Lloyd Bacon Movies
Born into an American theatrical family, Lloyd Bacon was the son of Frank Bacon, the actor who made the stage play Lightnin' virtually his life's work. Lloyd pursued the family business early in life, appearing in stock companies and touring shows, before entering films as a small-part player at Essanay Studios, where he worked with pioneer western star Broncho Billy Anderson. Another Essanay player, Charlie Chaplin, continued employing Lloyd as an actor and production assistant long after both had moved to other studios. Never comfortable as a performer, Bacon followed Chaplin's lead by becoming a director himself. His first directorial assignment was Private Izzy Murphy (1926), which starred Broadway entertainer George Jessel. The film inaugurated Bacon's long association with Warner Bros., where over the next two decades he would direct such notables as James Cagney, Bette Davis, Edward G. Robinson John Barrymore, Joe E. Brown, Humphrey Bogart and Ronald Reagan. Most of Bacon's assignments came his way not because he was uniquely talented but because he was quick and efficient; while many stars welcomed this businesslike approach, others were unhappy that the Bacon technique left no time to properly "develop" a performance or to experiment with new ideas. But since producers and not actors make the final decisions, and since producers like to have craftsmen around who save time and money, Bacon worked steadily throughout the 1940s and 1950s. After leaving Warners, the director spent some time at 20th Century-Fox, where he made one of his best films, It Happens Every Spring (1949). Slapstick comedy fans especially enjoy Bacon's collaborations with screenwriter Frank Tashlin at both Columbia and MGM, notably the Red Skelton vehicle The Good Humor Man (1950) and the baseball farce Kill the Umpire (1950). Just before his death, Lloyd Bacon directed a pair of Howard Hughes-produced comedies for RKO, The French Line (1954) and She Couldn't Say No (1954). The Bacon family tradition was carried on by Lloyd's younger brother, ubiquitous character actor Irving Bacon. ~ Hal Erickson, All Movie Guide- 1954
Like so many other films that were once considered "lewd" and "scandalous", The French Line seems as harmless as Pollyanna when seen today. Essentially a remake of The Richest Girl in the World, the film stars Jane Russell as Mary Carson, an incredibly wealthy Texas oil heiress. Lucky in investments but unlucky in love, poor Mary can never keep a fiance: either they're fortune-hunters or they don't want to marry anyone so rich and powerful. Thus, while on an ocean voyage to France, Mary poses as the model of dress designer Annie Farrell (Mary McCarthy), hoping to attract a man who is interested in her for herself, and not her millions. That man turns out to be dashing stage star Pierre (Gilbert Roland), but there's many comic complications and misunderstandings before the happy ending. What shocked the censors in 1954 was Jane Russell's sizzling musical number "Lookin' for Trouble", in which she performed an uninhibited bump-and-grind while wearing nothing more than a seven-ounce glorified bikini. While Ms. Russell herself was offended by her skimpy costume, she saw nothing wrong with the dance itself, pointing out that she intended it as a parody of a "burleycue" number. The professional blue-noses disagreed, however: the film was condemned by the Catholic Legion of Decency and denied a Production Code Seal. Eventually, producer Howard Hughes got the Seal--along with a million dollars' worth of free publicity, which is what he intended all along. Filmed in 3D, The French Line is the film that was ballyhooed with the classically tasteless ad campaign "J.R. in 3D--It'll knock both your eyes out!" ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Gilbert Roland, (more)
- 1953
Several genuine Native Americans dot the cast of Universal's The Great Sioux Uprising. The scene is the frontier outpost of Laramie Junction, where livery stable owner Joan Britton (Faith Domergue) and rancher Stephen Cook (Lyle Bettger) carry on a friendly rivalry while trading horses with the cavalry. On friendly terms with the local Sioux, Joan hopes to persuade the tribe to sell some of its ponies to the military. Cook's method is more direct: he and his men steal the horses, then sell them for a 100% profit. Into this situation rides ex-Union medical officer Jonathan Westgate (Jeff Chandler), who promises Apache chief Red Cloud (John War Eagle) that he'll track down the rustlers. Westgate also organizes the local ranchers to sell their horses to the military, thereby undercutting the duplicitous Cook. Complications arise when Stand Waite, an Apache officer in the Confederate army, tries to persuade his tribesmen to join the Southern cause. All the various plotlines converge in the climactic uprising, which is shown to be the by-product of white greed. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeff Chandler, Faith Domergue, (more)
- 1953
Walking My Baby Back Home is a bubbly musical of no significance whatsoever, but this doesn't diminish its enjoyability factor. The film wastes no time in showing off the singing and dancing skills of star Donald O'Connor, who is seen cavorting about during the opening credits. O'Connor plays war veteran Jigger Millard, who forms a band with several other musically inclined ex-GIs. Unfortunately, Jigger's music isn't what the public craves, so he's forced to join a minstrel show headed by Colonel Wallace (George Cleveland), the uncle of pretty Chris Hall (Janet Leigh). As he performs the old "down in Dixie" numbers required of him, Jigger is inspired to reorganize his band into a Dixieland aggregation, with the considerable input of black musician Smiley (Scatman Crothers). Buddy Hackett is on hand as comedy relief Blimp Edwards. A tantalizing excerpt from Walking My Baby Back Home was seen in an ironic context during a 1970s Columbo TV episode, guest-starring Janet Leigh as the murderer. ~ Hal Erickson, All Movie Guide
- Starring:
- Donald O'Connor, Janet Leigh, (more)
- 1952
Mitzi Gaynor plays legendary vaudeville headliner Eva Tanguay, whose signature tune was the bouncy "I Don't Care". The film's actual producer George Jessel costars as "himself;" the gimmick is that Jessel wants to produce a biopic based on Tanguay, but can't get a handle on the story until he interviews all those who remember the lady. This throughline allows Gaynor to impersonate Tanguay without the added encumbrance of a plot. Well, there is a love story involving Tanguay and her vaudeville partner (David Wayne), and some welcome comic relief from "professional neurotic" Oscar Levant, but otherwise The I Don't Care Girl is more a revue than a movie. At the end, inveterate scene-stealer George Jessel shows up backstage during one of the flashback sequences, "Just to see how the story will turn out." ~ Hal Erickson, All Movie Guide
- Starring:
- Mitzi Gaynor, David Wayne, (more)
- 1952
Lloyd Bacon wrapped up his lengthy directorial career with the innocuous comedy She Couldn't Say No. "She" is a young heiress named Corby (Jean Simmons), who visits the small town of Progress, Arkansas, hoping to repay a good deed. It seems that, when Corby was a child, the villagers had all donated money to pay for her life-saving operation. Now she intends to reward the villagers by anonymously donating all sorts of financial boons and civic improvements. This serves only to stir up resentment against our well-intentioned heroine. Particularly offended is local doctor Robert Mitchum, who rightly sees Corby's beneficence as an invitation for every hustler and con-artist on earth to descend upon Progress. What Doc Mitchum can't foresee (though the audience can) is that he'll fall head over heels in love with Corby before fadeout time. With She Couldn't Say No, Jean Simmons fulfilled her contractual obligations to RKO, freeing her for more prestigious assignments like Desiree and Guys and Dolls. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Jean Simmons, (more)
- 1951
Golden Girl is the life story (sort of) of legendary 19th-century American entertainer Lotta Crabtree. The daughter of a luckless gambler (James Barton), young Lotta (Mitzi Gaynor) supports herself and her dad by singing and dancing in mining camps during the California Gold Rush of 1849. She carries on her activities into Indian territory, where she saves her scalp by winning over her Native American audiences. During the Civil War, Lotta falls in love with a dashing Confederate spy (Dale Robertson), with whom she is briefly reunited in San Francisco before his inevitable demise. The finale is one of those "smiling through the tears" contrivances that always worked so well in musical films. Golden Girl was produced for 20th Century-Fox by entertainer George Jessel. ~ Hal Erickson, All Movie Guide
- Starring:
- Mitzi Gaynor, Dale Robertson, (more)
In this World War II drama, Richard Widmark plays Lt. Cmdr. John Lawrence, a strict navy commander assigned to replace the popular senior officer of a group of underwater demolition divers -- better known as frogmen. Lawrence tightens the discipline of this brave but fiercely independent group of underwater warriors, winning few friends in the process. The unpopular officer proves his worth in front of his men by neutralizing a live torpedo at the risk of his own life. The principal attraction of The Frogmen is its underwater photography, which would have been twice as effective in black-and-white. An intelligent, low-key wartime adventure, The Frogmen is weakened only by the excessive "Brooklynese" comedy of Harvey Lembeck. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Dana Andrews, (more)
- 1951
The original Broadway musical Call Me Mister was a plotless revue. By the time the property made it to the screen, however, a storyline was grafted on and much of the revue's funnier (and dirtier) material was weeded out. Betty Grable stars as an American USO entertainer Kay Hudson, touring the bases in postwar Japan. Somewhere along the way she crosses the path of former husband Shep Dooley (Dan Dailey). Despite the presence of ardent suitor Capt. Johnny Comstock (Dale Robertson), Dooley begins a campaign to win his wife back. They are reconciled during a climactic stage show, which affords ample opportunity for both Grable and Dailey to demonstrate their terpsichorean skills (Busby Berkeley handled the choreography). Cast as a GI who hates the army, Danny Thomas (a holdover from the Broadway production) does a truncated version of his own nightclub act. Specialty numbers are provided by the Dunhill dance team, and by an unbilled Bobby Short. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Dan Dailey, (more)
- 1950
William Bendix is perfectly cast as a diehard baseball fan who hates umpires with every fibre of his being. Bendix' devotion to baseball has lost him job after job, so his father-in-law (Ray Collins)--who happens to be an umpire--forces Our Hero to enroll in umpire school. Eventually Bendix learns to respect his new job, even gaining a measure of popularity by earning the nickname "Two-Call Johnson" (the result of double vision brought about by an overdose of eye drop medicine). But when Bendix calls a play against a popular pitcher, he is accused of cheating by the angry fans. Forced to disguise himself to get to the Big Game, Bendix arrives at the ball park to a chorus of "boos." Exonerated by the pitcher, who praises the umpire's honesty, Bendix is the hero of the day...until he makes another unpopular call two seconds later. Kill the Umpire is climaxed by a zany chase sequence scripted by former cartoon director Frank Tashlin. ~ Hal Erickson, All Movie Guide
- Starring:
- William Bendix, Una Merkel, (more)
- 1950
In the tradition of Red Skelton's The Fuller Brush Man and The Yellow Cab Man comes The Good Humor Man, with Jack Carson subbing for Skelton this time out. Carson plays Biff Jones, who when not peddling Good Humor ice cream carries on a romance with perky Margie Bellew (Lola Albright). Through a series of incredible circumstances, poor Biff is set up for a fall guy by a gang of holdup men. Ingredients essential to the action is a juvenile "Captain Marvel Fan Club," a dead woman who isn't dead, an above-suspicion business executive who turns out to be a criminal mastermind, and a room full of very versatile musical instruments. If the sight gags have a slightly cartoonish feel to them, it's because they were cooked up by Frank Tashlin, a graduate of the Warner Bros. animation factory. The best is reserved for the end, wherein hero, heroine, villain, henchmen, cops and kids all converge in a high-school auditorium for an uninhibited orgy of slapstick. Comic book fans will get a kick out of seeing George "Superman" Reeves come to grief at the hands of a bunch of "Captain Marvel" devotees! ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Carson, Lola Albright, (more)
- 1950
Hot on the heels of such Red Skelton slapstick comedies as The Fuller Brush Man and The Yellow Cab Man came The Fuller Brush Girl, starring Lucille Ball in a fascinating dry run for her wacky "Lucy Ricardo" TV character. Unable to hold a job because of her tendency to get into trouble, Sally Elliot (Ball) hires on at the Fuller Brush company as a door-to-door cosmetics salesman. After several misadventures involving obnoxious children and snooty matrons, Sally finds herself in the middle of a murder scheme. With reluctant boyfriend Humphrey (Eddie Albert) in tow, Sally gets mixed up in one hilariously life-threatening situation after another, culminating in a prolonged chase sequence on board a tramp steamer. Highlights include Ball's outrageous striptease scene (to the tune of Rita Hayworth's "Put the Blame on Mame") and a choice cameo by Red Skelton as an all-too-cooperative customer. Most of the sight gags in Fuller Brush Girl were cooked up by former cartoon director Frank Tashlin, who'd also contributed to Fuller Brush Man. ~ Hal Erickson, All Movie Guide
- Starring:
- Lucille Ball, Eddie Albert, (more)
- 1949
The same studio that brought forth Father Was a Fullback was responsible for Mother is a Freshman. Loretta Young stars as Abbigail Abbott, the widowed mother of coed Susan Abbott (Betty Lynn). In order to legally validate Susan's scholarship fund (a legacy of her late grandmother), Abigail enrolls in the university as a freshman. Here she is wooed by Professor Richard Michaels (Van Johnson)--much to Susan's dismay, since she'd set her cap for the professor herself. Rudy Vallee reprises the "stuffy middle-aged suitor" characterization he'd essayed in such previous comedies as The Palm Beach Story and Bachelor and the Bobby-Soxer. Mother is a Freshman afforded audiences the opportunity of glimpsing 20th Century-Fox's familiar "college campus" sets in full Technicolor (these standing sets were also seen in black & white in such 1949 releases as Mr. Belvedere Goes to College and It Happens Every Spring). ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, Van Johnson, (more)
- 1949
Lloyd Bacon's baseball comedy stars Ray Milland as Vernon Simpson, a chemist who develops a product which repels wood. Signing on with a major league team as a pitcher, he throws screwballs doctored with his solution, becoming a sensation who strikes out every batter he faces. ~ Jason Ankeny, All Movie Guide
- Starring:
- Ray Milland, Jean Peters, (more)
- 1949
Lucille Ball is Miss Grant, an efficient but naïve secretary hired by William Holden. Ostensibly a legit real estate salesman, Holden is actually the brains of a bookie ring. It takes forever for Ball to tumble to what's going on, but when she does she settles matters in the same fashion as her later I Love Lucy character would--by adopting a disguise and a line of snappy patter. The chastened Holden marries Ball and agrees to devote his life to running an honest real-estate firm on behalf of the deserving homeless. Among the contributors to the success of Miss Grant Takes Richmond are producer S. Sylvan Simon, director Lloyd Bacon and scenarist Frank Tashlin, all of whom would later team up again for the zany Lucille Ball vehicle The Fuller Brush Girl. ~ Hal Erickson, All Movie Guide
- Starring:
- Lucille Ball, William Holden, (more)
- 1948
This musical romance is set during the Great Depression and centers upon the rocky marriage between a flapper script girl and her band-leader spouse. Prior to the big stock market crash, they spend much of their time touring. She tires of it and returns to her country home. Unable to find new bookings, he soon joins her and brings with him his acerbic, cynical manager. The bandleader finds the pastoral life a crashing bore and so heads for the big city to find fortune. Fortunately, by the story's end, he succeeds and happiness is the result. Songs include: "Crazy Rhythm," "You Were Meant for Me," "Goodnight Sweetheart" "Sweet Georgia Brown" and "What Can I Say After I Say I'm Sorry." ~ Sandra Brennan, All Movie Guide
- Starring:
- Jeanne Crain, Dan Dailey, (more)
- 1948
Charles Winninger plays the head of a vaudevillian family who, when jobs become scarce, takes a humble factory job. He dreams of sustaining a show-biz dynasty with his grown children, but none of them show any real interest in trodding the boards. Realizing that the golden days are past, Winninger allows his children to follow their own desires. Give My Regards to Broadway is a regulation 20th Century-Fox Technicolor musical, with all the story elements falling into place precisely when the audience expects them to. The film comes to life during the song and dance sequences featuring Winninger and top-billed Dan Dailey. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Dailey, Charles Winninger, (more)
- 1948
An Innocent Affair was the original release title for the tame marital comedy Don't Trust Your Husband. Making her first film appearance in six years, Madeleine Carroll plays Paula Doane, the wife of ad executive Vincent Doane (Fred MacMurray). For business reasons, Vincent is obliged to entertain lovely widow Margot Fraser (Louise Allbritton). Misunderstanding the situation, Paula vows to "get even" with Vincent by dallying with wealthy tobacco magnate Claude Kimball (Charles "Buddy" Rogers, who like Carroll was returning to films after a six-year absence). It doesn't take a rocket scientist to figure out what happens next. At the very least, it was nice to see Fred MacMurray and Madeleine Carroll working together on-screen for the fifth (and as turned out, the last) time. Much of An Innocent Affair is a thinly disguised advertisement for "Prince" Michael Romanoff's Hollywood eatery. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Madeleine Carroll, (more)
- 1947
I Wonder Who's Kissing Her Now is the heavily laundered musical biopic of sentimental songwriter Joe E. Howard. As played by Mark Stevens (whose singing voice was dubbed by Buddy Clark), Howard is a humble 19th century organ salesman who rises to Broadway fame as the composer of maudlin ballads like "What's the Use of Dreaming" and jaunty ditties like "Hello My Baby". Along the way, he enjoys several romantic interludes, but it is fresh-faced American chorine Katie (top-billed June Haver) who lands Howard as her hubby. In real life, Joe E. Howard, who lived well into his eighties, was married several times; he was also a notorious "lifter" who regularly claimed credit for songs he never wrote (including this film's title tune!) But producer George Jessel chooses not to let the facts get in the way of a good story, maintaining a policy established by his earlier The Dolly Sisters and sustained through such subsequent musical life stories as Oh, You Beautiful Doll The I Don't Care Girl. Singer/dancer/director Gene Nelson makes his screen debut as Tommy Yale. ~ Hal Erickson, All Movie Guide
- Starring:
- Lenore Aubert, Truman Bradley, (more)
- 1946
In this adventure, a young woman travels across Europe in search of her brother who was listed as missing in action during WW II. He had earlier told her that should he ever disappear, he could be found on a certain tiny island. She and her brother's girl friend head off and meet a strange old man. Though his boat is 300 miles from the nearest sea, she asks him to take her to this strange "dream" island. Suddenly a violent storm comes up and the land is flooded. The little boat is flushed out to sea. The hapless drifters end up saved by the Coast Guard who returns them to the brother who has at long last returned. Songs include: "Give Me the Simple Life," "I Wish I Could Tell You," "Into the Sun" (Harry Ruby, Rube Bloom), and "Who Knows?" (Don Raye, Gene De Paul). ~ Sandra Brennan, All Movie Guide
- Starring:
- John Payne, June Haver, (more)
- 1946
Based on a novel by Craig Rice, Home Sweet Homicide is a delightful blend of domestic comedy and murder mystery. Peggy Ann Garner, Dean Stockwell and Connie Marshall play Dinah, Archie and April Carstairs, the precocious offspring of widowed mystery writer Marian Carstairs (Lynn Bari). When a real-life murder occurs, the kids join forces to solve the crime over their mother's objections. It isn't that Dinah, Archie and April are all that interested in serving the cause of justice: it's simply that they want to play matchmaker for Marian and handsome homicide lieutenant Bill Smith (Randolph Scott). The revelation of the killer will come as no surprise to dyed-in-the-wool mystery movie fans, but this shouldn't spoil the fun. Incidentally, the actor billed as "John Shepard" is actually Shepperd Strudwick. ~ Hal Erickson, All Movie Guide
- Starring:
- Peggy Ann Garner, Randolph Scott, (more)
- 1945
Famed WW1 aviator Eddie Rickenbacker once more entered the public's consciousness during WW2 when, while serving as an Air Force officer, he and several other pilots crashed into the Pacific. While the world anxiously awaited news of his fate, Rickenbacker and a handful of survivors floated for 19 days in a tiny rubber raft. Captain Eddie recreates this incident, using it as a framework for a series of flashbacks in which Rickenbacker (Fred MacMurray) reminisces on the high points of his life. He is seen experimenting with aviation in his backyard, working in an auto factory to finance his earliest flights, and wooing and winning the lovely Adelaide (Lynn Bari). When America enters WW1, Rickenbacker immediately signs up, eventually shooting down more enemy planes than any other American aviator. Back in "the present", Rickenbacker and his comrades (including Lloyd Nolan and Richard Conte as Lt. Whittaker and Private Bartek) struggle to stay alive while awaiting rescue. Darryl Hickman plays Rickenbacker as a boy, while Charles Bickford portrays his father William. The huge supporting cast includes amusing unbilled contributions by Grady Sutton ("The schottische is my fav-or-ite dance!") and George Chandler. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Lynn Bari, (more)
The Sullivans attempts to find the positives in one of the most tragic chapters of World War II. Edward Ryan, John Campbell, James B. Cardwell, John Alvin and George Offerman Jr. play the Sullivan brothers, sons of an Iowa railroad worker (Thomas Mitchell) and his wife (Selena Royle). The film traces the boys from childhood, maintaining a relatively lighthearted tone until the Sullivans sign up en masse for the navy at the outbreak of the war. Refusing to be separated, the boys are all assigned to the cruiser Juneau--and all are killed when the vessel goes down at Guadalcanal. This appalling incident (which made something of a celebrity of the brothers' grieving father when he went on a nationwide patriotic lecture tour) resulted in the Navy's decision to never again allowed all the enlisted members of one family to serve on the same ship. Even from the vantage point of fifty years, the scene in which the family receives the wire from the war department is impossible to watch with a dry eye. ~ Hal Erickson, All Movie Guide
- Starring:
- Anne Baxter, Thomas Mitchell, (more)
- 1944
Charles Winninger plays an old seaman who rules the roost in his family, which resides on a Florida houseboat. His oldest granddaughter (Anne Baxter) draws up plans to invite a serviceman for Sunday dinner, just before the boy will be shipped out. Because of their ramshackle lifestyle, Winninger's brood has trouble getting a soldier to accept their hospitality until lonely, defensive GI John Hodiak comes along. Nothing much happens thereafter that isn't totally expected, including Hodiak's changing his outlook on life and falling in love with the granddaughter. Sunday Dinner for a Soldier is the sort of laid-back, anecdotal film that was indigenous to Hollywood's "feel-good" brand of wartime entertainment. ~ Hal Erickson, All Movie Guide
- Starring:
- Anne Baxter, John Hodiak, (more)
- 1943
- NR
Action in the North Atlantic is solid wartime propaganda with a rather endearing inner lining of left-wing politics, courtesy (no doubt) of scenarist John Howard Lawson, who based his screenplay on a novel by maritime specialist Guy Gilpatric. While running war goods to America's Russian allies, a merchant marine ship captained by Raymond Massey is torpedoed. The courage of Massey and his first mate Humphrey Bogart serves as an inspiration to the survivors, who manage to navigate their tiny lifeboat to America, where they are lauded as heroes. After only the briefest of compassionate leaves (Massey is reunited with wife Ruth Gordon, while Bogart strikes up a relationship with Julie Bishop), the crew is assigned a new Liberty Ship. Despite fears of being torpedoed again, Massey, Bogart, and the other men successfully bring their cargo to Russia, shooting down several German planes in the process. As the Americans are cheered on by the smiling, well-fed Russian seamen and peasants, Action in the North Atlantic fades out, with the voice of Franklin D. Roosevelt (actually radio announcer Art Gilmore) heard on the soundtrack encouraging a "United Nations" allegiance against the axis. The supporting cast of Action in the North Atlantic includes a young newcomer by the name of Bernard Zanville, whose billing was changed to "Dane Clark" upon the film's release. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Raymond Massey, (more)
- 1942
In this Victorian-era adventure, a blue-blooded girl is dismayed to discover that her recently deceased father, a compulsive gambler, has left her destitute and deeply in debt. At one time, he'd had a silver mine but even that was lost at the card table. The man who won the mine learns the circumstances of the girl's state of affairs, meets her, and falls in love. Unfortunately, she is to marry a wealthy young man so she can regain her previous social standing. The card-player demonstrates his love by giving her the deed to the mine as a wedding present, but she never sees it. Later she heads out west and opens a large saloon. It is a great success and she is finally able to pay her father's debts. She sends the money to her husband, who squanders it, looking for more silver. Now it is up to the gambler to rectify the situation. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Brent, Priscilla Lane, (more)
