Jacques Audiard Movies

An impressionable and vulnerable Arabic man gets thrust into a hellish prison, and ironically discovers greater opportunities for success than he ever possessed outside of the bars, in this violent melodrama from French succès d’estime Jacques Audiard (The Beat That My Heart Skipped). Tahar Rahim stars as Malik El Djebena, a petty criminal incarcerated for six years. Once inside and subjected to all of the standard brutalities that most prisoners endure (including a rough strip search), he is quickly educated in the "ways" of the prison, an institution torn violently between gangs of Corsicans and Arabs. The head Corsican thug, César Luciani (Niels Arestrup), offers Malik an ultimatum: either he rubs out an Arab inmate named Reyeb (Hichem Yacoubi), or he himself dies. Not only does Malik succeed with the hit, he earns the begrudging respect of the other prisoners, and -- after securing several days' release for good behavior -- uses off-time to forge a deeper and more multi-layered network of criminal ties than he ever dreamed possible. But as his own power and confidence grow, they threaten to outstrip César's own insistence on submission and obedience at all costs. ~ Nathan Southern, All Movie Guide

A woman looking for love finds a man who leads her into a life of crime in this thriller. Carla (Emmanuelle Devos) is a woman in her mid-twenties who works as a secretary in a real estate office. More cute than pretty, Carla is shy by nature, and the fact that she has a hearing problem has made her all the more withdrawn. While she longs for a relationship with a man, she finds herself living vicariously through her friend Annie (Olivia Bonamy), a single parent who dates often while Carla babysits her child. Carla makes the acquaintance of Paul (Vincent Cassel), a rough-hewn small-time criminal who has just been released from prison on parole. While Carla ought to know better, she finds herself strongly attracted to Paul, and Paul responds in kind. But before long, it becomes obvious that Paul is having an influence on Carla's normally stable nature; eager to get even with a co-worker who had wronged her, Carla persuades Paul to steal one of her company's files, which makes things more than a bit difficult for Carla's rival. Carla and Paul's actions go from malicious to seriously criminal when Paul hatches a scheme to rob a nightclub owner to whom he owes money -- a scheme that involves Carla's keen skill as a lip reader. ~ Mark Deming, All Movie Guide

Irony abounds in this French comedy that tells the tale of an unsophisticated, rather dim-bulbed country lad who follows the advice of a former French freedom fighter and tries to change himself into a hero of the recently ended French Resistance. Poor Albert is no stranger to deceit. For his first 12-years, his mother led him to believe that his father was a war hero. He is devastated to learn that his father really died of alcoholism. During the war, Albert does all he can to avoid fighting for the Resistance, even though the Nazis control his village. He marries and moves in with his wife's family, innocent of the fact that the whole time he is there, they are concealing downed British fliers. The night their town is freed, Albert leaves for Paris where he meets Dionnet, "The Captain," a bona-fide Resistance hero. It is he, who teaches Albert how to successfully change his identity. After much practice and memorization, Albert finally has a new identity and goes to work as a secretary for Mr. Jo, a former double agent. Albert stays in a boarding house, where a resident prostitute teaches him about lovemaking. Meanwhile, Albert becomes recognized as a courageous patriot, a role he manages to sustain only a little while before it all falls apart and the painful truth is finally revealed. ~ Sandra Brennan, All Movie Guide

Cult science-fiction author Philip K. Dick's novel of 1950s suburban California, Confessions of a Crap Artist, is adapted to present-day France in this quirky comedy-drama. Hippolyte Girardot portrays the title character, who is known by the nickname "Barjo" -- a moniker loosely translatable as "nutcase." After accidentally burning down his house during a scientific experiment, the extremely eccentric and socially naive Barjo is forced to move in with his twin sister, Fanfan, and her husband Charles, an aluminum factory owner. In his new home, Barjo continues his odd habits: cataloging old science magazines, testing bizarre inventions, and thinking about the end of the world. His main pursuit, however, is typing up a journal of "scientific" observations of his life, with a particular focus on the other people around him. Through this journal, Barjo chronicles Fanfan and Charles' increasingly frequent encounters with a younger couple and the marital tension that soon results -- eventually driving Charles into the hospital. Director Jerome Boivin (Baxter) uses Barjo's viewpoint to present an unusual perspective on marital and sexual difficulty, with his narration analyzing his sister's marriage fluctuating between the embarrassingly naive and the unexpectedly observant. ~ Judd Blaise, All Movie Guide

The French-filmed Baxter is based on the American novel Hell Hound. The title character is a bull terrier, who in the course of the film has many masters--and for good reason. Baxter has been instrumental in the deaths or serious injuries of most of the human beings who've come in contact with him. The dog's latest owner is a young neo-Nazi. nd Baxter makes it quite clear (to the audience at least) what he has in store for this fellow. Don't be misled by the title or the fact that the leading character is a dog with a full range of human emotions; Baxter is not a family film. ~ Hal Erickson, All Movie Guide

Based on a novel by Gilbert Tanugi, who co-wrote the screenplay, this noirish French drama is set within the Paris music scene and centers on the attempts of a dangerously indebted record producer to scrounge up a fortune to pay back the vengeful loan shark who is trying to destroy him. Producer Sam Friedman thinks his salvation is finally at hand when he hears Joe and Puppet Bennet, two African American jazz musicians, singing and playing the blues in local night club. Desperate to have them, he pays their manager with money borrowed from his American jazz-addicted stepfather. Unfortunately, the deeply religious Puppet only wants God as her producer and refuses to sign. Friedman finally persuades her to sign, but only after he swears to watch over the flighty sax playing Joe. Unfortunately for poor Friedman, Joe turns out to be a psychopathic killer and has killed a prostitute. Knowing that he will be dead if he does not produce the couple's record and make some quick money, Friedman decides to shoulder the blame for the death himself. Though he is sent to jail, Friedman is at peace because he plans on telling the truth as soon as the Bennets cut their record. Things take a darker turn when the Bennets suddenly vanish, leaving poor Friedman stranded in prison. Desperate once again, Friedman escapes from jail and violent tragedy follows as he tries to save himself and clear his name. ~ Sandra Brennan, All Movie Guide

Josiane Balasko ("the housewife's heroine") has been writing and directing good roles for herself since first entering the acting profession, and this film about a woman on the run is one of her early efforts. Anita (Balasko) has just about had it with life -- she is ready to kill herself when a neighbor (Isabelle Huppert) barges into her apartment to escape her abusive, policeman husband. After the husband is found murdered, both women have to take off rather than face possible implication in his death. Soon they are joined by Rico (Farid Chopel), also hiding out from the police after he was falsely implicated in the violent and tragic escape of a fellow convict. The two women and Rico manage to find a place to hide out for awhile, but life can hardly continue on like this for long. With a mix of comedy and anger, the protagonists try to come to grips with their fate. ~ Eleanor Mannikka, All Movie Guide

In this suspense thriller inspired by the novel Eye of the Beholder by Marc Behm, Catherine (Isabelle Adjani), a serial killer, seduces men and then murders them just before moving on to the next victim. She spreads her mayhem through various countries in Europe, only slightly ahead of the mentally anguished detective (Michel Serrault) who tracks her -- he fantasizes she is his long-lost daughter and disposes of her trail of corpses to foil the police. Catherine pauses for a real love affair with a blind architect (Sami Frey) but the detective is overcome by jealousy and causes the man's death. This drives Catherine into despair -- and a return to her psychotic killing. As the police dragnet closes in, both Catherine and the detective are brought closer to a final confrontation with their internal demons. The version released in the U.S. runs only 96 min. ~ Eleanor Mannikka, All Movie Guide

Joss Beaumont (Jean-Paul Belmondo) is a French spy given the assignment of killing an African dictator, and when he arrives in Africa to do so, he is captured and put in prison. The political winds had changed - the dictator is now an ally - and the best way to handle the agent is to keep him in jail. Naturally at odds now with his former bosses and with an ax to grind for his own incarceration, the agent escapes after two years in prison and heads back to Paris where he announces that he is going to finish his assassination job during the coming diplomatic visit of the African leader. Once aware of his intent, the French government sets up one trap after another, but to no avail - the agent remains free and there is no doubt that he has the full capacity to do exactly what he says. ~ Eleanor Mannikka, All Movie Guide

When actor Lionel Jeffries turned to directing in the 1970s, he exhibited a preference for whimsy, as witness The Railway Children. Jeffries' Baxter is a notable exception to this rule, though, as with his other directorial efforts, he shows a keen sensitivity for the travails of troubled youngsters. Scott Jacoby plays Baxter, a boy with a marked speech impediment. His affliction worsens as his parents' marriage disintegrates. Patricia Neal plays a dedicated speech therapist who realizes that Baxter's problems go deeper than his inability to speak normally. Baxter was scripted by "Golden Age" TV veteran Reginald Rose. ~ Hal Erickson, All Movie Guide