Michael Apted Movies

Actor Robert De Niro started a production company to make films just like this one: stories which were unpopular with the establishment and which are unlikely to make a big splash at the box-office. Even so, this is a first-class production, and the filmmakers were the first to receive permission to film on the Pine Ridge (Sioux) Reservation in South Dakota, likely due to director Michael Apted's having previously made an accurate and sensitive documentary about Indian political prisoner Leonard Peltier's case, Incident at Oglala. The film did exactly as well as expected at the box-office but has since assumed greater importance as one of the tiny number of "mainstream" movies which faithfully and respectfully illuminate Native American issues. In the story, loosely based on the earlier documentary, Ray Levoi (Val Kilmer) is an ambitious up-and-coming FBI agent in the 1970s with great career prospects. The one thing he will not tolerate is any reference to his half-Indian heritage. As far as he is concerned, his loyalties and culture identify him with the government and his white mother. He is extremely touchy about anything to do with his father, who was an alcoholic full-blooded Sioux. However, the FBI wants to take advantage of his half-Indian blood to mend fences in a politically sensitive murder investigation, and it sends him exactly where he doesn't want to go. Further, he is widely advertised as being Indian, though he knows virtually nothing about his heritage and has renounced it to the best of his ability. Once on the reservation, he becomes deeply involved in a truly messy state of affairs and is drawn into situations where he is forced to confront his background, native spirituality, and the duplicity of the government and its allies within the tribe. Despite his consistent prickliness about his heritage, his heart is in the right place, and the reservation's sheriff (Graham Greene) and a wise spiritual elder (Chief Ted Thin Elk) patiently lead their unwilling FBI pupil on a soul-wrenching wild goose chase which paradoxically takes him straight to the heart of the matter. ~ Clarke Fountain, All Movie Guide

Produced and narrated by Robert Redford, the documentary Incident at Oglala is an examination of the murder case involving Leonard Peltier. Produced and narrated by Robert Redford, the documentary takes place in the Indian reservations of South Dakota near Wounded Knee, where U.S. soldiers massacred the native population (including Sioux Chief Sitting Bull) in 1890. On June 6, 1975, two FBI agents were killed in a village near Oglala, SD, and though many were charged with the crime, only Native American leader Leonard Peltier was convicted of murder. The case involves conflicting evidence that suggests he is an innocent victim. Director Michael Apted dealt with the same subject matter in his narrative film Thunderheart, starring Val Kilmer. ~ Andrea LeVasseur, All Movie Guide

A pair of lawyers must balance their professional principles (such as they are) against family loyalties in this courtroom drama. Jedediah Ward (Gene Hackman) is a leftist lawyer who has based his career on helping people avoid being taken for a ride by the rich and powerful; he's pursued principle at the expense of profit, though he has a bad habit of not following up on his clients after their cases are settled. Jed's daughter, Maggie (Mary Elizabeth Mastrantonio), has had a bad relationship with her father ever since she discovered that he was cheating on her mother, and while she also has made a career in law, she has taken a very different professional route by working for a high-powered corporate law firm and has adopted a conservative political agenda. Jed is hired to help field a lawsuit against a major auto manufacturer whose station wagons have a dangerous propensity to explode on impact, but while his research indicates he has an all but airtight case against them, the case becomes more complicated for him when he discovers that Maggie is representing the firm he's suing. ~ Mark Deming, All Movie Guide

Gorillas in the Mist is based on the autobiographical 1983 book by naturalist Dian Fossey. Before the book could be brought before the cameras, Fossey had been mysteriously killed; her death provides a logical, if somewhat ghoulish climax to the film. A Kentucky girl, Fossey (Sigourney Weaver) is inspired by famed anthropologist Louis Leakey (Ian Cuthbertson) to devote her life to the study of primates. Travelling into deepest Africa, Fossey becomes fascinated with the lives and habits of the rare mountain gorillas of the Ugandan wilderness. Studying them at close quarters, Fossey develops a means of communicating with the gorillas, and in so doing becomes obsessed with the beasts' well-being. She is so devoted to "her" mountain that she loses the opportunity for a romance with a National Geographic photographer (Bryan Brown). Appalled by the poaching of the gorillas for their skins, Fossey complains to the Ugandan government, which dismisses her by explaining that poaching is the only means by which some of the Ugandan natives can themselves survive. She refuses to accept this, and becomes a militant animal-rights activist, burning down the poachers' villages and even staging a mock execution of one of the offenders. ~ Hal Erickson, All Movie Guide

This is an enjoyable and often humorous documentary on the formation of Sting's new band and their first live performance in 1985. Filmed over a nine-day period, the musicians in the band are shown bantering in their usual repartee and quick come-backs as they rehearse for the big opening night. Interviews bring out their thoughts on music and performing, and there is even an impromptu appearance by Sting's son Jake, who was born on the second night of their opening concert. Both the music and the musicians are entertaining. ~ Eleanor Mannikka, All Movie Guide

While working on the BBC television documentary series The World in Action in 1963, director Michael Apted, in collaboration with Paul Almond, produced a feature-length study of 14 seven-year-old Britons. Titled 7 Up, the film drew its on-camera personnel from every part of the social strata. Apted and Almond invited the kids to expound extemporaneously upon their feelings, desires, and aspirations. Seven years later, the same 14 people were rounded up for Seven Times Seven, which brought their individual histories up to date. And so it went until 1991, with Apted, now working solo, updating his original 1963 documentary every seven years. In 1984, all existing chapters were bundled together into the British miniseries 28 Up. By far, the best of the updates, as well as the most optimistic, 28 Up was later boiled down to a 113-minute feature film. In both its series and featurized form, 28 Up is a fascinating social document; those who like cushioning themselves against disillusionment, however, are advised to bypass 35 Up (1991), wherein the 14 middle-aged subjects are a lot more fearful about their future than they'd even been before. ~ Hal Erickson, All Movie Guide

Tommy Lee Jones plays the title character in The River Rat. Released from prison after 13 years, Jones heads south to meet his hoydenish daughter Martha Plimpton for the first time. The father-daughter relationship flounders until Jones takes the girl on a long, bonding raft trip on the river. Both Jones and Plimpton become fugitives from justice when they run afoul of crooked parole-officer Brian Dennehy. Before the film's allotted 93 minutes have passed, Plimpton has proven time and again to be truly her father's daughter. It's a toss-up as to which is more enjoyable in River Rat, the film itself or the wall-to-wall musical score by Mike Post. Screenwriter Thomas Rickman was underwritten for his directorial debut by Robert Redford's Sundance Institute. ~ Hal Erickson, All Movie Guide

The romantic hurdles experienced by the teen set at a British school are juxtaposed with the same type of difficulties experienced by their elders in this pat, adolescent view of life and love by director Michael Apted for a British TV series called First Love. The English teacher (Alison Steadman) is in love with the gardener (Garry Cooper) and has her own problems to handle. Young Alan (John Albasiny) is in love with Ann (Abigail Cruttenden) and is hyperventilating over the fact that he will have to kiss her in the school play, in front of everyone. Alan and his best buddies are more or less focused on the nature of sex and how to get it and what to do from there, while Alan's hero the gardener may turn out to have feet of clay. In this standard TV fare, the young actors are not quite at the same par as the adults, making their antics less engaging than otherwise. ~ Eleanor Mannikka, All Movie Guide

Loretta Lynn was one of the first female superstars in country music and remains a defining presence within the genre; with her strong, clear, hard-country voice and tough, no-nonsense songs about husbands who cheat and wives who weren't about to be pushed around, Lynn introduced a feminist mindset to Nashville years before the phrase "women's liberation" became common currency. Coal Miner's Daughter is a screen adaptation of Lynn's autobiography, starring Sissy Spacek as Loretta Lynn. One of eight children born to Ted Webb (Levon Helm), a coal miner raising a family despite grinding poverty in Butcher's Holler, KY, Loretta married Dolittle "Mooney" Lynn (Tommy Lee Jones) when she was only 13 years old. A mother of four by the time she was 20, Lynn began singing the occasional song at local honky-tonks on weekends, and at 25, she cut (at Mooney's suggestion) a demo tape that earned her a deal with an independent record label. Loretta and Mooney's tireless promotion of the record (including a long road trip through the south in which they stopped at every country radio station they could find) paid off -- Loretta's first single, "Honky Tonk Girl," hit the charts and earned her a spot on the Grand Ole Opry. Stardom called and Loretta never looked back, but success brought with it both joy (a long string of hit records and sold-out concerts and a close friendship with Patsy Cline) and sorrow (a nervous breakdown brought on by overwork and a great deal of stress to a marriage that endured -- but just barely). Sissy Spacek won an Academy award for her vivid, thoroughly natural performance as Loretta (she also did her own singing), and Levon Helm (drummer for the legendary rock group the Band) made an impressive screen debut as her father. Ernest Tubb makes a cameo appearance as himself. ~ Mark Deming, All Movie Guide

What happened when best-selling mystery novelist Agatha Christie disappeared for 11 days back in 1926? The British Agatha "answers" that question. Vanessa Redgrave is cast as Ms. Christie, who vanished from her home not long after her husband (Timothy Dalton) informed her that he was leaving her. Nearly two weeks later, after being the subject of a nationwide search, Christie showed up none the worse for wear at a health spa in Yorkshire, insisting that she could remember nothing of her experiences during her disappearance. According to scriptwriters Kathleen Tynan and Arthur Hopcraft, Christie was located before her return by American reporter Wally Stanton (an uncomfortable-looking Dustin Hoffman), after enjoying a brief romantic fling with the authoress. The journalist decided to keep his discovery a secret. Another plot wrinkle concerns Christie's plan for revenge against her errant husband -- a scheme with all the earmarks of a Miss Marple or Poirot whodunit. Agatha represented former TV director Michael Apted's matriculation to A-pictures with major stars; he fared better with his subsequent endeavor, Coal Miner's Daughter (1980). ~ Hal Erickson, All Movie Guide

Stardust was the sequel to That'll be the Day, a 1973 film à clef about the rise of a Beatles-like rock group. Real-life rock star David Essex plays singer Jim Maclaine (read: John Lennon), whose sudden rise to fame has enriched him beyond his wildest dreams. His perspective and sense of values skewered by sex, drugs, and booze, Maclaine becomes little more than a singing cipher, outwardly successful but hollow inside. Ironically, Keith Moon of the Who, whose own life paralleled the fictional Maclaine's in many ways, appears in a supporting role. Dave Edmunds, who appears in as Alex, co-wrote the film's pulsating musical score with Lord David Puttnam (the film's producer). ~ Hal Erickson, All Movie Guide