Charles Boyer Movies

What's a modern guy to do when his wife's ideas about marriage are a bit too modern for his taste? Andre Casall (Charles Boyer) is a successful, free-thinking playwright who becomes infatuated with a progressive female doctor, Jane Alexander (Margaret Sullavan). They marry impulsively, and Andre soon learns that Jane's ideas about marriage are a bit different from his own -- she demands that they keep separate apartments, and they are to meet only once a day, at 7 a.m. This isn't quite the way that Andre had imagined wedded bliss, and he is soon scheming to make her jealous, in hopes that she'll demand a more traditional living arrangement. ~ Mark Deming, All Movie Guide

An incredibly long but never dull adaptation of the Rachel Field best-seller, All This and Heaven Too was based on a once-notorious European scandal. Star Bette Davis, playing Henriette Deluzy-Desportes, is first seen as a French schoolteacher in a 19th century American seminary. When her supervisor, Reverend Henry Mortyn Field (Jeffrey Lynn), has questions to ask about her tainted past, Henriette relates her story in flashback. She had been hired by French duke De Praslin (Charles Boyer) to be the governess for his children. De Praslin's wife (Barbara O'Neil) was insanely jealous, so much so she inadvertently threw De Praslin and Henriette together. Henriette was willing to leave rather than cause more discord, but the influential wife vengefully refused to write a letter of recommendation (a bravura scene). Later, the impoverished Henriette was arrested as an accomplice in the murder of De Praslin's wife. The latter's position in French society stirred up volatile political ramifications, with Henriette innocently in the center of the storm. De Praslin committed suicide, exonerating Henriette on his deathbed, but she had already been condemned in the court of public opinion. Disgraced, she left for America to start life anew, which brings the story back to the present. Unable to continue running away from herself, Henriette confesses her past indiscretions to her students -- who promptly forgive her. Casey Robinson had a hell of a job adapting Rachel Field's cumbersome novel, but, by golly, he pulled it off. The performances in All This and Heaven Too are enhanced immeasurably by the lush Max Steiner musical score. ~ Hal Erickson, All Movie Guide

Following up their successful film Love Affair, Charles Boyer and Irene Dunne team up again for the romantic melodrama When Tomorrow Comes, based on a story by James M. Cain. Philip (Boyer) is a concert pianist who stops into a restaurant for lunch and meets waitress Helen Lawrence (Dunne). He follows her to a rally where she is planning a strike. The two fall in love despite the fact that Philip is married to Madeline (Barbara O'Neil), who suffers from psychotic spells after a miscarriage has brought her to madness. Helen goes on strike and Philip wants to take her to Long Island on his sailboat, but they are stranded by a hurricane. Taking refuge in a destroyed church, Helen learns about his wife and is forced to make a difficult decision. When Tomorrow Comes won an Academy award in 1939 for Best Sound, mostly due to the novel hurricane scene. This is one of three films by director John M. Stahl to be remade by Douglas Sirk in the late '50s and early '60s. ~ Andrea LeVasseur, All Movie Guide

Orage (Storm) marked Charles Boyer's return to France after a two-year soujourn in Hollywood. Boyer plays construction engineer Andre Pascaud, who is dissatisfied with his marriage to the adoring Gisele (Lisette Lanvin). When Andre's brother-in-law Gilbert (Robert Manuel) brings home his fiancee Francoise (Michele Morgan), Andre instantly falls in love with the girl. He pursues a romance with Francoise, never letting her know that he's married. When the "moment of truth" arrives, it spells disaster for all concerned, none more so than the unfortunate Francoise. Based on a play by Henri Bernstein,Orage served to boost the stardom of Michele Morgan, a protegee of director Marc Allegret. ~ Hal Erickson, All Movie Guide

History is Made at Night has been described as a romantic tragedy, which it indeed is, up to a point. The film begins deceptively in screwball-comedy fashion with socialite Jean Arthur and handsome head waiter Charles Boyer "meeting cute." But there's nothing cute about Arthur's estranged husband, shipbuilder Colin Clive. Insanely jealous, Clive arranges for the ship on which his wife and her lover are travelling to hit an iceberg--then, aghast at what he has done, Clive commits suicide. As the ship lists dangerously close to sinking beneath the waves, the terrified passengers--Boyer and Arthur included--huddle on the deck. The fog-enshrouded scene in which Charles and Jean affirm their love in the face of death is among the most heartrending sequences ever filmed (the director was Frank Borzage, a past master at transforming potential maudlin material into high-gloss art). Even the happy ending of History is Made at Night does not diminish the power and poignancy of that shipboard scene. ~ Hal Erickson, All Movie Guide

Marlene Dietrich stars as the noble Domini Enfilden in this third film version of Robert Hichens' 1904 novel. After caring for her dying father, Domini is told by her Mother Superior (Lucille Watson) that she should go to the Algerian desert to rest and seek sanctuary. On her way to the town of Beni-Mora, Domini meets the ill-tempered and mysterious Boris Androvsky (Charles Boyer), a Trappist monk who has forsaken his vows and also seeks the Algerian desert for salvation. Domini is attracted to this moody monk, but continues on. Her desert guide, Batouch (Joseph Schildkraut), takes Domini to a cabaret, where a riot breaks out during a production number. Boris re-appears to rescue her from the trashed club. Domini and Boris fall in love, marry, and travel to the desert for their honeymoon. There the newlyweds encounter a unit of the French Foreign Legion, whose commander, De Trevignac (Alan Marshal), holds a secret to Boris's past. ~ Paul Brenner, All Movie Guide

Based on Idol's End, a novel by Claude Anet, the French Mayerling is based on the tragic real-life story of Hapsburg Crown Prince Rudolph and his mistress, Baroness Marie Vetsera. Since the details of Rudolph and Marie's lives and deaths are clouded in controversy, much of the film is romanticized speculation-with emphasis on the romance. The film establishes Rudolph (Charles Boyer) as a rebellious "man of the people", at eternal odds with his despotic father, Emperor Franz Joseph (Jean Dax). To keep him quiet and out of trouble, Rudolph is forced into an arranged marriage, and surrounded by Hapsburg informers and spies. In an effort to escape this oppressive atmosphere, a disguised Rudolph dashes off to a fair, where he meets the beauteous 17-year-old Marie (Danielle Darieux). Thus begins an illicit romance, which the lovers try vainly to keep secret from the prying eyes of the Emperor's flunkeys. One of Rudolph's enemies arranges for Marie to be taken away to Trieste for a "rest cure." Rudolph sinks into a drunken depression, snapping out of it only when Marie returns. They attempt to legitimize their love through marriage, but the Catholic hierarchy will not approve of Rudolph's divorcing his wife. Desperately, the lovers flee to Rudolph's hunting lodge in Mayerling. Here they spend an exquisite last night together, then formulate a death pact. The following day, Marie and Rudolph are found lying side by side-united in death. Transforming this grim story into a tender, moving romance was quite an undertaking, but the end result was worth it: Mayerling was a huge international hit, and the winner of several industry awards, including the New York film critics' "best foreign picture" prize. Mayerling was remade in surprisingly cold and distant fashion in 1968, with Omar Sharif and Catherine Deneuve. ~ Hal Erickson, All Movie Guide

The stigma of miscegenation (horrors!) is at the base of this very dated romantic melodrama. Charles Boyer stars as Dmitri Koslov, an enterprising Eurasian who rises from rickshaw driver to powerful industrialist, all the while concealing his mixed parentage. Koslov falls in love with beautiful American Barbara Howard (Loretta Young), but dares not propose marriage because he is half-Chinese. Even so, Barbara insists upon trailing after the elusive Koslov into the mountainous regions of China, symbolically shedding all her valued possessions to finance her odyssey. But East is East and West is West, thus the "forbidden" alliance between hero and heroine must end on an unhappy note. Swedish-born Warner Oland once again convincingly impersonates an Asian as a Chinese ambassador. ~ Hal Erickson, All Movie Guide

Katharine Hepburn suffers nobly while her philandering conductor husband Charles Boyer dallies with the likes of Helene Millard in this overheated melodrama directed by Philip Moeller of the renowned Theater Guild. Although receiving plenty of warning, prim lady composer Constance Roberti (Hepburn) is still devastated when her new husband, Franz (Boyer), is spotted dining with glamorous Sylvia (Millard) and promptly leaves him. A dipsomaniac, Roberti finds solace in a bottle and is soon reduced to playing in a seedy dive. Constance finds him there and after playing “their song” on the honky-tonk, Roberti resolves to go straight and return to the world of classical music. ~ Hans J. Wollstein, All Movie Guide

Liliom, Ferenc Molnar's bittersweet fantasy play, was first filmed in Hollywood in 1930, with Charles Farrell as ne'er-do-well carnival barker Liliom and Rose Hobart as his long-suffering wife Julie. While that version is not available for public viewing, the 1935 French-language version directed by Fritz Lang and starring Charles Boyer is currently being offered by several home-video warehouses--albeit in an undubbed, unsubtitled print. Boyer plays Liliom, who runs the carousel at a Budapest amusement park. He impulsively quits his job when he falls in love with mill-worker Julie (Madeleine Ozeray). A terrible husband and provider, Liliom panics when he discovers he's about to become a father. He enters into a get-rich-quick robbery scheme with his unsavory pal Alfred (Alcover), but the plan goes awry. Rather than allow himself to be arrested, Liliom kills himself, whereupon his soul is transported via an art-deco express train to the waiting room of Heaven. A celestial judge determines that Liliom will not get his wings until he returns to earth to do one good deed. Liliom materializes before his now-teenaged daughter, and tries to give her a star that he's stolen from heaven; when she panics, he impulsively slaps her. Considering himself a failure, Liliom wearily heads for Purgatory, but a coda shows that his visit has done a world of good for both his widow and his daughter. Liliom was later musicalized by Rodgers & Hammerstein as Carousel. ~ Hal Erickson, All Movie Guide