Oscar Apfel Movies

Conquest was released in England as Marie Waleska, the name of the real-life historical personage portrayed by Greta Garbo. The film begins in 1807, when Marie, a Polish countess, is dispatched by her country to meet with Emperor Napoleon Bonaparte (Charles Boyer). Marie has been encouraged to press for Polish independence by whatever means possible--and though no one comes out and says as much, it is understood that she will offer herself sexually to the promiscuous Napoleon. She dutifully becomes Bonaparte's mistress, bears his child, and--almost as an afterthought--falls in love with him. Thanks to the political chicanery of Talleyrand (Reginald Owen), Napoleon is obliged to marry Hapsburg princess Marie Louise, and Marie is cast aside, her usefulness at an end. Only after Napoleon has been exiled to Elba in 1815 is he reunited with Marie and their son (Scotty Beckett). Though it stands up pretty well today, Conquest was a flop in 1937, and the beginning of the end of Garbo's screen career. ~ Hal Erickson, All Movie Guide

Allegedly based on two factual works, Bouck White's The Book of Daniel Drew and Matthew Josephson's The Robber Barons, RKO's The Toast of New York is a largely fanciful account of the career of 1870s financier "Jubilee Jim" Fisk. As played by Edward Arnold in his usual "tycoon" mode, Fisk was a likable scoundrel who finagled his way into the upper rungs of Wall Street as much for fun as for profit. The film conveniently ignores Fisk's involvement with the infamous Tweed Ring, and skims over his complicity in 1869's "Black Friday," one of the most disastrous events in American economic history. We are also offered a sanitized version of Fisk's notorious mistress Josie Mansfield, who as played by Frances Farmer is an apple-cheeked lass who regards Fisk only as a loyal friend. Cary Grant is along for the ride as "Nick Boyd," a thinly disguised version of Fisk's actual partner in crime Ned Stokes. Too costly to post a profit, Toast of New York is nonetheless fine non-think entertainment, kept alive by a superb supporting cast ranging from Donald Meek as Daniel Drew and Clarence Kolb as Cornelius Vanderbilt to such bit players as Laurel & Hardy perennial James Finlayson, who plays the inventor of a self-tipping hat! ~ Hal Erickson, All Movie Guide

Don Ameche is called upon to testify in his married friends' divorce case. Unwilling to take sides, he skips town and hides out at a country inn. A young girl (Ann Sothern) stumbles into Ameche's rural hideaway; she thinks he's an escaped gangster, while he thinks she's a process server. The local sheriff (John Qualen), who also believes Ameche is a gangster, converges on the inn during a snowstorm. Trapped inside by the snow and by the deputies, Ameche and Sothern fall in love. The real gangster (Douglas Fowley) is captured and there's smiles all around at "The End" time. ~ Hal Erickson, All Movie Guide

Test pilot Brian Donlevy works for a major aircraft plant where a hush-hush project is in progress. Peter Lorre is a deceptively shy plant technician who is actually the head of a foreign spy ring. Eager to get his hands on the plans of a new, secret aircraft, Lorre bribes Donlevy to help him steal the blueprints. Donlevy agrees, and the theft is carried out. But while the conspirators are making their escape by airplane, the plane develops motor trouble and crashes--exactly the intention of Donlevy, who isn't as dishonest as he seems. Crack-Up isn't very deep, but Peter Lorre plays his limited role with a refreshing sense of sardonic humor. ~ Hal Erickson, All Movie Guide

In this adventure set in Cairo, two foreign correspondents are assigned to investigate a ring of arms smugglers. One of them gets involved with a gangster who mistakes him for another crook and ends up joining the Foreign Legion. As he tries to fulfill his obligation, he finds himself battling with fierce desert warriors. ~ Sandra Brennan, All Movie Guide

The cinematic saga of The Jones Family began modestly in 1936 with Every Saturday Night. Jed Prouty and Spring Byington star as Ma and Pa Jones, with June Lang, Kenneth Howell, George Ernest, June Carlson and William Mahan as the five Jones kids and Florence Roberts as feisty Granny Jones. In this entry, the scattershot storyline concerns Bonnie Jones' (June Lang) efforts to become a movie star, Jack Jones' (Kenneth Howell) attempts to buy a car, and Bobby Jones (William Mahan) sets up his own junior "loan office." When the film was first previewed, the family's name was Evers, but this was changed at the very last minute. Based on a story by Katherine Kavanaugh, Every Saturday Night was successful enough to spawn 16 additional "Jones Family" epics between 1936 and 1940, few of which have ever been shown on television. ~ Hal Erickson, All Movie Guide

The title may be Bridge of Sighs, but don't expect any location shots of Venice in this Invincible Studios cheapie. Heroine Dorothy Tree tries to protect her brother by confessing to a murder that her sibling might have committed. DA Onslow Stevens is prepared to prosecute to the fullest extent of the law, until he senses that Tree is hiding something. Stevens turns amateur sleuth to ferret out the truth. Jack LaRue is around and about to provide his usual sneering menace. ~ Hal Erickson, All Movie Guide

The MGM historical "spectacular" San Francisco was allegedly based on a three-sentence synopsis, submitted verbally to producer B.F. Zeidman by studio troubleshooter Bob Hopkins. The story begins on the Barbary Coast on New Year's Eve, 1906, as rakish but likeable political boss Blackie Norton (Clark Gable) hires demure young singer Mary Blake (Jeanette MacDonald) to perform at his rowdy Paradise gambling house. Local priest Father Mullin (Spencer Tracy), Blackie's best friend, disapproves of the exploitation of the lovely Mary, feeling that she's suited for classier surroundings. Jack Hurley (Jack Holt), Nob Hill socialite and Blackie's political rival, agrees with Father Mullin and offers the girl the opportunity to sing with the San Francisco Opera. Blackie, who's fallen in love with Mary but won't admit it to himself, jealously holds on to her contract, forcing Mary to walk out on him. For the rest of the film, Mary is torn between the "respectable" lifestyle offered her by Hurley and the baser creature comforts provided by Blackie. It looks for a while that Hurley has won out, but fate takes a hand in the form of the devastating San Francisco Earthquake of April 18, 1906 (a special effects tour de force for art directors Arnold Gillespie and his uncredited associate James Basevi). Hurley is killed in the holocaust, while Blackie, desperately searching for Mary in the rubble, at long last finds religion and prays to God for his sweetheart's salvation. At the end, an unidentified bit player shouts defiantly "We'll build a new San Francisco!" -- and by golly, they do! The Hollywood censors were not so much bothered by the sexual subtext of San Francisco or its harrowing earthquake finale as they were by a scene in which Father Mullin is knocked down by an unrepentant Blackie. To "purify" this potentially blasphemous sequence, screenwriter Anita Loos quickly added an earlier scene in which Mullin and Blackie, both dressed in turtleneck sweaters, genially duke it out at an exercise gym, whereupon the priest cold-cocks Blackie with the greatest of ease. By establishing that Mullin could have punched out Blackie, but chooses not to in the controversial later scene, not only allows that scene to pass, but also strengthened the priest's character. San Francisco proved to be one of MGM's biggest hits, remaining in almost constant reissue for the next three decades. ~ Hal Erickson, All Movie Guide

Based on Danny Ahearn's short story "Back in Circulation", Republic's Bulldog Edition stars Ray Walker as Ken Dwyer, two-fisted circulation manager for a great metropolitan newspaper. Though Dwyer's methods always attract customers, they are also the bane of the existence of dyspeptic managing editor Hardy (Regis Toomey). In addition, Dwyer and Hardy continually duke it out over the affections of staff cartoonist Randy (Evelyn Knapp). The story proper gets under way when Dwyer takes on a rival newspaper whose editor is in cahoots with gangster boss Enright (Cy Kendall). One thing leads to another, and before long Randy is kidnapped by the villains, necessitating an oversized shoot-out climax. From its impressive opening titles to its explosive finale, Bulldog Edition is four-star entertainment. ~ Hal Erickson, All Movie Guide

And Sudden Death was inspired by a Reader's Digest article by Theodore Reeves, which later became one of the magazine's most oft-reprinted essays. The original was a Grand Guignol affair, cataloguing in grisly detail the consequences of reckless driving. The film version avoids this approach, opting instead for a plotline closely resembling Cecil B. DeMille's Manslaughter. Randolph Scott heads the cast as dedicated motor policeman James Knox, who sees to it that Betty Winslow (Frances Drake) is sent to jail for vehicular homicide. But there's something about the case that's not quite right, so Knox conducts an investigation of his own. Sure enough, he finally discovers that Betty was actually taking the rap for her alcoholic younger brother Jackie (Tom Brown). Only by making the supreme sacrifice is Jackie able to absolve himself of his sins. ~ Hal Erickson, All Movie Guide

This amusing lampoon of low-budget filmmaking is set in motion when fly-by-night entrepreneur Bradley Page talks small-towner Mrs. Bent (Betty Alden) into financing a movie. Mrs. Bent's shiftless brother Willie Barton (Wallace Ford) is appointed director of the film, which turns out to be a big-time bomb. The day is saved when the film, a "serious" desert melodrama, is re-edited as a slapstick comedy. The winner in this instance is Mrs. Bent's long-suffering husband (Oscar Apfel), who'd wanted all along to invest his wife's money in the nut farm of the title. Based on a 1929 play by John C. Brownell, The Nut Farm is an interesting precursor to such later moviemaking satires as After the Fox and Sweet Liberty. ~ Hal Erickson, All Movie Guide

In this drama, a hard working printer gets wanderlust, leaves his wife and family, and hits the road. Ten years pass. His wife has become a prominent citizen and runs a big newspaper. He returns, impoverished, and though bitter, she gives him a job as her house servant so he can be near his daughters. Meanwhile, she is being harassed by local mobsters who wreck her printing press to put her out of business. Her estranged husband saves the day, by operating a hand press to help her put out a special edition. Sparks begin to fly, and she comes to forgive him. ~ Sandra Brennan, All Movie Guide

The Istanbul Express provides the setting for this crime drama that centers around a courier carrying the priceless Karenina diamonds to Paris. While aboard the speeding train, the courier finds himself beleagured by different jewel thieves attempting to steal his gems. A murder occurs and one of the thieves gets arrested. The courier ends up marrying the female thief. ~ Sandra Brennan, All Movie Guide