Gregg Araki Movies
One of the angriest, most unconventional, and relentlessly intriguing voices in independent cinema, filmmaker
Gregg Araki emerged on the film scene with the subtlety of a gunshot to the head with
The Living End in 1992. His story of two HIV-positive gay lovers on a highway rampage quickly established him as one of the key figures in the "New Queer Cinema." The film reached out to many of society's more alienated members--gay and straight--who related to its energetic rage and identified with the anger of its principle characters.
Of Asian-American heritage, Araki is a native of Southern California. After attending film school at the University of Southern California--where he was particularly influenced by screwball comedies such as
Bringing Up Baby-- he made his directorial debut in 1987 with
Three Bewildered People in the Night. With a budget of only $5,000 and using a stationary camera, he told the story of a romance between a video artist, her lover and her homosexual friend. Two years later, Araki made a name for himself on the festival circuit with Long Weekend (o' Despair). Produced, directed, written, photographed and edited by Araki (for his own whimsically named Desperate Pictures Company), this very small-scale
Big Chill derivation involved a group of recent college graduates brooding over their futures during one woozy, boozy evening. Araki followed this modest effort with the aforementioned
The Living End (1992), which was shown in competition at Sundance.
Araki's next film,
Totally F***ed Up (1993), was one close to his heart. Filled with rage and decidedly anti-gay cinema sentiments, it chronicled the messed-up lives of six gay adolescents who have formed a family unit and are struggling to get along with each other and with life in the face of various major obstacles. Araki himself classified it as "A rag-tag story of the fag-and-dyke teen underground....A kinda cross between avant-garde experimental cinema and a queer
John Hughes flick." Whereas this film was subversive in its exploration of the youths' depression and negative attitudes toward homosexuality, Araki's fifth film,
The Doom Generation, was an all-out darkly comic assault on gay and straight audiences that brimmed with graphic violence, sledgehammer symbolism and relentless eroticism. While largely trashed by more conservative critics, the piece won a measure of respect in a number of circles.
Both
Totally F***ed Up and
The Doom Generation are part of Araki's so-called "teen apocalypse trilogy;" the final entry,
Nowhere (1997), was described by its director as "A Beverly Hills 90210 episode on acid." Centering on a group of bored, alienated Los Angeles adolescents who while away a typical day with kinky sex, drugs, and the requisite wild party, the film combined a distinct brand of nihilism with a candy-colored cheerfulness. This cheerfulness was a large feature of Araki's subsequent effort, the romantic comedy
Splendor. The story of a girl (
Kathleen Robertson) who cannot choose between two boys (
Johnathon Schaech and
Matt Keeslar) and so decides to live with them both,
Splendor was Araki's homage to his beloved screwball comedies. Hailed as the director's most optimistic film to date, it had its premiere at the 1999 Sundance Festival. ~ Hal Erickson, Rovi

- 2010
- NR
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Writer and director Gregg Araki revisits the day-glo universe of sex, drugs, and random perversity that informed his early films in this over-the-top dark comedy. Smith (Thomas Dekker) is an 18-year-old film student who is bisexual and has a ravenous erotic appetite; his best friend is Stella (Haley Bennett), who prefers the company of women but is just as enthusiastic about pursuing new lovers. Smith has been haunted by a series of recurring dreams featuring two beautiful women, one dark and enigmatic, the other similarly spectral with flaming red hair. This wouldn't bother him, except that the women from his dreams have begun appearing in real life -- Lorelei (Roxane Mesquida), Stella's new partner, is a magic aficionado who's a dead ringer for the dark-haired woman, and the red-haired girl (Nicole LaLiberte) is being pursued by a gang of masked assassins. Has Smith stumbled into a plot with possible world-changing consequences? Or is this all just the product of some hallucinogenic cookies he was served at a party? Kaboom received its world premiere at the 2010 Cannes Film Festival. ~ Mark Deming, Rovi
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- Starring:
- Thomas Dekker, Haley Bennett, (more)

- 2007
- R
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One woman's day goes all to pot in this resinous comedy from independent filmmaker Gregg Araki. Jane (Anna Faris) is a college dropout and aspiring actress who suffers from a certain lack of ambition, doubtless reinforced by her fondness for marijuana. One morning, Jane wakes with a busy day ahead of her -- she has a big audition, she has to pay the electric bill on her apartment to prevent the power from being shut off, and she needs to pick up some pot after paying her debt to her dealer -- and decides to take the edge off her anxieties by getting a little stoned. Under the influence, the cupcakes her roommate Steve (Danny Masterson) has made for his friends to enjoy at the weekend's Sci-Fi convention look too good to resist, and she gobbles them down. What Jane doesn't realize until it's too late is that the baked goods were laced with some especially strong marijuana, and what starts as a pleasant buzz turns into a world-class high that refuses to go away. As Jane struggles to make her way through the day, fate keeps throwing her into strange and surreal situations involving police officers, Steve's lovesick best friend, and a rare original manuscript of The Communist Manifesto. Smiley Face also stars Adam Brody, John Krasinski, Jane Lynch, Michael Hitchcock, John Cho and Roscoe Lee Browne. ~ Mark Deming, Rovi
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- Starring:
- Anna Faris, Roscoe Lee Browne, (more)

- 2004
- NR
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Two young men are haunted by similar events from their past, though the effects manifest themselves in very different ways, in this powerful drama from independent filmmaker Gregg Araki. In the summer of 1981, Brian (George Webster) and Neil (Chase Ellison) are both eight years old and playing on the same little league baseball team in a small Kansas town. One day, after a game, Brian blacks out after getting caught in a rainstorm, and five hours later he finds himself sitting in his basement with his nose bleeding and no memory of what happened to him. Over the years, the event -- particularly the missing five hours -- weigh heavily on his mind, and he becomes convinced that he was kidnapped by space aliens. Teenaged Brian (now played by Brady Corbet) becomes friends with Avalyn Friesen (Mary Lynn Rajskub), a woman who claims to have been abducted by aliens on several occasions, and she urges him to look to his dreams for patterns that might suggest what happened to him. Meanwhile, during the same summer, Neil developed a powerful crush on their little league coach (Bill Sage), who appeared to have also taken a shine to Neil. Neil's mother (Elisabeth Shue), seeing nothing wrong with their friendship, lets the coach look after Neil while she's off on one of her many dates, and before long Neil begins sexually experimenting with the older man. Neil's introduction to sex inspires him to become a hustler when he grows into his teens, and after burning his bridges in his hometown, Neil (now played by Joseph Gordon-Levitt) and his close friend Wendy (Michelle Trachtenberg) move to New York, where he continues to cruise for a living but under significantly more risky circumstances. One day, Neil is contacted by Brian, who after seeing one of their team photos from their days in little league suspects he might have some clues as to what happened to him in 1981. Mysterious Skin was based on the novel by Scott Heim, and marked the first time Gregg Araki made a film that did not originate with one of his own screenplays. ~ Mark Deming, Rovi
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- Starring:
- Brady Corbet, Joseph Gordon-Levitt, (more)

- 1999
- R
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A struggling actress forges an unusual family unit with two separate boyfriends in this romantic comedy from indie auteur Gregg Araki. Veronica (Kathleen Robertson) hasn't had a decent date for a year, but one Halloween she meets not one but two perfect guys: Zed (Matt Keeslar), a rock drummer who does her on the floor of a club bathroom after his show, and Abel (Johnathon Schaech), an affable rock critic and would-be novelist, who seems more interested in connecting with her soul than her private parts. Unable to lie to either guy about her attraction to both of them, Veronica soon convinces them to share her. Eventually, the unemployed Zed and the underemployed Abel even move in with her, resulting in kinky sex and domestic bliss. Trouble comes calling, however, in the form of an unplanned pregnancy -- and in the person of Ernest (Eric Mabius), an aptly named TV director, who gives Veronica her big break and the chance to play house and raise her child in a monied, more normal environment. Its soundtrack filled with the director's trademarked mixture of shoegazer drone and electronic bliss, Splendor premiered at Sundance in 1999. Araki's first outing after the completion of his "Teen Apocalypse Trilogy," the film reunited him with two actors who had appeared in that series: Schaech (The Doom Generation) and Robertson (Nowhere). Both of those earlier characters participated in unorthodox romantic tableaux similar to the one documented in Splendor. Robertson, in fact, would return to the world of the ménage à trois with 2002's XX/XY. Offscreen, the actress raised eyebrows after beginning a romance with her openly gay director. ~ Brian J. Dillard, Rovi
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- Starring:
- Kathleen Robertson, Johnathon Schaech, (more)

- 1997
- R
Described by director Gregg Araki as "A Beverly Hills 90210 episode on acid" (with no suggestions of what it might be cut with), Nowhere is a companion piece with Araki's previous meditations on youth gone wild in the 1990s, Totally F***ed Up and The Doom Generation -- Araki's self-described "teen apocalypse trilogy." Nowhere follows 18-year-old Dark Smith (James Duval) as he goes through a fairly typical day in Los Angeles. Dark needs, but rarely gets, emotional support from his girlfriend Mel (Rachel True). Mel, however, is also involved with a girl named Lucifer (Kathleen Robertson), while Dark moons over hunky Montgomery (Nathan Bexton). Dark's best friend Cowboy (Guillermo Diaz) has troubles of his own, as his boyfriend and bandmate Bart (Jeremy Jordan) is back on drugs and spending most of his time with his dealer. Mel's friends include sugar junkie Dingbat (Christina Applegate), doomsday poetess Alyssa (Jordan Ladd), and Egg (Sarah Lassez), who is being unexpectedly wooed by a Famous Teen Idol (Jason Simmons). Egg's brother Ducky (Scott Caan) has a crush on Alyssa, but she's keeping company with a biker named Elvis (Thyme Lewis). Alyssa's assignation with Elvis gets a psychic boost by her twin brother Shad (Ryan Phillippe) and his tryst with Lilith (Heather Graham). The day continues on a roller coaster of kinky sex, hallucinogenic drugs, random violence, romantic misunderstandings, alien abductions, and (of course) a wild party, this time at the home of noted hipster Jujyfruit (Gibby Haynes). Like The Doom Generation, Nowhere features a wealth of pop culture icons in cameo appearances, including John Ritter, Traci Lords, Charlotte Rae, Eve Plumb, and Shannen Doherty. ~ Mark Deming, Rovi
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- Starring:
- James Duval, Rachel True, (more)

- 1995
- R
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Billed as "a heterosexual movie by Gregg Araki," The Doom Generation is the director's self-styled bad-taste teen film. Amy Blue (Rose McGowan) is an obnoxious teenage speed freak and her boyfriend Jordan White (James Duval) is a passive, slow-witted poseur who won't have sex with her because he's terrified of AIDS (even though they both claim to be virgins). One day, they run across Xavier Red (Johnathon Schaech), a charming but enigmatic drifter who has a bad habit of killing people. Joining the young couple on a seemingly endless road trip, Xavier (or "X,"as the verbally challenged Jordan insists on calling him), proves a threatening and repulsive yet strangely alluring companion whose very presence raises issues of loyalty and sexual identity. The Doom Generation is dotted with a variety of eccentric cameo appearances, including comic Margaret Cho, actress Parker Posey, musician Perry Farrell, "Hollywood Madame" Heidi Fleiss, and onetime Brady Bunch star Christopher Knight. This is the middle installment in Araki's "teen apocalypse trilogy," which also includes 1993's Totally F***ed Up and 1997's Nowhere. ~ Mark Deming, Rovi
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- Starring:
- James Duval, Rose McGowan, (more)

- 1993
- NR
A group of gay and lesbian teen characters addresses the camera directly in this pseudo-documentary about the travails of queer adolescence in early-'90s Los Angeles. Andy (James Duval), who hides his sensitive side beneath a nihilistic exterior, really yearns to find a nice boyfriend and settle down the way his pal Steven (Gilbert Luna), an aspiring filmmaker, has with boyfriend Deric (Lance May). Meanwhile, their sex-crazed friend Tommy (Roko Belic) has been kicked out by his parents for being homosexual. The only seemingly carefree members of this adoptive family are Michele (Susan Behshid) and Patricia (Jenee Gill), a lesbian couple whose desire to raise a child together leads the boys to participate in a group sperm donation during one of the film's many scenes of these characters just hanging out and rapping about AIDS, fag-bashing, homophobia, and alienation. In-between polemicizing and posing in front of Steven's camera for interviews, Andy meets college student Ian (Alan Boyce), who seems, at least for a while, to be Mr. Right. Just as Andy and Ian's relationship begins to blossom, Steven and Deric's starts to fall apart, but nothing's for certain in director Gregg Araki's angst-ridden world. Framed as 15 vignettes, each one introduced by an ironic intertitle and many of them interspersed with graphic sexual and commercial images, Totally F***ed Up marked the end of Araki's no-budget phase; the glossy, gaudy Doom Generation would follow two years later. ~ Brian J. Dillard, All Movie Guide
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- Starring:
- James Duval, Roko Belic, (more)

- 1992
- R
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A gentle film critic hooks up with a violent drifter in this HIV-positive road movie, which marked the emergence of writer/director Gregg Araki into the art house mainstream. Jon (Craig Gilmore) has just learned he has the virus that causes AIDS. Still in a state of shock, he stumbles through his usual routine -- until he meets Luke (Mike Dytri), a hunky, gun-toting hitchhiker who has just stolen a car from a pair of homicidal lesbians and shot a trio of would-be gay bashers. Against his better judgment, Jon lets Luke stay at his place and soon finds himself drawn into the nihilistic stranger's world; it doesn't hurt that Luke is also HIV-positive and hot to get inside Jon's pants. Things take a Bonnie and Clyde turn when Luke kills a policeman. The pair go on the lam, first to San Francisco, then all over the western United States. Jon keeps his best friend, Darcy (Darcy Marta), apprised of his situation via a series of ever more infrequent collect calls. But as the road trip continues, Jon becomes increasingly disillusioned with Luke's belief that since they're doomed to die, they should lead consequence-free lives. Like Araki's later movies, The Living End is peppered with pop culture detritus and features a soundtrack heavy on industrial and alternative music -- in this case Psychic TV, Coil, and Fred Gianelli. Marta is a veteran of Araki's earlier Three Bewildered People in the Night, while several other cast members, including Gilmore, would go on to appear in the director's Totally F***ed Up. The Living End's many cameos include performance artist Johanna Went, Eating Raoul director Paul Bartel, Warhol associate Mary Woronov, and Peter Grame, star of the obscure European film Das Gluck Beim Haendewaschen. ~ Brian J. Dillard, Rovi
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- Starring:
- Mike Dytri, Craig Gilmore, (more)

- 1989
-
Independent filmmaker Gregg Araki has probably set a record for low budgets in this current feature The Long Weekend. It came in at around $5,000 and yet was shown in legit moviehouses to respectful (if not overwhelmingly positive) reviews. As with his other movies, the central characters in this one are gay, lesbian or bisexual, and the setting is in Los Angeles. The story concerns the efforts of angst-ridden gay man to cope with his bisexual lover's antics, and the parallel efforts of a lesbian woman to ditch her dimwitted girlfriend. ~ Clarke Fountain, Rovi
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- Starring:
- Bretton Vail

- 1987
-
The titular trio in Three Bewildered People in the Night is played by Darcy Marta, Mark Howell and John Lacques. Experimental filmmaker Gregg Araki follows the threesome -- aspiring artists all -- as they wander through the apartments, galleries and coffee shops of Greenwich Village. Their lives are complicated by their carnal urges, both homosexual and otherwise. A multiple award winner at the 1988 Locarno Film Festival, Three Bewildered People never received widespread distribution. ~ Hal Erickson, Rovi
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- Starring:
- Darcy Marta, Mark Howell, (more)

- 1978
-
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An Australian couple sets off on a weekend to the coast in this psychological thriller. Peter (John Hargreaves) and Marcia (Briony Behets) are at each other's throats from the moment they pull out of the driveway, as Peter sneaks his dog along for the weekend and Marcia is harboring anger about a recent tragedy the couple faced. As day turns into night and they have yet to reach their destination, Peter hits a kangaroo while falling asleep at the wheel. This sets in motion a chain of mysterious events, which starts with them leaving the beaten path and appearing to go in circles through the darkened thickets of trees -- even though they've driven straight ahead for hours. Upon eventually reaching their destination, the strange happenings continue, with animals behaving in unusual ways, and a persistent cry of anguish floating over the water, which sounds almost human. Peter and Marcia are determined to prove they can rough it, even as they start to wonder if they've gotten in over their head. They doggedly remain camped, despite mounting evidence that they don't understand the feral Australian woods as well as they think. ~ Derek Armstrong, Rovi
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- Starring:
- John Hargreaves, Briony Behets, (more)