Alan Amiel Movies

Exploitation king Fred Olen Ray was well entrenched in his "Erotic Thriller" phase (typified by films like Inner Sanctum) when he turned out this oddball mix of salacious schemes and demonic possession. When creatively blocked horror writer Howard (Ted Prior) buys an oversized jar containing a silly-looking pickled monster from a tiny shop in Chinatown, he quickly falls under the thing's supernatural influence. Not only can he churn out reams of manuscript pages like never before, he also becomes more sexually aggressive -- a change which troubles his reserved wife Peggy (statuesque Sandahl Bergman), particularly after the arrival of sexy blonde live-in secretary Carol (Shannon Tweed, whose presence had become ubiquitous in films of this kind). The plot thickens when we learn that Carol is also conspiring with her partner Murray (Frank Sivero), Howard's greedy agent, to steal his manuscript. Carol soon becomes the puppet of the thing in the jar as well, playing violent sexual games with the couple, terrorizing Peggy at every turn, and ultimately turning on Murray -- leading to a hyper-violent climax which has nearly every character blasting away at his/her co-conspirator with automatic weaponry. Despite the heftier financial backing of Columbia Home Video, this is still exploitation in the classic Ray tradition, filled with the usual bucketloads of nudity and kinky sex, and featuring cameos from such familiar B-movie faces as Ray Silva and Turhan Bey, as well as Kato Kaelin as a busboy in the restaurant scene with Bey. ~ Cavett Binion, All Movie Guide

Policeman-turned-trucker Travis Blackstone (Lorenzo Lamas) is forced to use almost all of his exceptional martial arts skills after his screw-up brother Franklin (Hank Cheyne) begs him to return a fortune in embezzled money from the ruthless Mr. Chang's (Joe Son) money-laundering bank. The hard-driving, ham-fisted action begins when Travis learns that while Franklin claims he only swiped a few hundred thousand bucks, in reality his brother siphoned off five million and invested it in a bogus real estate operation. The decoy money is stashed in a trash can, but before Travis can get it, his own girlfriend sells out to Chang who immediately sets off for bloody revenge. ~ Sandra Brennan, All Movie Guide

Three stalwarts of made-for-TV productions -- Harry Hamlin, Michael Ironside, and Steve Railsback -- team up for this erotic thriller. Hamlin plays a mild-mannered accountant who takes up with an intriguing stranger (Lysette Anthony), who happens to harbor multiple personalities: seductress, prude, and saint. ~ Michael Hastings, All Movie Guide

An invalid suspects that her husband and her sultry new nurse are plotting to do away with her. ~ Jason Ankeny, All Movie Guide

A surprisingly slick flick from Emperor of Exploitation Fred Olen Ray, the story (which Ray co-wrote with T.L. Lankford, borrowing heavily from the director's earlier Biohazard) begins when a satellite carrying top-secret bio-engineered mutants plummets to Earth and disgorges its slavering contents in a scrap-yard outside Los Angeles. Hot on the beast's slimy trail are a pair of L.A. cops (Russ Meyer-veteran Charles Napier and the miscast Ann Turkel), who butt heads with their chief (Bo Svenson), the military, and the scientists who bred the monster -- until the inevitable confrontation, which features a no-holds-barred grudge match between the toothy slime-demon and a chainsaw-wielding Napier. Campy, fun performances by the talented leads (especially Julie Newmar as a psychic who assists the investigation) elevate this material far beyond the limitations of its hoary premise and Alien-esque monster. ~ Cavett Binion, All Movie Guide

Shiro Tanaka (kick-boxer star, Sho Kosugi) stars as a drug agent who seeks revenge against the drug-world bad guys who've murdered his partner. He's off to Buenos Aires to catch up with the no-good murderers and set the record straight. ~ All Movie Guide

Meant to be a parody of the martial arts genre, this weakly plotted story centers around a kidnapping in Manila engineered by two terrorists to obtain the release of a political prisoner in the Middle East. In order to save the busload of tourists that are being held hostage, the U.S. Embassy summons three international agents: Spike Shinobi (Sho Kasugi) who, inspired by Kojak (Telly Savalas' TV detective), puts a lollipop in his mouth in-between fights, Steven Gordon (Brent Huff), and Jennifer Barnes (Emilia Lesniak). The trio are up against the deranged German Alby the Cruel (Blackie Dammett) and the sadistic lesbian Honey Hump (Regina Richardson), the terrorists holding the tourists. Wild exaggeration in-between the karate action is meant to bring humor to the proceedings. ~ Eleanor Mannikka, All Movie Guide

In this slick exploitation, martial arts fantasy from schlockmeisters Menahem Golan and Yoram Globus, an evil ninja is killed off in a sandtrap on a golf course in Phoenix -- the police riddle him with bullets, foolishly thinking that is the end of it. But as he is dying, the ninja throws a smoke bomb and, hidden by the dark cloud, he crawls into a phone-company van driven by the acrobatic Christie (Lucinda Dickey of Breakin'). As he dies there, his soul possesses her body, much to the consternation of her boyfriend, Secord (Jordan Bennett). Christie periodically uses exotic Eastern skills to slaughter the evil ninja's foes until good ninja Yamada (Sho Kosugi) comes to her rescue. ~ Eleanor Mannikka, All Movie Guide

Cannon Productions' first foray into the martial arts milieu, Enter the Ninja stars Franco Nero. While visiting old pal Frank Landers (Alex Courtney) in the Philippines, master ninja Cole (Nero) is approached by villain Charles Venarius (Christopher George). Coveting Lander's plantation, Venarius tries to strong-arm Cole into turning against his friend. Our Hero refuses, whereupon Venarius brings in his own ninja Hasegawa (Sho Kosugi), the first step towards the battle-royal climax. The stunt choreography by Mike Stone is enough to make one completely forget the film's lapses in taste and logic. Enter the Ninja was followed in short order by Revenge of the Ninja. ~ Hal Erickson, All Movie Guide