Eric Ambler Movies

This remake of the Orson Welles film stars Sam Waterston as a researcher who finds himself entangled in intrigue and danger in Turkey. ~ Jason Ankeny, All Movie Guide

After years of enduring movie lampoons of his 1955 crime-caper classic Rififi, director Jules Dassin topped them all with his own spoof, Topkapi. It's a rather disreputable crew that teams for the elaborate jewel theft masterminded by Maximillian Schell. Sexy Melina Mercouri (Mrs. Dassin) is probably the best of the batch: the others are faffling Robert Morley, unreliable Gilles Segal and Jess Hahn. Bumbling Peter Ustinov (who won an Oscar for his performance) is duped into helping the thieves, and soon finds himself uneasily straddling both sides of the law. As in Rififi, the theft itself (taking place in Istanbul's Topkapi Palace museum) is played out in near-complete silence. We won't tell you how the crooks are foiled; just be advised that money flies out the door when something else flies in the window. Topkapi was based on The Light of Day, a somewhat more somber novel by Eric Ambler. ~ Hal Erickson, All Movie Guide

This episode marks a rare foray into television by famed mystery writer Eric Ambler. George Grizzard plays a starving author named Alan Chatterton, who hopes that he can persuade established novelist Ralston Temple (Dennis King) to finance Chatterton's latest book. Though Chatterton turns out to be a grade-A jerk, Temple agrees to loan him one thousand dollars on "spec" -- and continues pouring money into the project. Will Temple's faith in Chatterton be justified or is he just throwing good money after bad? ~ Hal Erickson, All Movie Guide

This meticulous re-creation of the sinking of the Titanic was adapted by Eric Ambler from the best-selling book by Walter Lord, and it preceded the blockbuster Titanic by almost 40 years. The film covers the life and death of the huge vessel from its launching celebration to that fateful night of April 14, 1912, when the "unsinkable" ship struck an iceberg in the North Atlantic. Of the 2224 passengers on board, 1513 were drowned as a result of the bad planning of lifeboats and escape routes. Kenneth More heads a huge and stellar cast, with 200 speaking parts, as second officer Herbert Lightoller, from whose point-of-view the story unfolds. Also in the cast are Laurence Naismith as the ill-fated Captain Smith; Michael Goodliffe as conscience-stricken ship's designer Thomas Andrews; Tucker McGuire as feisty American millionaire Molly Brown, whose courage and tenacity saved many lives; and Anthony Bushell as the captain of the Carpathia, who launched a noble but vain rescue mission once he was apprised of the disaster. Also appearing are two future TV favorites: The Avengers' Honor Blackman as a woman who believes that she has nothing to live for, and The Man From UNCLE's David McCallum as a wireless operator. The climactic sinking of the vessel is re-created with painstaking accuracy; filmed in "real time," it is a mere 37 minutes shorter than the actual tragedy. Two years before the film's release, an American TV adaptation of A Night to Remember set a precedent as the most elaborate and technically complex "live" broadcast of its time. Some viewers will find this movie a more accurate and gripping representation of this sea disaster than the romance-heavy Titanic. ~ Hal Erickson, All Movie Guide

First filmed under the supervision of Orson Welles in 1942, Eric Ambler's espionage thriller Journey Into Fear was effectively adapted to an hour-long format fourteen years later by by the CBS dramatic anthology Climax. John Forsythe stars as Graham Johnson, an American engineer working on a secret project in Turkey. For reasons that he cannot quite fathom, Johnson has been targetted for death by a group of sinister foreign spies. The local Turkish police arrange for Johnson to be quietly shipped to safety on a tramp steamer, which is already bearing a number of other passengers--most of whom look like they'd cut Johnson's throat for the fun of it. Climax was originally telecast live from New York City. ~ Hal Erickson, All Movie Guide

Lease of Life was the next-to-last film in the relatively short cinema career of actor Robert Donat. Written for the screen by Eric Ambler, the story is set in a small rural community, where William Thorn (Donat) serves as parson. Upon learning that he has only a year to live, Thorn begins to see his parishioners, and his purpose on earth, in a whole new light. The plot is thickened when a dying villager puts his money into the parson's care; in dire need of cash to pay for his daughter's school tuition, Thorn is sorely tempted to dip into the funds himself. Exceptionally well cast, Lease of Life features Kay Walsh as Thorn's wife, Adrienne Corri as their daughter and Vida Hope as the wealthy villager's grasping missus. ~ Hal Erickson, All Movie Guide

In this seagoing military drama set in World War II, Lt. Comdr. Ericson (Jack Hawkins) is made captain of a British corvette, a small escort vessel used to guide and protect convoys traveling through the Atlantic. Ericson had his confidence severely shaken during his last command, in which he lost his ship and most of its men following an attack by a German U-boat. As he leads a new and largely inexperienced crew aboard the H.M.S. Compass Rose, Ericson is once again thrown into a life-and-death dilemma that forces him to choose between destroying an enemy ship and sparing the lives of his own men. The Cruel Sea featured breakthrough early performances from Denholm Elliott and Virginia McKenna, and it was based on a best-selling novel by Nicholas Monsarrat, who stipulated that the film rights could be sold only to a British company. ~ Mark Deming, All Movie Guide

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide

Britain's Margaret Lockwood is teamed with Hollywood's Dane Clark in Highly Dangerous. Set in a mythical Iron Curtain country, the film casts Lockwood as an entomologist who hopes to stop a planned volley of bacteriological warfare. Facing danger at every turn, our heroine is rescued time and again by a two-fisted American reporter (Clark). The story culminates in a glass-enclosed hothouse, where the two protagonists race against time to neutralize thousands of poisonous insects. One bizarre sequence finds a drug-benumbed Lockwood imagining herself as the star of a popular British radio serial! Future Saint mentor Roy Baker directed from a script supplied by no less than Eric Ambler. ~ Hal Erickson, All Movie Guide

David Lean directed this romantic drama, scripted by Eric Ambler from a novel by H.G. Wells. Mary Justin (Ann Todd) is married to wealthy financier Howard Justin (Claude Rains), and while their marriage allows her to lead a comfortable lifestyle, there's little excitement in their relationship. While visiting Switzerland, Mary happens to run into Steve Stratton (Trevor Howard), with whom she was romantically involved years before she wed Howard. Mary finds herself falling for Steve once again, and she has to decide if she should leave her husband in hope of finding real passion or stay with a man who treats her well but whom she does not love. Leading lady Ann Todd married David Lean the same year this was released; it was the first of three films they would make together prior to their divorce in 1957. ~ Mark Deming, All Movie Guide

The Immortal Battalion has a bit of a convoluted history. It started life as a training film, The New Lot, which ran 44 minutes. When Winston Churchill approached David Niven about creating a film that would do for the British Army what In Which We Serve had done for the Royal Navy, he contacted Carol Reed and suggested expanding The New Lot. The result, written by Eric Ambler and Peter Ustinov, was the acclaimed The Way Ahead. For its U.S. release, Way Ahead was edited to a shorter length and retitled The Immortal Battalion. In either of its feature length forms, the film is concerned with the training of a bunch of raw recruits into a capable and efficient fighting regiment. Niven stars as Jim Perry, a lieutenant and former ordinary guy who finds that he must learn to take a tough line in order to make his wildly diverse crew come together and understand the importance both of the war and of their place in it. Although it takes time and constant effort on the part of Perry and his sergeant, the eight men eventually overcome their different backgrounds and feelings, and transform themselves into a unit which performs its tasks with admirable skill and dexterity, preparing them for their battle against the Desert Fox in Africa. Told in a semi-documentary style, Battalion also features the screen debut of Trevor Howard. ~ Craig Butler, All Movie Guide

Based on the Eric Ambler novel entitled "Epitaph for a Spy," this is the story of a medical student on the Riviera during the Summer before WWII begins. A refugee from Austria, he has been photographing wildlife. When the film he develops contains secret installations, he must prove that he is not a German spy or be deported. With the police and help from a romantic interest that pops up along the way, he has to try to flush out the real spy to clear himself. Critical reviews were mixed, though Mason did an admirable job on his character. ~ Tana Hobart, All Movie Guide

Orson Welles had planned to produce, direct and star in RKO's Journey Into Fear, but prior commitments compelled him to vacate the director's chair in favor of Norman Foster. Joseph Cotten, who starred as an American gunnery engineer up to his armpits in international intrigue, adapted the screenplay from the novel by Eric Ambler. Targeted for extermination by the Gestapo, Cotten secretly books passage on a steamer bound from Turkey to Batumi. His fellow passengers include dancer Dolores Del Rio and her gigolo partner Jack Durant; talkative Frenchwoman Agnes Moorehead and her browbeaten husband Frank Readick; German archaeologist Eustace Wyatt; and a secretive, obese, thick-spectacled gent, played by Orson Welles' business partner Jack Moss. From the outset, it is no secret that Moss is a Nazi assassin. The question: who are his contacts, and how long will it be before Cotten is forced into a showdown? The very complex storyline was made even more so by RKO's decision to pare the film down to 69 minutes; several resultant plot gaps had to be bridged by an ongoing offscreen narration, presented in the form of a letter written by Cotten to his worried wife Ruth Warrick. As one can see, virtually the entire roster of Welles' Mercury Theatre troupe is involved in Journey into Fear. Welles himself plays colorful Turkish police officer Colonel Haki, while Everett Sloane, Hans Conried and Edgar Barrier essay significant smaller roles. Director Norman Foster so slavishly imitates the patented Wellesian visual style (following Welles' pre-production "storyboards" dictating choice of camera angle, lighting etc.) that many historians have assumed that Welles himself directed the picture. Remade for Canadian TV in 1975. ~ Hal Erickson, All Movie Guide