Georges Auric Movies

Laurent (William Holden) is willing to give his terminally ill son Pascal (Brook Fuller) anything to make his last days comfortable. The unfortunate boy is stricken with leukemia after being showered with radioactive poison when an airplane exploded. Laurent takes Pascal back to Paris where he and his girlfriend Catherine (Virna Lisi) and his war buddy Verdun (Andre Bourvil) try to cater to his every wish. He buys a farm tractor and with the help of the faithful Verdun steals some wolves from the Paris zoo. Father and son spend as much time as they are allowed in this sentimental family story. ~ Dan Pavlides, Rovi

In this British war comedy, set in WW II, a bomber crew is shot down over Paris during the Nazi occupation. They are helped out of the city by several good-hearted Frenchman. They make it to the steambath where they had an important rendezvous. They then begin the final part of their escape. A cross-eyed German inadvertently helps them. ~ Sandra Brennan, Rovi

A scientist's attempts to clear the name of a friend nearly destroy his life in this intelligent science fiction drama. Prof. Sharpley (Harold Goldblatt) is a research scientist from Oxford University working with the British government on experiments in sensory deprivation. One day, Sharpley suddenly and shockingly commits suicide by throwing himself under an oncomming train while holding a briefcase stuffed with cash. While investigating the death, the police present the theory that Sharpley was a double agent, perhaps allied with the Communists, and that the death was the final result of his shame over betraying Great Britain. However, Sharpley's friend and associate Dr. Henry Longman (Dirk Bogarde) strongly disagrees, and he speculates that Sharpley's death had something to do with his research. In hopes of clearing Sharpley's name with police investigator Maj. Hall (John Clements), Longman begins subjecting himself to sessions in a sensory deprivation tank in order to prove that use of the technique can make one unusually suceptable to brainwashing or hypnotic suggestion. Longman emerges from the chamber frightened and disoriented, and in Long's presence one of his associates is able to convince Longman that he no longer cares for his wife Oonagh (Mary Ure). The doctor returns home displaying a callous and distant attitude toward his pregnant wife, and his personality begins to display an increasing number of deeply troubling changes. James Kennaway adapted the screenplay from his own novel. ~ Mark Deming, Rovi

Based on the Francoise Sagan novel Aimez vous Brahms?, Goodbye Again stars Ingrid Bergman as Paula Tessier, a successful Parisian interior decorator (with a personal wardrobe by Christian Dior) and Yves Montand as her roving-eye lover, Roger Demarest. Worried that she'll be left in the lurch by the unfaithful Montand, Bergman enters into an affair with the much-younger Philip Van Der Besh (Anthony Perkins). Once he realizes that he's lost Paula to Philip, Roger offers to mend his rakish ways. She takes him back, and they are married; soon afterward, however, Roger goes back to his old skirt-chasing habits. Variety noted that Goodbye Again has "strong appeal for a middle-aged distaff audience"; nowadays, they'd call it a chick flick. ~ Hal Erickson, Rovi

A slight screenplay and surface characterization undermine the telling of this dramatic tale by director Roger Leenhardt. Like a few other directors during this period, Leenhardt works with the idea of the story in a film being juxtaposed with real life. When a film critic comes across a woman crying her heart out during a tragic movie, he decides to find out what is going on. It turns out that Eva (Lili Palmer) the movie fan, has identified herself with the suicidal heroine of the film and plans on ending it all in the same fashion. The celluloid scenes and Eva's own circumstances alternate as the drama unfolds and the film critic tries to find a way to stop her self-destructive obsession. ~ Eleanor Mannikka, Rovi

Five passengers on a seaplane find that a crash has stranded them on an island used for nuclear testing in this disaster movie. Just to get to the island, they had to endure many hardships including a hurricane, a gun-battle, shark-infested seas, and a fire on the plane. Panic ensues when the diverse group learns that in five hours, another bomb will be tested there. While the story is action-based, most of the time is spent looking at the individual characters and the way they cope. ~ Sandra Brennan, Rovi

The two romantic leads in this standard but well-acted political drama renew a famous pairing that began with The King and I in 1956. Deborah Kerr is Lady Diana Ashmore, caught at the wrong side of the Hungarian-Austrian border in 1956, and Yul Brynner is Major Surov, a Russian commander who works at the border crossing. With the outbreak of the 1956 rebellion, the Budapest airport is shut down and Diana, along with other international travellers, are forced to reach Vienna by bus. Along for the ride is one of the Hungarian dissenters hunted by the police, Paul (Jason Robards, Jr. in his screen debut). Diana and Paul are in love and she is determined to protect his secret. Major Surov suspects a rebel is hidden on the bus, but he does not know which passenger is the guilty one. As interaction continues at the border, Diana is attracted to the Major and his complex character, even against her will. Their developing relationship and strong personalities carry the story from start to finish. ~ Eleanor Mannikka, Rovi

Based on a play by Arthur Schnitzer, this is a rather flat remake of the 1932 film Liebelei that featured Magda Schneider as Christine. Director Pierre Gaspard-Huit keeps it all in the family by putting Schneider's daughter Romy Schneider in the top female slot. Opposite her is newcomer Alain Delon in his first lead role, yet to reach his stride on the silver screens in France. The setting is 19th-century Vienna and Franz (Delon) is a young lieutenant who has fallen in love with Christine, a charming opera singer. But Franz' feelings are misunderstood -- a wealthy baron is certain that the lieutenant is after his wife and as a result, challenges him to a tragic duel. ~ Eleanor Mannikka, Rovi

American playwright Arthur Miller was still under an "unfriendly" cloud in 1958, so far as the anti-Communist brigades were concerned. Thus, the film version of Miller's stage play The Crucible was lensed in France. Drawing several parallels to the McCarthy era, Miller dramatizes the Salem Witch Trials of the late 17th century, when hearsay, rumor, and mass hysteria passed for hard evidence. Given an opportunity to escape being hanged for witchcraft, John Proctor (Yves Montand) refuses to bow to the demands of the so-called justices. Many observers felt that this climactic scene was an act of contrition for Arthur Miller, who was (by his reasoning) not nearly so courageous when grilled by the HUAC. Also known as The Witches of Salem, The Crucible was adapted for the screen by Jean-Paul Sartre. ~ Hal Erickson, Rovi

Better known as The Hunchback of Notre Dame, this opulent French production is the second talkie version of Victor Hugo's famous novel. Buried under mounds of latex, Anthony Quinn does his best as the deformed bellringer Quasimodo, though he comes off more as a punchdrunk ex-pug than a literal interpretation of Hugo's tragic protagonist. Somewhat more effective within the film's framework is Gina Lollobrigida as gypsy dancing girl Esmerelda, whose friendship with Quasimodo motivates the story. As in previous adaptations of the Hugo novel, the villain Frolio (Alain Cluny), originally a priest, is given a less-controversial station in life: in this case, he is an alchemist rather than a man of the cloth. Otherwise, Notre Dame de Paris is one of the more faithful renditions of the original novel, even unto retaining Hugo's unhappy ending. When first released in the U.S. by Allied Artists, the film was titled Hunchback of Paris, to avoid a copyright conflict with RKO's 1939 adaptation of Hunchback of Notre Dame. ~ Hal Erickson, Rovi

A two-person character study directed by John Huston, Heaven Knows Mr. Allison stars Robert Mitchum as a World War II Marine sergeant and Deborah Kerr as a Roman Catholic nun. Both nun and sergeant are marooned on a South Pacific island, hemmed in by surrounding Japanese troops. Mitchum does his best to make the nun's ordeal less painful, but is torn by his growing love for her. Kerr is equally fond of Mitchum, but refuses to renounce her vows. Their unrealized ardor mellows into mutual respect as they struggle to survive before help arrives. Based on a novel by Charles K. Shaw, Heaven Knows, Mr. Allison was coproduced by Eugene Frenke, who later filmed a low-budget variation on the story, The Nun and the Sergeant (62), which starred Frenke's wife Anna Sten. ~ Hal Erickson, Rovi

What if the Dauphin of France managed to escape the Reign of Terror during the French Revolution? That's the premise of the opulent British swashbuckler Dangerous Exile. Louis Jourdan stars as the Duc de Beauvais, who manages, at great personal sacrifice, to smuggle the son (Richard O'Sullivan) of King Louis XVI into England. The boy takes up residence in Wales, where he is protected by local lass Virginia Traill (Belinda Lee) and her wealthy Aunt Fell (Martita Hunt). When time comes for the boy to return to France, he refuses--but local newspaper editor Patient (Finlay Currie), a spy for the French revolutionaries, has other ideas. Keith Michell, future star of TV's Six Wives of Henry VIII, is well cast as a French Republican with whom the Duc de Beauvais must inevitably cross swords. ~ Hal Erickson, Rovi