Mikel Angel Movies

An interesting bit of casting enlivens this psycho-thriller set in a California boarding house run by eccentric Karen Black with a rogue's gallery of bizarre tenants and more dark secrets than the Bates Motel. Tenants have a habit of disappearing rather abruptly from this particular residence -- but not without first signing over their Social Security checks to the landlady, netting her a tidy fortune. This leads to the inevitable visit from a federal agent (Arte Johnson), who begins an investigation into Black's shady affairs, and uncovers the true identity of the killer. Despite presenting Black as a blatant red herring from the outset, the filmmakers manage to provide a few interesting twists, though they eventually stray a bit too deeply into Psycho turf. A cast full of familiar faces (including Virginia Mayo, Martine Beswick and Michael Berryman) tends to counterbalance the occasional moments of sleaziness, but there is little originality to distinguish the film from standard slasher fare. ~ Cavett Binion, All Movie Guide

A string of murders in a posh neighborhood has the police department stumped and the local press is breathing down their necks. Strangely, nobody notices that several victims share the same gardener, a bent, elderly man with a crippled arm named Caleb. Even though all of the murder weapons are lawn care tools, Caleb remains above suspicion. Of course, it isn't Caleb doing the killing, but rather his second personality, a confident, handsome younger brother named Lester who Caleb turns into when he dons a toupee. That's when he seduces and then slashes his employers, most of whom heap insults and derision upon Caleb as he works. Lester dons a variety of disguises to "gain entry," employing false accents and charming patter to bed down his victims. The two personalities battle when alone, though, and one of them will eventually have to overcome the other. ~ Fred Beldin, All Movie Guide

After being blacklisted from Hollywood for 21 years, writer/director Abraham Polonsky made a healthy comeback with Tell Them Willie Boy is Here. The title character, played by Robert Blake, is a Paiute Indian living in 1909 California. After several years in the White Man's world, Willie Boy returns to his reservation, hoping to renew his romance with tribeswoman Lola (Katherine Ross). Old Mike (Mike Angel), Lola's father, strongly disapproves of her relationship with Willie Boy and attacks the youth. Acting in self defense, Willie Boy kills Old Mike. Under tribal rules, Willie Boy is now permitted to claim Lola as his woman. But white lawman Christopher Cooper (Robert Redford) is forced to charge Willie Boy with murder. The Indian and his girl escape the reservation, pursued by the essentially decent Cooper and a less-than-decent crowd of white vigilantes. What begins as comparative minor incident, snowballs into a huge political crisis, with the bewildered but defiant Willie Boy as the catalyst. Tell Them Willie Boy is Here is distinguished by the fine performances of leading players Redford, Blake, Ross and Susan Clark, and by the haunting cinematography of Conrad Hall. ~ Hal Erickson, All Movie Guide

A cinematic take on a 1960s best-seller, Valley of the Dolls traces the ups and downs of three young women as fame, booze, pills, and men consume their lives. Well-bred, small-town Anne Welles (Peyton Place star Barbara Parkins) arrives in New York eager for fame but settles for a job assisting theatrical attorney Henry Bellamy (Robert H. Harris). The job leads her to cross paths with Helen Lawson (Hollywood veteran Susan Hayward), the grand dame of Broadway musicals, and Neely O'Hara (sitcom star Patty Duke), an up-and-coming performer whom Lawson unceremoniously boots from her latest show. Neely lands on her feet thanks to a series of nightclub gigs, and soon she and Anne befriend Jennifer North (Sharon Tate), a buxom starlet. As Neely becomes a huge star of stage and screen and Jennifer appears topless in a string of European "art" films, Anne becomes a wealthy cosmetics spokeswoman and suffers though a passionate but failed affair with aspiring writer Lyon Burke (Paul Burke). As the pressures of fame and failed romance take their toll on all three women, they take refuge in food, sex, liquor, and pills -- especially Neely, who becomes downright monstrous (the titular "dolls" are the uppers and downers to which she becomes hopelessly addicted). Although the film's characters are fictitious composites, Neely most closely resembles Judy Garland; Garland herself was originally cast as Lawson, but she was replaced after only a few days by Hayward. Although the film's trailer played up the story's titillating subject matter, the script for Valley of the Dolls actually toned down Jacqueline Susann's novel. And despite the fact that Dionne Warwick can be heard singing "(Theme From) The Valley of the Dolls" twice during the film, contractual snags kept her from releasing the soundtrack version; a different arrangement later became a number two pop hit in 1968. ~ Brian J. Dillard, All Movie Guide

Onetime juvenile star Bobby Diamond (remember him in Fury?) produced and starred in this patriotic quickie. Diamond plays a rural youth who joins the paratrooper training school at Fort Bragg. His city-bred colleagues have a great deal of fun at Bobby's expense during training. But when the trainees actually get into the air, it is Our Hero who shows everyone else up. James Landis produced and wrote Airborne, which is highlighted by the expertly lensed parachute-drop photography of Larry Raimond. ~ Hal Erickson, All Movie Guide