Alan Arkin Movies
As a multi-talented film and stage performer with an intense comic flair, the diminutive and stocky Jewish-American character actor Alan Arkin built a career for himself out of playing slightly gruff and opinionated yet endearing eccentrics. Though not commonly recognized as such, Arkin's ability extends not only beyond the range of the comedic but far beyond the scope of acting. In addition to his before-the-camera work, Arkin is an accomplished theatrical and cinematic director, an author, and a gifted vocalist.Born March 26, 1934, to immigrant parents of Russian and German Hebrew descent, Arkin came of age in New York City, then attended Los Angeles City College in the early '50s and launched his entertainment career as a key member of the folk band the Tarriers, alongside Erik Darling, Carl Carlton, and Bob Carey. Unfortunately, the Tarriers never managed to find a musical foothold amid the 1960s folk boom -- which, despite the success of a European tour in 1957, encouraged Arkin to leave the group and carve out a niche for himself in another arena.
Arkin instead turned to stage comedy and joined Chicago's Second City troupe, then in its infancy. (It officially began in 1959.) From there, Arkin transitioned to Broadway roles, and won a Tony and critical raves for his debut, in Carl Reiner's autobiographical seriocomedy Enter Laughing (1963). He followed it up with the lead in Murray Schisgal's surrealistic character comedy Luv, and made his onscreen debut alongside friend and fellow actor Reiner, for Norman Jewison's frenetic social satire The Russians Are Coming! The Russians Are Coming! The picture not only scored with the public and press (and received a Best Picture nod) but netted Arkin a nomination for Best Actor. He lost to Paul Scofield, for the latter's role as Thomas More in A Man for All Seasons.
Arkin evinced pronounced versatility by cutting dramatically against type for his next performance: that of Harry Roat, a psychopath who systematically psychologically tortures Audrey Hepburn, in Terence Young's Wait Until Dark (1967). A return to comedy with 1968's Inspector Clouseau (with Arkin in the Peter Sellers role) proved disastrous. Fortunately, Arkin took this as a cue, and shifted direction once again the following year, with his aforementioned portrayal of Singer in The Heart Is a Lonely Hunter -- a gentle and beautiful adaptation of Carson McCullers' wonderful novel. For the effort, Arkin received a much-deserved sophomore Academy Award nomination for Best Actor, but lost to Charly's Cliff Robertson.
The '70s brought mixed prospects for Arkin. He debuted as a film director in 1971, with a screen adaptation of Jules Feiffer's jet-black comedy Little Murders -- a theatrical work that Arkin had previously directed, to rave reviews, off-Broadway. A foray into the subject of American apathy in the face of random violence as it escalated during the late '60s and early '70s, the film tells the story of a sociopathically aggressive woman (Marcia Rodd) who wheedles an apathetic photographer-cum-avant-garde filmmaker (Elliott Gould) into marriage. The film divided journalists sharply. Despite initial reservations and objections, the film aged well with time, and has received renewed critical attention in recent years.
Arkin's choice of projects over the remainder of the decade varied dramatically in quality -- from the dregs of Gene Saks' Neil Simon cinematization Last of the Red Hot Lovers (1972) and the tasteless police comedy Freebie and the Bean (1974) to the finely wrought, overlooked comedy-mystery The Seven-Percent Solution (1976) and Arthur Hiller's sensational farce The In-Laws (1979). Alongside his film work during the '70s, Arkin authored two best-sellers: the children's book Tony's Hard Work Day (1972) and an exploration of yoga, Half Way Through the Door: An Actor's Journey Towards the Self (1975). In the late '70s, Arkin made a rare television appearance, delighting younger viewers with a wild and gothic starring role on an episode of Jim Henson's Muppet Show.
If the 1970s struck Arkin fans as something of a mixed bag, the actor's career choices suffered during the '80s, perhaps because of the paucity of solid comedic roles available in Hollywood during that decade. A brief list of Arkin's film credits during that period render it surprising that he could even sustain his own career throughout such poor choices: Chu Chu and the Philly Flash (1981), Improper Channels (1981), Full Moon High (1982), Bad Medicine (1985), Big Trouble (1985), and Escape from Sobibor (1987).
Arkin did make two wonderful contributions to overlooked '80s comedies, however: 1980's Simon and 1985's Joshua Then and Now. In the first picture, directed by fellow Tarrier vocalist (and former Woody Allen co-scenarist) Marshall Brickman, Arkin plays Simon Mendelssohn, a college professor who falls prey to a nutty government think tank run by Max Wright and Austin Pendleton. Although the film remained an obscurity, Joshua delivers some of Arkin's most impressive onscreen work to date, and doubtless enabled him to pull from his own Jewish heritage in developing the character.
The public's decision to snub these two pictures may have foreshadowed Arkin's work in the '90s, when he appeared in several fine, but equally overlooked, efforts. These included: Havana (1990), The Rocketeer (1991), Indian Summer (1993), Bullets Over Broadway (1994), the aforementioned Mother Night (1996), Grosse Pointe Blank (1997), and Slums of Beverly Hills (1998). He delivered a searing performance as the "loser" salesman who robs his company of much-sought-after leads, in James Foley's David Mamet cinematization Glengarry Glen Ross (1992), and offered the only memorable contribution to Andrew Davis' fable Steal Big, Steal Little (1995), as "an opportunist who weighs in with the underdogs and learns the true meaning of decency and friendship...[striking] the perfect blend of cynicism, sincerity, and simpatico."
Arkin maintained a comparatively lower profile during the early years of the millennium, aside from outstanding contributions to the otherwise dull farce America's Sweethearts (2001), the gripping telemovie The Pentagon Papers (2003), and the historical biopic And Starring Pancho Villa as Himself (2003). In early 2007, Arkin received his first Academy Award nod in 38 years: a Best Actor nomination that he subsequently won for his hilarious turn in the road comedy Little Miss Sunshine. In that movie, Arkin played the grandfather of an über-dysfunctional family, who is ejected from a nursing home for his freewheeling lifestyle. The character's passions include porn and heroin -- elements that, as used by the film's directors, enable Arkin to provide much of the film's fresh and inspired humor. The part earned him rave reviews, and an Oscar for Best Supporting Actor.
He appeared in the dog film Marley & Me in 2008, and that same year reteamed with Steve Carell for the big-screen version of Get Smart. He was the executive producer and co-star of the shaggy-dog crime tale Thin Ice in 2010, and the next year he had a brief cameo as a studio tour guide in The Muppets, and appeared in The Change-Up. He had a major part in Ben Affleck's Argo, a thriller about agents attempting to save American hostages held by Iranians by pretending to be making a Hollywood blockbuster. His portrayal of a showbiz producer who helps pull of the scheme, Arkin captured another Oscar nomination for Best Supporting Actor.
Alan Arkin has married and divorced three times, to Jeremy Yaffe, to Barbara Dana, and to Suzanne Arkin. In addition to the legacy engendered by his own career resumé, Arkin has fathered something of an acting dynasty; his three sons, Adam, Matthew, and Tony, are all gifted and accomplished actors, with Adam Arkin (Northern Exposure, Chicago Hope) maintaining a somewhat higher profile than his brothers. ~ Nathan Southern, Rovi
- 1957
This lively musical was made to capitalize on the popularity of calypso music and features some excellent production numbers. It all begins when a jukebox magnate tries to force his way into a record company. They succeed and this angers the labels biggest star, who doesn't want to change his style. He disappears and so does all of the company's profits. Musical chaos reigns for awhile, but eventually everything is set to rights and happiness ensues. Look for distinguished poet Maya Angelou singing "Run Joe" and actor Alan Arkin's performance with the folk group the Tarriers. ~ Sandra Brennan, Rovi
- Starring:
- Johnny Desmond, Merry Anders, (more)
- 1966
- Add The Russians Are Coming, the Russians Are Coming! to Queue Add The Russians Are Coming, the Russians Are Coming! to top of Queue
Just because The Russians are Coming, the Russians are Coming was vastly overrated by contemporary critics does not make it any less amusing. The story gets under way when a Soviet submarine accidently gets lodged in a sandbar on the coast of a New England town. In his feature film debut, Alan Arkin plays the sub's second-in-command, who is ordered by commander Theodore Bikel to free up the sub and skeedaddle before an international incident erupts. Hoping to secure a power boat to tug the sub out to sea, Arkin and his men call upon vacationing TV writer Carl Reiner, passing themselves off as Norwegians. When this ruse fails, Arkin is reluctantly compelled to force Reiner at gunpoint to fetch his motorboat, while gentle-natured Russian sailor John Philip Law is left behind to guard Reiner's wife Eva Marie Saint and pretty neighbor girl Andrea Dromm (yes, love blooms). The plot thickens when the locals, notably bullnecked sheriff Brian Keith and superpatriot Paul Ford, spread the word that the Russians have "invaded" their little community. Several slapstick complications later, the Russians and the locals face each other down in the center of the village, weapons at the ready. Fortunately, World War 3 is averted when the Russians and the villagers band together to rescue young Johnny Whittaker from falling to his doom. Enormously popular upon its first release, The Russians are Coming, the Russians are Coming still works on a slick sitcom level. The film was based on a novel by Nathaniel Benchley, the son of humorist Robert Benchley and the father of Jaws author Peter Benchley. ~ Hal Erickson, Rovi
- Starring:
- Carl Reiner, Eva Marie Saint, (more)
Vittorio De Sica directs the 1967 episodic sex comedy Sette Volte Donna (Woman Times Seven), consisting of seven short stories each starring Shirley MacLaine. In "Funeral Possession," she plays opposite Peter Sellers as a widow at her husband's funeral. In "Amateur Night," she's a wife who's driven to prostitiution to get revenge on her adulterous husband (Rossano Brazzi). In "Two Against One," she plays an interpreter who gets naked and reads T.S. Eliot to an Italian (Vittorio Gassman) and a Scot (Clinton Greyn). In "The Super Simone," she's a houswife who acts insane to get the attention of her author husband (Lex Barker). In "At the Opera," she's a rich woman determined to get a specific dress. In "The Suicides," she forges a suicide pact with lover Alan Arkin. In "Snow," Michael Caine is hired to spy on her. ~ Andrea LeVasseur, Rovi
- Starring:
- Shirley MacLaine, Peter Sellers, (more)
Wait Until Dark is an innovative, highly entertaining and suspenseful thriller about a blind housewife, Susy Hendrix (Audrey Hepburn). Independent and resourceful, Susy is learning to cope with her blindness, which resulted from a recent accident. She is aided by her difficult, slightly unreliable young neighbor Gloria (Julie Herrod) with whom she has an exasperated but lovingly maternal relationship. Susy's life is changed as she is terrorized by a group of criminals who believe she has hidden a baby doll used by them to smuggle heroin into the country. Unknown to Susy, her photographer husband Sam (Efrem Zimbalist Jr.) took the doll as a favor for a woman he met on an international plane flight and unwittingly brought the doll to the couple's New York apartment when the woman became afraid of the customs officials. Alone in her apartment and cut-off from the outside world, Susy must fight for her life against a gang of ruthless criminals, led by the violent, psychotic Roat (Alan Arkin). The tension builds as Roat, aided by his gang, impersonates police officers and friends of her husband in order to win Susy's confidence, gaining access to her apartment to look for the doll. The climax of the film, a violent physical confrontation between Susie and Roat in her dark kitchen, is one of the most memorable and frightening scenes in screen history. All performances are outstanding, particularly those of Audrey Hepburn who plays a vulnerable, but self-reliant woman, and Alan Arkin, in perhaps his best role, as the ruthless, manipulative Roat. ~ Linda Rasmussen, Rovi
- Starring:
- Audrey Hepburn, Alan Arkin, (more)
The famously inept but accidentally brilliant Inspector Clouseau returns to help foil a group of daring robbers in this comedy, the only film in the long-running series not to feature Peter Sellers as the bumbling inspector. Instead, the talented Alan Arkin assumes the role, blundering his way through the expected series of absurd, slapstick situations. The plot centers on a series of Swiss bank robberies under investigation by an uptight Scotland Yard inspector (Patrick Cargill), who naturally becomes infuriated by Clouseau's unwelcome intervention. Meanwhile, the robbers decide to confuse matters by wearing Clouseau masks, offering further opportunities for farcical mistaken identities. Due to the absence of both Sellers and director Blake Edwards, Inspector Clouseau has largely been forgotten in comparison to the other Pink Panther films, though it maintains some interest as a curious aberration in the popular comic series. ~ Judd Blaise, Rovi
- Starring:
- Alan Arkin, Frank Finlay, (more)
Based on the novel by Carson McCullers, The Heart is a Lonely Hunter stars Alan Arkin as John Singer, who is deaf. Singer moves from a small town in order to be close to his institutionalized friend Antonapoulos (Chuck McCann), who is deaf and mentally impaired. Singer rents a room with a family whose father, Mr. Kelly (Biff McGuire), is unable to earn a living due to a serious injury. His teen-aged daughter Mick (Sondra Locke, in her film debut) is at first resentful of Singer's presence, but he ingratiates himself by introducing her to classical music (which he can "feel," if not hear). Singer likewise tries to brighten the lives of such unfortunates as alcoholic Blount (Stacy Keach Jr., also making his first film appearance), dying black doctor Copeland (Percy Rodriguez), and Copeland's poverty-stricken daughter (Cicely Tyson). ~ Hal Erickson, Rovi
- Starring:
- Alan Arkin, Sondra Locke, (more)
Striving for a better life for his two sons, a Puerto Rican immigrant named Popi (Alan Arkin) goes about his mission in a singularly eccentric fashion in this comedy from director Arthur Hiller. So intent is Harlem resident Abraham "Popi" Rodriguez (Arkin) upon providing his boys with the American dream, that he puts off marrying his beautiful girlfriend Lupe (Rita Moreno) in order to carry out the mother of all harebrained schemes. After instructing his boys how to row with lessons in Central Park, Popi takes them to Florida and sets them adrift on the ocean, knowing that two cute "refugees from Cuba" seeking asylum in the U.S. will become celebrity cases and probably be adopted by rich WASP's. Popi's plan works like a charm, with his sons even earning an audience with the president, but a visit to the hospital where they're recovering from their ordeal at sea sinks his big plans. ~ Karl Williams, Rovi
- Starring:
- Alan Arkin, Rita Moreno, (more)
Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, Rovi
- Starring:
- Alan Arkin, Martin Balsam, (more)
Actor Alan Arkin has an impressive film directorial debut with Little Murders, Jules Feiffer's bitter and moving satire (originally produced as an off-Broadway play). Elliot Gould (who also co-produced the film) plays Alfred Chamberlain -- a one time successful photographer who is now down on his luck because he began to eliminate people from his photographs. He also suffers from an inability to feel or to be passionate about anything. But then Alfred meets Patsy Newqvist (Marcia Rodd), who takes it upon herself to mold Alfred into "a strong, vital, self-assured man, that I can protect and take care of." As their relationship develops and Patsy takes Alfred to meet her parents, they suddenly bang up against the brick wall of urban violence and insensitivity. In this world of senseless killings and madness, Alfred realizes that the only way to get back into the world is to become as insane as everyone else. ~ Paul Brenner, Rovi
- Starring:
- Elliott Gould, Marcia Rodd, (more)
- 1972
One of Terrence Malick's early screenwriting efforts, this loosely-structured road movie finds a questionably sane long-distance trucker named Cooper (Alan Arkin) winding his way through the heart of America. An employee of a questionable hauling outfit who has been assigned to drive a newly hijacked rig to an as-of-yet undisclosed-location, Cooper quickly ditches his partner and points his eighteen-wheeler westward. Picking-up a hitchhiker (Paul Benedict) for some company in the cab, the unstable trucker's journey westward grows increasingly surreal as he runs into numerous eccentric characters, portrayed in cameo roles by such noted names as Ida Lupino, George Raft, Charles Durning, Loretta Swit, Richard Kiel and future director John Milius. ~ Jason Buchanan, Rovi
- Starring:
- Alan Arkin, Paul Benedict, (more)
Based on a play by Neil Simon, this comedy concerns Barney Cashman (Alan Arkin), the owner of successful seafood restaurant who is stuck in the depths of a mid-life crisis. Barney's marriage is no longer providing him with a sense of romantic adventure, and when he discovers his mother's apartment is empty one day a week, he decides that a series of extra-marital affairs is just what he needs. However, Barney's career as a spoiler of women quickly proves to be laughably unsuccessful; he's able to lure three different women to his make-shift love nest -- Elaine (Sally Kellerman), Bobbi (Paula Prentiss), and Janette (Renee Taylor) -- but try as he might, he can't convince any of them to sleep with him, and in the end, Barney has to settle for seducing his wife. Last of the Red Hot Lovers was the fourth of five Neil Simon adaptations that director Gene Saks would bring to the screen; Saks also directed a number of Simon's successes on Broadway. ~ Mark Deming, Rovi
- Starring:
- Alan Arkin, Sally Kellerman, (more)
- 1974
- R
Freebie (James Caan) and the Bean (Alan Arkin) are a pair of San Francisco cops. Red Meyers (Jack Kruschen) is the mobster whom Freebie and the Bean would like to see behind bars -- or, failing that, six feet under. Nothing stands in the way of the cops' pursuit of Meyers, meaning that private property is given quite a going-over in this picture. The film's most memorable scene finds Freebie and the Bean crashing their car into a poor schnook's living room. TV favorites Loretta Swit and Valerie Harper play the only female roles worth mentioning. The racist and sexist humor in Freebie and the Bean may not go over as well today as it did in the politically incorrect early '70s. ~ Hal Erickson, Rovi
- Starring:
- Alan Arkin, James Caan, (more)
- 1974
Hard to believe that a rape could be played for laughs, even in a TV movie of the 1970s, but such was precisely the case with It Couldn't Happen to a Nicer Guy. The well-ordered life of stout, middle-aged real estate salesman Harry Walter (Paul Sorvino) is left in shambles when he is sexually assaulted at gunpoint by a beautiful woman. Wandering naked into a nearby town, poor Harry can't get anyone to believe his story -- least of all his wife, Janet (Michael Learned). An indication of the subtlety to be found hereabouts is the fact that the initials of Harry's seducer are "W.O.W." Wow indeed. It Couldn't Happen to a Nicer Guy was presented as an ABC "Movie of the Week" on November 19, 1974. ~ Hal Erickson, Rovi
- 1975
- PG
Hearts of the West (British title: Hollywood Cowboy) stars Jeff Bridges as Lewis Tater, a 1930s-era aspiring novelist who harbors dreams of becoming the next Zane Grey or Peter B. Kyne. He arrives in Nevada to seek out the correspondence school that has "graduated" him. After learning that he's been taken to the cleaners by crooks, he stumbles onto a threadbare film-unit grinding out "B" westerns. He is given a job by unit manager Kessler (Alan Arkin), then falls in love with spunky script girl Miss Trout (Blythe Danner). With the help of crusty stunt man Howard Pike (Andy Griffith), Tyler fends off the correspondence-school crooks who want the money that he has accidentally stolen from them. ~ Hal Erickson, Rovi
- Starring:
- Jeff Bridges, Andy Griffith, (more)
- 1975
- R
The "Gold Dust Twins" are two L.A. gals who kidnap a likable-loser type who's a driving instructor (Alan Arkin) and force him to take them from Los Angeles to New Orleans. On the way they run into action of all sorts, and by the time they get to the Bayou state, the three have bonded as buddies. ~ Rovi
- Starring:
- Alan Arkin, Sally Kellerman, (more)
- 1976
- PG
Nicholas Meyer based his screenplay for the "retro" Sherlock Holmes adventure The Seven Percent Solution on his own best-selling novel. As any Baker Street Irregular will tell you, the title refers to the dosage of cocaine taken by Sherlock Holmes (Nicol Williamson). The Great Detective's friend and chronicler Doctor Watson (Robert Duvall), concerned that Holmes' drug dependency is getting out of hand, suggests a cure under the auspices of Viennese psychoanalyst Sigmund Freud (top-billed Alan Arkin). While undergoing treatment, Holmes comes to the realization that his archival Professor Moriarty (Laurence Olivier) is not the Napoleon of Crime, but instead a somewhat pathetic philanderer. Not yet completely cured, Holmes recharges his deductive batteries by undertaking a tricky conspiracy case involving another ex-addict, beautiful actress Lola Devereaux (Vanessa Redgrave). The traditional Holmesian sleuthing and split-second rescues of the film's second half are not as innovative as the Holmes-Freud scenes at the beginning of The Seven Percent Solution, but they provide this largely cerebral effort with a rousing climax. A success with both critics and filmgoers, The Seven Percent Solution opened the floodgates for subsequent TV and movie "reprises" of Conan Doyle's immortal literary figure. ~ Hal Erickson, Rovi
- Starring:
- Alan Arkin, Vanessa Redgrave, (more)
- 1977
- PG
Alan Arkin directed and starred in this anarchic comedy. Benny Fikus (Vincent Gardenia) is the owner of a department store that's on its last legs, with his nebbishy son Russell (Rob Reiner) serving as his second-in-command. Benny's bother Ezra (Arkin) used to work with him at the store, but he quit to coach basketball in the midst of a long losing streak. Ezra's wife Marion (Anjanette Comer) desperately wants a child, and Ezra needs a new star player, so he thinks he's helping both of them when he adopts a black teenager (Byron Stewart) who shoots mean hoop. Benny, looking for a way out of the store's irrevocable financial slump, wants to burn the place down for the insurance money, but rather than hire an arsonist, he tries to convince his brother-in-law, Zabbar (Sid Caesar), that the store is actually a Nazi stronghold so Zabbar that will do the deed on his own. The supporting cast also includes Sally K. Marr, whose son was controversial comedian Lenny Bruce. ~ Mark Deming, Rovi
- Starring:
- Alan Arkin, Rob Reiner, (more)
- 1978
Alan Arkin stars as real-life Lithuanian seaman Simas Kudirka, a radio operator on a Russian vessel. When his ship docks at Martha's Vineyard in early 1970, Kudirka makes a dramatic leap from the deck, landing on the American coast guard cutter Vigilant. He announces that he wishes to defect, but the rules of maritime law prohibit the Americans from offering him asylum. As the crew of the Vigilant looks on helplessly, the Russian officers board the cutter, beat and bind Kudirka, and drag him back to his own ship. This tinderbox political incident occurs during a Soviet/U.S. conference over fishing rights. The ultimate fate of Simas Kudirka provides the core of Bruce Feldman's script. Directed for television by David Lowell Rich (who won an Emmy), The Defection of Simas Kudirka was first broadcast January 23, 1978. ~ Hal Erickson, Rovi
- 1978
When an institutionalized mental patient witnesses several brutal attacks by the institute's guards upon patients who have been committed as criminally insane, he tries to win his release. ~ Tana Hobart, Rovi
- 1978
In this drama, a conscientious mental patient tries to be freed from an asylum after he sees the guards beating up other patients. ~ Sandra Brennan, Rovi
- 1979
- R
This expensive production attempts to bring Nobel Prize-winning author Isaac Bashevis Singer's subtle philosophical novel The Magician of Lublin to the screen. In the story, Yasha Mazur (Alan Arkin) is a perfectionistic turn-of-the-century Jewish stage magician, con-man and mystic, who is touring through eastern Europe, at the same time managing to progressively sabotage his own career. In nearly every town Yasha has a girlfriend, from the youthful Zeftel (Valerie Perrine), to the feisty Elizabeta (Shelly Winters). His harassed manager/impressario Wolsky (Lou Jacobi) arranges for him to have one more chance at theatrical success, which requires that he pull off the trick of a lifetime in a Warsaw theater. Reviewers, fans of Singer's works, and ordinary filmgoers all expressed disappointment in this beautifully filmed and ambitious movie, which was a box-office failure. ~ Clarke Fountain, Rovi
- Starring:
- Alan Arkin, Louise Fletcher, (more)
Dentist Sheldon Kornpett (Alan Arkin) is a respectable man. He has a daughter who is about to marry the son of a very suspicious character, Vince Ricardo (Peter Falk). They are practically relatives already, the wedding is so near. Certainly, Sheldon already despises Vince as if he were already a well-known relative. Nontheless, Vince calls on Sheldon and convinces him to go with him on a series of wild and hilarious adventures, claiming all the while that he is a CIA agent, and that what he is doing is in the national interest. Sheldon follows Vince to a South American country ruled by a very odd man, General Garcia (Richard Libertini), who talks to his hand (which talks back). It seems that the dictator is involved in a scheme to counterfeit and undermine U.S. currency. ~ Clarke Fountain, Rovi
- Starring:
- Peter Falk, Alan Arkin, (more)
- 1980
- PG
In this far-out comedy that slams it to academia, television, and the military, Simon (Alan Arkin) is a puffed-up professor who is boondoggled by a group of geniuses in a think tank. Becker (Austin Pendleton) leads the wacked-out thinkers as they invent off-the-wall games to keep themselves amused instead of solving global problems in ecology or whatever. They manage to convince Simon he is really a space alien, but then Simon gets away from them and takes refuge in a strange commune headed up by a former television executive (Adolph Green) whose bible is TV Guide. Simon's life does not get any easier since he is being hunted by the army with orders to shoot on sight. ~ Eleanor Mannikka, Rovi
- Starring:
- Alan Arkin, Austin Pendleton, (more)
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