Rick Avery Movies

The third entry in the popular Beverly Hills Cop series finds Detroit cop Axel Foley (Eddie Murphy) returning yet again to Southern California, this time on the trail of two car thieves turned murderers. As he teams up again with L.A. cop Billy Rosewood (Judge Reinhold), Foley's investigation leads him to Wonder World, a theme park that is also the front for a major counterfeiting ring. More action and less wit are the trademarks of this film, which features Murphy dishing out his usual wisecracks, but with less flair and freshness than in the original film. Alan Young plays the old man who runs the amusement park, an interesting setting that still adds little to the tired premise. ~ Don Kaye, All Movie Guide

A thesp-turned-crook gets a chance at career in movies as well as crime scene investigation in this offbeat action comedy with nods to Raymond Chandler. Harry Lockhart (Robert Downey Jr.) is a struggling New York actor who high-tails it to Los Angeles. Once there, Lockhart winds up at the posh home of the aptly-named homosexual private eye Gay Perry (Val Kilmer) amid a lavish Hollywood party, hoping to score a life-changing role in a Hollywood feature. Harry becomes reacquainted with Harmony (Michelle Monaghan), a girl he had a major crush on in his small-town Indiana high school, who may be a bit more interested in him now than she was years ago. He takes both her and her girlfriend home with him, but - in a moment of drunken stupor - accidentally sleeps with the wrong woman. Meanwhile, when a series of female bodies turns up across L.A., Harry slowly breaks into detective work, mentored by Perry. The biggest twist? Black riffs Adaptation and other films by having Harry (via satirical narration) write the movie while he is living it. Harry assures the audience that unlike Lord of the Rings, this one won't have seventeen endings. Kiss Kiss, Bang Bang marks the first directorial credit for Shane Black, who created the Lethal Weapon franchise. ~ Mark Deming, All Movie Guide

Starring martial artist Jeff Speakman as Special Operations officer Dutton Hatfield, this highly derivative actioner follows his predictably exciting adventures while on assignment at the U.S. embassy in Israel. His mission is to guard a few American dignitaries as they visit a chemical weapons research center. He doesn't know that the VIPs are really enemy dupes endeavoring to take over the plant and control the deadliest toxin on the planet. ~ Sandra Brennan, All Movie Guide

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn't walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley's personal code has forced him to do without a wife and children, Hanna's dedication has made a wreck of the home he's tried to have; he's been divorced twice, he's all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he's met a woman, Eady (Amy Brenneman), whom he's not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley's partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna. ~ Mark Deming, All Movie Guide

An uneven but entertaining blend of graphic horror and black comedy from John Landis, very much in the mode of the director's successful An American Werewolf in London. French actress Anne Parillaud -- star of Luc Besson's acclaimed thriller La Femme Nikita -- plays Marie, a lithe and lovely vampire with a conscience who will not take "innocent blood" and maintains a low profile by dining exclusively on criminals and lowlifes. She finds a virtual smorgasbord in Pittsburgh's criminal underworld, arriving in the thick of a bloody mob war sparked by ruthless kingpin Sal Macelli (Robert Loggia). After preying on one of Macelli's hoods (Chazz Palminteri), Marie fumbles her attack on the boss himself and he manages to escape, eventually transforming into a vampire himself. Macelli soon comes to appreciate his new superhuman condition and hatches a diabolical scheme to control the syndicates by turning his underlings into vampires -- including his beleaguered lawyer, Emmanuel Bergman (Don Rickles). Marie, faced with a new and powerful undead enemy, is forced to take matters into her own claws. To this end she enlists the reluctant aid (and eventual affection) of undercover cop Joe Gennaro (Anthony LaPaglia), whose cover has just been leaked to the press, making him a target for Macelli and his growing army of blood drinkers. Landis has crafted a dark and brooding film, pumped up with bouts of extreme gore and gangland violence -- but where American Werewolf's occasional comic touches helped to ground the story and give the "straight" horror scenes more punch, most attempts at humor here seem jarring and out of place. The film's highlights come from numerous horror in-jokes, including cameos from Sam Raimi, Clive Barker, Dario Argento and Linnea Quigley; Rickles' explosive death scene ranks among the weirdest in cinema history. ~ Cavett Binion, All Movie Guide

Self-involved corporate raider Edward Lewis (Richard Gere) has recently split up with his girlfriend. Seeking directions to the Beverly Hills Hotel, he makes the acquaintance of free-spirited hooker Vivian Ward (Julia Roberts) and decides to put her on a 3,000-dollar retainer as his "date." He Cinderellarizes her by bankrolling a full wardrobe and cosmetic makeover. Of course, the setup will be strictly platonic. A disarming modern-day fairy tale, Pretty Woman was the picture that made Julia Roberts a superstar. As charming as she is in her "giggling" sequences, Roberts' best scene is her triumphant return to a posh Rodeo Drive shop where she'd been previously snubbed. Keeping Pretty Woman afloat throughout is the buoyant direction of Garry Marshall and the always welcome presence of Marshall's stock company of actors, including Hector Elizondo as a stuffy but golden-hearted concierge. Pretty Woman began its life as a much darker story of prostitutes and homicidal drug dealers, but more box-office-savvy heads ultimately prevailed. ~ Hal Erickson, All Movie Guide

The Naked Cage offers a glimpse of the stark realities of prison life while at the same time acknowledging the issue of prison corruption. Young and naïve Michelle (Shari Shattuck) has just been thrown in the slammer for a bank heist she definitely did not commit. The inmates warn her about the warden (Angel Tompkins), whose lesbian lifestyle is forced on inmates of her choosing. No one has to warn Michelle about the guard who rapes and kills the inmates, or about the woman who framed her and is now also in jail. These three threats to Michelle's inherent virtue are nothing she can fight off alone, and so some new characters step into the picture to help tip the scales. ~ Eleanor Mannikka, All Movie Guide

Set adrift in the vast waters of the North Atlantic for a luxury New Year's Eve party staged in the ship's magnificent ballroom, the massive ocean-liner Poseidon receives an unexpected jolt when a rogue, 100-foot wave rolls it completely upside down, forcing the surviving passengers to fight their way to safety in Das Boot director Wolfgang Petersen's waterlogged blockbuster. Trapped beneath the waterline and implored by the captain to remain in place until a rescue team arrives, the panicked survivors struggle to keep their cool as the water begins to rush in, infernos blaze all around, and a loss of electricity plunges the doomed vessel into total darkness. Seasoned gambler Dylan Johns (Josh Lucas) isn't willing to wage his life on the prompt arrival of help, though, and as he attempts to navigate the treacherous, inverted maze of death, he is flanked by desperate band of like-minded seafarers including eight-year-old Conor (Jimmy Bennett) and his mother, Maggie (Jacinda Barrett), reticent stowaway Elena (Mía Maestro), suicidal Richard (Richard Dreyfus), and concerned father Robert (Kurt Russell), whose missing daughter may still be somewhere onboard along with her frightened fiancé. With a little luck and a little help from onboard waiter Marco (Freddy Rodriguez), the desperate team may just live to see the morning after. ~ Jason Buchanan, All Movie Guide

James Mangold's Walk the Line tells the life story of country music legend Johnny Cash (Joaquin Phoenix), focusing primarily on the long courtship he had with June Carter (Reese Witherspoon). The film is structured as an extended flashback opening with Cash readying to take the stage at his historic Folsom Prison Concert. The film touches on his childhood, relating a horrific early incident from his life and establishing the troubled relationship he would have with his father (Robert Patrick). Cash joins the military and leaves home. During his time in the armed services he begins writing songs and romances a hometown girl (Ginnifer Goodwin). After the end of his duty he settles down and attempts to begin a music career, but his wife has trouble adjusting to his dreams. Cash auditions for Sam Phillips (Dallas Roberts), signs to Sun Records, and soon finds himself on tour with a roster of young soon to be legends that includes Elvis Presley (Tyler Hilton) and Jerry Lee Lewis (Waylon Malloy Payne). On this tour he meets June Carter, the daughter of the famous Carter family, and they take a liking to each other although she refuses any serious advances from him. Cash gains world wide fame thanks in part to the inspiration he gets from June, but eventually his marriage crumbles and he develops a serious drug addiction. The film is based on Cash's autobiographies. Phoenix and Witherspoon performed all of their own singing in the movie, just as Sissy Spacek and Beverly D'Angelo did in Coal Miner's Daughter a quarter-century before. ~ Perry Seibert, All Movie Guide

Bruce Willis and Matthew Perry reprise their roles as a killer for hire and a dentist with a bad case of nerves in this sequel to the comedy hit The Whole Nine Yards. Former hitman Jimmy "The Tulip" Tudeski (Bruce Willis) has retired from his life of crime and is living a quiet life of cooking and housekeeping in Mexico, despite the fact his wife, Jill (Amanda Peet), a would-be hired killer, still wants to keep her hand in the business. Tudeski has been able to convince the authorities he's dead thanks to dental records falsified by his former neighbor Nicholas "Oz" Oseransky (Matthew Perry), who lives in Los Angeles. But Oseransky discovers that not everyone is fooled by Tudeski's handiwork when his wife, Cynthia (Natasha Henstridge), is kidnapped by Lazlo Gogolak (Kevin Pollak) and his goons. Gogolak is a high-ranking member of the Hungarian mafia, and Tudeski previously murdered his son, so he's abducted Cynthia in order to get Oseransky to reveal the hired killer's current whereabouts. But Tudeski has come to like the quiet life, and isn't so sure he wants to face Gogolak and his crew for the sake of a jittery dentist who once did him a favor. Most of the principle cast of The Whole Nine Yards returned for this sequel, though director Howard Deutch stepped in to replace Jonathan Lynn, who was working on The Fighting Temptations when The Whole Ten Yards went into production. ~ Mark Deming, All Movie Guide

Ang Lee directs the live-action feature film The Hulk, based on the Marvel comic book created by Stan Lee and illustrated by Jack Kirby. Emotionally stunted Dr. Bruce Banner (Eric Bana) is part of a research team at the University of California at Berkeley. Corporate hustler Glenn Talbot (Josh Lucas) takes notice of the lab and makes plans to take it over. Then Bruce accidentally gets hit by an experimental ray and grows into a huge beast, destroying the lab in the process. A creepy janitor who claims to be his real father, Dr. David Banner (Nick Nolte), starts to secretly use the experimental ray on himself. He creates some mutant dogs and sends them after Bruce's lab mate and ex-girlfriend Betty Ross (Jennifer Connelly). After Bruce saves her life in the form of the Hulk, she lets her distant father, General Ross (Sam Elliott), take him to an abandoned army base in the desert. However, Glenn Talbot takes over the operation and wants to patent the creature's superpowers for his own profit, so he holds Bruce unconscious in an isolation tank. When provoked, Bruce turns into the Hulk and makes a break for San Francisco, leading to a desert chase sequence involving military aircraft, tanks, and bombs. Only the sight of Betty can make him turn back to his human form. When he is eventually captured, Dr. David Banner shows up for a final confrontation with his son and his old adversary, General Ross. ~ Andrea LeVasseur, All Movie Guide

Dan Aykroyd and John Landis teamed to script this sequel to The Blues Brothers (1980), which they also co-scripted. With Landis once again at the helm as director, Aykroyd re-creates his role of rhythm-and-blues man Elwood Blues, and the film's numerous R&B performances and production numbers include Aretha Franklin singing her classic "Respect". Released from prison after serving 18 years for the havoc depicted in the first film, Elwood learns that while he was serving time, his pal Jake Blues (John Belushi) has died, as did their hi-de-ho music mentor Curtis (Cab Calloway). Times have changed, but the blues beat goes on. Elwood visits Mother Mary Stigmata (Kathleen Freeman), who runs the orphanage where Elwood and Jake were raised, and she puts 10-year-old Buster (J. Evan Bonifant) in Elwood's care. Seeking a loan, Elwood visits Curtis' son, Cabel Chamberlain (Joe Morton), and Buster picks Cabel's pocket. Now, 18 years after the original "mission from God," Elwood attempts to reorganize the Blues Brothers Band, beginning with bartender Mighty Mack McTeer (John Goodman) as a replacement for Jake. With the Russian Mafia in hot pursuit, Elwood, Mack, and Buster head cross-country, locating band members as they travel pell-mell toward a scheduled battle of the bands in Louisiana where the Blues Brothers Band competes with the Lousiana Gator Boys Band (Eric Clapton, B.B. King, Bo Diddley, Dr. John, Travis Tritt, Steve Winwood, Clarence Clemmons, Isaac Hayes). Filmed in Toronto and Chicago, this movie reunited Aykroyd and Goodman, who were seen previously in the 1996 video, The Return of the Blues Brothers, a performance taped January 24, 1995 at the House of Blues in Los Angeles. Elsewhere, the Blues Brothers are kept alive in a half-dozen or so websites, such as the House of Blues, and live stage productions. In England, the stage show A Tribute to the Blues Brothers began in 1991. At the request of Aykroyd and Judy Belushi, the title of that production was changed to The Official Tribute to the Blues Brothers. With various cast members in the roles of Jake and Elwood (Con O'Neill, Warwick Evans, Brad Henshaw, Simon Foster), the show toured Britain throughout the 1990s. The "original Blues Brother" (who coached John Belushi and originated some of the blues raps used by Belushi) is Curtis Salgado (of the Robert Cray Band). One cast member of Blues Brothers 2000, bluesman Junior Wells, the last of the great Chicago harmonica players, died in January 1998, only days before the film was released. ~ Bhob Stewart, All Movie Guide

Though its PG-13 rating is well earned, Look Who's Talking has some elements that might appeal to a family audience. Chief among them, of course, is the "talking baby" protagonist. The product of an extramarital affair, infant Mikey (played by several different babies, and given voice by Bruce Willis) is a cynical, sarcastic observer of his new world. Mikey's mother, Kirstie Alley, having been dumped by her married lover George Segal, searches high and low for a new father for her baby. Of course, the perfect daddy is right under her nose all the time: cab driver John Travolta, who was on the scene when she went into labor on the sidewalk. The best moments in Look Who's Talking include Ms. Alley's imaginary flights of fancy, and the misadventures of Mikey as he progresses from sperm to reluctant newborn (his violent vocal protests against being yanked from the womb are worth the admission price in themselves). Look Who's Talking has spawned two sequels, neither of which are as charming or disarming as the original. ~ Hal Erickson, All Movie Guide