Robert Altman

Acclaimed filmmaker Robert Altman (Short Cuts, Nashville) brings National Public Radio stalwart Garrison Keillor's long-running radio program to vivid life on the big screen in a intricately woven backstage fable centering on the final performance of a fictionalized version of his variety show. As if the result of some strange mass-media fluke, the popular radio program A Prairie Home Companion somehow managed to survive the television age to entertain its audience every Saturday night from the stage of the historic Fitzgerald Theater in St. Paul, MN. Week after week, hangdog host Garrison Keillor serves as unflappable emcee to an amiable hodgepodge of radio-friendly acts that include the likes of popular country duo Yolanda and Rhonda Johnson (Meryl Streep and Lily Tomlin) and singing cowboys the Old Trailhands (Woody Harrelson and John C. Reilly). This is one show where the under-the-line antics are nearly as entertaining as the program itself, though, and in between the efforts of down-on-his-luck private dick and backstage doorkeeper Guy Noir (Kevin Kline) to discover the true identity of a mysterious blonde (Virginia Madsen) and aspiring teen singer Lola (Lindsay Lohan) to find her true voice before a live audience, there's still plenty of fun and mystery to be had at the old Fitzgerald before the final curtain falls on A Prairie Home Companion. ~ Jason Buchanan, All Movie Guide

The Z Channel wasn't America's first premium cable outlet specializing in feature films, and it wasn't the most commercially successful, but few, if any, had as strong an impact on the film industry or a more influential list of customers. Based in California and blanketing sections of the state dominated by the movie business, Z Channel had been operating for several years before former screenwriter Jerry Harvey took over as head of programming in 1980. Under the guidance of Harvey and his staff, the channel became a film buff's dream, screening rare classics, important foreign films, and maverick American titles that had fallen through the cracks of commercial distribution. Harvey and his staff also programmed original and uncut versions of films which had only played American theaters in altered form (including Heaven's Gate, Once Upon a Time in America, Pat Garrett and Billy the Kid, and The Leopard) long before the concept of the "director's cut" had currency beyond the most hardcore of film fans. And The Z Channel aggressively championed pictures they believed were overlooked, and programmed deserving Oscar-nominated movies during the Academy's voting period, years before studios began distributing video "screeners" to potential voters. (More than one industry expert has credited Z Channel's showings of Annie Hall as a key factor in the film winning Best Picture.) But Jerry Harvey was also a deeply troubled man, and when legal and economic problems began dogging the company in the late '80s, he snapped, leading to a horrible and tragic murder and suicide. The Z Channel: A Magnificent Obsession is a documentary that looks at the channel's short but remarkable history as well as Harvey's damaged personal life. It includes interviews with Robert Altman, Quentin Tarantino, James Woods, Jim Jarmusch, Alexander Payne and a number of other filmmakers and critics who attest to Z Channel's lasting impact. ~ Mark Deming, All Movie Guide

Robert Altman directs the musical drama The Company from an original story by actress Neve Campbell, based on her own experiences with The National Ballet of Canada. At the center of the ensemble cast is the young dancer Ry (Campbell), a rising star with the Joffrey Ballet of Chicago. She struggles with the demands of being a dancer while supporting herself as a waitress and starting up a romance with Josh (James Franco). Meanwhile, the ballet company director, Alberto Antonelli (Malcolm McDowell), manages to balance his own administrative and artistic duties. Campbell does her own dancing in the film and the rest of the company is played by the actual members of the Joffrey Ballet. The Company was shown at the 2003 Toronto Film Festival. ~ Andrea LeVasseur, All Movie Guide

Alan Rudolph directed and co-wrote this eccentric comedy about a woman who bumbles her way into fighting crime. Trixie Zurbo (Emily Watson) is a well-meaning but scatter-brained casino security guard, who dreams of a career as a private detective. Her ambition accidentally becomes reality when she's thrown into the middle of a series of events involving double-dealing state senator Avery (Nick Nolte), crooked real estate developer Red Rafferty (Will Patton), and his sleazy girlfriend Dawn Slotnick (Lesley Ann Warren). Along the way, Trixie finds romance with the suave Dex Lang (Dermot Mulroney). Nathan Lane appears in a supporting role as Kirk Stans, a flamboyant lounge singer. Trixie had its world premiere at the 2000 Sundance Film Festival. ~ Mark Deming, All Movie Guide

The alienating effects of racism are explored in this auteurist debut from editor, producer, writer, director, and star Abraham Lim. Set and shot in Kansas City, Roads concerns the inner rage of Johnson Lee (Lim), an Asian-American man who -- spurned by the death of a loved one and the casual racism all around him -- has withdrawn from farm-belt society. He takes to dodging freight trains at night, a pastime which quickly gets him in trouble with the law. Sentenced to picking trash off the sides of roads, Johnson becomes friends with the road crew's foreman, Daryl Logan (Gregory Sullivan). As Daryl and Johnson share their stories of bigotry, they come to a higher understanding of the modern-day Midwest. Legendary filmmaker and Kansas City native Robert Altman co-produced Lim's low-budget labor of love. ~ Michael Hastings, All Movie Guide

Star and producer Tom Bastounes reportedly sold his family produce store in Chicago to finance this semi-autobiographical romantic comedy about lost love and lost opportunities. As he works at his family's produce store, George (Bastounes) is haunted by his choices of 20 years ago. The two things he most regrets are not pursuing a career in opera singing and not pursuing Gina (Monica Zaffarano), his old classmate who has gone on to fame and fortune as a diva. The film opens with George's wife asking for a divorce after George tries to sneak into the house after returning from an adulterous tryst. George's fortunes change when Gina visits Chicago for a five-day gig. It becomes immediately clear that love between the two still smolders, though Gina is involved with a straight-arrow senator. When Gina can't sing at a charity function, George steps in and wows everyone -- including himself -- with his sonorous voice, and he is given a glowing review in the paper. Suddenly, George's life is on track again, until some unforeseen complications hamper his forward movement. ~ Jonathan Crow, All Movie Guide

Robert Altman directed this John Grisham tale that begins at a party where Savannah attorney Rick Magruder (Kenneth Branagh) celebrates his successful defense of a man who shot a local cop. The partygoers include his ex-wife Leeanne (Famke Janssen), the mother of his two children; his law partner Lois Harlan (Daryl Hannah); and caterer Mallory Doss (Embeth Davidtz). After Mallory finds her car stolen, Rick gives her a ride home where things turn sexual. Attracted to Mallory, he learns that her crazed father Dixon Doss (Robert Duvall) has been threatening her. Getting too closely involved with this woman he hardly knows, Rick has the police round up her unstable father, and he next subpoenas her ex-husband Pete (Tom Berenger) to testify against Dixon, who is institutionalized.

The crazed Dixon manages to escape from the asylum, intent on revenge against all his betrayers and enemies. As a potent hurricane blows into Savannah, Mallory's car is torched, and Rick receives threats. Believing his children are in danger, Rick removes them from school, prompting a warrant for his arrest. When his children disappear, Rich goes on the counterattack against Dixon. Chinese cinematographer Changwei Gu (of Chen Kaige's Farewell My Concubine and Zhang Yimou's Ju Dou) captured the soaked Savannah sites. The script is not an adaptation from a John Grisham novel; Grisham wrote it as an original screenplay just before the success of The Firm (1993), and it was acquired by producer Jeremy Tannenbaum. After Island Pictures came into the project at $1.4 million, Grisham returned for rewrites. Altman did even more drafts, so the pseudonym Al Hayes was created as the scripting credit. When Polygram suggested to Altman that the electronic score could be replaced with a traditional score, Altman had friends call reporters to say he had been dismissed. Polygram began re-editing the $25 million movie, but their edit didn't test much better than Altman's version, so they handed the reins back to Altman. ~ Bhob Stewart, All Movie Guide

Bill (Randy Quaid), a wealthy Texan, is fooling around on his wife (Sally Kellerman) with two different women (Jennifer Tilly and Daryl Hannah). But Bill begins realize that he's gotten himself into hot water when all three women in his life begin receiving parts of the same gun in the mail. Gun: All the President's Women also features Sean Young. ~ Mark Deming, All Movie Guide

This cool and tuneful documentary centers on a band of modern musicians in period garb playing a dozen authentic pieces from 1934 Kansas City jazz. Their performance was recorded on the set of Robert Altman's 1996 film Kansas City, and selections from this atmospheric concert were used in his feature. ~ Sandra Brennan, All Movie Guide

Jennifer Jason Leigh offers an acclaimed performance as humorist Dorothy Parker, who together with such 1920s luminaries as Robert Benchley, Alexander Woollcott and George S. Kaufman, was a charter member of the legendary Algonquin Round Table. The story is related in flashback form, as Mrs. Parker, in Hollywood to cowrite the 1937 feature A Star is Born with her second husband Alan Campbell (Peter Gallagher), recalls her glory days as an Algonquinite. A great deal of attention is afforded Parker's vituperative bon mots, her alcoholism, her self-destructiveness, her suicide attempts, and her affairs with such literary contemporaries as Charles MacArthur (an uncharacteristically unsympathetic Matthew Broderick) and Robert E. Sherwood (Nick Cassavetes). The one person Parker truly seems to care about is humorist Robert Benchley (Campbell Scott), who prefers to keep their friendship platonic. Director Alan Rudolph attempts to convey the ambience of the 1920s by having dozens of that decade's luminaries appear in fleeting cameos, from Will Rogers (Keith Carradine) to Harpo Marx. Also featured in Mrs. Parker are Tom McGowan as the waspish Alexander Woollcott and Andrew McCarthy as Dorothy's near-invisible first husband, Eddie Parker. ~ Hal Erickson, All Movie Guide

This documentary takes the viewer behind the scenes of the making of the Robert Altman film Shortcuts. Based on a collection of short stories by Raymond Carver, the movie chronicles the triumphs and failures of ordinary people. The documentary presents interviews with the cast, the director, and widow of the author for insights into the film's themes and characterizations. Interspersed are clips from the movie itself, which illustrate the points made by those involved in the making of the movie. ~ Rose of Sharon Winter, All Movie Guide

Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, All Movie Guide