Samuel Z. Arkoff Movies

In this blaxploitation horror movie, a young woman enlists the aide of a voodoo priest to help her get revenge upon the gangsters who killed her lover. With a few incantations and magical spells, the priest raises an army of zombies. Later the film was cut and shown on TV as The Zombies of Sugar Hill. ~ Sandra Brennan, All Movie Guide

John Milius's first directorial effort in its own small way set the stage in the 1970s for a subgenre of action films that depict a nostalgia for historical figures tinged with a hard-edged skepticism. Warren Oates stars as John Dillinger, whose short-lived career as Public Enemy No.1 was, at least according to Milius, promoted by Dillinger with a self-absorbed boosterism, comforting his victims by telling them, "Someday you'll tell your grandchildren about this." The film captures the highlights of Dillinger's criminal career, as seen through the eyes of Melvin Purvis (Ben Johnson), the FBI agent whose obsession with capturing Dillinger led to Dillinger's death in the back alley of Chicago's Biograph Theater. ~ Paul Brenner, All Movie Guide

In this horror sequel from the director of Count Yorga, Vampire, a member of an American voodoo cult revives the fanged Prince Manuwalde (William Marshall), only to become his slave. Manuwalde then puts the bite on various victims, but finds himself fixating on pretty Lisa (Pam Grier), a voodoo princess whom he believes can finally put his soul to rest. Lynne Moody, Nicholas Worth, and Bernie Hamilton are among the familiar cast, but the various occult trappings seem somewhat out of place in the modern Los Angeles setting and the production values are pretty shabby. Blaxploitation and camp fans should still find it mildly amusing, however, and Shakespearean actor Marshall is a lot of fun as the obsessive vampire. ~ Robert Firsching, All Movie Guide

This sequel to the stylish 1971 melodrama The Abominable Dr. Phibes once more stars Vincent Price in the title role. Long believed dead, Phibes arises from a state of suspended animation, in search of the means to bring his deceased wife back to the land of the living. Phibes also wears a rubber mask to disguise his own horribly disfigured countenance. (The giveaway: he never moves his mouth when speaking, and eats by applying his fork to his neck!) With the aid of the enigmatic, never-speaking Vulnavia (Valli Kemp), Phibes follows an Egyptian expedition, seeking out an ancient elixir of life and killing everyone who gets in his way. In the original film, all of the doctor's grisly but ingenious murders were motivated, and all were linked by a Seven Deadly Plagues throughline. In the sequel, Phibes kills whenever he feels like it, and utilizes an impressive array of death-dealing contraptions (one victim literally has his skin blown off his body by a high-powered electric fan). This marks one of the only films ever made to wrap with Vincent Price singing "Somewhere, Over the Rainbow." ~ Hal Erickson, All Movie Guide

The fourth film to explore Edgar Allan Poe's classic tale, this clever adaptation takes some rather broad liberties with the source material. A flamboyant Jason Robards plays Cesar Charron, owner of a Grand Guignol theatre in 19th-century Paris, who is launching a stage adaptation of "Murders in the Rue Morgue" -- much to the dismay of his young daughter Madeleine (Christine Kaufmann), who is tormented by nightmares filled with images from the play. A spate of gruesome murders among the theatre's regular stable of actors leads Charron to suspect the return of his deranged, disfigured former partner René Marot (Herbert Lom), who had been presumed dead after the murder of Charron's wife. Madeleine's nightmares eventually come true when Marot makes his presence known and reveals his intentions to her on the eve of the production's opening night. Director Gordon Hessler's creative handling of the dreams-vs.reality premise is rendered a bit confusing thanks to AIP's sloppy re-editing, but the overall production is still effectively chilling. ~ Cavett Binion, All Movie Guide

Would you believe Bette Davis and Ernest Borgnine as a pair of free-spirited hippies on a crime spree? That's the premise of this unlikely comedy starring the two Oscar-winning veterans. Bunny O'Hare (Bette Davis) is an elderly woman living in New Mexico who is trying to keep herself afloat financially while supporting her two grown children, both of whom have fallen into bad straits. Thanks to a mistake by her bank, Bunny is evicted from her home, which is quickly torn down, but not before one Bill Green (Ernest Borgnine) can repossess her commode. Bunny is left with nowhere to go, and Bill allows Bunny to tag along in his trailer after he leaves. Bunny soon learns that Bill was once a bank robber who is still on the run from the law, and she persuades him to show her the ropes so she can steal her nest egg back from the bank. Dressed as hippies, Bunny and Bill pull the job, but rather than escape to Mexico, Bunny decides to stay in the Southwest and rob more banks with Bill to help keep her kids out of hock. Bunny O'Hare also features Jack Cassidy, John Astin, and Jay Robinson; ~ Mark Deming, All Movie Guide

This romantic drama concerns two star-crossed lovers who are half-brother and sister to each other. Catherine (Anna Calder-Marshall) is the daughter of the lord of the manor who falls for the brooding stable boy Heathcliff (Timothy Dalton). When Heathcliff leaves to seek his fortune, he returns to find Catherine has married the local magistrate Edgar (Ian Ogilvy). The story is told by the beautiful blonde servant girl Nellie (Judy Cornwell), who narrates at the beginning to set the stage for the picture. Hindley (Julian Glover) is Catherine's older brother who tries to take over the house and land after the death of their father (Harry Andrews). When his own wife and child dies, a drunken Hindley gambles away the family holdings to the opportunistic Heathcliffe. Filmed in England, the scenery is spectacular but this version lacks the foreboding, shadowy drama of the 1939 original starring Merle Oberon and Laurence Olivier. ~ Dan Pavlides, All Movie Guide

With a style and tone that wreaks of the late '60s, this cheap-looking adaptation of an H.P. Lovecraft story plays like an obvious reference to the battle between the establishment and the counterculture. The film stars Dean Stockwell as Wilbur Whateley, a brooding young man who makes a connection with a pretty librarian named Nancy (a very out-of-place Sandra Dee). Whateley wants to get his hands on the Necronomicon, a diabolical book that he believes will help him to open a doorway to a dimension inhabited by unspeakable creatures known as the "Old Ones." Hypnotized by Whateley's spell, Nancy accompanies the man back to his cursed home where he lives with his nutty grandfather (Sam Jaffe) and an unseen "thing" that is kept in an upstairs room. Meanwhile, the Necronomicon's owner, Dr. Armitage (Ed Begley), does some detective work on Whateley when he begins to fear for Nancy's safety. He quickly realizes that Whateley means to sacrifice Nancy in order to accomplish his diabolical plan. Whateley manages to steal the Necronomicon and begins the ritual to resurrect the Old Ones. As Armitage races to stop him, the thing from the upstairs room breaks out and beats a murderous path towards Whateley as well, leading to a final confrontation that leaves a lot to be desired. ~ Patrick Legare, All Movie Guide

Keir Dullea dives into a bevy of babes with an open wine bottle as the notorious Marquis de Sade in this low-budget debauch from American International Pictures -- purveyors of fine entertainment morsels for the connoisseur. The film takes place as an extended flashback after de Sade has escaped from a madhouse and taken refuge in the dilapidated mansion where he was reared. In his flashback, de Sade recalls how the Abbe de Sade (John Huston) used to have a maid whip him until he began to like it. Of course, after that, the next step down the primrose path was flagellation and orgies. Finally sent to a French jail for lewd behavior, de Sade begins to write anti-government creeds to while away the hours. After his release, he is compelled to marry the repulsive Renee de Montreuil (Anna Massey). De Sade goes along with the marriage in order to get closer to her sister Anne (Senta Berger). In spite of that, de Sade continues to seek out various forms of softcore sex. But then the Black Plague hits. ~ Paul Brenner, All Movie Guide

A rock star decides he'd rather rule the free world than just sell records in this ambitious fusion of political satire and teen exploitation. Teenage rebel Max Flatow (Christopher Jones) has grown tired of life in suburbia with his domineering mother (Shelley Winters) and weak-willed father (Bert Freed), and, having saved up 800 dollars he earned by selling home-brewed LSD to his schoolmates, he blows up the family car with a makeshift bomb and strikes out on his own. A few years later, Max has adopted the name Max Frost, and is one of the world's biggest rock stars, selling millions of records and earning a fortune from concert appearances and music publishing. Max has learned firsthand about the buying power of America's youth, and when Sen. John Fergis (Hal Holbrook) asks Max to appear at a "youth rally" to mobilize younger voters, he realizes the kids could also sway an election if they wanted. At Fergis' rally, Max debuts a new song, "Fourteen or Fight," which demands the voting age be reduced to 14; the youth respond by rising up in support of Max's demands, reducing many American cities to a standstill. As political leaders bow to public pressure, the age of suffrage is reduced to 15, but rather than choosing candidates to support, Max decides it's time he and his inner circle took control. After Max doses Washington, D.C.'s water supply with LSD, congress votes to make any registered voter eligible to hold federal office, and before long Max Frost has become president of the United States. Once in office, Max unveils a bold plan to once and for all do something about people over 30 -- including his parents. Wild in the Streets features an early screen appearance from Richard Pryor as drummer and political activist Stanley X, while media personalities Dick Clark, Walter Winchell, Army Archerd, and Melvin Belli portray themselves. Barry Mann and Cynthia Weil wrote the songs for fictional rockers "Max Frost and the Troopers," including the hit single "The Shape of Things to Come." ~ Mark Deming, All Movie Guide

American-International's Beach Party series came to an abrupt end with Ghost in the Invisible Bikini. Because of such tangible reasons as contractual commitments, coupled with such intangibles as illness and death, most of the series "regulars" are absent. Deborah Walley and Aron Kinkaid fill the roles usually played by Annette Funicello and Frankie Avalon, while Benny Rubin plays a comic-Indian role obviously intended for Buster Keaton. Only Harvey Lembeck, as the inimitable Eric von Zipper, is on hand from the good old days. The plot is set in motion by the ghostly Boris Karloff, a corpse who must perform one good deed before gaining entrance into the Hereafter. Together with a sexy spirit (Susan Hart) (the titular lass in the invisible bikini), the corpse attempts to save the heiress (Walley) from the murderous machinations of a greedy attorney (Basil Rathbone) and his cohorts (Rubin and Jesse White). Music is provided by such second-generation celebs as Nancy Sinatra and Claudia Martin, and with The Bobby Fuller Four lip-synching a pair of songs. The climax is a less-funny reworking of the final sequence in Beach Blanket Bingo, with the heroine (Walley) strapped to the longest buzzsaw plank in film history. ~ Hal Erickson, All Movie Guide

The great Vincent Price obviously had fun with his characterization of Dr. Goldfoot in this campy spy spoof directed by Norman Taurog. With his henchman Igor (Jack Mullaney), the demented doctor builds a machine that mass-produces an army bikini-clad babes. Goldfoot programs his vixens to seduce the wealthiest men alive and convince them to sign their fortunes over to him - thus enabling the fiendish doctor to amass tremendous wealth and take over the world. Frankie Avalon co-stars as Secret Agent Craig Gamble, who sets out to destroy the women and bring Goldfoot's plan to a screeching halt. Annette Funicello and Harvey Lembeck provide cameo appearances. Strictly for fans who loved those 1960s drive-in quickies. ~ Dan Pavlides, All Movie Guide