Marcel Bozzuffi Movies

In this routine melodrama by director Herve Bromberger, Francoise Arnoul stars as a somewhat confused young woman from an impoverished family who marries well out of her economic class. Life on the leisurely side eventually becomes boring, and so she decides to cruise back to her old neighborhood one night and check up on the action there. She discovers that her former boyfriend is living a shady existence and then circumstances, including a blackmail plot, place her precariously on the fence as she is forced to decide whether to return to her old life or continue with her marriage. ~ Eleanor Mannikka, Rovi

This children's adventure yarn stars one of the most famous comic-strip characters in Europe, Tintin, personified in the flesh by Jean-Pierre Talbot. The teen-ager Tintin and his dog are going to help their friend, Captain Haddock (Charles Wilson) on a special quest. The good but crotchety captain has inherited a ship and he needs to go to Turkey to pick it up and sail it home. Once the trio (including the dog) arrive at their destination, they quickly discover that the ship is far from being ship-shape. And so why is someone trying to assassinate them in order to get their hands on the sea-going craft? Maybe the rickety ship has a secret. ~ Eleanor Mannikka, Rovi

In this Cold War thriller, both the US and the Soviet Union almost launch WW III when a radioactive satellite suddenly appears over their countries. Once they realize that neither of them are behind it, they team up to stop it. But then the enigmatic satellite suddenly disappears. ~ Sandra Brennan, Rovi

The first film directed by Costa-Gavras, The Sleeping Car Murders was based on a novel by Sebastien Japrisot. During a Marseilles-to-Paris overnight train trip, a girl is found dead in a sleeping car. As Paris detective Yves Montand steps up his investigation, more and more passengers turn up murdered. The unlikely climax is the only sore point of this otherwise well-wrought mystery. Bereft of the politicizing of Costa-Gavras' later works, The Sleeping Car Murders exhibits the director's fondness for American "film noir" thrillers. The film first hit Parisian movie screens under the title Compartiment Tueurs. ~ Hal Erickson, Rovi

Veteran gangster Gustave (Lino Ventura) escapes from prison to find his sister is being blackmailed by some petty thugs in this crime thriller. He plans one last caper to steal enough money in hopes of retiring to a tropical paradise. He and his gang are sought by a detective (Paul Meurisse), the cop who plays by the book and avoids the sadistic torture practiced by his less-honorable cohorts. Soon Gustave is caught between the police and the double-crossing gangsters and discovers too late that there is no honor among thieves. ~ Dan Pavlides, Rovi

The title Life Love Death (originally La Vie, L'amour, la Mort) pretty much runs the gamut of the subject matter which normally appeals to French filmmaker Claude Lelouch. Awaiting execution for murder, Souad Amidou reflects on the events leading up to this sorry contingency. It seems that Amidou can only cohabit with prostitutes, thus he seeks out satisfaction in all the side streets of Europe. Disturbed by a whore's insults when he was unable to perform, Amidou goes completely off the deep end and begins cutting a swath of death from one end of Spain to another. Lelouch's principal stylistic decision in Life Love and Death is to draw as many parallels as possible between sex and bullfighting. ~ Hal Erickson, Rovi

In this romance, a composer and a French film star, both of whom are married to others, meet and fall in love while shooting a film in the United States. The two illicit lovers begin touring the country together and enjoying the sights with particular emphasis on Monument Valley and Las Vegas. The actress begins to feel guilty and confesses all to her husband on the phone. She and the composer then decide to end the affair. Later they reunite and decide that they will rendezvous in Nice. She goes there, but her lover never arrives. ~ Sandra Brennan, Rovi

Dany (Samantha Eggar) is the ad agency secretary to Caldwell (Oliver Reed) in this psychological crime drama. She is asked to drive him to the airport and park the car in the lot after working at his home the night before. Getting in the wrong lane, she decides to use the car for a weekend getaway and return in time to collect Caldwell upon his return. Soon she is recognized in places she has never been before. She picks up a hippie (John McEnery) and makes love to him only to find he has stolen the car in the morning. Dany finds the car and the hippie, but there is now a dead body in the back seat. She finds where the dead man lived and takes the body to the house. Dany finds erotic nude photos of herself in the strange man's apartment even though the two had never met. She begins to suspect that her boss and his sluttish wife Anita (Stephane Audran) are setting her up to take the fall for the man's murder. ~ Dan Pavlides, Rovi

This gritty, fast-paced, and innovative police drama earned five Academy Awards, including Best Picture, Best Adapted Screenplay (written by Ernest Tidyman), and Best Actor (Gene Hackman). Jimmy "Popeye" Doyle (Hackman) and his partner, Buddy Russo (Roy Scheider), are New York City police detectives on narcotics detail, trying to track down the source of heroin from Europe into the United States. Suave Alain Charnier (Fernando Rey) is the French drug kingpin who provides a large percentage of New York City's dope, and Pierre Nicoli (Marcel Bozzuffi) is a hired killer and Charnier's right-hand man. Acting on a hunch, Popeye and Buddy start tailing Sal Boca (Tony Lo Bianco) and his wife, Angie (Arlene Faber), who live pretty high for a couple whose corner store brings in about 7,000 dollars a year. It turns out Popeye's suspicions are right -- Sal and Angie are the New York agents for Charnier, who will be smuggling 32 million dollars' worth of heroin into the city in a car shipped over from France. The French Connection broke plenty of new ground for screen thrillers; Popeye Doyle was a highly unusual "hero," an often violent, racist, and mean-spirited cop whose dedication to his job fell just short of dangerous obsession. The film's high point, a high-speed car chase with Popeye tailing an elevated train, was one of the most viscerally exciting screen moments of its day and set the stage for dozens of action sequences to follow. And the film's grimy realism (and downbeat ending) was a big change from the buff-and-shine gloss and good-guys-always-win heroics of most police dramas that preceded it. The French Connection was inspired by a true story, and Eddie Egan and Sonny Grosso, Popeye and Buddy's real life counterparts, both have small roles in the film. A sequel followed four years later. ~ Mark Deming, Rovi

A woman walks a razor's edge between reality and madness in this impressionistic drama written and directed by Robert Altman. Cathryn (Susannah York) is a woman who begins to suspect that her marriage to Hugh (René Auberjonois) is falling apart after receiving a mysterious phone call from a friend who tells her Hugh has been having an affair. Cathryn herself has not been happy with Hugh, and years before she took a lover, Rene (Marcel Bozzuffi), though he died some time ago in a plane crash. Thinking they both need to get away, Hugh takes Cathryn to their house in the country, where Hugh indulges in his hobbies, hunting and photography, and Cathryn works on a book of fantasy tales for children. Before long, Cathryn begins to see apparitions of the late Rene around the house, much to her consternation; while confronting her feelings about the late Rene and the wandering Hugh, Marcel (Hugh Millais), a friend of the couple who makes little secret of his attraction to Cathryn, arrives for a visit, with his daughter Susannah (Cathryn Harrison) in tow. As Rene's appearances become more vivid and Cathryn reaches the end of her tether, she begins to drift deeper into a fantasy world, where it's difficult to tell what is real and what is imagined. Beautifully shot on striking locations in Ireland by Vilmos Zsigmond, Images earned Susannah York an award as Best Actress at the 1972 Cannes Film Festival. ~ Mark Deming, Rovi

Double and triple crosses complicate the lives of the amiable villains of this French crime-caper film. The story concerns a group of people living in a blue-collar neighborhood which is being demolished for a new office and housing development. In order to save their neighborhood, they get together and decide on a complicated plot involving jewel-theft and insurance fraud. Things get even more complicated when they call on the services of an expert burglar. ~ Clarke Fountain, Rovi

The US title of this Italian-Spanish-French coproduction is Chino, in deference to the character played by star Charles Bronson. Having long suffered the stigma of being part-Indian, New Mexico horse breeder Chino Valdez (Bronson) wants nothing more than to be left alone with his beloved horses. Even so, Chino opens his heart and his home to teenaged runaway Jamie Wagner (Vincent Van Patten), who becomes his protégé. But things take an unpleasant turn when the formerly taciturn Chino falls in love with Louise (Jill Ireland, the half-sister of antagonistic rancher Maral (Marcel Bozzuffi, replacing the original choice for the role, Lino Ventura). This film was based on The Valdez Horses, a novel by Lee Hoffman. ~ Hal Erickson, Rovi