M. James Arnett Movies

Clark Johnson's big-screen adaptation of the 1970s television series S.W.A.T. stars Colin Farrell as Jim Street, a young special weapons and tactics team member who, in the film's opening sequence, is demoted after his hothead partner Jeremy Renner shoots a hostage while trying to kill her captor. In need of good press, the higher-ups call in SWAT expert Hondo Harrelson (Samuel L. Jackson) to put together an elite team that can bring some luster back to the badge. He chooses Street, veteran T.J. (Josh Charles), and tough single mother Chris Sanchez (Michelle Rodriguez). The new team survives a series of tests before hitting the streets. Their first big assignment involves transporting an international criminal (Olivier Martinez) to federal authorities. The criminal had offered a hundred million dollars to anyone who can bust him out. ~ Perry Seibert, All Movie Guide

A clumsy criminal is put in a position where he not only has to save his own skin, but that of his girlfriend in this comedy with strong undercurrents of romance. Jerry Welbach (Brad Pitt) is a low-level Mafia "mechanic" whose ineptitude is countered by frequent (but unpredictable) bursts of dumb luck. Jerry's girlfriend Samantha (Julia Roberts) wants him to get out of the business, and after his latest blunder lands capo Arnold Margolese (Gene Hackman) in jail, so does mid-level crime kingpin Bernie Nayman (Bob Balaban). But Bernie insists that Jerry do one last errand for the mob before they let him find employment elsewhere -- he has to go to Mexico and recover a rare and very valuable pistol, which is said to be cursed. While Samantha objects to Jerry taking the assignment, he isn't in much of a position to argue; Jerry heads south of the border, while Samantha, in a huff, sets out for Las Vegas. Once in Mexico, Jerry finds the pistol easily enough, but making his way back to the States proves to be an unexpected challenge. Meanwhile, Jerry's superiors want insurance that he'll return with the goods, so they hire Leroy (James Gandolfini), a hitman, to kidnap Samantha and hold her hostage until Jerry comes back. However, Samantha and Leroy quickly strike up a friendship, and she soon learns the gunman has a sensitive side he doesn't show to the world -- along with a few other secrets. The Mexican marked the first screen pairing for mega-stars Julia Roberts and Brad Pitt -- though, given the film's narrative arc, they play only a handful of scenes together. The film was directed by Gore Verbinski, who won awards for his work in commercials before breaking through with the quirky family comedy Mouse Hunt. ~ Mark Deming, All Movie Guide

In this science-fiction thriller set in the very near future, DNA cloning has been perfected and has become an accepted part of everyday life -- cattle and fish are cloned for sale at the market, genetically engineered fruit and vegetables are found in most family's kitchens (nacho-flavored bananas, anyone?), and if your pet dies, you can even order a cloned replacement. But laws have been passed that strictly forbid the cloning of human beings. However, helicopter pilot Adam Gibson (Arnold Schwarzenegger), who believes people should live and die the old-fashioned way, discovers that someone has been violating these regulations. After Adam luckily avoids being on a copter that crashes, he comes home to discover someone has duplicated him. Now Adam is on a mission to find out who cloned him and why, as he struggles to take back his life from a scientifically created impostor, his boss Michael Drucker (Tony Goldwyn), and a pair of thugs (Sarah Wynter and Rod Rowland) who have been cloned into near-indestructibility. The 6th Day also stars Robert Duvall as cloning expert Griffin Weir, Michael Rooker as Drucker's right-hand man Robert Marshall, and Michael Rapaport as Adam's partner, Hank Morgan. ~ Mark Deming, All Movie Guide

Low-rent, poorly-lit superhero action is the order of the day in this film from television director Kenneth Johnson -- who makes several references to his series Alien Nation throughout the course of the movie. NBA basketball superstar Shaquille O'Neal stars as John Henry Irons, a weapons designer and metallurgical genius who is developing a new sonic weapon for the military with the help of Sparks (Annabeth Gish), a computer whiz. When an accident caused by unscrupulous superior Nathaniel Burke (Judd Nelson) leaves Sparks paralyzed, Irons quits his job in disgust. It turns out later that Burke has begun mass-producing the weapon and selling it to terrorists and L.A. street gangs, so Irons and Sparks team up with Uncle Joe (Richard Roundtree), a junkyard artist, to create a suit of armor and a gadget-packed sledgehammer. Irons dons the suit and becomes known as the superhero Steel, who kicks criminal posterior all over the city with his impenetrable get-up and high-tech gizmos. Before long, Burke's comeuppance is in the offing. Although specific references to it were excised between the source material and script, the original DC Comics version of Steel was a spin-off of the Superman comics series. ~ Karl Williams, All Movie Guide

In this suspense thriller, a man discovers the unexpected danger of trusting a good Samaritan. Jeff Taylor (Kurt Russell) and his wife Amy (Kathleen Quinlan) are driving through the New Mexico desert en route to California when an incident with a lunatic driver causes their jeep to break down in the middle of nowhere. Jeff is trying to fix the vehicle when an apparently friendly truck driver, Red Barr (J.T. Walsh), stops by to offer help. Red tells the couple that there's a diner a few miles down the road where they can call for help; Jeff decides to stay with the car while Amy hops a ride with Red to see if she can find a mechanic to help them. After a long wait, Jeff is able to get the jeep running again, and he discovers that the diner is indeed a few miles down the road. But everyone there claims they've seen no sign of Amy, and Red claims to know nothing about picking her up. When Jeff attempts to file a missing person's report, he discovers mysterious disappearances are disturbingly common in this stretch of the desert; he soon realizes that someone has kidnapped his wife, but he's not sure who, or for what purpose. ~ Mark Deming, All Movie Guide

Fatal Instinct is an Airplane-style spoof of the late-'80s, early-'90s cycle of erotic crime thrillers. Setting the plot in motion is a kinky murder. Armand Assante plays the cop assigned to the case; he's also the prosecuting attorney; the "Sharon Stone" part is essayed by Sean Young. A dash of Body Heat is thrown in the pot as Assante's wife Kate Nelligan plots her hubby's demise. Tony Randall has a bit as a judge, while the film's semi-mocking jazz score is provided by Clarence Clemmons -- who shows up on screen to toot his sax at various crucial plot junctures. ~ Hal Erickson, All Movie Guide

Sylvester Stallone tries his luck with his first cop buddy movie in Tango and Cash, directed by Andrei Konchalovsky. Stallone is Ray Tango, a Los Angeles narcotics cop who dresses in fancy suits, wears wire-rim glasses, and talks to his stockbroker more than he talks to his mother. Kurt Russell is Gabriel Cash, another Los Angeles narcotics cop who has long, disheveled blonde hair and dresses in worn-out sweatshirts. Together, Tango and Cash are the two best narcs in LA, which causes drug baron Yves Perret (Jack Palance) no end of distress. Since Yves controls a billion-dollar drug empire, Tango and Cash have to be taken out of the picture in some way. So Yves arranges for Tango and Cash to be framed for a crime. But the duo accepts a plea bargain that will give them 18 months in a minimum-security prison. Unfortunately, Yves arranges for their destination to be diverted to a maximum-security hell-hole where Yves's minions proceed to torture Tango and Cash --although they still have time to trade quips with each other. Ultimately, they escape from their torture chamber and seek out Yves and his gang. ~ Paul Brenner, All Movie Guide

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, All Movie Guide

Benjy Taylor (D.B. Sweeney) is a rookie cop who goes undercover to nab a gang of car thieves in this routine crime drama. Taylor salivates over the lifestyle and money enjoyed by Ted Varrick (Charlie Sheen), the smooth operator who leads the Porsche pilferers, and he reports back to Lieutenant Vincent Bracey (Randy Quaid), who is convinced Ted is a cop killer but needs more proof. Taylor joins the gang and begins to justify car theft and the money it brings as gathering evidence. Soon his reasoning is clouded and the rookie cop gets in deeper when he actually begins to like Ted and the suspect's sultry sister Ann (Lara Harris). ~ Dan Pavlides, All Movie Guide

Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this unexceptional entry in the James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is assigned to stop him, but first he must do battle with Zorin's statuesque partner in crime, May Day (Grace Jones). The expected high-wire confrontations ensue, as Bond battles the villains at international landmarks like the Eiffel Tower and takes the occasional break to romance an attractive geologist. Unfortunately, nothing fresh is brought to the familiar formula, and even the well-staged action sequences prove less than exciting. Indeed, this otherwise by-the-numbers production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond. ~ Judd Blaise, All Movie Guide

In this mindless movie aping the 1960 hit about teens out for sun, surf, and sex, the "boys" are at the beach in Fort Lauderdale, Florida -- the destination of thousands of U.S. university students on their spring break and the destination of the four female protagonists here. After arriving, Jennie (Lisa Hartman) has to decide whether she really cares for Camden (Daniel McDonald), a nerdy musician, or the jock Scott (Russel Todd); Carole (Lorna Luft) has been unexpectedly followed to Lauderdale by a boyfriend; Sandra (Wendy Schaal) falls in love with a cop when she is arrested; and Laurie (Lynn-Holly Johnson) is simply out for a good time with anyone, or everyone. ~ Eleanor Mannikka, All Movie Guide

Despite mixed reviews and a disastrous initial release that dumped the film into theaters for a week in the midst of the 1984 Summer Olympics, The Adventures of Buckaroo Banzai Across the Eight Dimension went on to become one of the major cult films of the 1980s, developing a rabid following after its release on videotape. Drifting between satire and improbable sci-fi adventure, the film stars Peter Weller as Buckaroo Banzai, the son of an American mother and Japanese father who is a combination physicist, neurosurgeon, martial arts master, secret agent, and rock star who travels with his band of assistants/backing musicians, The Hong Kong Cavaliers. As the story opens, Buckaroo is driving his car through a mountain to test his new invention, the Oscillation Overthruster. However, a race of boorish aliens called the Red Lectroids have been waiting for such an item to become a reality, as they need it to return to the distant planet they call home. One of Buckaroo's arch-enemies, Dr. Emilio Lizardo (John Lithgow), who has been possessed by the Red Lectroids, attempted to created a similar device decades before; now escaped from an insane asylum, he is back at work with the Lectroids on a plan to control the world. Throw in Rastafarian aliens, unscheduled travel between dimensions, and the odd inexplicable watermelon, and you get a film that defies conventional synopsis. With its fast pace, quotable dialogue ("No matter where you go, there you are"), and barrage of gags (subtle and otherwise), you won't be bored even when you're not sure what's going on. The supporting cast includes Jeff Goldblum as New Jersey, a Cavalier with a snappy cowboy outfit, and Ellen Barkin as Penny Priddy, the twin sister of Buckaroo's late wife. ~ Mark Deming, All Movie Guide

When the money-hungry Duke Stuyvesant (Sterling Hayden) orchestrates a phony gas shortage, chaos ensues in a small Midwestern town. ~ Iotis Erlewine, All Movie Guide