Luana Anders Movies

Maverick writer-director Walter Hill's version of the famous Wild Bill Hickok legend is a dreamscape western that is told entirely in flashback. Hickok's friend Charley Prince (John Hurt) narrates the events of Wild Bill's life while sitting at Bill's graveside. Hickok is played by Jeff Bridges as a mean, high-spirited, but gallant outlaw. He wanders the West, adding to his reputation with some well-chosen gunfights, and he meets up with characters such as Calamity Jane (Ellen Barkin), who becomes his sidekick for a time. After becoming a legend, Hickok signs up for a stint with Buffalo Bill Cody's traveling variety show. Eventually, he falls in love with Susannah Moore (Diane Lane), and his love leads him to tragedy in the town of Deadwood, SD. ~ Michael Betzold, All Movie Guide

An escaped convict fights for his rights while hiding out from the law in this action drama. Sam Gillen (Jean-Claude Van Damme) is a thief who, despite his criminal past, is an essentially decent man; he ended up behind bars after taking a murder rap for his partner. Sam escapes from prison in a daring jailbreak, and he hides out on a remote farm while on the run from police. A young boy named Mookie (Kieran Culkin) finds the fugitive and takes him in; it seems that the farm belongs to his mother Clydie (Roseanna Arquette), and soon Mookie and his sister Bree (Tiffany Taubman) have become friends with Sam, and Clydie and Sam fall in love. However, Franklin Hale (Joss Ackland), an unscrupulous land developer, wants to buy Clydie's farm and isn't taking no for an answer. When Hale's thug Dunston (Ted Levine) tries to use force to drive Clydie off her property, Sam is ready to fight fire with fire. Nowhere to Run was co-authored by noted screenwriter Joe Eszterhas; Richard Marquand received his story credit posthumously. ~ Mark Deming, All Movie Guide

Following an temporary insanity acquittal of her daughter's rapist and murderer, a mother goes after the criminal. ~ All Movie Guide

The two-part, four-hour TV movie Switched at Birth is based on an actual event which began unfolding in Wauchula, Florida in 1978. Brian Kerwin and Judith Hoag play the new parents of a baby girl; a few days later, another couple, played by John M. Jackson and Bonnie Bedelia, have a baby at the same hospital. Kerwin and Hoag's baby is healthy; Jackson and Bedelia's baby has a heart defect. Switched at Birth traces the lives of the two girls over a period of eight years--up to the point of a tragedy which opens the possibility that the girls may not have been given over to the correct parents at the hospital. The four parents involved find themselves in court, battling over custody of the surviving child. This intensely personal problem is bloated into a cause celebre by the press and by parents' rights pressure groups. Edward Asner and Caroline McWilliams appear as the opposing attorneys. Those who'd been following the two-part Switched at Birth during its first telecast in April of 1991 may have found themselves in family conflicts of their own, inasmuch as Part Two was shown opposite the network TV premiere of Die Hard. ~ Hal Erickson, All Movie Guide

The Two Jakes is the much-delayed and rather convoluted sequel to the 1975 classic Chinatown. Released in 1990 after an abortive stab at shooting that began in the mid-'80s, the film was the subject of a creative feud between its principals, star Jack Nicholson, producer Robert Evans, and screenwriter Robert Towne. Private eye Jake Gittes (Jack Nicholson) is a middle-aged war hero, paunchy, snobbish about his golf game, and about to marry a lovely and much younger woman. Then a fleeting reference to a woman he once loved that he heard on a wire recording plunges him into a past he has tried to escape. It comes while he was spying on a philandering wife (Meg Tilly) and her paramour in her motel room for her husband, Jake Berman (Harvey Keitel). Then Berman shocks Gittes when he shoots his wife's lover. Gittes is doubly stunned when he learns that Berman was partners with the dead man in a subdivision that may contain huge oil deposits. So now Gittes wonders, was it justifiable homicide or murder? The answer lies in the wife (Madeleine Stowe) of the dead man, her shady oil baron friend (Richard Farnsworth), and in the past he has tried to avoid. ~ Nick Sambides, Jr., All Movie Guide

A young Ohio man moves to Los Angeles in search of a career and a girlfriend in this romantic comedy, whose action centers on the '80s singles scene. Eddy (David Packer) heads to California after his cousin, Skip (Scott McGinnis), promises him a job in the ad biz, but Eddy ends up with the unenviable task of handing out flyers on the beach. Turning his focus from the professional to the romantic, Eddy joins a video dating service and endures a series of inaccurate match-ups that drive him to adopt wilder and wilder guises for his video ads. Along the way, he meets Peggy Kellogg (Bridget Fonda), an employee of the dating service, but she's always got her boyfriend on her arm. Frustrated over Peggy's inaccessibility and the dead-end job he's unfairly been stuck with, Eddy finally decides to take a gamble -- to be himself in the yuppie fantasia of L.A. The soundtrack to You Can't Hurry Love features singer Phil Collins' cover of the '60s song from which the film takes its name. Kristy McNichol, Charles Grodin, and Sally Kellerman all appear in cameo roles. Kellerman previously appeared in writer/director Richard Martini's previous outing as a screenwriter, Three for the Road. ~ Brian J. Dillard, All Movie Guide

The "movers and shakers" in this weak comedy limned by Charles Grodin do not refer to a religious sect, but the big-wigs in Hollywood who determine how the next many millions are to be spent. Two parallel stories occupy center stage. On the one hand, Joe Mulholland (Walter Matthau) has made a promise to a dying producer that he would put together a film on "Love in Sex." The problem is that there is no script to go with that title -- a minor hurdle by Hollywood standards. On the other hand, Herb Derman (Grodin) is hired to make up the story, but he is neck-deep in marriage woes and will have a hard time holding down his personal life long enough to write. Mixed into both of these tales are parodies of behind-the-scenes Hollywood at its worst. These scenarios are helped along by a fine cast of actors and actresses. ~ Eleanor Mannikka, All Movie Guide

In 1982, there was a brief cycle of homosexual-relationship films, none of which were successful enough to form the basis of a trend. Producer/director/writer Robert Towne's Personal Best is one of the finest. It stars Mariel Hemingway and Patrice Donnelly as athletes participating in the 1980 Olympics. Growing ever closer during the training process, Chris (Hemingway) and Tory (Donnelly) fall in love. Up to this point, Chris has been "straight," thus has trouble sustaining the relationship with older Tory. Their relationship is counterbalanced with the attitudes held by their male coach, Terry (Scott Glenn). While the homosexual element of the film is secondary to the endless shots of athletes in training, the critics latched on to the film's romantic angle, which may have sabotaged its chances for box-office success (the world was a different place in 1982). Personal Best was the directorial debut for Robert Towne, who was not to direct another film until 1987's Tequila Sunrise. ~ Hal Erickson, All Movie Guide

Just before the Christmas vacation, Walnut Grove is threatened by a driving snowstorm. Schoolteacher Miss Beadle (Charlotte Stewart) decides to let her students go home earlier than usual so that they can avoid the impending blizzard; only the Oleson children remain behind to help their teacher clean the schoolroom. Alas, the storm is more violent than anyone could have expected -- and when the homebound children are lost and the Oleson youngsters come down with frostbite, the outraged citizens hold poor Miss Beadle responsible. ~ Hal Erickson, All Movie Guide

A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie Hawn) and mistress Felicia (Lee Grant), not to mention Felicia's daughter (Carrie Fisher), he meets Felicia's husband Lester (Jack Warden) to get money for the salon and discovers that his beloved ex-girlfriend Jackie (Julie Christie) is now Lester's mistress. Lester asks George to escort Jackie to a banquet for Nixon supporters, leading to a series of climactic confrontations at the dinner and a Hollywood orgy that expose the conflicting demands of sex, love, and security among these terminally narcissistic L.A. denizens. As Nixon's victory speech drones in the background the following day and Paul Simon's mournful '60s music plays on the soundtrack, George's free-wheeling world collapses around him for reasons that he can barely begin to comprehend. Produced and co-written (with Chinatown scribe Robert Towne) by its star Warren Beatty, Shampoo became Beatty's second critical and popular success as a producer after Bonnie and Clyde, and it bolstered Hal Ashby's track record as director. Shampoo earned Grant an Oscar for Best Supporting Actress, as well as a Supporting Actor nomination for Warden and Beatty's first nomination as writer. With Nixon's 1974 Watergate disgrace adding an extra edge to the humor for 1975 audiences, this tragic bedroom farce became one of the highest-grossing films in Columbia Pictures' history at the time. ~ Lucia Bozzola, All Movie Guide

This genuinely perverse horror film stars John Savage as a young man forced to participate in the beachfront gang rape of Sue Bernard by his nasty friends. After two years in jail, he returns to the boardinghouse run by his mother (Ann Sothern), who does things like kissing him on the mouth and photographing him in the shower. Before long, he freaks out and strangles a cat while peeping at a new tenant (Cindy Williams), then almost drowns the poor girl in the pool before slashing her panties with a razor and choking her in the bathtub. He forces Bernard's car off a cliff, then makes his lawyer (Ruth Roman) drink herself stupid at knifepoint before setting her on fire. Savage and Sothern are fabulous and Luana Anders is creepy as the librarian next door who keeps trying to seduce the disturbed man. Quite a twisted little chiller, with several priceless bizarre moments like a dream sequence featuring a diapered Savage in a crib on the beach surrounded by laughing neighbors. The ubiquitous Gary Graver did 2nd unit photography. ~ Robert Firsching, All Movie Guide

In Greaser's Palace, Alan Arbus plays a zoot-suited character named Jesse, who is not only a Christlike figure, he is Christ. En route to Jerusalem, where he hopes to find work as a "singer-dancer-actor," Jesse finds himself in a dusty western town. At first, he is targeted for extermination by town boss Seaweedhead Greaser (Albert Henderson) but all this changes when he brings Greaser's son Lamy (Michael Sullivan) back from the dead. Jesse's healing powers lead to all sorts of wacked-out complications and, inevitably, a bizarre confrontation with the town looney, exotic dancer Cholera (Luana Anders). A very young Robert Downey Jr. (the son of the director) appears as a Quasimodo-like child. ~ Hal Erickson, All Movie Guide

Overlooked when it first aired February 18, 1972, the made-for-TV Evil Roy Slade has gained a loyal and protective cult following in the past 20 years. The film was the second pilot for a never-sold TV western spoof created by Garry Marshall and Jerry Belson, Sheriff Who?. Actually, it was the second and third pilot, since Evil Roy Slade has been cobbled together from two hour-long films. John Astin is terrific in the title role, playing an outlaw so repulsive that, when he was orphaned and left stranded in the desert as a baby, even the wolves didn't want him! As an adult, Evil Roy Slade can't resist "going the extra mile" in his nastiness: while robbing a bank, he stops to pilfer a fountain pen chained to one of the desks, and the next shot shows Slade riding off into the sunset, dragging the desk behind him. Attempting to reform for the sake of pretty schoolmarm Betsy Potter (Pamela Austin), Slade simply cannot curb his crooked tendencies, so it's up to Dick Shawn as singing Sheriff Bing Bell ("Will somebody please answer that door?") to bring the criminal to justice. Shawn previously appeared in the original 1967 Sheriff Who? pilot as the "fastest interior decorator in the West"; in both films, he's almost unbearably funny. The Marshall/Belson script is full of hilarious running gags and throwaway jokes. Our favorite bit concerns railroad magnate Mickey Rooney's legendary stubby index finger: "They still sing about it around campfires at night," claims Rooney--and indeed, they do. The supporting cast includes such never-fail laughgetters as Milton Berle, Henry Gibson, Dom DeLuise and Edie Adams; also, keep a lookout for John Ritter and Penny Marshall in unbilled bits. ~ Hal Erickson, All Movie Guide