Stephen Altman Movies

Martin Landau and Ellen Burstyn topline the debut of writer/director Nik Fackler in Lovely Still, a whimsical romance tale that follows an elderly grocery-store bagger (Landau) who experiences his first pangs of love in the form of Burstyn. Elizabeth Banks portrays the woman's daughter, while Adam Scott handles the role of the store's owner. ~ Jeremy Wheeler, All Movie Guide

Comic and filmmaker Albert Brooks serves his country while struggling to get some laughs in this offbeat satiric comedy. Brooks plays himself, a comedic filmmaker whose most recent success was providing the voice of a fish for an animated feature and who has just been passed by as director for a remake of Harvey. As Brooks wonders what's going to happen next with his career, his wife (Amy Ryan), and his daughter, he's approached by government representatives who want him for a special assignment. The State Department, eager to better understand the cultural gap between the United States and the Middle East, have been directed by the president to make a study of what makes Muslims laugh. Brooks is asked to fly to India and Pakistan and bring back a 500-page report on Muslim humor; told the Medal of Freedom may be his if he comes through, Brooks accepts. With a pair of State Department officials in tow, Stuart (John Carroll Lynch) and Mark (Jon Tenney), and some help from a local assistant, Maya (Sheetal Sheth), Brooks sets out to find the funny bone of India's and Pakistan's Muslim communities, though it doesn't take long to find out what they don't find funny -- his standup act. Looking for Comedy in the Muslim World was originally set for release in the United States by Sony Pictures Classics, but when they became nervous over the film's title, they dropped the project and it was picked up for distribution by Warner Independent Pictures. ~ Mark Deming, All Movie Guide

Directed by Taylor Hackford, this biopic profiles the life of legendary musician Ray Charles. Despite humble beginnings and the loss of his eyesight due to glaucoma at the age of six, Charles, depicted by Jamie Foxx, would nonetheless become an icon in both the music industry and the civil rights era. While the film delves into his problems with drugs and women, the bulk of the story details his career; among the highlights of that career are 12 Grammy awards and 11 R&B chart-toppers, such as "Unchain My Heart," "Hit the Road, Jack," "Georgia," "Doin' the Mess Around," and "Hallelujah I Just Love Her So." Also among the cast are Larenz Tate as Quincy Jones, as well as Regina King, Kerry Washington, and Clifton Powell. Charles' son, Ray Charles Jr. helped produce the film. ~ Tracie Cooper, All Movie Guide

Maverick American filmmaker Robert Altman takes a witty and absorbing look at the foibles of the British class system in this intelligent murder mystery set in the early '30s. Sir William McCordle (Michael Gambon) and his wife Lady Sylvia (Kristin Scott Thomas) are a pair of wealthy British socialites who have invited a variety of friends, relatives, and acquaintances to their mansion in the country for a weekend of hunting and relaxation. Among the honored guests are Constance (Maggie Smith), Lady Sylvia's matronly aunt; Ivor Novello (Jeremy Northam), William's cousin who is also a well-known actor and songwriter; and Morris Weissman (Bob Balaban), an American film producer who is friendly with Ivor and researching an upcoming project. Observing the proceedings are the domestic staff of the mansion, including imperious butler Jennings (Alan Bates); footmen George (Richard E. Grant) and Arthur (Jeremy Swift); Probert (Derek Jacobi), a valet to Sir William; housekeeper Mrs. Wilson (Helen Mirren); Mrs. Croft (Eileen Atkins), who oversees the kitchen; and Elsie (Emily Watson), a maid. Also on hand are the guests' personal servants, including Mary (Kelly Macdonald), Constance's maid; Henry (Ryan Phillippe), Weissman's valet; and Parks (Clive Owens), a butler. While the servants are required to display a high level of decorum, they are expected to be passive observers who do not comment on what they see, though the gossip among them travels thick and fast once they retire to the servants' quarters downstairs. And it turns out that there's plenty worth gossiping about, especially after Sir William turns up dead, and everyone is ordered to stay at the mansion while the police investigate the killing. Gosford Park also features Charles Dance, Tom Hollander, Natasha Wightman, and Ron Webster; the screenplay was written by Julian Fellowes, based on a story by Altman and co-star Bob Balaban. ~ Mark Deming, All Movie Guide

Director Robert Altman reteams with Cookie's Fortune scribe Anne Rapp for this tale of a Dallas gynecologist and the parade of anxious patients, haggard family members, and potential love interests who come his way. Richard Gere plays the titular role of Dr. Sullivan Travis, a calm, successful, and much sought-after ob-gyn who witnesses his normally stable life come apart over the course of one rainy autumn. As the film opens, Dr. T and his wife Kate (Farrah Fawcett) are preparing for the wedding of their Dallas Cowboys cheerleader daughter Dee Dee (Kate Hudson). Their other daughter -- the Kennedy-assassination conspiracy theorist Connie (Tara Reid) -- has her doubts about the impending nuptials, but Dr. T chalks them up to routine sibling jealousy. Meanwhile, escaping a messy divorce, boozy sister-in-law Peggy (Laura Dern) moves into the Travis household with her three toddler daughters in tow. For release, Dr. T finds solace target shooting and golfing (occasionally at the same time) with his buddies, and at his country club, he meets a beguiling golf pro, Bree (Helen Hunt). When the childlike Kate loses her grip on reality during a flatware shopping spree, Bree offers to give the kindly doctor some lessons in his swing -- both on and off the fairways. Dr. T had its North American Premiere at the 2000 Toronto International Film Fest. ~ Michael Hastings, All Movie Guide

Robert Altman directed this John Grisham tale that begins at a party where Savannah attorney Rick Magruder (Kenneth Branagh) celebrates his successful defense of a man who shot a local cop. The partygoers include his ex-wife Leeanne (Famke Janssen), the mother of his two children; his law partner Lois Harlan (Daryl Hannah); and caterer Mallory Doss (Embeth Davidtz). After Mallory finds her car stolen, Rick gives her a ride home where things turn sexual. Attracted to Mallory, he learns that her crazed father Dixon Doss (Robert Duvall) has been threatening her. Getting too closely involved with this woman he hardly knows, Rick has the police round up her unstable father, and he next subpoenas her ex-husband Pete (Tom Berenger) to testify against Dixon, who is institutionalized.

The crazed Dixon manages to escape from the asylum, intent on revenge against all his betrayers and enemies. As a potent hurricane blows into Savannah, Mallory's car is torched, and Rick receives threats. Believing his children are in danger, Rick removes them from school, prompting a warrant for his arrest. When his children disappear, Rich goes on the counterattack against Dixon. Chinese cinematographer Changwei Gu (of Chen Kaige's Farewell My Concubine and Zhang Yimou's Ju Dou) captured the soaked Savannah sites. The script is not an adaptation from a John Grisham novel; Grisham wrote it as an original screenplay just before the success of The Firm (1993), and it was acquired by producer Jeremy Tannenbaum. After Island Pictures came into the project at $1.4 million, Grisham returned for rewrites. Altman did even more drafts, so the pseudonym Al Hayes was created as the scripting credit. When Polygram suggested to Altman that the electronic score could be replaced with a traditional score, Altman had friends call reporters to say he had been dismissed. Polygram began re-editing the $25 million movie, but their edit didn't test much better than Altman's version, so they handed the reins back to Altman. ~ Bhob Stewart, All Movie Guide

The jazz world of 1930s Kansas City serves as the backdrop for an offbeat story of kidnapping, political corruption, and organized crime in director Robert Altman's loving but unsentimental look at his childhood hometown. The film's intricate story is triggered by petty thief Johnny O'Hara (Dermot Mulroney), who aims for a big score by trying to rob notorious crime boss Seldom Seen (Harry Belafonte), only to end up Seen's captive. In fear for her husband's life, Johnny's wife Blondie (Jennifer Jason Leigh) decides to take action. Following an eccentric personal logic, she takes as a hostage the wife of a prominent local politician, in hopes of getting the woman's husband to help; unfortunately, he is on the road with an upcoming presidential campaign, putting a major hitch in Blondie's plans. The film moves freely among its idiosyncratic characters in an overt attempt to mimic the improvisational structure of 1930s jazz. Indeed, many of the film's most important sequences take place in Seldom Seen's club, with contemporary jazz greats imitating the period's master musicians and Harry Belafonte shining as the magnetic, menacing Seen. The central narrative never achieves the seemingly effortless integration of Altman's greatest works, but those who share Altman's obvious passion for the period and its music will find much to admire. ~ Judd Blaise, All Movie Guide

This large, sprawling comedy directed by Robert Altman concerns a variety of romantic and personal intrigues that intersect against the backdrop of Paris's annual "Pret-a-Porter" fashion extravaganza. With 31 principal characters and a number of cameos from well known models, designers, actors and actresses, there's far too much going on to describe the film in a limited space, but Julia Roberts and Tim Robbins get stuck in a hotel room together, Danny Aiello wears a dress, Sophia Loren and Marcello Mastroianni reignite their old passion (or at least try to), Stephen Rea humiliates a number of female journalists, Kim Basinger often looks dumbfounded, and Lyle Lovett plays a Texan (talk about imaginative casting!). Originally called Pret-a-Porter, this underwent a last-minute title change when the distributor discovered very few Americans understood what the French phrase means, with the English translation taking its place. ~ Mark Deming, All Movie Guide

Based on stories by Raymond Carver, Short Cuts follows 22 Los Angeles residents whose lives intersect over the course of a few days. Ann and Howard Finnegan (Andie MacDowell and Bruce Davison) are preparing for their son Casey's birthday party when the boy is injured in an auto accident and falls into a coma. Meanwhile, Andy (Lyle Lovett), a baker, seethes with anger over the birthday cake that wasn't claimed, and Howard's father, Paul (Jack Lemmon), decides that a visit with his ailing grandson is a good time to discuss his infidelities. Lois (Jennifer Jason Leigh) is a new mother who watches over her baby when not making money doing phone sex, which bothers her husband, Jerry (Chris Penn), though he knows they need the money. Pilot "Stormy" Weathers (Peter Gallagher) takes a very literal approach to dividing up community property with his ex-wife (Frances McDormand). Doreen (Lily Tomlin) is trying on to hold her marriage with Earl (Tom Waits), who is a good man on the rare occasions that he's sober. Zoe (Lori Singer), a classical musician, is trying to find some way to connect with her mother, Tess (Annie Ross), a jazz singer. Dr. Ralph Wyman (Matthew Modine) and his wife, Marian (Julianne Moore) put their bickering on hold while they have dinner with another couple, Stuart and Claire Kane (Fred Ward and Anne Archer). Stuart and his pals Gordon and Vern (Buck Henry and Huey Lewis) earlier went on a fishing trip where they discovered the body of a drowned woman but decided not to report it until the end of the weekend. ~ Mark Deming, All Movie Guide

The relationship between the obsessive, brilliant painter Vincent Van Gogh and his more practical brother Theo is at the center of director Robert Altman's well-received biography, originally produced as a miniseries for European television. Now universally acknowledged as masterpieces, Vincent Van Gogh's works were ignored in his lifetime, despite the best efforts of Theo, a struggling gallery owner. When he fails to make a profit from his brother's work, Theo finds himself torn between art and commerce, a conflict deepened by Vincent's increasing emotional neediness. Soon, the situation worsens, and both brothers are forced to struggle with depression and madness. Altman's distinctive directorial approach avoids clichés, allowing his leads to create contradictory and sometimes unlikable characters. Tim Roth captures Vincent's devotion to his art, his difficult personality, and his descent into mental illness without resorting to histrionics, while Paul Rhys provides equally proficient work as the more repressed Theo. The cinematography by Jean Lepine illuminates the links between Altman's trademark wandering camera and Van Gogh's impressionistic painting style. ~ Judd Blaise, All Movie Guide

Based on a Pulitzer Prize-winning novel by Herman Wouk, this thought-provoking made-for-television drama chronicles the court martial of the lieutenant who commandeered the U.S.S. Caine during a potentially deadly storm. The only way his attorney can save him is to prove that Captain Queeg was mentally incompetent to safely run the ship. ~ Sandra Brennan, All Movie Guide

An international collection of well-known directors contributed to this compilation film, each fashioning a short film inspired by an aria from a famous opera. The approaches vary broadly, from the playful abstraction of Jean-Luc Godard's segment, which illustrates Armide with exercising body-builders, to the more literal approach of Franc Roddam, who transports Tristan und Isolde's story to modern-day Las Vegas. A particular stand-out is Julian Temple's take on Rigoletto, which recasts Verdi as the accompaniment to a contemporary Southern California sex farce. ~ Judd Blaise, All Movie Guide

In medieval France, knight Rutger Hauer and lady fair Michelle Pfeiffer both run afoul of evil-bishop John Wood. Through the auspices of bishop's confessor Leo McKern, Hauer and Pfeiffer are placed under a curse. During the night, Hauer takes the form of a wolf, while Pfeiffer assumes the form of a hawk by day. The two lovers can only meet one another as humans at dawn and dusk. The only mortal in a position to rescue Hauer and Pfeiffer from their fate is nebbishy pickpocket Matthew Broderick, who acts as liaison between the lovers. With the help of the guilt-ridden McKern--and a convenient solar eclipse--Broderick endeavors to set things aright. ~ Hal Erickson, All Movie Guide