Salvatore Argento Movies

A combination of alchemy, architecture, and horror, director Dario Argento's Inferno is a pulsing thriller filled with murder and supernatural mayhem. The peculiar proceedings are set into motion in both New York and Rome when two young women, Sara (Eleonora Giorgi) and Rose (Irene Miracle), find a book called The Three Mothers, a tome of alchemy written by an architect named Varelli. According to the book, Varelli built a trio of resting places for the Three Mothers, an evil trio whose identities remain at the core of the film's mystery. Rose's brother and Sara's boyfriend is Mark (Leigh McCloskey), a music student in Rome who jets to New York after Sara is murdered and Rose disappears. He follows up Rose's research on The Three Mothers and, with the help of his sister's neighbor, Elise (Daria Nicolodi), comes to the realization that the building they are in is one of Varelli's. Along the way, Mark encounters a variety of quirky characters including Elise's butler (Leopoldo Mastelloni), the building's maid (Alida Valli), a cat-hating bookseller named Kazanian (Sacha Pitoeff), and the infirm Professor Arnold (Feodor Chaliapin) and his nurse (Veronica Lazar). After a series of murders and a revelation that the butler and the maid have been plotting to steal Elise's jewels, Mark discovers a secret series of passages within the building. They lead him to its core where he finds the wheelchair-bound Professor Arnold, who explains that he is really the architect Varelli. After a violent struggle, the dying old man confesses to Mark that he is merely a servant to the Mothers. The building begins to burn out of control, but before Mark can escape, he discovers the shocking identity of the Three Mothers. ~ Patrick Legare, Rovi

The film that has become the master work in Italian horror maestro Dario Argento's canon, Deep Red holds up brilliantly despite the plethora of copycat slasher films it inspired in the years to follow. The film opens with a flashback murder shown from the perspective of a child while an eerie nursery rhyme plays. Cut to the present, pianist Marc Daly (David Hemmings) witnesses the murder of a psychic while chatting with his drunken pal, Carlo (Gabriele Lavia). While the police investigate, Marc joins forces with attractive reporter Gianna (Daria Nicolodi). Once Marc realizes that he is a target for the killer, he seeks help from Giordani (Glauco Mauri), a professor of the paranormal, who soon becomes one of the killer's victims. Marc's research leads him to an abandoned house where he discovers a secret room that hides a corpse. Before he can call the cops, he is knocked out and awakens to find the place in flames while Gianna holds him. Racing to the neighbors to call for help, Marc discovers an important clue that leads him to a nearby school where he finally finds the killer's identity. The madman attacks him, but the police arrive to save Marc. Though the case appears to be solved, Marc comes to the disturbing realization that one piece of the puzzle remains. ~ Patrick Legare, Rovi

After wrapping up a recording session with his garage band, drummer Roberto (Michael Brandon) follows and confronts a mysterious stranger who has been stalking him to an abandoned theater where Roberto impulsively stabs him. A grinning puppet-like figure takes photos of the attack from a mezzanine box, which arrive in an envelope at Roberto's home the following day. It appears that he is being blackmailed, but it's not clear from whom or why. Suspects include a club-footed neighbor and various friends. After Roberto confesses to the stabbing, his housekeeper discovers the killer's identity, is murdered, and an increasingly paranoid Roberto sends his wife, Nina (Mimsy Farmer), out of town. He eventually tracks down the man he stabbed with the help of a flamboyant detective (Jean-Pierre Marielle) and colorful transient friend Godrey (Bud Spencer), but both the man and the detective are killed. Roberto's cousin Dalia (Francine Racette) visits and, against their better judgment, they begin a passionate love affair. Elsewhere, the police use a special camera that can capture the final image a murder victim sees off their eyeball; this technique is used to track down the real killer. ~ Michael Buening, Rovi

This trend-setting thriller put its director, Dario Argento, on the international map and began a flood of imitative mystery-horror hybrids which dominated Italian genre output in the early 1970s. Tony Musante, best known for the television series Toma, portrays an American who witnesses the murder of a woman at a trendy Rome art gallery. Before long, Musante finds himself targeted by a mysterious killer. Based on a story by Byron Edgar Wallace, Bird and hints at the flamboyance which would become Argento's trademark. This and Argento's subsequent two films Il Gatto a Nove Code and Quattro Mosche di Velluto Grigio were much less horror-oriented than his later work. ~ Robert Firsching, Rovi