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John Ashley Movies

John Ashley should be a familiar name and face to anyone who attended a drive-in double feature in the 1950s. Ashley starred or co-starred in such passion-pit fodder as Hot Rod Gang (1958), How to Make a Monster (1958), Frankenstein's Daughter (1959) and High School Caesar (1960). In 1961, Ashley co-starred with future Flipper leading man Brian Kelly in the short-lived TV action series Straightaway. Ashley switched his base of operations to the Philippines in the 1960s and 1970s, frequently wearing several hats as actor, producer, director and scriptwriter. Films like Mad Doctor of Blood Island (1969) may not have been cited at the annual Oscar ceremonies, but they paid the bills many times over for the peripatetic Ashley. In the 1980s, Ashley hooked up with television producer Stephen J. Cannell to work on such series as The A-Team. He later teamed with Frank Lupo to executive or co-executive produce such series as Walker, Texas Ranger (1983), Werewolf (1987) and Something is Out There (1988). In the mid-'90s, Ashley began working as an in-house producer for Tri-Star Television. On October 4, 1997, John Ashley was working on the film Scarred City in New York, when he suffered a fatal heart attack. ~ Hal Erickson, Rovi
1998  
R  
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Trace (Stephen Baldwin) is a cop who's just been assigned to a new unit led by Lt. Devon (Chazz Palminteri). Trace is alarmed at the tactics of his new partners, who shoot criminals to kill without warning and take bets on who will kill the primary target. The unit turns out to be a team assembled to dispatch drug dealers and mobsters, similar to the ruthless cops in Mulholland Falls or L.A. Confidential. When Trace protests, his teammates tie him up in a firing range and shoot near misses at him. Later, Trace spares a tough nightclub singer/prostitute (Tia Carrere), from a deadly raid, and both become hunted by the cops as well as the mob. ~ Jonathan E. Laxamana, Rovi

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Starring:
Stephen BaldwinChazz Palminteri, (more)
 
1993  
 
Karate-champion-turned-movie-star Chuck Norris was ideally cast as the title character in the contemporary Western series, Walker, Texas Ranger. Introduced as a two-hour TV movie on April 21, 1983, the weekly, hour-long CBS series starred Norris as Cordell Walker, who worked out of the Dallas office of the Texas Rangers with his youthful partner, Baltimore-born former football pro Jimmy Trivette (Clarence Gilyard Jr.). While Jimmy, like his superiors, preferred to rely upon modern crime fighting techniques -- computers, forensic science, strict adherence to civil liberties and due process -- the impassive, taciturn Walker was generally of the opinion that criminals were subhuman scum, worthy only of a slug in the face or a kick in the groin. Kicking, in fact, was a Walker specialty, notably whenever he came within close proximity of a locked door or bolted window. Though she didn't always approve of his methods, Walker's off-and-on girlfriend, assistant D.A. Alex Cahill (Sheree J. Wilson), admired his strong sense of justice and fair play, especially when protecting those weaker than himself. Too, Alex found Walker extremely handy whenever she got kidnapped, which seemed to happen at the rate of once every other week! Despite his loyalty to his friends, those close to Walker remained so at their own risk, inasmuch as the bad guys were not above hurting them to get to him. Others within Walker's orbit included his old pal C.D. Parker (Noble Willingham), a former Ranger who, after being invalidated out of the service, opened up a restaurant; Uncle Ray Firewalker (Floyd Red Crow Westerman), the sagacious old Native American who raised Walker from childhood and had taught him the value of restraint and contemplation -- unless of course, violence was absolutely called for; Carlos Sandoval (Marco Sanchez), an undercover detective who owed his life to Walker; and Walker's former martial arts student Trent Malloy (James Wlcek), who owned a karate school (and who, teamed with Carlos Sandoval, was briefly spun off into his own TV series, Sons of Thunder). During the series' final seasons, undercover Rangers Francis Gage (Judson Mills) and Sydney Cooke (Nia Peeples) linked up with Walker's team. In the course of events, Uncle Ray Firewalker passed away; C.D. Parker was killed by a band of elusive assassins who intended to work their way up to Walker in their efforts to knock off every Texas Ranger in Dallas; and in the series' seventh season, Walker and Alex became engaged, with wedding bells ringing at the end of season eight and the birth of a baby daughter in the final episode. After ending its CBS run on July 28, 2001, Walker, Texas Ranger launched what was apparently an endless rerun cycle in syndication and on cable. ~ Hal Erickson, Rovi

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Starring:
Chuck NorrisClarence Gilyard, Jr., (more)
 
1993  
 
A scientific expedition to the earth's center goes awry, leaving the explorers marooned in a fantastic underground world. Adapted from Jules Verne's classic adventure. ~ Sandra Brennan, Rovi

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Starring:
Kim MiyoriJohn Neville, (more)
 
1980  
 
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Coach of the Year is the pilot film for a potential Robert Conrad TV series. Conrad plays Jim Brandon, formerly a star athlete, now a wheelchair-bound Vietnam vet. The embittered, self-involved Brandon is hired to coach a team of teenagers at a correctional facility. Once he's "reached" these so-called incorrigibles, Brandon begins to see his own life in a different light. The film was co-produced by John Ashley of Filipino horror-flick fame. Originally titled The Coach, then 4 Down Behind Bars, Coach of the Year debuted December 20, 1980. ~ Hal Erickson, Rovi

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1977  
R  
In this violent drama a pair of thugs become professional killers. ~ Sandra Brennan, Rovi

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1975  
PG  
This western chronicles the struggle of a post-Civil War mountain family to prove that they did not betray the Confederate side during the conflict. The film contains the last film appearance of Walter Brennan. ~ Sandra Brennan, Rovi

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1974  
R  
In this actioner, three courageous female revolutionaries on a South American island grab their rifles and begin searching for a clever bandit. ~ Sandra Brennan, Rovi

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1973  
PG  
A few treasure-seekers try their luck on a tropical island and find a lost--well undocumented, anyway--civilization that has interesting marine capabilities and an unusual way of life. ~ Kristie Hassen, Rovi

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1973  
R  
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Two female prisoners, one black and one white attempt to escape a women's reformatory in this violent exploitation film that is a cheap knock- off of The Defiant Ones. The black woman is in for prostitution while her blonde counterpart was involved with a radical group. They escape after lesbian guards make passes at them. Though chained together, the two manage to make their way through the Filipino jungle to a camp filled with revolutionaries and drug smugglers. There more action ensues as the crooks engage in a climactic battle with a crooked cop. ~ Sandra Brennan, Rovi

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1972  
R  
This is a Filipino version of the oft-filmed Most Dangerous Game. In this one, the hunted are semi-clad women kidnapped by a sicko lesbian and pursued by a crazed hunter. ~ Sandra Brennan, Rovi

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1972  
PG  
Dashing adventurer Matt Farrell (John Ashley) is captured and taken to a remote island in the South Pacific, where he is meant to become the newest victim of Dr. Gordon (Charles Macaulay), a mad scientist who is crossing humans and animals in an attempt to create a race of "superbeings." The doctor's daughter, Neva (Patricia Woodell), is assisting in the nefarious experiments, though she has begun to doubt the legitimacy of her father's scientific work. Gordon's main henchman, Steinman (Jan Merlin), would like nothing more for Farrell to escape, as he views the handsome captive as a worthy adversary and longs to track him through the jungle as human prey. When Neva falls in love with Farrell, she betrays her father and frees him, fleeing with a group of Gordon's experiments, bestial homo sapiens who have been crossed with bats, panthers, antelopes, and other animals. Meanwhile, Farrell captures the doctor and makes his way through the jungle to meet up with Neva on the island's dock, where they intend to make their way to freedom. ~ Fred Beldin, Rovi

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1972  
PG  
John Ashley stars in Twighlight People. Eddie Romero is director of Twilight People. Applying Socratic logic, we can conclude that Twighlight People was lensed in the Philippines. And we're right; but what we don't know is why the title is mispelled (at least in many sources). Oh, the plot? A mad doctor, working on a remote tropical island, wants to create a super race of mindless zombies. Pat Woodell, who once upon a time was one of the Bradley gals on TV's Petticoat Junction, costars. ~ Hal Erickson, Rovi

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1970  
 
Dr. Bragan (James Craig) is a workaholic rocket scientist with NASA who is coming unglued from the stress. A colleague arranges for him to take a much needed holiday in Japan, and Bragan accepts, hoping to use this free time to pursue his first love, botany. He brings a potted Venus Flytrap with him, with plans to study carnivorous flora and prove his theory that human beings are descended from plants. His Japanese assistant, Noroko, arranges for them to work in seclusion at her father's abandoned resort hotel, located on a mountain next to an active volcano. They get to work in the greenhouse, toiling night and day to strengthen the Venus Flytrap with the alien Nipponese soil, which causes it to grow to an unusual size. But Bragan is as obsessive and abusive as he was in America, and his constant mood swings cause Noroko to suspect that he is going mad. An experimental graft with a Japanese carnivorous plant succeeds in creating the "Sectovorus," a bizarre, vaguely human creature with vicious flytrap paws, and Bragan knows he is on the right track. Unfortunately, the beast must be fed mice, chickens, puppies and eventually human blood to keep it alive, and the stronger it grows, the more dangerous it becomes. When the Sectovorus learns to uproot itself and venture to a nearby village for victims, Dr. Bragan must decide whether to protect his work of genius, or lure it into the volcano to save mankind. Revenge of Dr. X was scripted by cult filmmaker Edward D. Wood, Jr., and is also known as The Double Garden, The Devil Garden and The Venus Flytrap. ~ Fred Beldin, Rovi

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1970  
PG  
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Another fun-filled voyage to Blood Island, courtesy of writer-producer-director (and otherwise-hyphenated) Filipino horror guru Eddie Romero, and John Ashley, the frequent "star" of these South Seas monster epics -- meaning the camera is usually pointed in his general direction amid the usual parade of splashy gore and topless native girls. This sequel to Mad Doctor of Blood Island finds medical maniac Dr. Lorca (Eddie Garcia) trying to inject life into a headless corpse... which is rather suggestive of this film as a whole. This is a more "authentic" sequel than Al Adamson's Brain of Blood (also "starring" Ashley), which is more of a dressed-up remake of the first film. ~ Cavett Binion, Rovi

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1970  
 
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Roger Corman's New World Pictures distributed this seedy Filipino monster mess about a lecherous American soldier (John Ashley, no stranger to Filipino horror films) who saves his miserable hide during World War II by selling his soul to Satan. Everything works out fine until some years later, when Ashley tries to back out on the arrangement and is subsequently slapped with a werewolf-type curse that has him sprouting hair in unwanted places and stalking villagers by night. The werewolf attacks are remarkably gory -- throats are ripped, faces pulverized, and intestines spilled -- but still manage to be boring. No special method for exterminating the supposedly indestructible beast is devised; apparently he gets tired of being shot repeatedly by the police and just keels over -- as does the film itself. ~ Cavett Binion, Rovi

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1969  
PG  
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This Filipino scarefest is better known by the title Mad Doctor of Blood Island. The principle villain, however, is not a "he" but an "it". A frantic search is conducted on a remote island for a deadly, green-blooded "Chlorophyl Monster." Notice how we aren't making any toothpaste jokes here. It should come as no surprise that John Ashley is the star; his leading lady is the luscious Angelique Pettyjohn, while Ronald Remy is the eponymous mad doctor. Remy would make a return appearance in a sort of sequel, Beast of Blood ~ Hal Erickson, Rovi

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1968  
 
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The Philippine splatterfest Brides of Blood has also been released as Brides of the Beast, Island of Living Horror and Grave Desires. You get the idea. Anyway, the resident monsters are the spawn of nuclear radiation. These horrid creatures prey upon beautiful, undressed women; they have sex with their victims (by consent!), then gobble up the poor girls. John Ashley, an American actor who was a mainstay of the Philippine horror industry of the 1960s, tries to stem the monster uprising, along with dedicated scientist Kent Taylor and his onscreen wife, Beverly Powers, played by well-proportioned heroine Beverly Hills. ~ Hal Erickson, Rovi

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1968  
G  
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A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path.

Cutting ahead 18 months, impassive astronauts David Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) head toward Jupiter on the spaceship Discovery, their only company three hibernating astronauts and the vocal, man-made HAL 9000 computer running the entire ship. When the all-too-human HAL malfunctions, however, he tries to murder the astronauts to cover his error, forcing Bowman to defend himself the only way he can. Free of HAL, and finally informed of the voyage's purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the Infinite," through the psychedelic slit-scan star-gate to an 18th century room, and the completion of the monolith's evolutionary mission.

With assistance from special-effects expert Douglas Trumbull, Kubrick spent over two years meticulously creating the most "realistic" depictions of outer space ever seen, greatly advancing cinematic technology for a story expressing grave doubts about technology itself. Despite some initial critical reservations that it was too long and too dull, 2001 became one of the most popular films of 1968, underlining the generation gap between young moviegoers who wanted to see something new and challenging and oldsters who "didn't get it." Provocatively billed as "the ultimate trip," 2001 quickly caught on with a counterculture youth audience open to a contemplative (i.e. chemically enhanced) viewing experience of a film suggesting that the way to enlightenment was to free one's mind of the U.S. military-industrial-technological complex. ~ Lucia Bozzola, Rovi

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Starring:
Keir DulleaGary Lockwood, (more)
 
1967  
 
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Del (John Ashley) is an auto mechanic who leaves his brother Marty (Marty Robbins) to open his own business in this routine action drama. The brothers are kidnapped when Del is chased by federal agents for running moonshine. Marty races stock cars during the day and sings at night. How else could they make room for him to sing five songs? Connie Smith and The Stonemans provide further music, with Robert Faulk and Frank Gertile as the moonshiners. The brothers face each other in a showdown at the racetrack for the finale. The interest for this film is fueled by fans of stock-car racing and the popularity of country singers Robbins and Smith. ~ Dan Pavlides, Rovi

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Starring:
Marty RobbinsJohn Ashley, (more)
 
1967  
 
Dave Draper, Mr. Universe of 1967, appears in this episode. As part of a scheme to lure the Clampett account to his bank, Mr. Cushing (Roy Roberts) arranges a date between Draper and Elly May. The hapless muscleman finds himself at the mercy of "Doctor" Granny, who believes that his bulging biceps are a sign of a new and horrible affliction called "barbell bloat." Also appearing is beach-movie perennial John Ashley as Troy Apollo. "Mr. Universe Muscles In" was originally telecast on October 25, 1967. ~ Hal Erickson, Rovi

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1966  
 
The Clampetts are warned that a cat burglar is on the prowl in their Beverly Hills neighborhood. Jumping to the obvious conclusion, Elly May fills the Clampett mansion with every stray feline that she can get her hands on. Beach-movie regular John Ashley is cast as Mike the burglar, with Disney film perennial Norman Grabowski as his dumb accomplice Bernie. "The Cat Burglar" originally aired on January 26, 1966. ~ Hal Erickson, Rovi

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1965  
 
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Part of American-International's "Beach Party" series, Beach Blanket Bingo was directed by William Asher. Frankie (Frankie Avalon) briefly deserts Dee Dee (Annette Funicello) in favor of pop star Sugar Kane (Linda Evans). Also around and about is a mermaid, appropriately named Lorelei (Marta Kristen). Scurrilous cycle gang leader Eric Von Zipper (Harvey Lembeck) finds time to sing a tune, while Paul Lynde sneers a lot, Don Rickles insults a lot, Buster Keaton mimes a lot, and columnist Earl Wilson lets everybody know who he is by exclaiming "That's Earl, brother." The whole cast rushes to the rescue when South Dakota Slim (Timothy Carey) binds the lovely Sugar Kane to a buzzsaw. ~ Hal Erickson, Rovi

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Starring:
Frankie AvalonAnnette Funicello, (more)
 
1965  
 
In this comedy, a hapless Army sergeant's plans to marry are temporarily delayed after he accidentally ends up launched into space with a chimpanzee. Upon his return, he is a changed man and is ultimately sent to prison after he threatens to go public with the mix-up. Meanwhile, suave Sgt. Donovan, Deadhead's double, takes his place at the altar. To stop him, Deadhead breaks out of prison and becomes his old self again just as he arrives at the honeymoon suite. Naturally he wins his rightful bride and happiness ensues. ~ Sandra Brennan, Rovi

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Starring:
Frankie AvalonDeborah Walley, (more)