Lorraine Bracco Movies

Two brothers are the victims of their widowed mother's violent drunkard husband who spares no rod with the youngest brother. Reverting to a world of make-believe, they imagine that their Radio Flyer wagon can fly and that in it they can escape their tormenting stepfather. This film deals in an almost make-believe manner with the serious issue of child abuse. It is narrated by Tom Hanks. ~ All Movie Guide

Ellen Barkin stars in this mystical comedy about a detestable male chauvinist temporarily reincarnated into the body of a woman. Steve Brooks (Perry King) foolishly accepts an invite for an evening of debauchery from three former girlfriends, and thinks he's got it made when he shows up to find them waiting for him in a hot tub. Eager to exact revenge on the scoundrel, the women proceed to drown him, and Steve is cast into a purgatory in which two unseen voices are deciding whether to send him to heaven or hell. Steve is given one chance to save himself from damnation -- if he can find a woman alive who actually liked him. To complicate his task and teach him a lesson, Steve is reincarnated as a sexy woman (Barkin), just the type who would have been the target of his cheesy advances. Sloppily adjusting to his new body, Steve (now Barkin) tells people he is the sister of the missing Steve Brooks, and begins working at his old advertising agency as a means toward completing his arduous task. As Steve's sister, he also enlists the help of his best friend, Walter (Jimmy Smits), despite the complication that Walter is noticeably attracted to the woman he has become. Steve's homophobia -- and several of his other hateful traits -- are put to the test. ~ Derek Armstrong, All Movie Guide

Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, All Movie Guide

This international production by well-known director Lina Wertmuller is a harrowing educational melodrama about the AIDS epidemic. The story follows John Knot (Rutger Hauer) a brash, cheerful American reporter, and Joelle (Nastassja Kinski), a new photographer he has had an affair with and (unbeknownst to him) a child as well. He has been having a lot of fun poking into anti-AIDS prejudice for a series by a Paris paper by pretending to have HIV and announcing this in various situations around Paris, which results in his being thrown out of restaurants, bars, and (in one scene) bed. He runs into Joelle on one these excursions, and discovers that he has a child and that he still cares for Joelle. Not long after that, he discovers that he really is HIV positive. This provokes a lot of soul-searching and anguish, right up to the story's unhappy ending. ~ Clarke Fountain, All Movie Guide

The eponymous team consists of four residents of a New Jersey psychiatric hospital: ex-postal worker Henry Sikorsky (Christopher Lloyd), who fancies himself a doctor; one-time ad agency exec Jack McDermott (Peter Boyle), suffering from a Messiah/martyr complex; writer Billy Caulfield (Michael Keaton), who cannot abide the "idiots" in the world (namely, everyone but himself); and TV-obsessed Albert Ianuzzi (Stephen Furst). Permitted a field trip to a baseball game, the four unfortunates wander off when psychiatrist Dr. Weitzman (Dennis Boutsikaris) is waylaid by two corrupt police officers after he witnesses them killing a third cop. The innocent inmates are accused of attacking Dr. Weitzman, but it is they who team up to bring the actual culprits to justice. ~ Hal Erickson, All Movie Guide

With this rote but well-cast romantic comedy, writer-director James Toback began his long association with actor Robert Downey, Jr. The latter stars as Jack Jericho, a grade school teacher and smooth operator who zealously polishes his cliched pick-up lines in front of a mirror. Jack's come-ons even work on Randy Jensen (Molly Ringwald), a redheaded museum tour guide who dishes up a stream of retorts, matching Jack's verbal banter. After quickly trysting in the back of Jack's car, Randy flatly thanks him and walks off. Realizing that Randy is his soul mate, Jack gets his pal Phil (Danny Aiello) to find her. She's in Atlantic City, desperately trying to win $25,000 with her paycheck. Her father, Flash (Dennis Hopper), is an inveterate alcoholic who owes the money to a mobster, Alonzo (Harvey Keitel). Alonzo is willing to erase the debt if Randy will sleep with a South American kingpin, so she's trying to hit a jackpot that will get her and Flash off the hook. With a deadline of tomorrow, Jack sets out to get Randy's money and convince her that he's Mr. Right. The Pick-Up Artist was the final film appearance of actress Mildred Dunnock, who played Jack's grandmother. ~ Karl Williams, All Movie Guide

The main distinguishing feature of this comedy could be its long title, perhaps the longest in cinematic history. Director Jan Saint-Hamont follows up his 1979 film about a European-Algerian family with the same ethnic focus here. This time around the "Pied-Noirs," or French-Algerians, are represented by a successful businessman and his family. The ineptly tyrannical patriarch proves to be too much for his wife, and she reacts in a distinctly non-traditional manner. For most viewers, the success of the earlier film is not quite duplicated in this second effort. ~ Eleanor Mannikka, All Movie Guide

HBO split the sixth and final season of its serial mafia drama The Sopranos into two halves, spaced 10 months apart: the first half (episodes 1-12) aired from mid-March through early June of 2006; a hiatus followed between episodes 12 and 13, before the series picked up again for its final nine episodes on April 8, 2007, purportedly thanks to overwhelming audience demand for an extension. As the season begins, Tony Soprano (James Gandolfini) is plagued by problem after problem at home: though he has made peace with wife Carmela (Edie Falco), and daughter Meadow (Jamie-Lynn Sigler) is relatively well-adjusted and happy, attending college and living with fiancée Finn De Trolio (Will Janowitz), Tony's son, A.J. (Robert Iler) is a complete slacker and layabout who has just failed out of college and seems hesitant to accomplish anything of merit. Meanwhile, Tony finds himself saddled with a new captain, Phil Leotardo (Frank Vincent) who expresses more hesitation over "working" him than his incarcerated predecessor, Johnny Sacks (Vince Curatola). Complicating matters are two employees: Tony's soldier Eugene Pontecorvo (Robert Funaro), who attempts to buy his way out of the syndicate via an inheritance, and the homosexual captain Vito Spatafore (Joe Gannascoli) who comes out of the closet and ends up being spotted in a leather bar - then is knocked off by a member of the family, which leads to the death of a Lieutenant and sparks a tidal wave of mob violence. In another subplot, aspiring screenwriter Christopher (Michael Imperioli), Tony's cousin, devises an idea for a gangster picture which he describes as "The Godfather meets Saw," and heads off to Hollywood to pitch it to Ben Kingsley. The season cliffhanger, however, involves Uncle Junior (Dominic Chianese), an elderly man suffering from extreme senility who mistakenly draws a gun and plugs Tony in the stomach, sending him into a coma - leaving consigliere Silvio Dante (Steven Van Zandt of The E Street Band) to tend to family business. This, in turn, yields several sequences where Tony wanders around in a dream state, and contemplates his own mortality. The second half of the season has Christopher continuing his strenuous efforts to have his epic (which he entitled Cleaver) produced, the absence of Johnny Sack leaving an ongoing void of power in the syndicate, and Tony again coming to terms with aging and mortality, while he struggles (as ever) to balance personal and professional demands. Guest stars in the 2007 episodes include: Sydney Pollack, Tim Daly, Daniel Baldwin and Geraldo Rivera.