Young). The film was originally titled Wings of the Apache for the U.S. Army Apache assault helicopters that are prominently displayed in the film. ~ Paul Brenner, Rovi

Ernest Thompson, the playwright responsible for the Pulitzer Prize winning On Golden Pond, makes his directorial debut with 1969. Kiefer Sutherland plays a draft-age youth who undergoes an epiphany when one of his friends is killed in Vietnam. Sutherland's subsequent antiwar stance causes a great deal of tension within his own family, though his mother, Mariette Hartley, tries her best to understand. ~ Hal Erickson, Rovi

Harry Hamlin stars in this made-for-cable thriller as a private eye who returns to his boyhood home only to find himself on the trail of a serial killer. ~ Jason Ankeny, Rovi

Devil-may-care navy pilot Pete Mitchell (Tom Cruise) is sent to Miramar Naval Air Station for advanced training. Here he vies with Tom Kasansky (Val Kilmer) for the coveted "Top Gun" award. When not so occupied, Mitchell carries on a romance with civilian consultant Charlotte Blackwood (Kelly McGillis). Shaken up by the death of a friend, Mitchell loses the Top Gun honor to Kasansky. Worried that he may have lost his nerve, Mitchell is given a chance to redeem himself during a tense international crisis involving a crippled US vessel and a flock of predatory enemy planes. The story wasn't new in 1986, but Top Gun scored with audiences on the strength of its visuals, especially the vertigo-inducing aerial sequences. The film made more money than any other film in 1986 and even spawned a 1989 takeoff, Hot Shots. An Academy Award went to the Giogio Moroder-Tom Whitlock song "Take My Breath Away." ~ Hal Erickson, Rovi

In this loose adaptation of the 1942 horror classic of the same name, a 2001-style opening montage establishes some sort of sacrificial, mystical union between panthers and an ancient tribe of humans. Flash forward to 1980's New Orleans, where waifish Irina (Natassja Kinski) meets her older brother, Paul (Malcolm McDowell), a minister, for the first time since their animal trainer parents died and she was sent to a series of foster homes. Paul's Creole housekeeper, Female (Ruby Dee), helps Irina settle into her brother's home, but Paul himself disappears. Cut to a fleabag motel where a blasé prostitute finds an angry panther instead of a client; after mauling her, the cat is captured by police and a team of zoologists: Oliver (John Heard), Alice (Annette O'Toole), and Joe (Ed Begley Jr.). The next day Irina finds herself in the zoo where these scientists work; drawn to the newly captured panther, she befriends Oliver and takes a job in the gift shop. Shortly after the panther's violence turns deadly, it escapes, and soon Paul turns up spouting an unbelievable story about his family's were-cat heritage and his inevitable sexual union with little Irina. On the run from her dangerous brother, Irina takes refuge in a sexually frustrated romance with Oliver, afraid of what might happen if she consummates their passion. Astute viewers will notice that the zoologist characters refer to the film's panthers as leopards; "panther" is actually a generic term for any large cat, especially a black one, but Cat People's panthers are in fact leopards whose black color comes from a recessive trait known as melanism. ~ Brian J. Dillard, Rovi

Deke DaSilva (Sylvester Stallone) and Matthew Fox (Billy Dee Williams) are New York police officers specially assigned to a special multi-national team dedicated to tracking down terrorist Wulfgar (Rutger Hauer). Wulfgar planted a bomb in a London department store, killing several children and he is now an outcast, hunted by both the police and his fellow gang members. He has extensive plastic surgery and resumes his activities aided by Shakka (Persis Khambutta), a completely psychotic fellow outcast. Soon DaSilva and Wulfgar are engaged in a violent battle of wits as Wulfgar resumes his terrorist activities and threatens New York . This very effective thriller features a chilling performance by Rutger Hauer as the handsome, ruthless cold-blooded killer who charms women into helping him and then kills them. Sylvester Stallone gives an unusually understated emotionally vulnerable performance as a man trying to save lives while he saves his own marriage. The film makes excellent use of New York locales, particularly during a terrifying hijacking of a cable car where Wulfgar coolly decides which of the hostages will live or die. ~ Linda Rasmussen, Rovi

Muhammad Ali made his TV-movie dramatic debut in this adaptation of Howard Fast's novel Freedom Road. Though some of the names are changed, the story concerns the true-life efforts of senators Charles Sumner and Thaddeus Stevens to bring political order and racial equality to the post-Civil War South. Ali is cast as Gideon Jackson, an ex-slave who is elected to the U.S. senate during the Reconstruction Era. Interestingly enough, the character upon whom Jackson is based was depicted as the villain of D.W. Griffith's 1915 Civil War epic Birth of a Nation. Just as Griffth offered his own biased slant on the facts, so too did Fast rewrite history to promote his own political ideology. As for Muhammad Ali, his performance is no threat to Olivier, but he acts with sincerity and a commendable lack of bravado. Made for TV, Freedom Road represented the final film effort of Czechoslovakian director Jan Kadar. It was first telecast in two parts on October 29 and 30, 1979, an event that warranted a cover story in TV Guide. ~ Hal Erickson, Rovi

This eerie low-budget chiller has recently released mental patient Jessica (Zohra Lampert) moving to a Connecticut farm with her husband and some friends. But a strange girl named Emily is at the farm, too, and it soon becomes obvious that she is somehow related to a young woman who drowned on her wedding day in the 1800s. Is Emily a vampiric ghost? Are the hostile townsfolk all zombies? Or is Jessica losing her mind once again? ~ Robert Firsching, Rovi