Ray Bradbury Movies

Zack Snyder brings Ray Bradbury's anthology The Illustrated Man to the big screen with this modern-day retelling of a man whose tattoos foretell the future. The story was originally adapted in 1969 as a Rod Steiger vehicle. ~ Jeremy Wheeler, All Movie Guide

A seemingly insignificant act may cause the fabric of history to unravel in this sci-fi adventure. Charles Hatton (Ben Kingsley) owns and operates a successful firm known as Time Safari. Thanks to time travel technology developed by Hatton's employee Sonia Rand (Catherine McCormack), Time Safari allows big game hunters to journey back to prehistoric days and shoot living, breathing dinosaurs. Rand picks out the dinosaur in question, who is soon to die, and creates a floating walkway for the hunters, so the impact of their presence will not be felt by the land around them. But on one expedition, things go horribly wrong when a nervous hunter steps off the walkway and crushes a butterfly, a tiny act that proves to have massive consequences over the course of several million years. As the earth's climate and animal life begin to mutate due to this shift in natural history, Time Safari's leading hunting guide, Travis Ryer (Edward Burns), works beside Rand in a desperate attempt to halt the "ripples of time" before modern civilization completely collapses. A Sound of Thunder was based on a classic short story by pioneering science fiction author Ray Bradbury. ~ Mark Deming, All Movie Guide

One of the most compelling strokes of fate in the past millenium is the fact that the 20th century's most hated dictator and most beloved film comedian were born within four days of each other in 1889. Although Adolf Hitler probably never gave Charlie Chaplin a second thought during his rise to power, Chaplin was obsessed with the notion that there was a larger and more profound meaning to the coincidence of his age proximity to Hitler--not to mention the fact that both men became famous by sporting postage-stamp moustaches. In 1939, Chaplin inaugurated production of his first 100% all-talking picture, in which he would abandon his familiar "Little Tramp" character in favor of two new screen alter-egos: A Jewish barber in the fictional European country of Tomania, and the barber's exact lookalike, the infamous dictator Adenoid Hynkel, aka "Der Phooey." Utilizing rare color behind the scenes footage discovered by Chaplin's daughter Victoria, and complemented with commentary from Charlie's coworkers, contemporary filmmakers and movie historians, this one-hour documentary detailed the making of The Great Dictator, Chaplin's devastating (and often devastatingly funny) satire of the Nazis. Among the many topics covered in the film is Hollywood's frightened reaction to Chaplin's daring move (at a time when appeasing rather than openly opposing Hitler was the order of the day), and Hitler's own reaction upon seeing the completed film himself. Assembled by the brilliant historian and silent-movie preservationist Kevin Brownlow, The Tramp and the Dictator represented a collaboration between Britain's Photoplay Productions and Germany's Spiegel TV. In America, the film was first broadcast on October 1, 2002, as the vanguard of a TCM cable network retrospective of Hitler-related films and cartoons, beginning with the new, digitally restored version of 1940's The Great Dictator. ~ Hal Erickson, All Movie Guide

Assembled by film historian Kevin Brownlow and narrated by actor Kenneth Branagh, this 90-minute special celebrates the classic horror films that emanated from Hollywood's Universal Studios. Beginning with such silent classics as The Phantom of the Opera and The Cat and the Canary, Universal went into full gear in the early '30s, launching such valuable properties as Dracula, Frankenstein, The Invisible Man, The Mummy, and (in the 1940s) The Wolf Man, and making stars of the "twin titans of terror," Bela Lugosi and Boris Karloff. The studio maintained its horror quota well into the 1950s with its Creature From the Black Lagoon series, but the emphasis in this special is on the pre-1948 scare fests. Highlights include interviews with surviving Universal actors and technicians (Gloria Stuart is particularly amusing), and rare clips from Dracula [Spanish-language version]. Universal Horror made its American TV debut on the Turner Classic Movies cable service. ~ Hal Erickson, All Movie Guide

Adventure is only limited by imagination in this exciting animated fantasy from The Goonies writer Chris Columbus. Warmly welcomed to the Kingdom of Slumberland by the king himself, young Nemo is christened heir to the throne and given a magical key that will open any door in the kingdom. Though Nemo is warned not to open the one door with the power to destroy Slumberland, temptation proves too strong and the king is kidnapped as a black cloud of nightmares washes over the formerly idyllic dreamscape. Now, if Nemo is to reverse his error and bring the king back alive, he must rally his friends and journey deep into Nightmare Land to face his ultimate fear. Will dreams ever return to Slumberland, or has Nemo's folly set into motion an irreversible, eternal echo of nightmares and chaos? ~ Jason Buchanan, All Movie Guide

Originally telecast on PBS' Wonderworks, Walking on Air stars Lynn Redgrave as a dotty science teacher. One of Lynn's students is a paralyzed youth (Jordan Marder), who inexplicably has the ability to float around in the air. With Redgrave's help, the boy offers his services to NASA as a "natural-born astronaut." Never condescending and always credible, Walking on Air is ideal "feel good" entertainment. This 58-minute film was based on a story by Ray Bradbury. ~ Hal Erickson, All Movie Guide

Mary Trimble wrote this TV adaptation of Ray Bradbury's short story. Brian Svrusis, a 12-year-old growing up in an small American town in the 1940s, comes to idolize mysterious stranger Fred Gwynne. Claiming that he's Charles Dickens, Gwynne holds Svrusis in thrall by revealing details of his "work in progress" Tale of Two Cities. The boy's fascination with Gwynne seriously erodes his relationship with his more pragmatic best friend. Any Friend of Nicholas Nickelby is a Friend of Mine was first telecast February 9, 1982, on PBS's American Playhouse. ~ Hal Erickson, All Movie Guide

After a carnival comes to Green Town, the good citizens are compelled to follow their deepest desires, caught under the spell of the malevolent Dr. Dark (Jonathan Pryce) who can grant those desires on one condition: that the grantees will forever join his freak show. Dr. Dark is after two young boys from the town in particular, while others in the town would certainly be easy marks. The sour-faced, older schoolteacher (Mary Grace Canfield) wants to be a seductive young woman, Ed the bartender (James Stacy) would like to regain his lost left arm and leg, and the librarian (Jason Robards) worries about a wasted life spent only in books. As Dr. Dark works his own brand of voodoo, the citizens and the two boys -- as well as the whole carnival itself -- approach a final reckoning. Something Wicked This Way Comes was based on a Ray Bradbury novel. ~ Eleanor Mannikka, All Movie Guide

Two women find their friendship tested when one rises from obscurity to success in this glossy remake of Old Acquaintance. Liz Hamilton (Jacqueline Bisset) and Merry Noel (Candice Bergen) are close friends who met while they were freshmen at Smith College in the 1950s. Liz has become a highly respected novelist, while Merry wed Doug Blake (David Selby) and raised a family. While Merry is happy, she can't help but envy Liz for her glamorous career as an author. Merry decides to write a novel of her own, and with Liz's help, the book soon finds a publisher. While Merry's trashy potboiler earns few positive reviews, it's a massive best-seller, and Merry's fame and wealth soon outstrips that of Liz, leading to jealousy between the old friends and problems in Merry's marriage. Rich and Famous was the final picture directed by Hollywood legend George Cukor; the guest list at the party sequences include such literary and cinematic notables as Christopher Isherwood, Ray Bradbury, Paul Morrissey, and Roger Vadim. ~ Mark Deming, All Movie Guide

Everyone who tuned into The Martian Chronicles during its three-day run in January of 1980 sincerely hoped that it would be the ne plus ultra of televised sci-fi/fantasy. That it fell short of this goal was not the fault of the actors but of the script, which reduced Ray Bradbury's complex original work into typical TV-movie banality. Further hurting the project were the special effects, which fluctuate between the heights of the original Star Trek and the depth of Lost in Space. All there parts of The Martian Chronicles have been amalgamated into one overlong feature film on videocassette.
~ Hal Erickson, All Movie Guide

While on her honeymoon in New Orleans, a woman (Kitty Winn) is cursed by a voodoo queen and suffers terrible nightmares that begin to come true. With her husband (William Swetland), she consults a doctor (Peter Donat) for help. Originally filmed in 1978 with the title Marianne, the film was finally released to video in 1984 as Mirrors. ~ John Bush, All Movie Guide

Serge Bourguignon, the auteur of the 1962 Academy Award winner Sundays and Cybele, doesn't quite come up to the standard set by that earlier film in Picasso Summer. Based on a Ray Bradbury story, the film concerns vacationing couple Albert Finney and Yvette Mimieux. Enchanted by the works of Pablo Picasso, Finney and Mimieux trek through the length and breadth of Europe to meet the great artist himself. Their odyssey concludes on a melancholy note, but not before an engaging animated sequences wherein Picasso's paintings come to life, as it were. Filmed in 1969, Picasso Summer was long withheld from release; in fact, most filmgoers didn't get to see it until it began making the TV rounds. ~ Hal Erickson, All Movie Guide